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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 61 / 90 / 41 it is the complementary color CMYK 56 / 18 / 0 / 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 61 / 90 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 62 / 94 / 39, CMYK 0 / 55 / 83 / 33, CMYK 0 / 50 / 75 / 26, CMYK 0 / 45 / 67 / 19 and CMYK 0 / 41 / 61 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 61 / 90 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 90 / 41, CMYK 0 / 69 / 100 / 48, CMYK 0 / 80 / 100 / 55, CMYK 0 / 95 / 100 / 61 and CMYK 0 / 100 / 100 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 91 / 42, CMYK 0 / 85 / 91 / 42 and CMYK 0 / 91 / 91 / 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 91 / 42, CMYK 0 / 36 / 91 / 42, CMYK 0 / 12 / 91 / 42, CMYK 12 / 0 / 91 / 42 and CMYK 36 / 0 / 91 / 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 61 / 90 / 41 shade matches the following richer shades: CMYK 0 / 61 / 91 / 42 and CMYK 0 / 67 / 99 / 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 91 / 42, CMYK 0 / 54 / 80 / 47, CMYK 0 / 45 / 66 / 52, CMYK 0 / 33 / 50 / 58 and CMYK 0 / 20 / 29 / 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 91 / 71 / 42, CMYK 0 / 86 / 91 / 42, CMYK 0 / 61 / 91 / 42, CMYK 0 / 38 / 91 / 42 and CMYK 0 / 14 / 91 / 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 62 / 90 / 71, CMYK 0 / 61 / 91 / 57, CMYK 0 / 61 / 91 / 42, CMYK 0 / 61 / 90 / 27 and CMYK 0 / 61 / 90 / 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 90 / 41, CMYK 47 / 0 / 91 / 42 and CMYK 91 / 83 / 0 / 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 90 / 41, CMYK 91 / 0 / 61 / 42 and CMYK 61 / 91 / 0 / 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 90 / 41, CMYK 47 / 0 / 91 / 42, CMYK 91 / 28 / 0 / 42 and CMYK 44 / 91 / 0 / 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 61 / 90 / 41 shade: CMYK 0 / 61 / 90 / 41, CMYK 74 / 0 / 91 / 42, CMYK 91 / 28 / 0 / 42 and CMYK 17 / 91 / 0 / 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 90 / 41

HEX #963B0F

RGB 150 59 15

HSL 19.56, 0.82%, 0.32%

LAB 37.2, 36.17, 43.11

 

Complementary color

CMYK 56 / 18 / 0 / 6

HEX #69C4F0

RGB 105 196 240

HSL 199.56, 0.82%, 0.68%

LAB 75.31, -14.89, -30.04

 

CMYK 0 / 62 / 94 / 39

HEX #9B3B0A

RGB 155 59 10

HSL 20.28, 0.88%, 0.32%

LAB 38.05, 38.03, 45.87

 

CMYK 0 / 55 / 83 / 33

HEX #AC4D1D

RGB 172 77 29

HSL 20.14, 0.71%, 0.39%

LAB 44.47, 36.19, 44.89

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 0 / 45 / 67 / 19

HEX #CE7143

RGB 206 113 67

HSL 19.86, 0.59%, 0.54%

LAB 57.4, 32.79, 41.1

 

CMYK 0 / 41 / 61 / 13

HEX #DF8356

RGB 223 131 86

HSL 19.71, 0.68%, 0.61%

LAB 63.83, 31.31, 39.22

 

CMYK 0 / 61 / 90 / 41

HEX #963B0F

RGB 150 59 15

HSL 19.56, 0.82%, 0.32%

LAB 37.2, 36.17, 43.11

 

CMYK 0 / 69 / 100 / 48

HEX #852900

RGB 133 41 0

HSL 18.5, 1%, 0.26%

LAB 30.81, 37.87, 42.87

 

