TD 4

English
Deutsch
Français
Owner’s Manual
Italiano
Bedienungsanleitung
Mode d’emploi
Manuale dell’utente
Español
Manual del usuario
Manual do proprietário
Português
Gebruikershandleiding
Nederlands
TD-4_e.book 1 ページ２００８年１１月５日水曜日午後６時４０分
English
Deutsch
Français
Italiano
Thank you, and congratulations on your choice
Español
of the Roland Percussion Sound Module TD-4.
Before using this unit, carefully read the

sections entitled: “USING THE UNIT SAFELY” Português
and “IMPORTANT NOTES” (Owner’s manual
p. 2–3; p. 4). These sections provide
important information concerning the
proper operation of the unit. Additionally, in
order to feel assured that you have gained a
Nederlands
good grasp of every feature provided by your

new unit, Owner’s manual should be read in
its entirety.
The manual should be saved and kept on
hand as a convenient reference.
Copyright ©2009 ROLAND CORPORATION

All rights reserved. No part of this publication may be
reproduced in any form without the written permission of
ROLAND CORPORATION.
1
USING THE UNIT SAFELY
Used for instructions intended to alert the The symbol alerts the user to important instructions or
user to the risk of death or severe injury warnings.The specific meaning of the symbol is
should the unit be used improperly. determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
The symbol alerts the user to items that must never be
user to the risk of injury or material
carried out (are forbidden). The specific thing that must not
damage should the unit be used
be done is indicated by the design contained within the
improperly.
circle. In the case of the symbol at left, it means that the
unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with The ● symbol alerts the user to things that must be
respect to the home and all its carried out. The specific thing that must be done is
furnishings, as well to domestic animals indicated by the design contained within the circle. In the
or pets. case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
002c 008c
• Do not open (or modify in any way) the unit or its AC • Be sure to use only the AC adaptor supplied with the
adaptor. unit. Also, make sure the line voltage at the installation
matches the input voltage specified on the AC
.................................................................................................................... adaptor’s body. Other AC adaptors may use a different
003
• Do not attempt to repair the unit, or replace parts polarity, or be designed for a different voltage, so their
within it (except when this manual provides specific use could result in damage, malfunction, or electric
instructions directing you to do so). Refer all servicing shock.
to your retailer, the nearest Roland Service Center, or ....................................................................................................................
an authorized Roland distributor, as listed on the 008e
• Use only the attached power-supply cord. Also, the
“Information” page.
supplied power cord must not be used with any other
.................................................................................................................... device.
004
• Never install the unit in any of the following locations. ....................................................................................................................
009
• Subject to temperature extremes (e.g., direct • Do not excessively twist or bend the power cord, nor
sunlight in an enclosed vehicle, near a heating place heavy objects on it. Doing so can damage the
duct, on top of heat-generating equipment); or are cord, producing severed elements and short circuits.
• Damp (e.g., baths, washrooms, on wet floors); or are Damaged cords are fire and shock hazards!
• Exposed to steam or smoke; or are ....................................................................................................................
010
• Subject to salt exposure; or are • This unit, either alone or in combination with an
• Humid; or are amplifier and headphones or speakers, may be
• Exposed to rain; or are capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long
• Dusty or sandy; or are
period of time at a high volume level, or at a level that
• Subject to high levels of vibration and shakiness. is uncomfortable. If you experience any hearing loss or
.................................................................................................................... ringing in the ears, you should immediately stop using
005
• This unit should be used only with a stand that is the unit, and consult an audiologist.
recommended by Roland. ....................................................................................................................
011
.................................................................................................................... • Do not allow any objects (e.g., flammable material,
006
• When using the unit with a stand recommended by coins, pins); or liquids of any kind (water, soft drinks,
Roland, the stand must be carefully placed so it is level etc.) to penetrate the unit.
and sure to remain stable. If not using a stand, you still
need to make sure that any location you choose for
....................................................................................................................
placing the unit provides a level surface that will
properly support the unit, and keep it from wobbling.
....................................................................................................................
2
012b 101f
• Immediately turn the power off, remove the AC • Please be sure to read and adhere to the cautionary
adaptor from the outlet, and request servicing by your notices contained in the instructions that came with
retailer, the nearest Roland Service Center, or an this product.
authorized Roland distributor, as listed on the “Infor- Please note that, depending on the manner in which
mation” page when: keyboard performances are carried out, you may
• The AC adaptor, the power-supply cord, or the plug encounter situations where the keyboard falls off the
has been damaged; or stand or the stand topples over, even though you
have followed all of the instructions and advice
English
• If smoke or unusual odor occurs
contained within the product’s manual. For this
• Objects have fallen into, or liquid has been spilled
reason, you should always perform a safety check
onto the unit; or each time you use the stand.
• The unit has been exposed to rain (or otherwise has ....................................................................................................................
become wet); or 102c
• Always grasp only the plug on the AC adaptor cord
• The unit does not appear to operate normally or
when plugging into, or unplugging from, an outlet or
Deutsch
exhibits a marked change in performance.
this unit.
.................................................................................................................... ....................................................................................................................
013
• In households with small children, an adult should 103b
• At regular intervals, you should unplug the AC adaptor
provide supervision until the child is capable of
and clean it by using a dry cloth to wipe all dust and
following all the rules essential for the safe operation other accumulations away from its prongs. Also,
of the unit.
disconnect the power plug from the power outlet
.................................................................................................................... whenever the unit is to remain unused for an
Français
014
• Protect the unit from strong impact. extended period of time. Any accumulation of dust
(Do not drop it!) between the power plug and the power outlet can
result in poor insulation and lead to fire.
....................................................................................................................
015 ....................................................................................................................
• Do not force the unit’s power-supply cord to share an 104
• Try to prevent cords and cables from becoming
outlet with an unreasonable number of other devices.
entangled. Also, all cords and cables should be placed
Be especially careful when using extension cords—the
so they are out of the reach of children.
Italiano
total power used by all devices you have connected to
the extension cord’s outlet must never exceed the
....................................................................................................................
106
power rating (watts/amperes) for the extension cord. • Never climb on top of, nor place heavy objects on the
Excessive loads can cause the insulation on the cord to unit.
heat up and eventually melt through.
....................................................................................................................
.................................................................................................................... 107c
016 • Never handle the AC adaptor or its plugs with wet
• Before using the unit in a foreign country, consult with
Español
hands when plugging into, or unplugging from, an
your retailer, the nearest Roland Service Center, or an outlet or this unit.
authorized Roland distributor, as listed on the “Infor-
....................................................................................................................
mation” page. 108b
.................................................................................................................... • Before moving the unit, disconnect the AC adaptor
and all cords coming from external devices.
....................................................................................................................
109b Português
• Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet.
....................................................................................................................
110b
101b • Whenever you suspect the possibility of lightning in
• The unit and the AC adaptor should be located so
your area, disconnect the AC adaptor from the outlet.
their location or position does not interfere with their
Nederlands
proper ventilation. ....................................................................................................................

