Nothing Special   »   [go: up one dir, main page]

Desuggestopedia Presentation

Download as pptx, pdf, or txt
Download as pptx, pdf, or txt
You are on page 1of 23

DESUGGESTOPEDIA

Ferlin YÜCEL 19132044


Sammar Elsilmani 20132903
Samira Elsilmani 20132904
Gamze Yılmaz 19132039
İrem Merve Çontar 19132030
Salma Addas 20132902
Sara Tarrab 18132904
Elif Naz Gül 19132036
Outline​
1. Introduction​
2. Thinking about the experience ​
3. Reviewing the principles​
4. Reviewing the techniques and classroom set-up ​
5. Conclusion​
6. Application Part ​
Introduction
• Celce-Murcia (1991) coined the term "affective-humanistic approach," emphasizing the importance
of respecting students' emotions in the learning process.​

• Georgi Lozanov, the pioneer of Desuggestopedia, identified a common hindrance to learning:


psychological barriers.

• Desuggestopedia aims to unleash students' untapped reserves.

• Desuggestopedia emerged as the application of suggestion studies to pedagogy. ​

• Evelyna Gateva, enriched Desuggestopedia by integrating the fine arts into the learning process.
Experience​
A university classroom in Egypt, where English language learners engage in transformative methods.​
Gathering three mornings a week for two-hour sessions.​

• Immersive Environment ​
• Integration of Props and Visuals ​
• Adoption of English Names and Identities ​
• Innovative Teaching Techniques: ​
• Use of Music and Art​
• Interactive Dialog Reading​
• Creative Language Practice​
• Positive Learning Environment​
• Integration of Grammar and Vocabulary​
• Holistic Approach
THINKING ABOUT THE EXPERIENCE

OBSERVATION 01 PRINCIPLE 01

• A bright and colorful Cheerful learning process


classroom

OBSERVATION 02 PRINCIPLE 02
• Posters with grammatical Peripheral learning
information
OBSERVATION 03 PRINCIPLE 03

• Confident speech from The students trust and


the teacher respect authority.

OBSERVATION 04 PRINCIPLE 04
• The teacher’s impression of
easy and fun target Removing psychological
language learning barriers
OBSERVATION 05 PRINCIPLE 05

• Choosing new names The students feel secure


and open.

OBSERVATION 06 PRINCIPLE 06

• The students play instruments Freeing speech muscles, positive


and sing a song. emotions
OBSERVATION 07 PRINCIPLE 07

• The teacher gives handouts with Applying indirect positive


dialogues titled “to want is to be suggestions
able to” .

OBSERVATION 08 PRINCIPLE 08

• The teacher talks briefly about English It allows students to focus on the
grammar and vocabulary. They are details before returning to the whole
bold printed in the dialog. text again.
OBSERVATION 09 PRINCIPLE 09
• In the left column: Clearer meaning via native
target language language translation
• in the right column:
native language

OBSERVATION 10 PRINCIPLE 10
• The teacher reads the dialog with Communication happens within two factors:
music. She matches her voice to the conscious level (learner focuses on
rhythm. language) & subconscious level (the music
makes learning seem easy and enjoyable)
OBSERVATION 11 PRINCIPLE 11
Since the line between the conscious and
• For homework, students read the subconscious is less clear, these
the dialog at night and in the moments allow students to learn the
morning. dialog.

OBSERVATION 12 PRINCIPLE 12

• The teacher gives the Dramatization is valuable


students hats for the for activating the learning
different characters in the material.
dialog.
OBSERVATION 13 PRINCIPLE 13

• The teacher leads the class in The teacher helps students


activities involving the dialog. to “activate” the exposed
material.

OBSERVATION 14 PRINCIPLE 14

• She teaches a children’s Music and movement


song. reinforce the linguistic
material.
OBSERVATION 15 PRINCIPLE 15

• The teacher and students play The conscious attention of


a question & answer game. students focuses on using the
language.

OBSERVATION 16 RESULT 02

• The teacher corrects Errors are corrected with a


errors with a soft voice. gentle manner.
3. REVIEWING THE PRINCIPLES​

Q1: What are the goals of To accelerate the process by which


teachers who use students learn to use a foreign
Desuggestopedia? ​ language​

Q2: What is the role of Teacher: the authority in the classroom. ​


Students: retain information better from
the teacher and the role of
someone in whom they have confidence​
the student:?
• Posters about the target language​
Q3: What are some characteristics • Handouts with lengthy dialogs in the
of the teaching/learning process?​ target language​
• Teaching involves two concerts:
active and passive

• Teacher initiates student-


Q4: What is the nature of teacher interaction ​
student-teacher • Students responding
interaction? ​ nonverbally or practicing
target language words​
Great attention is given to students'
Q5: How are the feelings of feelings​
the students dealt with?​ Indirect positive suggestions
to enhance students' peripheral
learning

Q6: How is language Desuggestopedic classes


emphasize the importance of
viewed? How is culture
fine arts and everyday life of
viewed?​ language speakers.​

Q7: What areas of language are Vocabulary, grammar, speaking,


emphasized? What language reading, and writing
skills are emphasized? The 'paraconscious' mind will
absorb the linguistic rules​
The teacher uses the native
Q8: What is the role of language in class when
the students' native necessary, and less as the
language?​ course proceeds

Through students' normal in-


Q9: How is evaluation class performance and not
accomplished?​ through formal tests​

Q10: How does the Errors are corrected


teacher respond to calmly​
student errors?​
Reviewing the Techniques and
Classroom Set-Ups
Classroom Set-up:
• To create a bright and cheerful environment.

Peripheral Learning:
• Putting up grammatical posters of the target language.
Positive Suggestion:
• There are direct and indirect means of suggestion, the indirect
method appeals to students more.

Choosing a New Identity:


• Students can create a fictional world in the target language.
Role Play:
• The students and roleplay using the target language and they’re
often asked to create their own lines.
Active Concert:
• The teacher will present a story in dialog form and read it to the
students with music, and draw their attention to the grammatical
parts.
Passive Concert:
• The students listen to the teacher reading with music
accompaniment.
Primary Activation:
• Students reread the dialog in the target in particular manners.

Creative Adaptation:
• Students engage in varied activities that help them learn the
material and use it.
Conclusion
• Learning is facilitated by the environment.

• Teachers have authority.

• The use of direct and indirect suggestions.

• Target language and native language are used in texts.


THANK YOU
SO MUCH

You might also like