ABC of Flower Arranging
ABC of Flower Arranging
ABC of Flower Arranging
Clements
ABC of
Flower
(
'
and
clear
style
handbook on the
Flower arrangement
not restricted to
is
By following
the simple
Clements describes,
it
methods
Julia
who work
who love
by arranging them
artistically.
this is the
Quadrangle/The
New
York Times
Book Co.
10 East 53 Street
New
York,
New York
10022
0976
mwM
Julia Clements
Julia Clements
n
Quadrangle/The
New York
Copyright
('
or portions thereof
in
anv form.
New
Street,
York,
New York
10022.
ISBN
0-8129-0635-7
Title.
76-4132
book
Contents
Introduction
9
3i
53
Unusual containers
67
83
96
2012
http://archive.org/details/abcofflowerarranOOclem
Introduction
It is
I
true that in
feel
people
life
must have
who
years ago
the wheel
said
it
comes
before,
to full circle,
and although
when
first
after
many books
felt
five
to these newcomers to the art that I address this simplified book, for I am
convinced that anyone can arrange flowers and I do really mean anyone. Of
course the desire must be there first, but if you are one who longs to place flowers
artistically in a vase, who wishes to use colour as an expression of your character,
who might wish to show friends the results of your skill at gardening, or perhaps
who might wish to surprise the family with a new and stimulating flower design,
It is
fully
then this
is
the
Of course
later,
to enter into
the
knowledge
technicalities
ment. But there is much more to it than that, for you will never again walk along
a sea shore without looking for interesting shells or stones which will hide the
flower holder if you are without leaves, and if you have a garden you will start to
grow the exact types of flowers and plants which will help you create the colour
schemes of your choice.
I have arranged this book so that it is easy for anyone to follow, whether you
have a garden or not, whether you live in country or in town. But do buy yourself a pair of good flower cutters and one or two interesting flower containers
and see how easy it is.
and then enjoy your flowers. Start
NOW
JULIA CLEMENTS
Chelsea 1976
The formal
style
The formal or classical style of using masses of flowers to gain effect is typically
British. Take care that your container blends happily with your room and furniture, and remember that the shape of your arrangement should suit its position
in the
room.
wall,
finer ones
low
at right.
STEP 2
Here
a tall
mauve opaque
glass goblet
Fill
the
it
is
bottom
used to hold
part of the vase
place a pin-holder,
fill
should be placed
at
the sides.
step
opposite
Add more
More
Any
10
low
in
at
freesias
triangular type of
in this
way
STEP
STEP 2
made
tilt
stem.
step
opposite
Fill in
from top
to
some
'in'
and some
avoid
a flat effect
and
finish
12
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13
step
above
left
compote
style
it
the netting to the vase (sec page 88) and add water.
Insert three
leaves.
step 2
Insert
tall
used
pale
gladioli
thistle leaves.
above
deep yellow chrysanthemums, each one cut to
different length,
step
lemon
onopordum
Widen
down
the centre.
left
the triangular
at the sides.
step 4
opposite
Place the vase on a
15
ie tall
Press a block of
in the
wet Oasis on
top of fhe~container.
to a pinholder
Make
Next add
not only
in
Try
to place
length but
in
them
depth,
at different
ie 'in
and
out'.
and place
an irregular outline
light
STEP 2
stem
one
first tall
left
swerving downwards.
step
opposite
or heuchera.
16
17
Here
is
assymetrical triangle
STEP 2
tall
of it.
Add
gladioli (one
and
a slightly
Add yellow
tallest
in the
left
and
step
Fill
in
opposite
at
19
STEP 2
the outline pattern with roses, some
backwards, the bigger ones lower down.
Cover
tilting
the container
(a
baking
tin
step
opposite
20
21
The Hogarth
curve,
named
after
English painter
scribbled
beauty,
is
(i
a line
have to practice
So here we go.
step
above
as
an exercise.
Many
find
any
flowers or
tall
difficult.
left
insert
it
tall
foam on
container.
to a
Next
broom
as in the picture,
making
underneath the
tip
of the
tallest
tip
sure the
being almost
stem.
step 2
step
left
22
23
crimson
in a pale
step
above
is
pink and
left
above
Some thin-stemmed
is
left
Crimson sedum
spectabile
is
inserted in
between the
step 4
opposite
and
24
some
tilting
25
you
STEP 2
Add
After
filling the
tall
stems
in a triangular
pattern as
step
opposite
26
27
Some
make
little
very effective
STEP
used
a piece
STEP 2
inserting
down
first
the
Place
pinholdcr
it
in a dish
of water
at the left
of the
wood.