118c
.................................................................................................................... • Keep any caps and wing bolts you may remove in a
101c
• This (TD-4) for use only with Roland stand MDS series. safe place out of children’s reach, so there is no chance
Use with other stands is capable of resulting in insta- of them being swallowed accidentally.
bility causing possible injury. ....................................................................................................................
....................................................................................................................
3
IMPORTANT NOTES
Power Supply Repairs and Data
301 452
• Do not connect this unit to same electrical outlet that is being • Please be aware that all data contained in the unit’s memory
used by an electrical appliance that is controlled by an inverter may be lost when the unit is sent for repairs. Important data
(such as a refrigerator, washing machine, microwave oven, or should always be written down on paper (when possible).
air conditioner), or that contains a motor. Depending on the During repairs, due care is taken to avoid the loss of data.
way in which the electrical appliance is used, power supply However, in certain cases (such as when circuitry related to
noise may cause this unit to malfunction or may produce memory itself is out of order), we regret that it may not be
audible noise. If it is not practical to use a separate electrical possible to restore the data, and Roland assumes no liability
outlet, connect a power supply noise filter between this unit concerning such loss of data.
and the electrical outlet.
302
• The AC adaptor will begin to generate heat after long hours of Additional Precautions
consecutive use. This is normal, and is not a cause for concern. 553
307
• Use a reasonable amount of care when using the unit’s
• Before connecting this unit to other devices, turn off the power buttons, sliders, or other controls; and when using its jacks and
to all units. This will help prevent malfunctions and/or damage connectors. Rough handling can lead to malfunctions.
to speakers or other devices. 554
• Never strike or apply strong pressure to the display.
556
Placement • When connecting / disconnecting all cables, grasp the
351 connector itself—never pull on the cable. This way you will
• Using the unit near power amplifiers (or other equipment avoid causing shorts, or damage to the cable’s internal
containing large power transformers) may induce hum. To elements.
alleviate the problem, change the orientation of this unit; or 558a
move it farther away from the source of interference. • To avoid disturbing your neighbors, try to keep the unit’s
352a volume at reasonable levels. You may prefer to use
• This device may interfere with radio and television reception. headphones, so you do not need to be concerned about those
Do not use this device in the vicinity of such receivers. around you (especially when it is late at night).
352b 558c
• Noise may be produced if wireless communications devices, • Since sound vibrations can be transmitted through floors and
such as cell phones, are operated in the vicinity of this unit. walls to a greater degree than expected, take care not to allow
Such noise could occur when receiving or initiating a call, or such sound to become a nuisance to neighbors, especially at
while conversing. Should you experience such problems, you night and when using headphones. Although the drum pads
should relocate such wireless devices so they are at a greater and pedals are designed so there is a minimal amount of extra-
distance from this unit, or switch them off. neous sound produced when they’re struck, rubber heads tend
354a to produce louder sounds compared to mesh heads. You can
• Do not expose the unit to direct sunlight, place it near devices effectively reduce much of the unwanted sound from the pads
that radiate heat, leave it inside an enclosed vehicle, or by switching to mesh heads.
otherwise subject it to temperature extremes. Excessive heat 559a
can deform or discolor the unit. • When you need to transport the unit, package it in the box
355b (including padding) that it came in, if possible. Otherwise, you
• When moved from one location to another where the temper- will need to use equivalent packaging materials.
ature and/or humidity is very different, water droplets (conden- 562
sation) may form inside the unit. Damage or malfunction may • Some connection cables contain resistors. Do not use cables
result if you attempt to use the unit in this condition. Therefore, that incorporate resistors for connecting to this unit. The use of
before using the unit, you must allow it to stand for several such cables can cause the sound level to be extremely low, or
hours, until the condensation has completely evaporated. impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
985
Maintenance • The explanations in this manual include illustrations that
401a depict what should typically be shown by the display. Note,
• For everyday cleaning wipe the unit with a soft, dry cloth or
however, that your unit may incorporate a newer, enhanced
one that has been slightly dampened with water. To remove
version of the system (e.g., includes newer sounds), so what
stubborn dirt, use a cloth impregnated with a mild, non-
you actually see in the display may not always match what
abrasive detergent. Afterwards, be sure to wipe the unit
appears in the manual.
thoroughly with a soft, dry cloth.
402 • If there is a danger that you might accidentally strike the unit
• Never use benzine, thinners, alcohol or solvents of any kind, to
during performance, adjust the locations at which Tom 1 (T1)
avoid the possibility of discoloration and/or deformation.
and Tom 2 (T2) are attached to the stand, to reduce the gap
between the pads.
4
Contents
USING THE UNIT SAFELY.......................... 2 Creating a Drum Kit ................................27
IMPORTANT NOTES .................................. 4 Selecting the Parameters ............................................. 27
Editing Instrument Parameters (INSTRUMENT) ... 28
English
Panel Descriptions ................................... 6 Adjusting the volume of the pads or drum kit
Front Panel ...........................................................................6 (MIXER)................................................................................ 29
Side Panel .............................................................................7 Using the Onboard Effects (AMBIENCE) ................. 30
Rear Panel .............................................................................7 Naming a Drum Kit (KIT NAME).................................. 30
Bottom Panel ......................................................................7 Copying a Drum Kit (COPY)......................................... 31
Deutsch
Getting Ready to Play .............................. 8 Exchanging Drum Kits (EXCHANGE) ........................ 32
Mounting the TD-4 on the Stand .................................8 Restoring a Drum Kit (RESTORE)................................ 33
Connecting Your Audio Equipment............................9 System Settings.......................................34
Turning the Power On/Off ........................................... 10 Specifying How the Metronome will Sound
Saving Your Settings ........................................................................ 10
(METRONOME) ................................................................. 34
Tensioning the Head of a Mesh Pad (PDX-8) ........ 11
Français
Editing the pad settings (PAD SETTINGS) .............. 35
Playing..................................................... 12 Specifying the Type of Pad ............................................................ 35
Hearing What the Kits Sound Like ............................ 12 Setting the Pad Sensitivity ............................................................. 35
Selecting a Drum Kit ...................................................... 12 Specifying How the CR2 Trigger Cable will be Used ............ 36
About the “DRUM KIT” screen....................................................... 12 Other Settings (OPTIONS) ............................................ 36
Performance Techniques ............................................. 13 Adjusting the Display Contrast (LCD Contrast) ...................... 37
Italiano
Pads (e.g., PDX-8, PD-8)................................................................... 13 Adjusting the Brightness of the Backlight (LCD Bright) ...... 37
Cymbals (e.g., CY-8, CY-12R/C) ..................................................... 13 Adjusting the Button Operating Sound (Keypad Sound) ... 37
Hi-Hat (CY-5)........................................................................................ 14 Allowing the Head and Rim Settings to be Edited
Separately (Head/Rim Link) ........................................................... 37
Hi-Hat Control Pedal FD-8.............................................................. 14
Restoring the Factory Settings (Factory Reset)....................... 37
Quickly Tuning or Muffling.......................................... 15
TUNING.................................................................................................. 15 Expanding your drum set.......................38
Español
MUFFLING ............................................................................................ 15 Adding a CRASH 2 cymbal........................................... 38
Playing Along with a Portable Audio Player ......... 16 Using a CY-12R/C or CY-15R instead of the
Practicing ................................................ 17 CY-8 cymbal ...................................................................... 38
Playing with the Metronome...................................... 17 Using the VH-11 V Hi-hat.............................................. 39
Connecting the VH-11 and Making Settings on the TD-4..... 39
Quick Recording and Playback (QUICK REC)......... 17 Português
Recording ............................................................................................. 17 Other Settings .........................................41
Playback................................................................................................ 18 MIDI Settings .................................................................... 41
Using Time Check to Check Your Recorded Performance . 18 MIDI-related Settings ....................................................................... 41
Practicing in Coach Mode ............................................ 19 Detailed Settings for Trigger Parameters............... 42
Selecting a Practice Menu .............................................................. 19 Protecting Modified Kits and Settings
Nederlands
<1> WARM UPS.................................................................................. 20 (Edit Lock) .......................................................................... 45

