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Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic

Published: 01 September 1999 Publication History

Abstract

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References

[1]
Agon, C., G. Assayag, O. Delerue, and C. Rueda. 1998. "Objects, Time, and Constraints in OpenMusic." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association.
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Amiot, E., G. Assayag, C. Malherbe, and A. Riotte. 1986. "Duration Structure Generation and Recognition in Music Writing." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association.
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Assayag, G., C. Agon, J. Fineberg, and P. Hanappe. 1997. "An Object-Oriented Visual Environment for Musical Composition." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 364-367.
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Assayag, G., C. Agon, J. Fineberg, and C. Rueda. 1994. "Kant: A Critique of Pure Quantification." Proceedings of the 1998 International Computer Music Conference . San Francisco: International Computer Music Association.
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Assayag, G., M. Castellengo, and C. Malherbe. 1985. "Functional Integration of Complex Instrumental Sounds in Music Writing." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association.
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Balaban, M., K. Ebcioglu, and O. Laske, eds. 1992. Understanding Music with AI: Perspectives on Music Cognition. Cambridge, Massachusetts: MIT Press.
[7]
Bonnet, A., and A. Rueda. 1998. "Situation: Un Langage Visuel Basé sur les contraintes pour la Composition Musicale." In M. Chemillier and F. Pachet, eds. Recherches et applications en informatique musicale . Paris: Hermès.
[8]
Laurson, M. 1993. "PWConstraints." In G. Haus and I. Pighi, eds X Colloquio di Informatica Musicale. Milan: Associazione di Informatica Musicale Italiana, pp. 332-335.
[9]
Laurson, M. 1996. "Patchwork: A Visual Programming Language and Some Musical Applications." Helsinki: Sibelius Academy.
[10]
Laurson, M., and J. Duthen. 1989. "PatchWork, a Graphical Language in PreForm." Proceedings of the 1989 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 172-175.
[11]
Rodet, X., and P. Cointe. 1984. "FORMES: Composition and Scheduling of Processes." Computer Music Journal 8(3):32-48.
[12]
Steele, G. L. 1990. Common Lisp the Language, 2nd ed. Reading, Massachusetts: Digital Press.

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  1. Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic

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    Published In

    cover image Computer Music Journal
    Computer Music Journal  Volume 23, Issue 3
    September 1999
    126 pages
    ISSN:0148-9267
    EISSN:1531-5169
    Issue’s Table of Contents

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    MIT Press

    Cambridge, MA, United States

    Publication History

    Published: 01 September 1999

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    • (2020)Music Creation by ExampleProceedings of the 2020 CHI Conference on Human Factors in Computing Systems10.1145/3313831.3376514(1-13)Online publication date: 21-Apr-2020
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