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Some Kind
of Mirror
Creating Marilyn Monroe
Amanda Konkle
Some Kind of Mirror
Q
Some Kind of Mirror
Q
Creating Marilyn Monroe
A m a n da Kon k l e
1 Introduction: Playing
“Marilyn Monroe” 1
2 Becoming a Star: The Publicity Buildup
and Early Performances 23
3 Mrs. America: Marilyn Monroe
and Marriage Anxiety 55
4 “It’s Kinda Personal and Embarrassing, Too”:
Monroe, the Kinsey Reports, and the
Double Standard 99
5 The Actress and Her Method:
Resisting Playing “Marilyn Monroe” 141
6 Conclusion: A “Marilyn Monroe” Type 189
Acknowledgments 199
Filmography 201
Notes 205
Works Cited 231
Index 263
ix
Some Kind of Mirror
Q
chapter 1
Introduction
playing “marilyn monroe”
A story about Marilyn Monroe’s 1954 performances for the troops in Korea
concludes her autobiography, My Story.1 Monroe, as the narrator, says the
officer in charge of her Korean tour asked her to change the way she sang
the George Gershwin song, “Do It Again,” b
ecause her performance was
“too suggestive.” Although Monroe insists that she “hadn’t sung the song
with any suggestive meaning,” she agrees to change “do it” to “kiss me,”
because she sees no point in arguing. She explains, “People had a habit of
looking at me as if I w
ere some kind of mirror instead of as a person. They
didn’t see me, they saw their own lewd thoughts” (183). With Monroe, this
story suggests, sex appeal was wholly conspicuous, even if she intended
her performance to be subdued or even classical. Eventually, when the
individual formerly known as Norma Jeane Mortenson looked in the mir-
ror, she would see not “herself,” but Marilyn Monroe looking back at
her. That she was “some kind of mirror” aptly describes Monroe’s role in
postwar culture, for, as I argue throughout this book, Monroe’s star
persona united many of the contradictory discourses of the postwar
period. Her performances, onscreen and off, despite having been crafted
to showcase her status as a sexpot, w
ere more complex in that, at the same
time as they acknowledged and resisted the conventions of the sexpot,
they also mirrored, or reflected, the concerns and anxieties of many
1
2 Som e K i n d of Mir ror
postwar Americans. Monroe played the sexpot role, but she also chal-
lenged that role with humor, sensitivity, and cultural relevance.
In fact, the sexpot role Monroe played—a performance of being con-
sistently and conspicuously desirable and available—made Monroe’s
engagement with debates about postwar gender roles, female sexual desire,
and the labor undertaken by actresses more palatable to audiences and
critics—and thereby also obscured the range of cultural work undertaken
by Monroe’s star persona in the postwar period (as well as today). The very
sexiness that is part of her persona has made it difficult for many writers
to take her seriously as an actress, and yet, playing “Marilyn Monroe”
meant not only being sexy, but also incorporating nuances of vulnerabil-
ity and humor into her roles. Playing “Marilyn Monroe” meant not only
being sexy, but also reflecting and advancing debates about women’s roles
in marriage and women’s sexuality. Playing “Marilyn Monroe” meant not
only being sexy, but also taking herself seriously as an actress, even when
few o
thers did. Playing “Marilyn Monroe” meant exposing and resisting
many of the contradictions of the postwar era. How she did that is the sub-
ject of this book.