Then insert on the
out
at
the
riiiht.
step
opposite
The same
plant material
was used
in this tall
wood was
container
opening of the vase, next the tall ivy was inserted with
the swerving stem out at the right and finally the lilies
were placed. I used no holder, the stems resting against
the inside of the vase. However, if you are uncertain
nearly fill the vase with wet newspaper or sand, adding
a pinholder on to this false platform.
28
29
30
The modern
style
you live in a house or flat of contemporary design then you will probably bemost interested in the modern style of flower arrangement. Although often
appearing more bold and exciting than traditional styles. Mower arrangements
in the modern manner are, in my opinion, easier to achieve.
To make an original modern design do not be afraid to use strong or contrasting colours; neither must you fear heights, for tall designs arc more modern than
squat ones. The value of space must be realised, and allowed tor round the principal
lines of your design: be careful to resist the temptation to fill up the spaces m
your arrangement because you are afraid it might appear too sparse.
An appropriate background is most important. It your walls arc pale, you can
place before them dark branches and bright leaves; it dark it would be better to
If
The
right container
uncluttered
in
be shallow or
is
appearance, perhaps
tall
made
it
It
can
to be filled.
in a container.
making
if
you
are interested in
time to
start
So
to
creative
different shape or
is
the
form
your design.
some large stones, rough pieces of wood, old roots, dried fungus,
even ornaments, for all of these are valuable accessories to modern flower
arrangement. Pieces of wood can be sandpapered to obtain interesting textures
and other items may be rubbed smooth, polished with shoe polish, and finished
in a variety of colours.
Collect
shells,
3i
STEP 2
Add
the
iris,
the second
at the left.
centre.
step
opposite
This
is
a basic
flowing material
32
when
experience
is
gained.
STEP
Fix a
slat
stands firmly in
step 4
opposite
Finally cut
short, inserting
them
step
STEP 2
34
slat
down
at
firmly with
back.
background.
Fill
few leaves
will
in
wood
make an
35
paper
few hours.
clip
When
the
low down
step 2
for
fix
with
a hair
leaving
dominant
Add
interest.
opposite
only hide
it,
tulips leaning
36
37
*A-
1 \*j\t
^^
-
X
J
^ "^ tiNPy^T
ww^j~* +
\
i
STEP 2
One
fatzia
angled to the
left,
step
opposite
opening to make
this
in the
flowers in season.
38
top
39
demand
aim high
with your branches, leaving plenty of space in between
the height and the base.
designs
space, so
Insert an angular
pinholder which
Allow
it
do not be
afraid to
STEP 2
rests in the
step
opposite
Insert
unitethe stems.
40
Fill
4i
turning into
STEP
STEP 2
Add
the
stems of heather in
a cross line
swerving
down
left.
leaf.
a tall
left.
step
opposite
42
at
43
the winter.
more important.
step
above
left
above
step 2
wood
gives
width.
step
Tuck
step 4
Add
left
in short pieces
to
opposite
colourful
you have
44
of greenery
base and
45
i
'
%^<\ H;
-
-^Mfc*
pinholdcr
is all
that
is
required for
enough
step
above
left
you
the right if
above
few daffodils, the low
step 2
Add
like)
left
one looking up
at the
others.
step
Next
left
place
some
daffodils
behind
Opposite
46
Add
water daily.
47
many
designs.
Here
it is
make
interesting
from old
step
base to help
it
If there
trees,
been fixed to
step 2
is
not
much room
is
in a plastic
soil.
stand firm.
step
opposite
The pots are hidden with stones and moss and a few
more roots are added low down. Watering can be done
without disturbing the arrangement.
48
49
down
with
shallow
STEP
Insert
tin
finally painted.
ruta graveolens
Place
insert
a false
stem by twisting
thick
it.
step
opposite
Add two
forward.
Two
be substituted.
50
51
This shows
on page
38.
First the
filled
52
The
settings.
A low
whereas
each
central
it
tall
candlesticks,
one-
side.
