Courtyards in The Traditional Anatolian Urban Pattern and Their Contribution To Planning
Courtyards in The Traditional Anatolian Urban Pattern and Their Contribution To Planning
Courtyards in The Traditional Anatolian Urban Pattern and Their Contribution To Planning
Abstract
The aim of any planning and design venture for the restoration, redevelopment and
rehabilitation of traditional urban textures should involve not only the refurbishment
of streets and buildings, but also aim to tackle the components forming the city and
the interpretation of historic sites. Courtyards, as one of these components, are
urban fragments that function as a connection between private dwelling units and
their environments.
Courtyards, which are important architectural elements that are shaped based on
climatic considerations, form places for family gatherings and provide spatial
distribution. As in most Arabic cities, they are built to protect against sand and wind,
and as they are not covered, they can collect the cooler air in the evening and
sustain it until morning. Besides their functional use, they bring tranquillity and
harmony to cities as well as joining beauty and practically in urban planning.
Introduction
Courtyards have been continuously used since:
Prehistory:
o Anatolia-Haclar (7500-6000 BC)
o Anatolia-Can Hasan (7500-6000 BC)
o Anatolia-atalhyk (6250-5400 BC)
o Iran (7000 BC)
Ancient Oriental Civilization
o Egypt, Iran, Near East, Mesopotamia
o China-Yellow River
Classical Antiquity (Greece, Rome and Byzantine)
Medieval Europe as an early model of urban structure
It can be observed that, Islamic people have adapted the courtyard model according
to their local needs. In the case of other types of architecture, Islamic society has
reinterpreted and readapted houses over the centuries, with certain refinements
added in time. Careful analysis shows that, Islamic courtyard houses are totally
different from their Roman predecessors and also exhibit strong variation among
themselves and are distinct from one country (or sometimes from one city) to
another, which again demonstrates better adaptation to local conditions.
A quick glance at drawings of facades, plans and sections (prepared to the same
scale) illustrates how courtyard dimensions as well as their horizontal and vertical
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proportions may differ from place to place, such as in Iran, Anatolia, East Africa,
North Africa etc.
Closely related to the concept of a Hidden Architecture is the striking and almost
total absence of a specific architectural form in the urban tissues for a specific
function: there are very few forms in Islamic architecture that cannot be adapted for a
variety of purposes; conversely a Muslim building serving a specific function can
assume a variety forms.
Historically, however, the Islamic town evolved gradually within fortified walls, with
the camii (mosque) and madrasa (university) acting as the religious and political
centre of the community, while the suq/bazaar (market place) formed the
commercial and social centre. The structure of this urban pattern was based on a
controlled hierarchy of roads, spaces and buildings.
It can be seen that courtyards suggest privacy and, as a typical component, they
characterize the Islamic city. The street is a characteristic of European cities, which
often consists of layers of superimposed patterns: modern over baroque, baroque
over medieval, medieval over Roman; and sometimes over Greek. The two elements
also point to a fundamental difference between the Islamic and European city.
Islam accepted two basic ancient courtyard house types of the Middle Eastern and
Mediterranean periphery: The interior courtyard house, where the houses enclose a
courtyard, which is a characteristic of urban areas; and the exterior courtyard
house, where the courtyard borders on the house, providing a protected area
contiguous with dwelling units but not enclosed by them. This latter type tends to be
associated with rural areas, where there is less pressure on building space and less
need for the protective introversion the interior courtyard house provides. But also
interior and exterior courtyard houses are from widely separated areas of the Islamic
world; nevertheless they share common principles of planning, which reflect patterns
of social organization.
The later development of the courtyard model can be seen in the south of Europe
(south of Italy, France, and Spain) and South America - a result of the presence of
Islamic societies there.
The holistic study of the importance of the courtyards in the traditional fabric,
including their demographic, economic, functional, hygienic and aesthetic, socio
cultural and anthropologic aspects, constitute a relatively new approach where it is
necessary to examine both intellectual and subconscious patterns of thought in order
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to grasp the interaction between man and his perception and representation of the
world.
It is obvious that this process of reactivation of what we could call respiration of the
building fabric of historic centres would require financial intervention on the part of
public enterprises; but it would also call for strong commitments and responsibilities
as the main condition for the conservation and restoration of historic centres.
What emerges from this discussion is that, the problem cannot be pinned to the
same buildings or quarters but requires the analysis of the entire historic centre and
the selection of clear methodological lines.
Courtyards are the best architectural design unit and urban solution to maintain
these conditions. Away from places of high density of commercial activities, trade
facilities, and public activities, they are, in a sense, shelters that protect and develop
the values produced in the inner space. Courtyards are places that one can find a
chance to discover oneself and to turn inwards. They also exude secureness.