In spite of, or perhaps b
ecause of, Monroe’s early, tragic, mysterious
death, Monroe reflects what o
thers want to see to this day; she figuratively,
and sometimes literally, remains “some kind of mirror.” For example,
according to staff and guests at Hollywood’s Roosevelt Hotel, where Mon-
roe was photographed for her early modeling gigs, Monroe’s reflection
still occasionally appears in the full-length mirror that had once been in
her hotel room. The h
otel has since moved the mirror to the gift shop,
where it can attract revenue. Monroe’s films are still screened, both on
telev ision and in movie h
ouses, and thus her screen image also persists.2
Her offscreen image is nearly unavoidable: despite being dead, Monroe
appeared in a Snickers Super Bowl ad (2016), a Coke campaign (2015), cam-
paigns for Chanel No. 5 (1994, 2013) and J’Adore Dior (2011), campaigns
for Levi’s (1968, 1998), Gap (1993), and Max F
actor cosmetics (1999, 2015),
Another random document with
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This jewel, so highly valued for its chaste beauty, is but a
secretion of animal matter, resulting from the efforts of some uneasy
mollusk, annoyed by a foreign substance, which has found its way
into his habitation, to make the best of an unavoidable evil by
enclosing it in a soft smooth covering. Let us imitate the Oyster, and
when annoyed or afflicted, by meekness and patience, and christian
charity, strive to turn our vexations and troubles into “pearls of great
price,” and “goodly pearls,” like those mentioned in scripture.
It is on the north-west coast of the Island of Ceylon, in the Indian
Ocean, that the Pearl Oyster most abounds, and there it is that the
Pearl fishery is conducted in the most extensive, systematic, and
successful manner; this fishing commences at the beginning of
March, and upwards of two hundred boats are usually employed in
it; in each of these boats are ten divers, who go down to the Oyster-
beds, five at a time, and so relieve each other; there are besides
thirteen other men who manage the boat, and attend to the divers.
Altogether it is computed that from fifty to sixty thousand persons,
in some way engaged in the fishery, or preparation, or sale of the
pearls, assemble at and near the scene of operations, which must be
indeed a busy one. The number of Oysters taken during the period
of the fishing, which is about a month, must be prodigious. One boat
has been known to bring on shore, in the day, as many as thirty-
three thousand; they are placed in heaps, and allowed to remain
until they become putrid, when they undergo a very elaborate
process of washing and separating from the shells, which are
carefully examined and deprived of their pearly treasures. The
stench arising from the decomposed animal matter is described as
horrible, and the whole process filthy and loathsome in the extreme;
yet out of the slime and mud and disgusting effluvia, come every
year gems of inestimable value, calculated to adorn the brow of
beauty, and form ornaments the most pure and delicate that can be
imagined. For the exclusive right of fishing on the banks of Ceylon,
for a single season, as much as £120,000 have been paid to the
English government by one person, who sublets boats to others.
Pearls vary greatly in value according to their colour and size; those
which are perfectly white are the most valuable; next to these are
those which have a yellowish tinge; the smallest kind, used for
various ornamental purposes, are called seed pearls, the refuse is
made into a kind of confection called chimum, highly relished by
Chinese epicures. A single Oyster will sometimes contain several
pearls, which are generally embedded in the body of the animal, but
are sometimes fixed to the shell; it is recorded of one rich mollusk,
that there were found in his possession no less than one hundred
and fifty precious jewels; he must have been a miser, or perhaps he
had taken them in pledge from his less provident neighbours.
From the earliest time, pearls have been considered as valuable
ornaments; they are mentioned in the book of Job, (see chap. xxviii,
verse 18th.,) and are often alluded to by Greek and Roman writers.
Various attempts have been made to imitate them, and one mode of
producing them, practised, it is said, more than a thousand years
ago, is still carried on in China. In the shells of Pearl Oysters, holes
are bored, into which pieces of iron are introduced; these wounding
and irritating the animal, cause it to deposit coat upon coat of pearly
matter over the wounded part, and so the pearl is formed. Artificial
pearls are made of hollow glass globules or little globes, covered on
the inside with a liquid called pearl-essence, and filled up with white
wax. Historians speak of an ancient traffic in native pearls carried on
by this country; and in modern times, British pearls of considerable
value have been discovered, one not many years since, by a
gentleman who was eating oysters at Winchester, was valued at two
hundred guineas. Generally, however, the pearls of this country are
inferior in the two requisites of colour and size.