CMYK 0 / 80 / 100 / 55

HEX #741700

RGB 116 23 0

HSL 11.9, 1%, 0.23%

LAB 24.72, 39.02, 36.34

 

CMYK 0 / 95 / 100 / 61

HEX #630500

RGB 99 5 0

HSL 3.03, 1%, 0.19%

LAB 19.06, 38.69, 29.16

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 61 / 91 / 42

HEX #943A0E

RGB 148 58 14

HSL 19.7, 0.83%, 0.32%

LAB 36.66, 35.86, 42.91

 

CMYK 0 / 85 / 91 / 42

HEX #94160E

RGB 148 22 14

HSL 3.58, 0.83%, 0.32%

LAB 31.58, 49.71, 39

 

CMYK 0 / 91 / 91 / 42

HEX #940E0E

RGB 148 14 14

HSL 0, 0.83%, 0.32%

LAB 30.98, 51.44, 38.54

 

CMYK 0 / 61 / 91 / 42

HEX #943A0E

RGB 148 58 14

HSL 19.7, 0.83%, 0.32%

LAB 36.66, 35.86, 42.91

 

CMYK 0 / 36 / 91 / 42

HEX #945E0E

RGB 148 94 14

HSL 35.82, 0.83%, 0.32%

LAB 44.71, 16.09, 49.2

 

CMYK 0 / 12 / 91 / 42

HEX #94820E

RGB 148 130 14

HSL 51.94, 0.83%, 0.32%

LAB 54.34, -4.42, 56.78

 

CMYK 12 / 0 / 91 / 42

HEX #82940E

RGB 130 148 14

HSL 68.06, 0.83%, 0.32%

LAB 58, -22.18, 59.06

 

CMYK 36 / 0 / 91 / 42

HEX #5E940E

RGB 94 148 14

HSL 84.18, 0.83%, 0.32%

LAB 55.68, -37.05, 56.2

 

CMYK 0 / 61 / 91 / 42

HEX #943A0E

RGB 148 58 14

HSL 19.7, 0.83%, 0.32%

LAB 36.66, 35.86, 42.91

 

CMYK 0 / 67 / 99 / 37

HEX #A13501

RGB 161 53 1

HSL 19.5, 0.99%, 0.32%

LAB 38.07, 42.9, 49.45

 

CMYK 0 / 61 / 91 / 42

HEX #943A0E

RGB 148 58 14

HSL 19.7, 0.83%, 0.32%

LAB 36.66, 35.86, 42.91

 

CMYK 0 / 54 / 80 / 47

HEX #873E1B

RGB 135 62 27

HSL 19.44, 0.67%, 0.32%

LAB 35.35, 28.88, 35.04

 

CMYK 0 / 45 / 66 / 52

HEX #7A4329

RGB 122 67 41

HSL 19.26, 0.5%, 0.32%

LAB 34.62, 21.2, 25.87

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 20 / 29 / 63

HEX #5F4C43

RGB 95 76 67

HSL 19.29, 0.17%, 0.32%

LAB 34, 6.47, 8.37

 

CMYK 0 / 91 / 71 / 42

HEX #940E2B

RGB 148 14 43

HSL 347.01, 0.83%, 0.32%

LAB 31.31, 52.4, 21.71

 

CMYK 0 / 86 / 91 / 42

HEX #94150E

RGB 148 21 14

HSL 3.13, 0.83%, 0.32%

LAB 31.5, 49.96, 38.94

 

CMYK 0 / 61 / 91 / 42

HEX #94390E

RGB 148 57 14

HSL 19.25, 0.83%, 0.32%

LAB 36.47, 36.35, 42.77

 

CMYK 0 / 38 / 91 / 42

HEX #945C0E

RGB 148 92 14

HSL 34.93, 0.83%, 0.32%

LAB 44.21, 17.25, 48.8

 

CMYK 0 / 14 / 91 / 42

HEX #94800E

RGB 148 128 14

HSL 51.04, 0.83%, 0.32%

LAB 53.78, -3.32, 56.34

 

