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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 48 / 13 / 40 it is the complementary color CMYK 42 / 0 / 30 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 48 / 13 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 49 / 19 / 38, CMYK 0 / 44 / 16 / 31, CMYK 0 / 40 / 14 / 25, CMYK 0 / 36 / 11 / 18 and CMYK 0 / 33 / 10 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 48 / 13 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 0 / 54 / 16 / 47, CMYK 0 / 63 / 20 / 53, CMYK 0 / 75 / 25 / 60 and CMYK 0 / 91 / 33 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 0 / 48 / 25 / 40, CMYK 0 / 48 / 39 / 40 and CMYK 0 / 48 / 48 / 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 0 / 48 / 0 / 40, CMYK 12 / 48 / 0 / 40, CMYK 25 / 48 / 0 / 40 and CMYK 38 / 48 / 0 / 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 48 / 13 / 40 shade matches the following richer shades: CMYK 0 / 48 / 13 / 40, CMYK 0 / 65 / 17 / 33, CMYK 0 / 78 / 21 / 25, CMYK 0 / 89 / 24 / 18 and CMYK 0 / 98 / 27 / 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 0 / 26 / 7 / 47, CMYK 3 / 0 / 2 / 54, CMYK 30 / 0 / 21 / 46 and CMYK 51 / 0 / 37 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 12 / 48 / 0 / 40, CMYK 0 / 48 / 0 / 40, CMYK 0 / 48 / 12 / 40, CMYK 0 / 48 / 25 / 40 and CMYK 0 / 48 / 38 / 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 47 / 13 / 61, CMYK 0 / 48 / 13 / 51, CMYK 0 / 48 / 13 / 40, CMYK 0 / 42 / 11 / 32 and CMYK 0 / 32 / 9 / 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 0 / 25 / 48 / 40 and CMYK 48 / 0 / 7 / 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 12 / 0 / 48 / 40 and CMYK 48 / 12 / 0 / 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 0 / 25 / 48 / 40, CMYK 48 / 0 / 35 / 40 and CMYK 48 / 22 / 0 / 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 48 / 13 / 40 shade: CMYK 0 / 48 / 13 / 40, CMYK 0 / 11 / 48 / 40, CMYK 48 / 0 / 35 / 40 and CMYK 48 / 37 / 0 / 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

Complementary color

CMYK 42 / 0 / 30 / 31

HEX #66AF7A

RGB 102 175 122

HSL 136.44, 0.31%, 0.54%

LAB 65.66, -34.56, 20.21

 

CMYK 0 / 49 / 19 / 38

HEX #9E5080

RGB 158 80 128

HSL 323.08, 0.33%, 0.47%

LAB 45.03, 38.55, -12.37

 

CMYK 0 / 44 / 16 / 31

HEX #AF6293

RGB 175 98 147

HSL 321.82, 0.32%, 0.54%

LAB 51.79, 37.76, -13.29

 

CMYK 0 / 40 / 14 / 25

HEX #C074A6

RGB 192 116 166

HSL 320.53, 0.38%, 0.6%

LAB 58.46, 36.97, -14.07

 

CMYK 0 / 36 / 11 / 18

HEX #D186B9

RGB 209 134 185

HSL 319.2, 0.45%, 0.67%

LAB 65.05, 36.2, -14.75

 

CMYK 0 / 33 / 10 / 11

HEX #E298CC

RGB 226 152 204

HSL 317.84, 0.56%, 0.74%

LAB 71.54, 35.46, -15.37

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 54 / 16 / 47

HEX #883E72

RGB 136 62 114

HSL 317.84, 0.37%, 0.39%

LAB 37.65, 38.42, -15.28

 

CMYK 0 / 63 / 20 / 53

HEX #772C5F

RGB 119 44 95

HSL 319.2, 0.46%, 0.32%

LAB 30.76, 38.93, -14.01

 

CMYK 0 / 75 / 25 / 60

HEX #661A4C

RGB 102 26 76

HSL 320.53, 0.59%, 0.25%

LAB 23.95, 38.9, -12.18

 

CMYK 0 / 91 / 33 / 67

HEX #550839

RGB 85 8 57

HSL 321.82, 0.83%, 0.18%

LAB 17.46, 37.6, -9.31

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 48 / 25 / 40

HEX #995072

RGB 153 80 114

HSL 332.05, 0.31%, 0.46%

LAB 43.84, 34.66, -5.71

 

CMYK 0 / 48 / 39 / 40

HEX #99505E

RGB 153 80 94

HSL 348.49, 0.31%, 0.46%

LAB 43.24, 31.93, 5.69

 

CMYK 0 / 48 / 48 / 40

HEX #995050

RGB 153 80 80

HSL 0, 0.31%, 0.46%

LAB 42.9, 30.33, 13.8

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 48 / 0 / 40

HEX #995099

RGB 153 80 153

HSL 300, 0.31%, 0.46%

LAB 45.37, 41.32, -26.95

 

CMYK 12 / 48 / 0 / 40

HEX #865099

RGB 134 80 153

HSL 284.38, 0.31%, 0.46%

LAB 42.92, 35.53, -30.96

 

CMYK 25 / 48 / 0 / 40

HEX #725099

RGB 114 80 153

HSL 267.95, 0.31%, 0.46%

LAB 40.6, 29.56, -34.78

 