<2>
Correctly Playing in Time with the Beat (TIME CHECK)........ 22
Troubleshooting .....................................46
<3> Error Messages ........................................48
Continuing to play at a steady tempo (TEMPO CHECK)...... 23
<4>
Drum Kit/Instrument List .......................49
Developing Internal Timing Sense (QUIET COUNT).............. 24 MIDI Implementation Chart ...................51
<5>
Gradually raising and lowering the tempo (AUTO UP/DOWN)..... 26
Specifications ..........................................52
Index ........................................................53
5
Panel Descriptions
Front Panel
fig.FrontP.eps
7 9 11 12
1
2
3 5 4 6 8 10 13 14
1. [POWER] button 9. [-/+] dial
Turns the power on/off (p. 10). Use this dial to edit a value.
Use this to adjust a value. Turning the dial toward “+” will
2. [VOLUME] knob
increase the value, and turning it toward “-” will decrease the
Adjusts the volume from the OUTPUT and PHONES jacks (p.
value.
10).
10. [OK] button
3. [TUNING] button
Use this to confirm a menu item to use with the Coach
Use this when you want to tune each instrumental sound (p.
function, or to confirm a value you’ve edited.
15).
11. [COACH] button
4. [MUFFLING] button
Press this when you want to use the Coach function (p. 19).
Use this when you want to muffle (mute) each instrumental
sound (p. 15). 12. [ ] (Metronome) button
5. DRUM KIT [<] [>] buttons This turns the metronome on (sounding) or off (silent) (p. 17).
Use these to switch drum kits (p. 12). You’ll also use these 13. QUICK REC [ ] (Rec) button
buttons to return to the drum kit screen from other screens
Use this to record your playing (p. 17).
(except during recording/playback).
14. QUICK REC [ ] (Play/Stop) button
6. Display
Play back what you recorded (p. 18).
During performance, this shows the drum kit name and other
information. During editing, this shows the contents of the
settings.
With some buttons, a sound is produced when you press

