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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4836 it is the complementary color #93B7C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4836 shade: #714831, #825A44, #936C57, #A47E6A and #B5907D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4836 shade: #6C4836, #5B3623, #4A2410, #391200 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4836 shade: #6C4836, #6C3A36 and #6C3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4836 shade: #6C4836, #6C5736, #6C6536, #646C36 and #566C36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4836 shade matches the following richer shades: #6C4836, #794429, #863F1C, #943B0F and #A13701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4836 shade: #6C4836, #5F4D43, #525151, #44555E and #375A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4836 shade: #6C3641, #6C3A36, #6C4836, #6C5636 and #6C6536

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4836 shade: #35231B, #513628, #6C4836, #875A44 and #A36D52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4836 shade: #6C4836, #4F6C36 and #363A6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4836 shade: #6C4836, #366C48 and #48366C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4836 shade: #6C4836, #4F6C36, #365A6C and #53366C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4836 shade: #6C4836, #3F6C36, #365A6C and #63366C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

Complementary color

CMYK 27 / 9 / 0 / 21

HEX #93B7C9

RGB 147 183 201

HSL 200, 0.33%, 0.68%

LAB 72.42, -7.97, -13.08

 

CMYK 0 / 36 / 57 / 56

HEX #714831

RGB 113 72 49

HSL 21.56, 0.4%, 0.32%

LAB 34.74, 14.82, 20.93

 

CMYK 0 / 31 / 48 / 49

HEX #825A44

RGB 130 90 68

HSL 21.29, 0.31%, 0.39%

LAB 41.96, 13.63, 19.27

 

CMYK 0 / 27 / 41 / 42

HEX #936C57

RGB 147 108 87

HSL 21, 0.26%, 0.46%

LAB 49.03, 12.65, 17.83

 

CMYK 0 / 23 / 35 / 36

HEX #A47E6A

RGB 164 126 106

HSL 20.69, 0.24%, 0.53%

LAB 55.94, 11.85, 16.55

 

CMYK 0 / 20 / 31 / 29

HEX #B5907D

RGB 181 144 125

HSL 20.36, 0.27%, 0.6%

LAB 62.72, 11.16, 15.4

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 41 / 62 / 64

HEX #5B3623

RGB 91 54 35

HSL 20.36, 0.44%, 0.25%

LAB 26.69, 14.38, 18.81

 

CMYK 0 / 51 / 78 / 71

HEX #4A2410

RGB 74 36 16

HSL 20.69, 0.64%, 0.18%

LAB 19.03, 16.1, 20.88

 

CMYK 0 / 68 / 100 / 78

HEX #391200

RGB 57 18 0

HSL 18.95, 1%, 0.11%

LAB 11.29, 18.14, 17.31

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 46 / 50 / 58

HEX #6C3A36

RGB 108 58 54

HSL 4.44, 0.33%, 0.32%

LAB 30.59, 21.55, 12.23

 

CMYK 0 / 50 / 50 / 58

HEX #6C3636

RGB 108 54 54

HSL 0, 0.33%, 0.32%

LAB 29.65, 23.91, 10.93

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 19 / 50 / 58

HEX #6C5736

RGB 108 87 54

HSL 36.67, 0.33%, 0.32%

LAB 38.32, 3.9, 22.37

 

CMYK 0 / 6 / 50 / 58

HEX #6C6536

RGB 108 101 54

HSL 52.22, 0.33%, 0.32%

LAB 42.4, -4.41, 27.45

 

CMYK 7 / 0 / 50 / 58

HEX #646C36

RGB 100 108 54

HSL 68.89, 0.33%, 0.32%

LAB 43.8, -12.02, 29

 

CMYK 20 / 0 / 50 / 58

HEX #566C36

RGB 86 108 54

HSL 84.44, 0.33%, 0.32%

LAB 42.72, -18.11, 27.43

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 44 / 66 / 53

HEX #794429

RGB 121 68 41

HSL 20.25, 0.49%, 0.32%

LAB 34.72, 20.16, 25.95

 

CMYK 0 / 53 / 79 / 47

HEX #863F1C

RGB 134 63 28

HSL 19.81, 0.65%, 0.32%

LAB 35.41, 27.95, 34.53

 

CMYK 0 / 60 / 90 / 42

HEX #943B0F

RGB 148 59 15

HSL 19.85, 0.82%, 0.32%

LAB 36.85, 35.38, 42.68

 