A good
idea
is
to allow
to
mam
room -perhaps the walls, the curtains, the china or even an importOr you can ot course make the flowers the domment note ill the room.
colours in the
ant picture.
is
stands standing
Your
scheme,
table can
set
on
one-colour flower
particular flower arrangement set on a pink cloth can look dainty, whereas
same arrangement on a yellow cloth will have a bright gay effect on a green
cloth the atmosphere will be refreshing, but a cloth of mauve or ecru will give
the
Table cloths are easy to tint to any desired colour by using cold dye which can
be removed. Or you might like to copy my idea of having a number o\
lengths of nylon of varying colours to place over a basic white cloth.
When planning your table arrangements the relationship of the flowers to the
cloth or mats, china and glass is most important: always make your design with
the entire setting in mind, and try to obtain a three-dimensional effect, le, tall
candles and low flowers, or taller flowers and low placements.
easily
53
STEP
By
using
standing in
in place.
step 4
if
the candle
is
not lighted.
opposite
- splitting the
- and tuck in large leaves around the
centre to give depth and stability. Add water to Oasis
Finally add peach-coloured roses
stem-ends
first
daily.
STEP
Insert
STEP 2
pattern, adding
some
some forward
%*?JM
***
'
4*
54
<-
same
55
hall table at
above
Christmas time.
left
in a dish
a
at the left
above
step 2
Place
of water
some grapes
them with
some can be
raised.
step
left
low
at right,
step 4
Add
at left to
opposite
low
at left
56
57
STEP
if
and
set
or Oasis and a
Make
any
little
wire netting.
STEP 2
58
STEP
side,
59
above
(see left)
is
stood on to
on
to an Oasis holder
first
flower
inserted.
step 2
left
step
part.
opposite
In
60
A low
arrangement
is
with
STEP
Fill
all
round
if
made
effect.
low
make
low
STEP 2
daisy-like
STEP
filling in,
some
to finalise the
effect.
%\
xr^mvm**^.
step 4
opposite
Standing on
62
63
Above
is made on the principle of
and width with rounder flowers
and leaves in the centre. Made in a shallow dish and
stood on a black wooden base, the flowers are white
and pink larkspur with pink roses and blue
cornflowers and leaves. As this was made 'all round' it
would be suitable for the centre of a table or at one
end.
Left
A low
on
64
fruit
wooden
in a glass
container to
match the
in. ike
an
rose
patterned china.
65
table can be
made with
a little
STEP 2
The Oasis
easily transportable.
STEP
Make
low
mimosa
66
wet
or
Oasis.
narcissi, cutting
some
making
it
Unusual containers
No
keen flower arranger ever possesses enough containers to express her ideas
She needs so many receptacles of such different kinds that although the .irt
fully.
of flower arrangement will open her eyes to the beauty, colour and texture of
glass, pottery and metal, |iist as surely it will eventually lead her to the necessity
for
containers.
or painted with
plastic material)
or liquid soap bottles can be converted into attractive flower containers with the
aid of
some
paint.
wooden bowl
household
or
tin to
stores).
wood -one
compote-dish
the top of
mm)
Another
art suppliers)
idea
is
to paint a
by fixing a
m main-
powder (from
leg
is
then nailed to
t.)\
matt paint
by rubbing
this
wine
glass
ith frosted
with dainty spring flowers, the effect is delightful. Or stand two stemmed wine
or beer glasses on top of each other (toot to toot) so making a tall, dainty glass
container for flowing trails of flowers.
Try binding
tin
a tin, no matter what shape, with thick string. First, paint the
with glue, add the string, rung by rung, closely together and finally brush
over the whole with Croid glue. Croid glue is the best as it dries matt and clear.
Rinse the inside of the tin at the joins with clear varnish several times to make it
watertight.
mixture of black and aluminium paint will give an antique finish to many a
flat pieces of wood covered with Fablon make interesting
bases. A potato also if sliced lengthwise and stood on a base or in a shallow dish
will hold thick stemmed woody flowers or shrubs: very useful with yew and
holly at Christmastime.
Many attractive containers available today in the shops seem to present
problems to the flower arranger. They need not. Try to follow the basic shape
of the container, ie if it is curved, then follow this curve; or if it is jug-like in
appearance, think of the pouring function of a jug and make the design higher
over the handle, flowing down over the spout. These are only suggestions, for
there are
sure
you
no
Be
am
67
STEP
STEP 2
round
fish
fulgens, or
step
opposite
68
-.