Oscar Newman pointed out that the most liveable places in a city are those that are
protected. In these places, secureness is not maintained by a police force, but
through a force that is the outcome of the support of the urban pattern. Courtyards,
as semi-public spaces, are such spaces.(Wicherrlay,1986)
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The Socio-Politic Importance of Courtyards
The forum in the Byzantine city, which reflects the extroversion of urban life, was
transformed to mosques in the Islamic city, reflecting the introversion of urban life.
Doan Kuban, agreeing with this statement points out that, old Turkish cities did not
have public squares (plaza). This is because there was not a thought of a public
square. When further analysed, it can be seen that the courtyards of mosques were
used as public squares. Courtyards in Ottoman-Turkish cities are places that gather
people and form an active space in the house. (Kuban,1968 )
Courtyards, different from culture to culture in their typology, have been used by all
civilizations since Mesopotamian civilizations; however, they have been used more
often in cultures where introversion is dominant.
For example, the Hilani of the Hittites and the Megaron of the Greeks that the
Turks encountered upon their arrival in Anatolia consisted of a double columned
frontal courtyard and a main space located behind it. This was accepted as the
typical dwelling unit of the settled farmer society. Turks, being nomads, did not have
an original dwelling unit except the oba, but they had a very strong sense of space
and a strong feeling of principle of introversion. They achieved this sense of
closeness by developing the existing scheme in a simple and natural way: by placing
a storage or other service area opposite the elevated frontal courtyard, they
transformed the frontal garden into an inner courtyard. In other words, they
dissolved the frontal courtyard within the tranquil and introvert world of the middle
courtyard.
The introversion of Buda and Mani disciplines were an important factor in the
creation of an inner world in architecture. Turks created the Madrasa form in Islam
as a reflection of the Vihara form of the Buddhist Monastery, demonstrating the fact
that the reflections of Asian spiritual world played an important role in the
development of Ottoman-Turkish culture in Anatolia.
Turks who converted to Buddhism did not have to live in unfamiliar forms of
dwellings; on the contrary, the courtyard forms of the viharas reminded them of
tents, in yurt, oba and adr, their characteristic living environment.
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Turks have done more than just adopting the courtyard form of Asia and bringing an
architectural solution in the form of Madrasa . They applied the courtyard form, which
they developed during their nomadic period, as a place that enables the person to
turn to their inner world as part of the Muslim environment, through which they
created a bond between the two belief systems.
The formation of the traditional Anatolian urban pattern, which has survived although
partially, and the factors affecting the use of courtyards within this pattern can be
listed under the following themes:
a) The urban pattern that was formed through different climatic and geographic
circumstances as well as cultures that the Turks took over in Anatolia;
b) The traditions brought by different cultures that migrated to Anatolia.
c) The living traditions during the Turkization-Islamization of Anatolia.
The excavations conducted in Anatolia have shown that before the Turks, the oldest
settlements in central Anatolia belonged to the Hittites. It is known that urban
architecture was developed during this period through the megaron type houses
with frontal courtyards. Aksoy states that there were similarities between the Hitti
tes and the Turks of the Middle East origin, in their nomadic and military traditions.
(Aksoy, 1963)
The traces of this old culture in central, eastern and southeastern Anatolia dating
back to 4500 BC can still be observed in the traditional houses that have survived.
The housing type of ancient settlements like Alacahyk, atalhyk and Haclar are
very similar to the houses of surrounding villages of today.
In the Hellenistic Era, population increased rapidly with the rising number of
settlements in both coastal and inner regions of western Anatolia. As new
settlements were founded, the expanding political sovereignty in these settlements
enhanced the relations between different cultures in Anatolia. Different ethnic groups
mixed in time forming the people of Anatolia.
In western Anatolia, specific housing types developed, starting from the Classical Era
to the Roman Era. Houses with prostas, which were formed of an entrance, a
courtyard, a corridor opening to this courtyard, a passage, and rooms, of the
Northern Aegean Region spread in 4th and 3rd centuries BC. The peristyle houses
that became common in the Hellenistic Era were formed of a courtyard surrounded
with wide porticos and rooms. These houses are very significant in the development
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of Anatolian houses. Houses with atriums are still being used since Roman and
Byzantine period.
Information regarding the houses and palaces of the Seljukid and Principalities
periods reveal that the main scheme used in buildings such as houses, palaces,
caravanserais and madrasas involve a courtyard surrounded with iwans and rooms,
which can be observed especially in Diyarbakr at the Artukid Palace.
Eastern Anatolia was under the influence of Mesopotamian, Iranian and Khorasanian
civilisations. Eastern Anatolia, as the first region that the Turks arrived to, had an
important role in the evolution of the Turkish Houses. For example, Erzurum and
Divrii, where houses have courtyards that are entered through big gates within the
surrounding high walls, with stairs in the open that climb upstairs from the courtyards
and the ground floor used as a barn, are settlements with characteristic Turkish
houses.
