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Edgar Allan Poe: and His Critical Theories

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EDGAR ALLAN POE

AND HIS CRITICAL THEORIES

Reporter: Arche U. Gaudel


Edgar Allan Poe was an
American writer, poet, editor and
literary critic. He is best known
for his poetry and short stories,
particularly his tales of mystery.
Born: January 19, 1809 in
Boston, Massachusetts, USA

Died: October 7, 1849,


Maryland, USA
EDGAR ALLAN POE
• His
He was
in-depth
America’scredited
critical explorations
first withthose
major
writings, inventing
of to
writer
on thewrite
the
interior
modern
lives
detective
seriously
relationship of the
about
between
story
characters
wherein
criticism helped
and
philosophical many
the pave
oftohis
first
principles the
setprincipal
and way
down forastyles,
artistic psychological
techniques
consistent form
set
influencedrealism
of the
aesthetic
principlestheories
foundation
inspiring fiction
about of thehe
of thewriters.
what
crime members
thoughtofwas
genre. theacceptable
French symbolist
in art
movement.
and what should be essentially rejected in art.
 Tales Of The Grotesque
And Arabesque
 The Prose Romances
Of Edgar A. Poe
 Tales By Edgar A. Poe
 Horror Tales
Typically revolve around characters who have reached
states of extreme alienation, terror and madness and
often contain elements of supernatural.

 Detective Stories
Revolve around crimes so strange and inexplicable
that they prove nearly impossible to solve and are
concern with the complex, sometimes misleading
relationship between human reasoning and empirical
reality.
 Critical Articles
• The Poetic Principle and The
Philosophy of Composition
• Contain the unified core and basis of his
critical theories and suffice to give a full
understanding of Poe’s critical views.
KEY PRINCIPLES:
i. Unity of Effect
ii. Rejection of Allegory and Didacticism
iii. Epic Poem being a Non-poem
iv. Brevity of a Work of Art
v. Appeal to the Emotions
vi. Ideal Subject Matter for Art
vii.Importance of Emotional Responses
UNITY OF
EFFECT
LENGTH OF THE
WORK OF ART
THANK YOU FOR
LISTENING!

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