CMYK 0 / 62 / 90 / 71

HEX #491C07

RGB 73 28 7

HSL 19.09, 0.83%, 0.16%

LAB 16.81, 20.06, 22.27

 

CMYK 0 / 61 / 91 / 57

HEX #6E2B0A

RGB 110 43 10

HSL 19.8, 0.83%, 0.24%

LAB 26.92, 28.02, 33.86

 

CMYK 0 / 61 / 91 / 42

HEX #943A0E

RGB 148 58 14

HSL 19.7, 0.83%, 0.32%

LAB 36.66, 35.86, 42.91

 

CMYK 0 / 61 / 90 / 27

HEX #BA4912

RGB 186 73 18

HSL 19.64, 0.82%, 0.4%

LAB 45.97, 43.29, 51.43

 

CMYK 0 / 61 / 90 / 13

HEX #DF5716

RGB 223 87 22

HSL 19.4, 0.82%, 0.48%

LAB 54.62, 50.49, 59.26

 

CMYK 0 / 61 / 90 / 41

HEX #963B0F

RGB 150 59 15

HSL 19.56, 0.82%, 0.32%

LAB 37.2, 36.17, 43.11

 

CMYK 47 / 0 / 91 / 42

HEX #4F940E

RGB 79 148 14

HSL 90.9, 0.83%, 0.32%

LAB 54.94, -42.4, 55.29

 

CMYK 91 / 83 / 0 / 42

HEX #0E1994

RGB 14 25 148

HSL 235.07, 0.83%, 0.32%

LAB 19.75, 43.6, -65.96

 

CMYK 0 / 61 / 90 / 41

HEX #963B0F

RGB 150 59 15

HSL 19.56, 0.82%, 0.32%

LAB 37.2, 36.17, 43.11

 

CMYK 91 / 0 / 61 / 42

HEX #0E9439

RGB 14 148 57

HSL 139.25, 0.83%, 0.32%

LAB 53.57, -52.49, 38.22

 

CMYK 61 / 91 / 0 / 42

HEX #390E94

RGB 57 14 148

HSL 259.25, 0.83%, 0.32%

LAB 21.29, 50.73, -63.31

 

CMYK 0 / 61 / 90 / 41

HEX #963B0F

RGB 150 59 15

HSL 19.56, 0.82%, 0.32%

LAB 37.2, 36.17, 43.11

 

CMYK 47 / 0 / 91 / 42

HEX #4F940E

RGB 79 148 14

HSL 90.9, 0.83%, 0.32%

LAB 54.94, -42.4, 55.29

 

CMYK 91 / 28 / 0 / 42

HEX #0E6A94

RGB 14 106 148

HSL 198.81, 0.83%, 0.32%

LAB 42.06, -8.98, -29.85

 

CMYK 44 / 91 / 0 / 42

HEX #530E94

RGB 83 14 148

HSL 270.9, 0.83%, 0.32%

LAB 24.61, 53.43, -57.72

 

CMYK 0 / 61 / 90 / 41

HEX #963B0F

RGB 150 59 15

HSL 19.56, 0.82%, 0.32%

LAB 37.2, 36.17, 43.11

 

CMYK 74 / 0 / 91 / 42

HEX #27940E

RGB 39 148 14

HSL 108.81, 0.83%, 0.32%

LAB 53.65, -52.86, 53.67

 

CMYK 91 / 28 / 0 / 42

HEX #0E6A94

RGB 14 106 148

HSL 198.81, 0.83%, 0.32%

LAB 42.06, -8.98, -29.85

 

CMYK 17 / 91 / 0 / 42

HEX #7B0E94

RGB 123 14 148

HSL 288.81, 0.83%, 0.32%

LAB 31.03, 59.27, -46.98

 

Description

Color code: CMYK 0 / 61 / 90 / 41 | qconv.com Color code: CMYK 0 / 61 / 90 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 59 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 59 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 90 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 90% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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