The backlight will automatically dim when no panel
them.
operations have been performed for a certain period of time.
If you want, you can turn off this sound (p. 37).
7. [MENU] button
Use this when you want to make various settings for the TD-
4, such as editing the settings of a drum kit or adjusting the
pads.
8. SEL [ ][ ] button
Use this to select a menu item when using the Coach
function, or to select parameters when making various
settings for the TD-4.
6
Panel Descriptions
Side Panel
fig.SideP.eps
15 16 17
English
Deutsch
15. MIDI OUT connector 16. MIX IN jack
Use this when you want to use the pads to play external MIDI For connecting an external audio source such as MP3 or CD
sound sources or for recording with sequencers (p. 41). players (p. 16). All sound input here is also sent from the
OUTPUT and PHONES jacks.
Français
* To adjust the volume, use the controls of the external device
connected to MIX IN.
17. PHONES jack

For connecting stereo headphones (p. 9).
Using the headphone jack will not mute the main OUTPUT
jacks.
Italiano
Rear Panel Bottom Panel
fig.RearP.epss fig.BottomP.eps
18 19 20 21 22
Español
Português
18. DC IN jack
Connect the included AC adaptor here (p. 9).
19. TRIGGER INPUT connector

Nederlands
Connecting the special cable connects the pads and pedals 21. Sound module mounting plate attachment holes
to the TD-4 (p. 8). Attach the included sound module mounting plate here so
20. OUTPUT jacks (L/MONO, R) that you can attach the TD-4 to your drum stand.
All sounds of the TD-4 are output here. Use for connecting to
an amp or other external audio equipment. 22. Security Slot ( )
If you’re working in mono, only use the L/MONO jack. http://www.kensington.com/
7
Getting Ready to Play
Mounting the TD-4 on the Stand

1. Attach the included sound module mounting plate Labels indicating the pad to be connected are attached to
to the TD-4. the cable.
Use the included wing bolts to attach the plate as shown in Connect the pads and pedals as shown in the illustration.
fig.Trig-Plug.eps
the illustration.
* Use only the included wing bolts. Using any other nuts may
cause malfunction.
* You must use the TD-4 with the sound module mounting
plate installed.
fig.H-mounting.eps
fig.Connect-cable.eps
CR1
RD
T2 T1 HH
TD-4
T3 SNR
• When turning the unit upside-down, get a bunch of

newspapers or magazines, and place them under the four CR2
corners or at both ends to prevent damage to the buttons KIK
and controls. Also, you should try to orient the unit so no
buttons or controls get damaged.
• When turning the unit upside-down, handle with care to HHC
avoid dropping it, or allowing it to fall or tip over.
2. Attach the TD-4 (with the sound module mounting

plate installed) to your drum stand (such as the
MDS-4; available separately). • If you don’t connect a pad to each of the cables, make the
following settings for unconnected pads in order to prevent
3. Connect the included cable to the TD-4’s TRIGGER malfunction.
INPUT connector, and connect your pads and • Turn the Pad Type setting OFF (p. 35).
pedals.
fig.Connecter-joint.eps • If you’re not using the CR2, leave the CR2 cable cap attached,
and fasten the cable to the stand so that it does not interfere
with your playing.
• The included connection cables are the optimal length for

when they're attached to the MDS-4. If you’re using a
different stand, you'll need to provide extension cables.
8
Connecting Your Audio Equipment

fig.Connection.eps
Portable Audio Player

MIDI Sound Module
English
MIDI IN
Deutsch
Stereo
miniature plug
Français
Stereo
1/4” phone plug
AC Adaptor
Italiano
Power Cord Indicator
Stereo
Headphones
Español
To AC Outlet
Português
Powered Amp, etc Audio Set, etc
1. Power-off all equipment before making 3. Connect the included AC adaptor to the DC IN jack.
connections. Place the AC adaptor so the side with the indicator (see
illustration) faces upwards and the side with written
Nederlands
information faces downwards.