Interesting accounts of Pearls and Pearl-fishing, will be found in
“the Penny,” and “Saturday Magazines,” and many other works easy
of access. There our young readers may learn of the perils and
dangers to which the poor divers are exposed from the voracious
sharks, which hover about the fishing grounds, and make a dash at
their victim, heedless of the written charms, with which the priest or
shark-charmer has provided him previous to his descent, and of
much more than we can find space here to tell. All we can now do is
to give the portrait, as drawn by Thomas Hood, of a lady who takes
up her abode in all the pearl-producing bivalves, and who is
therefore, perhaps on this account, called
LIMPITS.
Among the rocks of the British coast, there are no shells more
frequently met with than those of the Common Limpit, Patella
vulgata; they lie scattered about like so many little empty cups, each
having, on the death of the mollusk, fallen from the rocky cavity in
which it was embedded, and which was just large enough to contain
it. Here the animal attaches itself so firmly by its fibrous foot, which
is hollow in the centre, and acts like a sucker, that it is almost
impossible to loosen its hold otherwise than by inserting something
thin, like the blade of a knife between it and the stone. By this
power of adhesion, the Limpit is protected from the violence of the
waves, and also from its numerous enemies, aquatic birds and
animals, which have a relish for its flesh. Still vast numbers are used
as food, both by man and the inferior creatures, so that the means
of defence furnished to the Limpits of the rock, are not always sure.
“The peasantry of the western isles of Scotland,” we are told by Miss
Pratt, “look to the Periwinkles and Limpits, which abound on the
rocks, for their daily meal, often for long seasons, subsisting almost
entirely upon this humble food. In the Isle of Skye, the inhabitants
are often, at one time of the year, without any other source of
provision.” Then comes the Sea-gull, and the Duck, and the Pied
Oyster-catcher, to feed on the poor little mollusk, the bill of the latter
bird being admirably adapted for loosening its hold on the rock.
Patella in Latin signifies a salad-dish, a knee-pan, and several
other domestic utensils, of a broad shallow make, and hence we find
the plural form of the word applied to the Limpit family, whose shells
are of such a shape. Members of this family are found on all rocky
coasts, except those of the Arctic seas; on Tropical rocks they grow
to a large size, and form a valuable article of food. A very curious
piece of mechanism is the tongue of the Common Limpit, it is from
two to three inches long, and has a spoon-like extremity, so that it
looks, when extended from the mouth, like a small snake; if
examined through a microscope, it is seen to be armed throughout
its whole extent with rows, four deep, of sharp hooked teeth, and
between each row are placed two others, which have three points,
and are set in a slanting position; the use of this arrangement we
cannot at present determine, but no doubt it has a perfect
adaptation to the wants of the animal.
There are shell-fish called Key-hole Limpits, which belong to the
genus Fissurellidæ, from fissura—a cleft or slip, from whence comes
also fissure. All the members of this genus are distinguished by the
aperture at the top of the shell, shaped like a key-hole, which is
situated exactly over the breathing organs, and serves as a channel
for the water necessary for respiration.
Frequently upon the fronds of the large olive sea-weeds may be
found a tiny shell shaped something like that of the Common Limpit;
it is of an olive green colour, with blue streaks, and is called, from its
clearness, the Pellucid Limpit, P. pellucida. There is also another
much like it in appearance, which naturalists call P. lœvis. To the
labours of these little mollusks, according to Dr. Harvey, may be
partly attributed the destruction of the gigantic Algæ, (sea-weed.)
Eating into the lower part of the stems, and destroying the branches
of the roots, they so far weaken the base, that it becomes unable to
support the weight of the frond; and thus the plant is detached and
driven on shore by the waves.
ROCK-BORERS.