^,
N.
ffJ
^nS?
I
^V'
"~J
^^^
^-^'
t**Mf
1
^JB
^Rn^J
If
69
garden
stores.
it
netting or fencing
cylindrical shape of
it
will
make an
interesting container.
STEP 2
tall
flat, with
stem of greenery for
height.
mm
pinholder
the net
on
in a dish
of water. Insert
a tall
stem through
to the holder.
step
opposite
70
71
STEP 2
step
opposite
Finally,
avoid
leaves.
72
to
An
73
camellia blooms,
priest, are a
STEP
The
sprig of leaves
is
first (left)
branch
is
rim of the
STEP 2
down on
fix.
wound round
to the pinholder in
step
opposite
added
74
to the container.
75
An arrangement of fruit
country setting.
is
STEP 2
which large
Stand a stew pot on its side and fill with grapes, adding
pinholder in a small dish at the back which held vine
leaves and corn tassles. Apples are held together by
a
step
opposite
76
this
adds colour
interest.
77
An
easy
method
to build
up an arrangement of lilies of
STEP 2
the valley.
sides.
Place a
tall
container
filling
netting. In this
type
way you
heights of flowers
all
the
same length.
Opposite
Many
people possess
is
ideal for
filling the
top
78
Above
would make an excellent
summer arrangement because of its cool appearance. A
shallow
green-glass fruit-dish
floats
of green
glass resting in
between.
Opposite
make
81
Two
to give an
uneven
82
at the
If your
whole
on
to the
strip of lead
back.
design
is
cm make
Flowers will
last
longer
when arranged
it,
this
after
down on
when heavy
thin ring of
become
Most large-surfaced leaves and leafy twigs will remain turgid and strong
if left submerged in water overnight before use.
Mosy, Florapak or Oasis are ideal substances for holding stems in place when
are recut under water, then left in deep water so that the water channels
filled.
water
in
first,
then
make
a gift
the
for
arrangement;
it
cannot
spill
during
transportation.
If not
some water
in
arrangement,
is
finished
as this
add
a tablet
leaves.
If
you
first
make
certain
it is
then
choose the flowers you will need. Try to select tall and fine flowers as
well as shorter and bigger ones, adding leaves for depth and trails for softening the
sides and front - and of course they must all suit your colour scheme.
easier to
83
for
modern
84
and
shallow container
reel wire.
dessert spoonful
of sugar to
Split the
ends of all
woody-stemmed
flowers -
less
85
When
bleached
wood
is
difficult to insert
on
86
it
so
much
easier.
With
can be
and
made and
front,
finally the
to
all
them
modern containers to
Try covering five pieces of
them in grit, fixing them
kinds of
container.
to
go where
it
his
is
effect
Cane
is
available
Leicester.
likes.
87
For
a large
arrangement,
fill
a classic
mm-2
vase with
some
by flowers and
Opposite
Use
90
Above
Opposite
Heavy
fruit,
such as
held by
thick hairpin.
in
water, to be inserted in
91
method
is
more
more height
to pansies.
Street,
92
closely
London WC2.
tall
branch or twig on
pinholdcr
at
one end of
may
by
a leaf later
on.
93
To
such
as
is
94
is
needed in
on to
hold
it
95
To make
wooden
is
on the
The driftwood
it
hides the
container.
do
night
when
transpiration
is
morning or
at its
them
in
late at
Once
comfy.
do
might
don't forget
such
a
to split the
as lilac, roses,
fall
flowering shrubs;
woody
this
plants
allows for
do submerge
all flat
some
do drag
pin
down
stemmed
don't use
floral
it is
fully
will help
arrangements.
do
cut
some beech
stems in
leaves about
two
them glossy brown
time. Try other leaves also.
not
96
kill
true.
the others
when
placed together.
It's
Founder of the
Modern School of Floral Art and was
awarded the Victoria Medal of Honour,
the highest award of the Royal
Julia Clements
is
the
work
in
effect,
created a
interest:
spoken
twenty-two
States in the USA, in Belgium, France,
Italy, Germany, Monte Carlo and Lebanon.
She has recently completed a World Tour,
In the course of her career she has
in
in eight
New
and
Zealand.
Julia Clements
woman who
has
two
roses
named
Clements.
Julia