in: V. Ramadani, Dana, L. P., Ratten V., Bexheti, A. (eds) Informal Ethnic Entrepreneurship: Future Research Paradigms for Creating Innovative Business Activities, Springer, 2018
The aim of this chapter is to investigate the informal ethnic female entrepreneurship in two citi... more The aim of this chapter is to investigate the informal ethnic female entrepreneurship in two cities in Middle Banat Region. The focus of the research is put on capacities, conditions, driving forces, motivation and problems of young Roma female creative entrepreneurs in Zrenjanin and Novi Bečej. Empirical data on creative entrepreneurship of young Roma women (18–35) is based on the survey conducted during August—September 2017. Respondents were asked about their creative skills, family tradition and way of acquiring them, preferences and work motives, barriers to starting work in the creative economy and access to the creative economy market.
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ekonomiju i njihovom kontekstualizacijom.
KLJUČNE REČI: kreativno preduzetništvo, inkluzivni razvoj, Pomoravlje, javne politike, kreativne industrije
Keywords: crafts entrepreneurship, sustainable development, public polices, creative economy, Serbia
Ključne reči: ekonomske mere, legatorstvo, darodavstvo, kulturna politika, Srbija, ekonomika kulture
The analysis is based on primary data collected from samples drawn from 3 separate groups of respondents: members of the local community in Zaječar (115 respondents), visitors of this heritage site (100 respondents), the local business sector (small enterprises in creative industries and tourism – 40 respondents).
kulturnu politiku. Zalaganje za uvođenje tržišta u oblast kulture određene grupe vide parcijalno, kao podržavanje neoliberalnih ideja i vrednosti koje narušavaju društvenu ulogu umetnosti. Zbog nepotpunog uvida u čitav kontekst tržišta u kulturi, stavovi o njegovom negativnom tretmanu nekada poprimaju ekstremne varijante, tumačeći
tržište kao instrument kulturnog imperijalizma, te se ono odbacuje, čak i u onim situacijama u kojima bi njegova adekvatna primena vodila ka samoodrživosti i boljoj finansijskoj poziciji kulturnog sektora. S druge strane, preterano insistiranje na delovanju države dovodi do birokratizacije umetničkog sistema koja svojom logikom može inaugurisati subjektivizam, politički voluntarizam i nefunkcionalne tržišne strukture. Imajuću u vidu ovo, cilj rada je da pokaže negativne i pozitivne aspekte tržišnog delovanja u kulturi i oblasti u kojima vantržišna rešenja mogu dati efikasnije rezultate, te da ukaže da je nepohodno da se tržišni pristup i državni intervencionizam
kombinuju na način koji će omogućiti društvenu i ekonomsku održivost kulture.
daju se preporuke za unapređenje kulturne politike u ovoj oblasti na nacionalnom nivou.
Prezentacija sa konferencije "Kreativna Srbija: budućnost je kreativna", Jugoslovenska kinoteka, Beograd (13. mart 2018).
ekonomiju i njihovom kontekstualizacijom.
KLJUČNE REČI: kreativno preduzetništvo, inkluzivni razvoj, Pomoravlje, javne politike, kreativne industrije
Keywords: crafts entrepreneurship, sustainable development, public polices, creative economy, Serbia
Ključne reči: ekonomske mere, legatorstvo, darodavstvo, kulturna politika, Srbija, ekonomika kulture
The analysis is based on primary data collected from samples drawn from 3 separate groups of respondents: members of the local community in Zaječar (115 respondents), visitors of this heritage site (100 respondents), the local business sector (small enterprises in creative industries and tourism – 40 respondents).
kulturnu politiku. Zalaganje za uvođenje tržišta u oblast kulture određene grupe vide parcijalno, kao podržavanje neoliberalnih ideja i vrednosti koje narušavaju društvenu ulogu umetnosti. Zbog nepotpunog uvida u čitav kontekst tržišta u kulturi, stavovi o njegovom negativnom tretmanu nekada poprimaju ekstremne varijante, tumačeći
tržište kao instrument kulturnog imperijalizma, te se ono odbacuje, čak i u onim situacijama u kojima bi njegova adekvatna primena vodila ka samoodrživosti i boljoj finansijskoj poziciji kulturnog sektora. S druge strane, preterano insistiranje na delovanju države dovodi do birokratizacije umetničkog sistema koja svojom logikom može inaugurisati subjektivizam, politički voluntarizam i nefunkcionalne tržišne strukture. Imajuću u vidu ovo, cilj rada je da pokaže negativne i pozitivne aspekte tržišnog delovanja u kulturi i oblasti u kojima vantržišna rešenja mogu dati efikasnije rezultate, te da ukaže da je nepohodno da se tržišni pristup i državni intervencionizam
kombinuju na način koji će omogućiti društvenu i ekonomsku održivost kulture.
daju se preporuke za unapređenje kulturne politike u ovoj oblasti na nacionalnom nivou.
Prezentacija sa konferencije "Kreativna Srbija: budućnost je kreativna", Jugoslovenska kinoteka, Beograd (13. mart 2018).
This book presents the findings of a study on six completed projects in Bosnia and Herzegovina and Serbia. It identifies the challenges to achieving sustainable development goals – and how they may be met – and the benefits, both direct and indirect, that can arise from developing and valorising cultural heritage sites and increasing their influence on the sustainability of the local economy and on quality of life.
On the basis of detailed case studies, the book provides an overview of the main challenges facing cultural heritage in South-East Europe from a pan-European perspective and analyses the institutional and policy framework for effective sustainable rehabilitation. It concludes with an assessment of lessons learned from the study and makes some suggestions for generating wider benefits from future investment in the cultural heritage of South-East Europe.
The studies focus on the decade from 2003 to 2013 that followed the traumatic and often violent upheavals associated with the breakdown of communism. That same period also saw a shift in the policy of the European Union and the Council of Europe in support of cultural heritage policies in the region, which led to the launching of the “Ljubljana Process: rehabilitating our common heritage”. The challenges gradually moved from encouraging professionals to adopt European standards and realising the potential of heritage to build bridges between peoples and to foster reconciliation, towards highlighting its wider benefits as a catalyst of economic development for the local economy and the quality of life of citizens.
Theorists and practitioners will gain a better insight into the value of cultural heritage and the specificity of cultural heritage policies in South-East Europe, as well as the underlying facts, vision, context and impact of the Ljubljana Process. This will encourage questioning of existing public policies, as well as the promotion and affirmation of cultural heritage within a new “culture of development”.