CMYK 38 / 48 / 0 / 40

HEX #5F5099

RGB 95 80 153

HSL 252.33, 0.31%, 0.46%

LAB 38.67, 24.17, -37.95

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 65 / 17 / 33

HEX #AC3D8E

RGB 172 61 142

HSL 316.22, 0.48%, 0.46%

LAB 44.32, 54.1, -21.75

 

CMYK 0 / 78 / 21 / 25

HEX #BF2A96

RGB 191 42 150

HSL 316.51, 0.64%, 0.46%

LAB 45.54, 66.7, -24.42

 

CMYK 0 / 89 / 24 / 18

HEX #D2179F

RGB 210 23 159

HSL 316.36, 0.8%, 0.46%

LAB 48.03, 75.94, -25.69

 

CMYK 0 / 98 / 27 / 10

HEX #E505A8

RGB 229 5 168

HSL 316.34, 0.96%, 0.46%

LAB 51.37, 82.51, -25.57

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 26 / 7 / 47

HEX #86637D

RGB 134 99 125

HSL 315.43, 0.15%, 0.46%

LAB 46.27, 18.68, -8.98

 

CMYK 3 / 0 / 2 / 54

HEX #737674

RGB 115 118 116

HSL 140, 0.01%, 0.46%

LAB 49.33, -1.54, 0.7

 

CMYK 30 / 0 / 21 / 46

HEX #60896C

RGB 96 137 108

HSL 137.56, 0.18%, 0.46%

LAB 53.45, -20.56, 11.08

 

CMYK 51 / 0 / 37 / 39

HEX #4D9C63

RGB 77 156 99

HSL 136.71, 0.34%, 0.46%

LAB 58.28, -37.35, 22.6

 

CMYK 12 / 48 / 0 / 40

HEX #865099

RGB 134 80 153

HSL 284.38, 0.31%, 0.46%

LAB 42.92, 35.53, -30.96

 

CMYK 0 / 48 / 0 / 40

HEX #995099

RGB 153 80 153

HSL 300, 0.31%, 0.46%

LAB 45.37, 41.32, -26.95

 

CMYK 0 / 48 / 12 / 40

HEX #995086

RGB 153 80 134

HSL 315.62, 0.31%, 0.46%

LAB 44.56, 37.87, -16.78

 

CMYK 0 / 48 / 25 / 40

HEX #995072

RGB 153 80 114

HSL 332.05, 0.31%, 0.46%

LAB 43.84, 34.66, -5.71

 

CMYK 0 / 48 / 38 / 40

HEX #99505F

RGB 153 80 95

HSL 347.67, 0.31%, 0.46%

LAB 43.26, 32.06, 5.11

 

CMYK 0 / 47 / 13 / 61

HEX #633456

RGB 99 52 86

HSL 316.6, 0.31%, 0.3%

LAB 28.85, 26.28, -11.36

 

CMYK 0 / 48 / 13 / 51

HEX #7E426E

RGB 126 66 110

HSL 316, 0.31%, 0.38%

LAB 36.85, 32.21, -14.14

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 42 / 11 / 32

HEX #AE659A

RGB 174 101 154

HSL 316.44, 0.31%, 0.54%

LAB 52.55, 36.98, -16.26

 

CMYK 0 / 32 / 9 / 26

HEX #BC80AC

RGB 188 128 172

HSL 316, 0.31%, 0.62%

LAB 60.88, 30.08, -13.91

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 48 / 0 / 7 / 40

HEX #50998F

RGB 80 153 143

HSL 171.78, 0.31%, 0.46%

LAB 58.48, -25.35, -1.81

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 12 / 0 / 48 / 40

HEX #869950

RGB 134 153 80

HSL 75.62, 0.31%, 0.46%

LAB 60.28, -18.69, 35.93

 

CMYK 48 / 12 / 0 / 40

HEX #508699

RGB 80 134 153

HSL 195.62, 0.31%, 0.46%

LAB 53.01, -12.56, -15.73

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 48 / 0 / 35 / 40

HEX #509964

RGB 80 153 100

HSL 136.44, 0.31%, 0.46%

LAB 57.47, -34.97, 20.99

 

CMYK 48 / 22 / 0 / 40

HEX #507799

RGB 80 119 153

HSL 207.95, 0.31%, 0.46%

LAB 48.51, -3.98, -22.62

 

CMYK 0 / 48 / 13 / 40

HEX #995085

RGB 153 80 133

HSL 316.44, 0.31%, 0.46%

LAB 44.52, 37.7, -16.24

 

CMYK 0 / 11 / 48 / 40

HEX #998850

RGB 153 136 80

HSL 46.03, 0.31%, 0.46%

LAB 57.04, -1.49, 32.29

 

CMYK 48 / 0 / 35 / 40

HEX #509964

RGB 80 153 100

HSL 136.44, 0.31%, 0.46%

LAB 57.47, -34.97, 20.99

 

CMYK 48 / 37 / 0 / 40

HEX #506199

RGB 80 97 153

HSL 226.03, 0.31%, 0.46%

LAB 42.08, 9.43, -32.63

 

Description

Color code: CMYK 0 / 48 / 13 / 40 | qconv.com Color code: CMYK 0 / 48 / 13 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 80 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 80 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 13 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 13% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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