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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B37F it is the complementary color #CD4C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B37F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B37F shade: #37B37A, #48C58D, #59D7A0, #6AE9B3 and #7BFBC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B37F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B37F shade: #32B37F, #21A16C, #108F59, #007D46 and #006B33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B37F shade: #32B37F, #32B35C, #32B339, #4DB332 and #70B332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B37F shade: #32B37F, #32B3A1, #32A1B3, #327EB3 and #325CB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B37F shade matches the following richer shades: #32B37F, #1FC582 and #0DD886

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B37F shade: #32B37F, #45A07B, #578D78, #6A7B74 and #7C6870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B37F shade: #32B338, #32B35B, #32B37D, #32B39F and #32A4B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B37F shade: #207251, #299268, #32B37F, #44CA94 and #64D3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B37F shade: #32B37F, #324EB3 and #B34A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B37F shade: #32B37F, #7D32B3 and #B37D32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B37F shade: #32B37F, #324EB3, #B33268 and #B39732

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B37F shade: #32B37F, #3D32B3, #B33268 and #A8B332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

Complementary color

CMYK 0 / 63 / 38 / 20

HEX #CD4C80

RGB 205 76 128

HSL 335.81, 0.56%, 0.55%

LAB 51.5, 55.63, -1.96

 

CMYK 69 / 0 / 32 / 30

HEX #37B37A

RGB 55 179 122

HSL 152.42, 0.53%, 0.46%

LAB 65.32, -47.27, 19.49

 

CMYK 63 / 0 / 28 / 23

HEX #48C58D

RGB 72 197 141

HSL 153.12, 0.52%, 0.53%

LAB 71.71, -47.59, 18.12

 

CMYK 59 / 0 / 26 / 16

HEX #59D7A0

RGB 89 215 160

HSL 153.81, 0.61%, 0.6%

LAB 78.03, -47.72, 16.87

 

CMYK 55 / 0 / 23 / 9

HEX #6AE9B3

RGB 106 233 179

HSL 154.49, 0.74%, 0.66%

LAB 84.28, -47.73, 15.72

 

CMYK 51 / 0 / 21 / 2

HEX #7BFBC6

RGB 123 251 198

HSL 155.16, 0.94%, 0.73%

LAB 90.45, -47.67, 14.66

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 80 / 0 / 33 / 37

HEX #21A16C

RGB 33 161 108

HSL 155.16, 0.66%, 0.38%

LAB 58.88, -46.22, 18.26

 

CMYK 89 / 0 / 38 / 44

HEX #108F59

RGB 16 143 89

HSL 154.49, 0.8%, 0.31%

LAB 52.37, -45, 19.96

 

CMYK 100 / 0 / 44 / 51

HEX #007D46

RGB 0 125 70

HSL 153.6, 1%, 0.25%

LAB 45.78, -43.25, 21.84

 

CMYK 100 / 0 / 52 / 58

HEX #006B33

RGB 0 107 51

HSL 148.6, 1%, 0.21%

LAB 39.16, -40.3, 23.97

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 72 / 0 / 49 / 30

HEX #32B35C

RGB 50 179 92

HSL 139.53, 0.56%, 0.45%

LAB 64.72, -53.69, 34.5

 

CMYK 72 / 0 / 68 / 30

HEX #32B339

RGB 50 179 57

HSL 123.26, 0.56%, 0.45%

LAB 64.33, -58.21, 50.35

 

CMYK 57 / 0 / 72 / 30

HEX #4DB332

RGB 77 179 50

HSL 107.44, 0.56%, 0.45%

LAB 65, -52.96, 54.02

 

CMYK 37 / 0 / 72 / 30

HEX #70B332

RGB 112 179 50

HSL 91.16, 0.56%, 0.45%

LAB 66.46, -42.13, 55.96

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 72 / 0 / 10 / 30

HEX #32B3A1

RGB 50 179 161

HSL 171.63, 0.56%, 0.45%

LAB 66.13, -38.56, -0.81

 

CMYK 72 / 10 / 0 / 30

HEX #32A1B3

RGB 50 161 179

HSL 188.37, 0.56%, 0.45%

LAB 61.15, -24.65, -18.3

 

CMYK 72 / 30 / 0 / 30

HEX #327EB3

RGB 50 126 179

HSL 204.65, 0.56%, 0.45%

LAB 50.52, -5.48, -34.73

 

CMYK 72 / 49 / 0 / 30

HEX #325CB3

RGB 50 92 179

HSL 220.47, 0.56%, 0.45%

LAB 40.55, 15.69, -50.57

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 84 / 0 / 34 / 23

HEX #1FC582

RGB 31 197 130

HSL 155.78, 0.73%, 0.45%

LAB 70.76, -55.48, 22.55

 

