University of Oregon, Duke University Press Comparative Literature
University of Oregon, Duke University Press Comparative Literature
University of Oregon, Duke University Press Comparative Literature
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ESMMANUEL P. VARANDYAN
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MILTON AND ZOROASTER
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COMPARATIVE LITERATURE
Some higher critics of Judaism have replaced the name Pharisee with
Parsi, a follower of Zoroaster, and have traced the claims of that He-
brew sect to superior sanctity, its aloofness and cleanliness, its belief
in the continuance of life after death and in future rewards and punish-
ments, to the religion with which the Jews had come in contact during
the Babylonian captivity.
There can be no doubt that the dualistic philosophy of Zoroaster
made a permanent imprint upon Jewish thought, and that this dualistic
philosophy also influenced Christianity. The existence of evil, sin as a
separate negative principle, was an accepted and established fact in
Judaism. The whole Jewish nation waited for the Messiah to come and
deliver them from evil. With the coming of Christ, the struggle between
evil and good entered a new phase. The Jews, for doctrinal and national
reasons, rejected the Messiah, but the struggle continued. Christ, the
embodiment of moral law, came to purge the world from the evil deeds
of Satan, who in the form of a serpent had tempted Adam and Eve and
made them breach God's moral law.
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MILTON AND ZOROASTER
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COMPARATIVE LITERATURE
"Oh, Spitama Zoroaster, I created the stars, the moon, the sun and red-burning
fire, the dogs, the birds and the five kinds of animals; but, better and greater than
all, created I the righteous man..."
Then Zoroaster said: "Reveal thou unto me the name of thine, that is greatest,
best, fairest, most effective, most fiend-smiting, best healing, that destroyeth the
malice of demons and men ..."
Ahura Mazda (God) replied unto him saying, "My first name is He of whom
questions are asked, Oh holy Zoroaster !
"My second name is the Giver of Hierds.
"My third name is the Strong One.
"My fourth name is Perfect Holiness.
"My fifth name is All Good Things created by Mazda, the offspring of the Holy
Principle."
"My sixth name is Understanding.
"My seventh name is He that possesseth understanding.
"My eighth name is Knowledge.
"My ninth name is He that possesseth knowledge.
"My tenth name is Blessing.
"My eleventh name is He that causeth blessing.
"My twelfth name is Ahura (the Eternal).
"My thirteenth name is the Most Beneficent.
"My fourteenth name is He in whom there is no harm.
"My fifteenth name is the Unconquerable.
"My sixteenth name is He that maketh the true account.
"My seventeenth name is the All-Seeing.
"My eighteenth name is Healing.
"My ninteenth name is Creator.
"My twentieth name is Mazda (Light)." 6
How did evil originate and enter the world ? Once it began, what was
its logical consequence and the final outcome? Milton tells us that God,
being reason, created all things in accordance with reason. He did not
want to make His creation a mere will-less machine. As King of Kings
He created His ethereal powers, His archangels and angels free. He
wanted their adoration and obedience on the basis of their free volition;
He wanted themi to act in accordance with a principle of self-determi-
nation and free choice. This made them responsible creatures, free
agents, partners in the work and fulfillment of His eternal plan.
Raphael sitting in Adam's bower tells him how evil originated. By
an "imperial summons," all the empyreal host of angels and archangels
were called to celebrate a solemn occasion.
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MILTON AND ZOROASTER
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COMPARATIVE LITERATURE
Thereupon came Ahriman, who is all death, and he counter-created the Serpent
in the river, a work of the demons ... Thereupon came Ahriman, who is all death,
and he counter-created sin . . . and the sin of unbelief . . . He created tears and
wailing. He counter-created the sin of pride. He counter-created a sin for which
there is no atonement, the unnatural sin. He counter-created zwinter and cold in
paradise. As the Evil Spirit rushed in, the earth shook and the masses of the
mountains were made upon the earth.
But the idea that evil is a tool and itself unreal as a permanent princi-
ple is also Zoroastrian, and is often found in Zenda Vesta. The Epistles
of Manushihar (II, 2) set forth the way in which Ahriman, the father
of lies, deceives the elect:
Responsible for the malice and annoyance of unjust kinds which are encounter-
ing us, is the fiend of great strength, who is observing, seductive, astute in evil,
eager for causing annihilation and full of deceit, so that it is possible for him to
render doubtful, when himself so deceived, even him who is most a listener to
essential righteousness, most desirous of steadfast truth, most performing proper
religious customs, most acquainted with good ideas, most amazingly careful of his
soul, most approved in the most wounding, hell-brought conflict, and most at home
in truth of all kinds, and to show him a semblance of reality in unreality, and of
unreality in reality.
In Paradise Lost, after Satan and his host of fellow angels have
been banished from Heaven, God sent His Son to create a new universe.
He created Adam and Eve to populate the new world. Innocent man-
kind was to take the place of the fallen angels. He created them in the
same fashion as He had created his heavenly beings:
I made him just and right,
Sufficient to have stood, though free to fall.
Such I created all th' Ethereal Powers
And Spirits, both them who stood and them who fail'd.10
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MILTON AND ZOROASTER
Milton distinguishes between the guilt of Satan and Adam. Since Satan fell self-
tempted, and since in his crime no element of good entered, his sin was unpardon-
able. Adam, on the contrary, sinned in part through the fault of another, and his
action sprang from desires in themselves not altogether base. Hence Adam's sill
was not beyond forgiveness. The poet's main intent seems to be to accept as fact
the existence of evil, and to disclose concretely, after the fashion of poetry, its
inevitable consequences.11
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COMPARATIVE LITERATURE
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MILTON AND ZOROASTER
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COMPARATIVE LITERATURE
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MILTON AND ZOROASTER
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COMPARATIVE LITERATURE
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