To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the * The indicator will light when you plug the AC adaptor into an
power on all devices before making connections. AC outlet.
2. Connect the OUTPUT jacks (L/MONO, R) to your

audio system or amp. Using the MIX IN jack allows playing along with music from a
portable audio player or other external sources (p. 16).
* If you’re using headphones, connect them to the PHONES
jack.
9
Turning the Power On/Off

* Once connections have been made (p. 9), turn on the power to the connected equipment in the order specified. Doing it in the wrong
order raises the risk of damage/malfunction to that equipment.
fig.P-PowerOn.eps
If you don’t hear any sound

3 Check the following points.
1
Pad and Pedal Connections
• Is the cable correctly connected to the TRIGGER INPUT
connector?
• Are the cables correctly connected to each pad or
pedal?
1. Turn the [VOLUME] knob all the way to the left. When Using an Amp or Audio System
• Are the TD-4’s OUTPUT jacks connected correctly to the
2. Minimize the volume of the connected amp or input jacks of your amp/audio system?
audio system. • Are the input selections and volume settings correct on
that amp/audio system?
3. Press the [POWER] button.
• Possible problem with the connection cables
* Even with the volume all the way down, you may still hear
themselves?
some sound when the power is switched on, but this is
• Isn’t the [VOLUME] knob turned all the way to the left?
normal, and does not indicate a malfunction.
• Have the input select settings of your audio system or
* The TD-4 is equipped with a protection circuit and requires a amp been made correctly?
brief interval a few seconds) after powering before it will
• Is the amp or audio system volume setting correct?
operate normally.
When using headphones
• Are your headphones plugged into PHONES jack?
Caution when Turning On the Power • Isn’t the [VOLUME] knob turned all the way to the left?
After you turn on the power, do NOT touch any pads or

pedals until the drum kit name (the illustration below) has
appeared in the display. Doing so can cause various
problems.
ig.d-OpenKitNo1.eps
Turning the Power Off
1. Turn the volume down on the TD-4 and any

connected equipment.
2. Power-off the connected equipment.
3. Hold down the [POWER] button until the display
indicates “See you!”
4. Power-on the connected amp or audio system.

5. While hitting a pad, gradually turn the [VOLUME] Saving Your Settings
knob toward the right to adjust the volume.
The TD-4 does not have a specific “operation” for saving your
Adjust the volume of the connected amp/ audio system to
settings. Any changes you’ve made will be saved when you turn
the desired level.
off the power.
* You must turn off the power by pressing the [POWER] button.
10
Tensioning the Head of a Mesh Pad (PDX-8)

BEFORE using the PDX-8 mesh pads you must adjust the tension.
You can tension mesh heads the same way you do with acoustic drums.
English
* Use a drum key to make adjustments.
Adjusting the tension of the PDX-8 head is only for playing response and will not affect the pitch as on an acoustic drum.
1. Use the included drum key to tighten the tuning
Deutsch
bolts.
Strike the head to check the feel and response.
fig.PDX8-Adj.eps
Loosen Tighten
Français
Italiano
fig.PDX8-Bolt.eps
Tighten the tuning bolts in the numerical order shown in the

following illustration. If you firmly tighten a tuning bolt at
one location all at once, it will be impossible to stretch the
head evenly, and this may cause triggering response
Español
problems.
6 1
Português
4 3
Nederlands
2 5
2. Tension the head evenly as you test the playing

feel, just as you would with an acoustic drum.
Head tension may slacken with the passage of time. Readjust

the tension as needed.
11
Playing
Hearing What the Kits Sound Like

After turning the power on, you can play the demo patterns. 1. Press the [ ] (Play/Stop) button.
Here’s how you can listen to the sounds by switching drum kits The demo patterns will play.
while playing the demo patterns.
fig.P-Demo.eps 2. Press the DRUM KIT [<] [>] buttons to select drum
kit.
3. To stop demo pattern playback, press the
[ ] button once again.
2 1, 3 When you press the [ ] (Rec) button to start recording

* All rights reserved. Unauthorized use of this material for your performance (p. 17), the demo patterns will temporarily
purposes other than private, personal enjoyment is a be erased. The next time you turn on the power, you will
violation of applicable laws. again be able to play the demo patterns.
* No data for the demo patterns that is played will be output

from MIDI OUT.
Selecting a Drum Kit

A drum kit is a combination of the sounds & settings for each pad
and pedal, as well as ambience. About the “DRUM KIT” screen
fig.P-DrumKit.eps
This is the TD-4’s basic screen.
fig.d-KitNo1.eps
A C
E
1 B
1. Press the DRUM KIT [<] [>] buttons to select drum

kit. A Drum kit number
fig.d-KitScreen.eps B Drum kit name
C This shows the metronome tempo (p. 17).
D Strength of the pad strike displayed in 6 levels.
This is shown if the cross-stick technique can be
E used with the snare (p. 29).
(When Xstick Volume is anything other than OFF)
Regardless of the screen that is displayed, pressing the DRUM

KIT [<] [>] buttons will access the “DRUM KIT” screen (except
during recording/playback).
12
Playing
Performance Techniques
Pads (e.g., PDX-8, PD-8) Cymbals (e.g., CY-8, CY-12R/C)
Head Shot Bow Shot
English
Hit only the head of the pad. The most common method, playing the middle area of the
fig.Play-Head.eps cymbal.
fig.Play-CYBow.eps
Deutsch
Head
Open Rim Shot