The family Pholadæ comprises a group of mollusks, the boring
habits of which have long been known; they penetrate wood, hard
clay, chalk, and rocks, and devastate the labours of man; they attack
the hulls of ships, the piles which form the foundations of piers and
break-waters, and they force themselves upon our attention by the
loss of property, as well as of life, which results from their hidden
depredations. Of this family, those belonging to the genus Pholus
may be more especially likened to the Edomites of Scripture,
because they take up their abode in the rock, and hollow out for
themselves dwellings therein. With a shell as thin as paper, and
brittle as glass, the wonder is how these Rock-borers work their way
into and through hard stones. Some naturalists assert that they
effect this by means of an acid which decomposes the substance of
the rock, and renders it soft; others, that the animal keeps turning
round and round like an instrument called an auger, and so gradually
rasps away the surface of the stone with the angles of its shell, but
we question whether the shell would not be worn out first in such a
process. The generic name of these “stone-piercers,” comes from
the Greek word Pholeo—to hide, and the rocky chambers which they
hollow out for themselves, are as snug hiding-places as can well be
imagined; yet, however deep they may go into these gloomy
caverns, as we should be apt to suppose them, they need not be in
darkness, for it appears that these Pholades emit a most remarkable
light, whether phosphorescent or not does not appear to be
determined; so strong is it, that it is said to illuminate the mouth of
the person who eats the mollusk; and it is remarked by Dr. Priestly,
that “contrary to the nature of most fish, which give light when they
tend to putrescence, this is more luminous the fresher it is, and
when dried its light will revive on being moistened with water.” So
that in more respects than one these rock-borers are mysteries. The
most common of them, perhaps, is the Prickly Pidduck, or
Peckstone, (P. dactylus,) which is much used by the fishermen of our
coasts as bait; the specific name is the Latin for a fruit shaped like a
finger, which is something like the shape of this mollusk, as will be
seen by the annexed engraving.
The genus Pholus is very widely distributed, and all the species
have the same boring habits as those of our own coast, which we
need not enumerate. Like them too in this respect are the marine
worms called Teredo, which make their way into the bottoms of
ships, and all submerged timber, but these will be more fully spoken
of in another volume. The above figure exhibits the Pholas dactylus
as it appears in a section of rock, split open for the purpose of
seeing the shelly miner at his work.
MULTIVALVES.
We have insensibly passed from the Bivalve shells to those
composed of several pieces, and therefore called Multivalves;
properly, perhaps, the Rock-borers, last described, come into this
division, for although their covering consists mainly of two principal
portions or valves, yet there are often additional parts; in some a
calcarious tube envelopes the whole mollusk, leaving only an
opening behind; this is more especially the case with those which
most resemble worms, such as the genera Teredina and Teredo,
included by Lamarck in the family which he calls Tubulidæ.
The first group of multivalves we shall have to notice, are
THE CHITONS,
forming the family Chitonidæ. The term has a Greek derivation, and
means a coat of mail. These mollusks are covered by a shell formed
of eight distinct portions, arranged along the back in a single row,
and attached to a mantle which resembles leather, being very tough
and wrinkled; the edges of this mantle extend beyond the borders of
the plates, which overlap each other, so as to constitute a kind of
armour, very different from the conical shell of the Limpit, or the
turbinated, that is twisted, case of some of the Borers. The
coverings of the Chitons are variously marked, so that each distinct
species is known by its peculiar pattern, as a knight of old by the
quarterings of his shield. All the mantles, however, have scaly, hairy,
or spiny margins. In this coat of mail, the animal can roll itself up
like an armadillo, and so be tolerably secure from its enemies; it has
an oval foot, the sides of which are covered with small leaflets, and
by means of this it can attach itself to rocks, like the Limpit, or travel
about in search of adventures. It has no distinct head, therefore it is
acephalous; nor any perceptible eyes. The mouth is furnished with a
long tongue, curled up spirally, like a watch-spring, and armed with
horny teeth.
The members of the Chiton family are numerous, being found on
most rocky shores; they attain the largest size in the hottest
climates, having never been found very far north. The British species
are small, and not more than two or three in number; they may be
found adhering to stones near low-water mark. We give a figure of
one of these called the Tufted Chiton, (C. fascicularis;) this word is
from the Latin fasciculus—a little bundle of leaves or flowers, and it
refers to the hairy tufts that edge the mantle of this marine slug.