In Northern Anatolia and to the east of Trabzon, the culture of ethnic groups of
Caucasian origin affected the region before the Turks. To the west of Trabzon,
Byzantine culture was influential. Although both of the regions introduced different
solutions to their house plans in order to overcome climatic and geographic
conditions, in none of them was the courtyard used, the preference being the sofa.
In the latest studies about the origin of the Turkish houses, the following are cited as
factors affecting the sense of closedness and centrality of Anatolian houses:
It is known that the Turkish tribes that came to Anatolia from central Asia had the
characteristics of nomads, farmers and urbanites. Nomads adapted the tent and
the related lifestyle, which is considered as the origin of Turkish house plan type, to
Anatolian architecture. Yurt, a type of tent, and earthen house showed almost no
change since ancient times, and was transformed into the yayla house by farmers
and villagers in Anatolia. The open space in front of the tent left its place to the
courtyard and later the sofa in the village and yayla houses.
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The inward-oriented and central form of the yurt played an important role in the
forms of the buildings the Turks constructed when they settled down. It is agreed that
the yurt influenced the spatial sense of the Turks.
E. Dies mentions that nomads lived in tents surrounded by an area in which they
protected their animals, while settled farmers lived in huts surrounded by fences or
walls. He adds that for nomads, inner-courtyard houses of nomads and the free open
houses of settled farmer population is transformed into a common square or
courtyard that is surrounded on all sides by the use of tents, which are the origins of
inner-courtyard houses, as an ensemble. (Akn, 1990)
Another explanation regarding the relation between the courtyard and nomadic
traditions concerns the migration of the Ouz tribe. The Ouz tribe, looking for
centuries for a suitable location to settle, continuously had to change places due to
the harsh and insecure conditions in Asia. As a result, they developed a
consciousness of abstract space. The abstract space transformed into the inner
courtyard of the southeastern Anatolian House, to the hayat houses of the
Mediterranean coast and to closed sofa houses of Istanbul.
Turks who became Buddhists in Asia did not live in buildings unfamiliar to them. On
the contrary, the vihara form resembled the tent-like settlement form of Turks.
(Vihara was of an inner courtyard surrounded by cells in the Indian Monastery.) For
this reason, it can be said that Turks introduced the madrasah form to Islamic
Architecture with the influence of the vihara, which they had internalised in middle
Asia.
In Shaman, Buddha and Mani disciplines, the belief that in order to maintain the
sovereignty over the ego one should shut oneself had an important role in the
Turkish Anatolian House. Naturally, these are not primary factors; however, all of
these viewpoints or cultures affected architecture.
We know that, before coming to Anatolia, Turks had lived in Iran for 200 years,
where they had sovereignty over Iran, and were in relation with Iranian culture and
arts. Turks, with the effects of Islam and the state order that they encountered in
Iran, continued to use the courtyard in Anatolia but its use was based on a different
understanding: instead of the sense of introversion in Buddha and Mani cultures, its
basis was privacy.
The use of courtyards in mosques was also different in terms of secrecy. They were
used as a gathering place, like a forum. As the religion consisted of a theocratic
state and a social order, the social life occurred only in the courtyards of mosques.
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The continuous movement of Turks from east to west and their spread throughout
Anatolia and Thrace caused the Turkish house to develop in different dimensions.
The flexibility of the Turkish House to provide for the needs of a people on the move,
together with permanent solutions devised by rooted cultures to overcome problems
arising from living in one place for too long, have resulted with completely new
formations. As sofa type houses, which enable flexible use of place, local cultures
also influenced dwelling types.
The increase in traffic meant opening new wide roads that invaded courtyards
and gardens.
Unmaintained courtyards turned into rubbish or storage area.
The ones that are under protection are not used for their original purpose but
as stores, woodsheds etc, with their gardens used as spaces to build annexes
to existing buildings.
The complementary elements of courtyards, such as pools, fountains, flower
beds, walls, iwans, ardak etc. are neglected, demolished, closed or no longer
function.
The rarely restored ones lost their values due to incompetent restoration or
erroneous interpretations.
They are viewed as a source of income for the local people and
administration.
The alternative to the traditional urban texture incorporating courtyards was the
newly formed town based on construction regulations that disregarded the traditional
green spaces of courtyards, resulting in the loss of healthy lifestyle.
Today, most of the factors that caused the formation of courtyards, such as
geography, climate, physiological and social functions, are still valid. People still
enjoy wandering, watching the flow of water and the sight of flowers. It is still
important to enjoy all the elements that make a courtyard through seeing, smelling,
hearing and touching. But some things have changed, the most important being the
increasing value of land due to pressures of economy and increasing population.
Although social privacy still exists, it is no longer a religious privacy.
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Bibliography
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Figures
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Figure 4: Ozkose,A.,Courtyard of Old House in Urfa Figure 5: Ozkose,A.,Courtyard of Old House in Diyarbakr
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Figure 7: Ozkose,A.,Courtyard Texture of Greme Figure 8: Ozkose,A.,Courtyard of Safranbolu Arasta
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