Edge Shot
Strike the rim of the pad.
fig.Play-Rim.eps
When striking the edge with the shoulder of the stick (as shown in
Français
the figure).
fig.Play-CYEdge.eps
Edge Sensor
Italiano
Rim
Bell Shot (CY-12R/C, CY-15R)
This playing method involves striking the bell of the cymbal.
Cross Stick
* Set the Crash 2 Usage setting (p. 36) to “RIDE BELL.”
Only strike the rim of the pad. fig.Play-CYBell.eps
Español
Velocity switching “snare rim” sound, played softly produces a
cross stick sound, and when played harder, produces a open rim
shot sound (p. 29).
fig.Play-Cross.eps
Português
Rim * Strike the bell somewhat strongly with the shoulder of the stick.
Choking a Cymbal
Choking (pinching) the cymbal’s edge with the hand immediately
Rim after hitting the cymbal will mute or choke the sound, just like
with a real cymbal. The Choke function only works when you grasp
* To play the cross stick, be sure that you only strike the rim of
Nederlands
in the area (where the edge sensor is) as shown in the figure. If you
the pad. Place your hand on the head gently, otherwise this
do otherwise, it will not work.
may prevent the cross stick function from working properly. fig.Play-Choke.eps
Roland Logo
When playing cross stick, set “Xstick Volume” (p. 29) to Edge Sensor
anything other than “OFF.”
13
Playing
Hi-Hat (CY-5) Hi-Hat Control Pedal FD-8

fig.FD-8.eps
Open/Closed
The hi-hat sound will change smoothly between open and closed
depending on pressure applied to the hi-hat control pedal.
Foot closed and foot splash sounds are possible.
Bow Shot
Playing the middle area of the hi-hat pad.
fig.Play-VHBow.eps Open Hi-Hat
Strike the hi-hat without pressing the pedal.
Half Open Hi-Hat

Strike the hi-hat with the pedal pressed half-way.
Closed Hi-Hat
Strike the hi-hat with the pedal pressed.
Bow
Foot Closed
Completely press down the pedal.
Edge Shot
Playing the edge of the hi-hat pad with the shoulder of the stick Foot Splash
(as shown in the figure). Quickly hitting the hi-hat pedal (with heel or toes) and instantly
fig.Play-VHEdge.eps
releasing it.
* Connect the FD-8 to the TD-4 before turning on the power.
Edge
14
Playing
Quickly Tuning or Muffling

You can use dedicated buttons to quickly tune or muffle the sound. When you press the button, the sound you selected will be heard.
English
You cannot make tuning or muffling settings for pads to which an instrument (p. 28) in the cymbal-type instrument group (HIHAT,
CRASH, RIDE) is assigned. For such pads, the display will indicate “- - -.”
TUNING MUFFLING
fig.P-Tuning.eps fig.P-Muffling.eps
Deutsch
3 3
Français
1, 5 1, 5
1. Press the [TUNING] button so it’s lit. 1. Press the [MUFFLING] button so it’s lit.
The TUNING screen appears. The MUFFLING screen appears.
The selected pad will sound at this time. The selected pad will sound at this time.
fig.d-Tuning-1.eps fig.d-Muffling-1.eps
Italiano
Español
2. Strike the pad that you want to tune. 2. Strike the pad that you want to muffle.
The pad you struck will blink in the screen. The pad you struck will blink in the screen.
fig.d-Tuning-2.eps fig.d-Muffling-2.eps
Português
3. While striking the pad to hear the sound, turn the [- 3. While striking the pad to hear the sound, turn the
/+] dial to adjust the tuning. [-/+] dial to adjust the muffling.
Nederlands
Value: -600–0–+600 Value: 0–10

A negative (-) value will lower the pitch, and a positive (+) Raising this value reduces the resonance and decay (length)
value will raise the pitch. of the sound.
4. Repeat steps 2–3 to adjust the tuning of each pad. 4. Repeat steps 2–3 to adjust the muffling of each
pad.
5. When you’ve finished tuning, press the [TUNING]
button to turn it off. 5. When you’ve finished adjusting the muffling, press
the [MUFFLING] button to turn it off.
15
Playing
If Head/Rim Link (p. 37) is “ON,” both the HEAD and the RIM settings will be edited simultaneously.
In some cases, you may see an “*” in the right side of the screen; this indicates that the tuning/muffling values specified for the
HEAD and the RIM are different.
Playing Along with a Portable Audio Player

By connecting a portable audio/CD player to the MIX IN jack you can play the TD-4 with your favorite songs.
You can connect other audio devices as well.
Connections Playback
Lower the volume of the TD-4 and your audio player before 1. Start the music on your portable audio player.
making connections. For details on how to use your audio player, refer to its
fig.Connect-iPod.eps
owner’s manual.
Portable Audio Player
2. Then adjust the volume of your portable audio
player.
Sounds received at the MIX IN jack are output from the
OUTPUT and PHONES jacks.
* Adjust the volume on the audio player to get the right
balance between it and the TD-4.
3. Adjust the volume of the TD-4.
Stereo
miniature plug
* If a connection cable has built-in resistors, the volume level of

the source connected to the TD-4 (MIX IN) may be too low. If
this occurs, use connection cables that do not contain
resistors.
16
Practicing
Playing with the Metronome Quick Recording and Playback
English
fig.P-Metronome.eps (QUICK REC)
2 1, 3 The TD-4 provides a Quick Rec function that lets you easily record
your own performance. This is a very useful practice tool,
recording and then checking your drumming.
Deutsch
Whenever you turn on the power, the TD-4 is prepared for
the playback of its demo patterns.
1. Press the [ ] button. After you’ve made a recording, if you turn off the power, the
data for the recording will be erased. Then, the next time the
The metronome starts and the screen will indicate the tempo.
power is switched on, the demo patterns will once again be
The button will blink in time with the metronome.
fig.d-Metro.eps
loaded in from internal memory.
Français
A signal input via the MIX IN jack won’t be recorded.
Recording
Italiano
2. Turn the [-/+] dial to adjust the tempo.
fig.P-QuickRec.eps
Value: 40–260
3. To turn off the metronome, press the [ ] button