BARNACLES,
Or, as they are sometimes called, Bernicles, belong to what
naturalists term the class Cirrhopoda, sometimes spelled cirripeda,
which appears to be derived from the Latin cirrus—a tuft or lock of
hair curled, and pede—a foot; hence the term may be translated
hairy-footed. Such of our readers as have seen the Common or Duck
Barnacle, (Pentalasmis anatifera,) will at once understand the
applicability of this term. Many a piece of drift wood comes to land
literally covered with long fleshy stalks, generally of a purplish red
colour, twisting and curling in all directions, and terminating in
delicate porcelain-like shells, clear and brittle, of a white colour, just
tinged with blue, from between which project the many-jointed
cirrhi, or hair-like tentacles, which serve the purpose of a casting
net, to seize and drag to the mouth of the animal, its prey, which
consists of small mollusks and crustacea.
This is the Barnacle about which such strange stories are told by
old writers, who affirmed that the Barnacle or Brent Goose, that in
winter visits our shores, is produced from these fleshy foot-stalks
and hairy shells by a natural process of growth, or, as some
philosophers of our day would say, of development. Gerard, who, in
1597, wrote a “Historie of Plants,” describes the process by which
the fish is transformed into the bird; telling his readers that as “the
shells gape, the legs hang out, that the bird growing bigger and
bigger the shells open more and more, till at length it is attached
only by the bill, soon after which it drops into the sea; there it
acquires feathers, and grows to a fowle.” There is an amusing
illustration given in Gerard’s book, where the young Geese are
represented hanging on the branches of trees, just ready to drop
into the water, where a number of those that have previously fallen,
like ripe fruit, and attained their full plumage, are sailing about very
contentedly. It was part of this theory that the Barnacles were of
vegetable origin, they grew upon trees, or sprung out of the ground
like mushrooms; so we find in the works of an old poet named Du
Bartas, these lines:—
Only our bag-shaped Mr. Sepia, with his great round staring eyes,
and numerous legs or arms, whichever you please to call them, all
twisting and twining about like so many serpents, is a much more
formidable looking individual. A strange fellow is this altogether; he
has a shell, but he does not use it for a covering, he carries it inside
of him, and it serves the purpose of a sort of back-bone; it is horny
and calcarious, light and porous, as our readers well know, having
most likely often used it to take out unsightly blots, or erase
mistakes in their copy or cyphering books.
When Mr. Sepia walks abroad, he sticks his little round body
upright, so that his eyes, and mouth, which is armed with a parrot-
like beak, are brought close to the surface over which he passes,
while his long twining legs go sprawling about in all directions; on
the insides of these legs are a great number of small circular
suckers, by means of which the animal can fix itself to any object so
tightly that it is almost impossible to detach it without tearing off
part of the limb. Woe be to the poor unfortunate fish that chances to
come in its way; the snaky arms are thrown around it, and made
fast, and away goes the cephalopod for a ride, eating on the road to
lose no time, on the finny steed that carries it. In some species each
of the suckers has a hook in the centre, which of course renders the
hold yet firmer, and no doubt adds to the disagreeable sensation
which their tight compression must cause; it is likely that these
hooks are intended to retain the hold of soft and slippery prey, which
might otherwise be too agile for the “ugly customer,” that would
affectionately embrace it. But Mr. Sepia, though well armed in front,
is rather open to attacks in the rear of his soft naked body; to
provide for such an emergency, he is furnished with a little bag of
inky fluid, which he squirts out in the face of his pursuer, and
escapes under cover of the cloud; this is the substance used by
painters, and called sepia, whence the generic name of the mollusks
which produce it.
In the British seas none of these cephalopods attain so large a
size as to be formidable to man, as they do in warmer climates. It
was asserted by Dens, an old navigator, that in the African seas,
while three of his men were employed during a calm in scraping the
sides of the vessel, they were attacked by a monstrous Cuttle-fish,
which seized them in its arms, and drew two of them under water,
the third man was with difficulty rescued by cutting off one of the
creature’s limbs, which was as thick at the base as the fore-yard of
the ship, and had suckers as large as ladles; the rescued sailor was
so horrified by the monster, that he died delirious a few hours after.