CMYK 94 / 0 / 38 / 15

HEX #0DD886

RGB 13 216 134

HSL 155.76, 0.89%, 0.45%

LAB 76.63, -62.56, 28.34

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 57 / 0 / 23 / 37

HEX #45A07B

RGB 69 160 123

HSL 155.6, 0.4%, 0.45%

LAB 59.74, -36.18, 11.25

 

CMYK 38 / 0 / 15 / 45

HEX #578D78

RGB 87 141 120

HSL 156.67, 0.24%, 0.45%

LAB 54.48, -22.95, 5.58

 

CMYK 14 / 0 / 6 / 52

HEX #6A7B74

RGB 106 123 116

HSL 155.29, 0.07%, 0.45%

LAB 50.09, -7.75, 1.71

 

CMYK 0 / 16 / 10 / 51

HEX #7C6870

RGB 124 104 112

HSL 336, 0.09%, 0.45%

LAB 46.12, 9.4, -1.52

 

CMYK 72 / 0 / 69 / 30

HEX #32B338

RGB 50 179 56

HSL 122.79, 0.56%, 0.45%

LAB 64.33, -58.31, 50.75

 

CMYK 72 / 0 / 49 / 30

HEX #32B35B

RGB 50 179 91

HSL 139.07, 0.56%, 0.45%

LAB 64.7, -53.85, 34.99

 

CMYK 72 / 0 / 30 / 30

HEX #32B37D

RGB 50 179 125

HSL 154.88, 0.56%, 0.45%

LAB 65.28, -47.41, 17.78

 

CMYK 72 / 0 / 11 / 30

HEX #32B39F

RGB 50 179 159

HSL 170.7, 0.56%, 0.45%

LAB 66.08, -39.1, 0.22

 

CMYK 72 / 8 / 0 / 30

HEX #32A4B3

RGB 50 164 179

HSL 186.98, 0.56%, 0.45%

LAB 62.07, -26.16, -16.91

 

CMYK 72 / 0 / 29 / 55

HEX #207251

RGB 32 114 81

HSL 155.85, 0.56%, 0.29%

LAB 42.67, -32.86, 11.35

 

CMYK 72 / 0 / 29 / 43

HEX #299268

RGB 41 146 104

HSL 156, 0.56%, 0.37%

LAB 54.06, -39.86, 13.89

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 66 / 0 / 27 / 21

HEX #44CA94

RGB 68 202 148

HSL 155.82, 0.56%, 0.53%

LAB 73.29, -48.85, 16.56

 

CMYK 53 / 0 / 21 / 17

HEX #64D3A6

RGB 100 211 166

HSL 155.68, 0.56%, 0.61%

LAB 77.31, -42.35, 12.73

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 72 / 56 / 0 / 30

HEX #324EB3

RGB 50 78 179

HSL 226.98, 0.56%, 0.45%

LAB 36.71, 24.86, -56.78

 

CMYK 0 / 59 / 72 / 30

HEX #B34A32

RGB 179 74 50

HSL 11.16, 0.56%, 0.45%

LAB 45.24, 41.24, 35.33

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 30 / 72 / 0 / 30

HEX #7D32B3

RGB 125 50 179

HSL 274.88, 0.56%, 0.45%

LAB 37.65, 54.44, -54.93

 

CMYK 0 / 30 / 72 / 30

HEX #B37D32

RGB 179 125 50

HSL 34.88, 0.56%, 0.45%

LAB 56.57, 13.85, 47.57

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 72 / 56 / 0 / 30

HEX #324EB3

RGB 50 78 179

HSL 226.98, 0.56%, 0.45%

LAB 36.71, 24.86, -56.78

 

CMYK 0 / 72 / 42 / 30

HEX #B33268

RGB 179 50 104

HSL 334.88, 0.56%, 0.45%

LAB 42.56, 55.65, -0.95

 

CMYK 0 / 16 / 72 / 30

HEX #B39732

RGB 179 151 50

HSL 46.98, 0.56%, 0.45%

LAB 63.3, -0.5, 54.41

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 66 / 72 / 0 / 30

HEX #3D32B3

RGB 61 50 179

HSL 245.12, 0.56%, 0.45%

LAB 30.71, 43.82, -66.57

 

CMYK 0 / 72 / 42 / 30

HEX #B33268

RGB 179 50 104

HSL 334.88, 0.56%, 0.45%

LAB 42.56, 55.65, -0.95

 

CMYK 6 / 0 / 72 / 30

HEX #A8B332

RGB 168 179 50

HSL 65.12, 0.56%, 0.45%

LAB 70.03, -19.96, 60.69

 

Description

Color code: HEX #32B37F | qconv.com Color code: HEX #32B37F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 179 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 179 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 29 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 29% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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