CMYK 0 / 66 / 99 / 37

HEX #A13701

RGB 161 55 1

HSL 20.25, 0.99%, 0.32%

LAB 38.4, 42.01, 49.63

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 19 / 29 / 63

HEX #5F4D43

RGB 95 77 67

HSL 21.43, 0.17%, 0.32%

LAB 34.28, 5.85, 8.77

HEX #5F4D43

CMYK 0 / 1 / 1 / 68

HEX #525151

RGB 82 81 81

HSL 0, 0.01%, 0.32%

LAB 34.54, 0.41, 0.14

HEX #525151

CMYK 28 / 10 / 0 / 63

HEX #44555E

RGB 68 85 94

HSL 200.77, 0.16%, 0.32%

LAB 35.07, -4.23, -7.39

HEX #44555E

CMYK 49 / 16 / 0 / 58

HEX #375A6B

RGB 55 90 107

HSL 199.62, 0.32%, 0.32%

LAB 36.34, -7.53, -13.66

HEX #375A6B

CMYK 0 / 50 / 40 / 58

HEX #6C3641

RGB 108 54 65

HSL 347.78, 0.33%, 0.32%

LAB 29.93, 25.24, 4.14

 

CMYK 0 / 46 / 50 / 58

HEX #6C3A36

RGB 108 58 54

HSL 4.44, 0.33%, 0.32%

LAB 30.59, 21.55, 12.23

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 20 / 50 / 58

HEX #6C5636

RGB 108 86 54

HSL 35.56, 0.33%, 0.32%

LAB 38.04, 4.51, 22.01

 

CMYK 0 / 6 / 50 / 58

HEX #6C6536

RGB 108 101 54

HSL 52.22, 0.33%, 0.32%

LAB 42.4, -4.41, 27.45

 

CMYK 0 / 34 / 49 / 79

HEX #35231B

RGB 53 35 27

HSL 18.46, 0.33%, 0.16%

LAB 15.69, 7.35, 8.79

 

CMYK 0 / 33 / 51 / 68

HEX #513628

RGB 81 54 40

HSL 20.49, 0.34%, 0.24%

LAB 25.38, 10.15, 13.65

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 0 / 33 / 50 / 47

HEX #875A44

RGB 135 90 68

HSL 19.7, 0.33%, 0.4%

LAB 42.58, 15.82, 20.2

 

CMYK 0 / 33 / 50 / 36

HEX #A36D52

RGB 163 109 82

HSL 20, 0.33%, 0.48%

LAB 51.07, 18.33, 23.79

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 27 / 0 / 50 / 58

HEX #4F6C36

RGB 79 108 54

HSL 92.22, 0.33%, 0.32%

LAB 42.24, -21.01, 26.72

 

CMYK 50 / 46 / 0 / 58

HEX #363A6C

RGB 54 58 108

HSL 235.56, 0.33%, 0.32%

LAB 26.43, 13.3, -29.75

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 50 / 0 / 33 / 58

HEX #366C48

RGB 54 108 72

HSL 140, 0.33%, 0.32%

LAB 41.18, -26.85, 14.76

 

CMYK 33 / 50 / 0 / 58

HEX #48366C

RGB 72 54 108

HSL 260, 0.33%, 0.32%

LAB 27.01, 21.12, -28.71

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 27 / 0 / 50 / 58

HEX #4F6C36

RGB 79 108 54

HSL 92.22, 0.33%, 0.32%

LAB 42.24, -21.01, 26.72

 

CMYK 50 / 17 / 0 / 58

HEX #365A6C

RGB 54 90 108

HSL 200, 0.33%, 0.32%

LAB 36.33, -7.49, -14.31

 

CMYK 23 / 50 / 0 / 58

HEX #53366C

RGB 83 54 108

HSL 272.22, 0.33%, 0.32%

LAB 28.27, 24.51, -26.64

 

CMYK 0 / 33 / 50 / 58

HEX #6C4836

RGB 108 72 54

HSL 20, 0.33%, 0.32%

LAB 34.17, 13.06, 17

 

CMYK 42 / 0 / 50 / 58

HEX #3F6C36

RGB 63 108 54

HSL 110, 0.33%, 0.32%

LAB 41.29, -27.12, 25.35

 

CMYK 50 / 17 / 0 / 58

HEX #365A6C

RGB 54 90 108

HSL 200, 0.33%, 0.32%

LAB 36.33, -7.49, -14.31

 

CMYK 8 / 50 / 0 / 58

HEX #63366C

RGB 99 54 108

HSL 290, 0.33%, 0.32%

LAB 30.34, 29.61, -23.25

 

Description

Color code: HEX #6C4836 | qconv.com Color code: HEX #6C4836 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 72 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 72 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 50 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 50% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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