An account is also given of another crew who were similarly attacked
off the coast of Angola; the creature threw its arms across the
vessel, and had nearly succeeded in dragging it down, and was only
prevented doing so by the severing of its limbs with swords and
hatchets. A diligent observer of nature has asserted that in the
Indian seas Cuttle-fish are often seen two fathoms broad across the
centre, with arms nine fathoms long. Only think, what a monster!
with a body twelve feet across, and eight or ten legs like water-
snakes, some six and thirty feet long. Well may it be said, that the
Indians when they go out in boats are in dread of such, and never
sail without an axe for their protection.
There is a story told by a gentleman named Beale, who, while
searching for shells upon the rocks of the Bonin Islands,
encountered a species of Cuttle-fish called by the whalers “the Rock-
squid,” and rashly endeavoured to secure it. This cephalopod, whose
body was not bigger than a large clenched hand, had tentacles at
least four feet across, and having its retreat to the sea cut off by Mr.
Beale, twined its limbs around that gentleman’s arm, which was
bared to the shoulder for the purpose of thrusting into holes of the
rocks after shells, and endeavoured to get its horny beak in a
position for biting. The narrator describes the sickening sensation of
horror which chilled his very blood, as he felt the creature’s cold
slimy grasp, and saw its large staring eyes fixed on him, and the
beak opening and closing. He called loudly for help, and was soon
joined by his companion, who relieved him by destroying the Cuttle-
fish with a knife, and detaching the limbs piece by piece.
There are several species of these cephalopods; the most
generally distributed appears to be the Octopus vulgaris, or Common
Cuttle-fish, which is sometimes found on our own shores, where also
may be obtained the Common Sepiola, S. vulgaris, usually about
three inches long, and the Officinal Cuttle-fish, S. Officinalis, which is
about a foot in length; we give below small figures of each of these
three species, to show the difference in the shape: the two last, it
will be observed, have, in addition to the eight tentacles, which give
the generic name Octopus, signifying eight, two long side arms, the
use of which does not appear to be very clearly determined.
The tiny mariner here alluded to, is the Paper Nautilus, common in
the Mediterranean and some tropical seas; its scientific name is
Argonauta argo. In the mythology, we read that Argo was the name
of a ship that carried a certain Grecian named Jason, and a crew of
argives in search of adventures; some say that the term is derived
from a Greek word signifying swift: this party of mariners, said to be
the first that ever sailed upon the sea, was called Argonauts, or, as it
might be freely translated, seamen of the ship Argo. Nauticus, in
Latin, signifies anything relating to ships or navigation, and here you
have the whole origin of the name of this little Argonaut, about
which we must sing you a song written by Mary Howitt, before we
proceed further:—
Nearly allied to the Nautili are these beautiful fossil shells called
Ammonites, from their fancied resemblance to the horns of a
heathen deity or god, called Jupiter Ammon. These shells, at once
the wonder and pride of geologists, are found in the chalk
formations, and thousands of years must have passed away since
they were inhabited by living creatures. The Nautili which swam and
sported with them at the depths of the ocean, as is proved by the
shells of many species found in the same chalky deposits, have still
their living representatives, but those winding galleries and pearly
chambers once fragile as paper and brittle as glass, now turned into,
and surrounded by solid stone, are all shells of extinct species, and
we can hardly see and handle them without some degree of awe
and reverence; when we reflect on the great and wonderful changes
that have passed over the earth since they were formed by a hand
divine, instinct with the breath of life, and then to be embedded in
the rock as everlasting characters by which the unborn generations
of men might read in history of those changes, and of the
providential dealings of God with his creatures. Of these Ammonites,
and other fossil shells, much more will have to be said in our
proposed geological volume; the poem which follows will very
appropriately conclude the above remarks, and our present little
work on shells—beautiful, wonderful shells! useful, ornamental,