to turn it off.
Español
1, 3
Even without pressing the [ ] button, you can change the
tempo by turning the [-/+] dial in the Drum Kit screen. * First: Please select the drum kit that you want to use for
recording.
You can change the way that the metronome sounds (p. 34).
Português
1. Press the [ ] (Rec) button.
The [ ] (Rec) button will blink, and the TD-4 will enter
recording-standby mode.
fig.d-Rec-1.eps
Nederlands
• To record along with the metronome, press the [ ] button

to turn the metronome on, and use the [-/+] dial to adjust the
tempo.
17
Practicing
2. Hit any pad/pedal and recording begins. 2. To stop playback, press the [ ] (Play/Stop)
The following screen appears. button and the button goes dark.
fig.d-Rec-2.eps
When playback has finished, the [ ] (Play/Stop)
button automatically goes dark.
Using Time Check to Check Your Recorded

3. To stop recording, press the [ ] (Rec) button and Performance
the button goes dark.
You can use Coach mode’s “TIME CHECK” function to check
* If you exceed the maximum recording time, recording stops whether your recorded performance was played with accurate
automatically. timing.
fig.d-Rec-3.eps
You must play along with the metronome when recording.
1. Press the [ ] (Play/Stop) button so it’s lit; the

recorded performance will play.
2. Press the [COACH] button.
The following screen appears.
fig.d-RecCheck.eps
Playback
fig.P-QuickPlay.eps
During playback, you can change the playback tempo by

turning the [-/+] dial. When you stop playback, the tempo will
1, 2
revert to the setting at which it was recorded.
* Loop playback will automatically be selected and the
1. Press the [ ] (Play/Stop) button so it’s lit.
metronome will turn on.
The following screen appears, and playback begins.
fig.d-RecPlay-1.eps
3. To stop playback, press the [ ] (Play/Stop)
button and the button goes dark.
* The recorded performance data is not transmitted from MIDI

OUT.
By holding down the [ ] (Play/Stop) button for about

one second, you can select loop playback; the recorded
performance will play repeatedly.
fig.d-LoopPlay.eps
Loop Playback
18
Practicing
Practicing in Coach Mode

The TD-4’s Coach mode is a unique set of exercises specifically designed to help build speed, accuracy and stamina, as well as develop
better timing skills.
Throughout the Coach modes, you will discover that some of them have programmable parameters, allowing you to adapt the functions
English
to your specific needs.
Selecting a Practice Menu

fig.P-CoachMenu.eps
Menu Explanation
Deutsch
1
Warm Ups
p. 20
When you want to get

warmed up before you
begin practicing.
Français
2 3 Time Check
p. 22
1. Press the [COACH] button so it’s lit.
Strengthens your
The Coach mode menu screen will appear.
fig.d-Tr-Menu-1.eps
ability to play accurate
rhythms.
Tempo Check
Italiano
p. 23
Strengthens your
ability to play at a
consistent speed.
2. Use the SEL [ ][ ] buttons to select the desired Quiet Count
Español
practice menu item (shown at right). p. 24
3. When you’ve selected a practice menu item, press Strengthens your

the [OK] button. ability to maintain the
You’ll proceed to the start screen of the selected practice tempo internally.
menu item.
Auto Up/Down
p. 26 Português
Strengthens your
Or you can just press the [ ] button to immediately start
endurance.
practicing without calling up the start screen.
Nederlands
In the start screen of the Practice menu, you can press the
[MENU] button and make settings for each menu item.
19
Practicing
<1> WARM UPS

In this mode you’ll successively practice steps 1–3, be graded on your performance at each step, and then receive a final evaluation.
You can choose one of three courses, ranging from easy to difficult. You can also adjust the tempo according to your level of skill.
Start practicing Step 2: AutoUpDown

fig.WarmUp-1.eps
The tempo will gradually be raised and lowered.
The tempo will increase by 1BPM (beat-per-minute) for each beat
until the metronome reaches the upper limit; then the tempo will
continue slowing down by 1BPM until it reaches the initial tempo.
* AutoUpDown will be executed if Duration (p. 21) is 10 MINS
or 15 MINS.
fig.d-WarmUp-3.eps
In the WARM UPS start screen, press the [ ]

button to start practicing.
After you’ve started WARM UPS, you can press the [ ]

button to pause the WARM UPS.
fig.WarmUp-6.eps
Tempo lower limit Tempo upper limit
* The current tempo value will be the lower tempo limit.
While practicing, you can press the SEL [ ] button to

specify the current tempo as the upper limit; if you press the
SEL [ ] button, the upper tempo limit will return to 260.
To resume practicing, press the [ ] button once again.
If you’re finished with WARM UPS, press the [OK] button. Step 3: TimeCheck
Here you can press the SEL [ ] button to move to the
previous step, or press the SEL [ ] button to move to the At this step, the accuracy of your playing will be checked against
next step. the metronome. You can see in the screen if you are ahead, behind
or on the beat.
fig.WarmUp-4.eps
You can turn the [-/+] dial to adjust the tempo even while
practicing.
Step 1: Change-up
In this step, the rhythm type will change every two measures.
Lagging Correct Rushing
Starting from half notes, the note values will gradually become
shorter, and will then return to half notes; this change in rhythms
will be repeated. Overall evaluation
fig.WarmUp-2.eps
This grades your performance at each step, and displays the
overall evaluation.
fig.WarmUp-5.eps
Remaining
time
Current
note value
Evaluation (display)
EXCELLENT!, VERY GOOD!, GOOD, AVERAGE, START OVER
20
Practicing
When you’ve finished practicing Change-up:

Step 1: Selects the pattern by which the rhythm will vary during
Press the [OK] button to return to the Coach mode Change-up.
fig.WarmUp-Op3.eps
menu screen.
English
Select a course and make settings
1. From the WARM UPS start screen, press the [MENU]

button so it’s lit.
fig.WarmUp-Op1.eps
Value Explanation
Deutsch
2. Use the SEL [ ][ ] buttons to select a
Français
parameter.
3. Turn the [-/+] dial to edit the value.
4. Press the [MENU] button to return to the WARM
UPS start screen.
MaxTempo:
Italiano
Duration (time selection):
fig.WarmUp-Op1.eps
Step 2: Specifies the upper tempo limit during step 2:
AutoUpDown.
fig.WarmUp-Op4.eps
Español
Value Explanation
Time required: 5 minutes
5 MINS
Change-up: 2 minutes, TimeCheck: 3 minutes Value Explanation
Time required: 10 minutes * You can also use Tap input (p. 34) to specify
10 MINS Change-up: 3 minutes, AutoUpDown: 3 min- 40–260
the tempo. Português
utes, TimeCheck: 4 minutes
Time required: 15 minutes
Tempo:
15 MINS Change-up: 5 minutes, AutoUpDown: 5 min-
utes, TimeCheck: 5 minutes This specifies the tempo.
fig.WarmUp-Op5.eps
Grade:
Nederlands
This selects how strictly you will be graded and how TimeCheck
will evaluate your accuracy.
fig.WarmUp-Op2.eps
Value Explanation
* You can also use Tap input (p. 34) to
40–260
specify the tempo.
Value Explanation
EASY Normal setting
HARD Grading (evaluation) will be stricter.
21
Practicing
<2> Correctly Playing in Time with the Beat (TIME CHECK)

This mode lets you practice playing accurately along with the metronome.
Start practicing Settings

fig.TimeCheck-1.eps
1. In the TIME CHECK start screen, press the [MENU]
fig.TimeCheck-Op1.eps
1. In the TIME CHECK start screen, press the [ ]

2. Use the SEL[ ][ ]buttons to select a
You can use the [-/+] dial to adjust the tempo even while you parameter.
practice.
3. Use the [-/+] dial to edit the value.
2. Strike the pad in time with the metronome.
fig.TimeCheck-2.eps
4. Press the [MENU] button to return to the TIME
CHECK start screen.
Score:
Specifies whether the score will be shown in the screen.
Lagging Rushing
• The screen will indicate whether your pad strikes match the
beat sounded by the metronome.
• The percentage of your strikes that were played with
accurate timing is displayed as a “%” value.
Value Explanation
Scoring Your performance will not be scored.
OFF
Only the timing will be checked.
If Score (shown at right) is “ON,” the Time Check will automatically The score will be shown in the screen.
end when you’ve finished practicing the specified number of ON
You can also specify the number of mea-
measures. Then your performance will be scored, and the results (4, 8, 16, 32 meas)
sures you’ll practice before being scored.
will appear in the screen.
Grade:
Specifies the strictness of scoring.
When you’ve finished practicing

Value Explanation
3. Press the [OK] button to return to the Coach mode
EASY Normal
menu screen.
HARD Timing will be checked more strictly.
22
Practicing
Tempo:
Specifies the tempo.
English
Value Explanation
* You can also set the tempo by using Tap
40–260
input (p. 34).
Deutsch
<3> Continuing to play at a steady tempo (TEMPO CHECK)
This mode lets you practice playing at a steady tempo without relying on the tempo sounded by the metronome.
Français
Start practicing fig.TempoKeep-3.eps
fig.TempoKeep-1.eps
Significant
inaccuracy
Italiano
1. In the TEMPO CHECK start screen, press the [ ]
button to start practicing. Moderate
fig.TempoKeep-2.eps
inaccuracy
Español
Slight
inaccuracy
Português
you’re practicing.
2. Strike the pads in time with the metronome. Perfect timing

Strike the pads at a constant tempo.
• The more your tempo becomes accurate, the softer the • The accuracy of your striking tempo is shown as a “%” value.
Nederlands
metronome volume will become.

• The metronome volume will increase if the tempo of your When you’ve finished practicing
pad strikes begins to drift. The more your tempo drifts, the
louder the metronome will become. Strike the pads with an
accurate timing that matches the tempo of the metronome.
menu screen.
If the tempo of your strikes is significantly inaccurate, it may

be impossible to precisely determine the amount of
inaccuracy.
23
Practicing
Settings Grade:
Specifies the strictness with which your tempo will be graded.
1. In the TEMPO CHECK start screen, press the [MENU] fig.TempoKeep-Op2.eps

fig.TempoKeep-Op2.eps
Value Explanation
EASY Normal
2. Use the SEL[ ][ ]buttons to select a HARD Your tempo will be graded more strictly.
parameter.
Tempo:
Specifies the tempo.
4. Press the [MENU] button to return to the TEMPO fig.TempoKeep-Op3.eps
CHECK start screen.
Value Explanation
* You can also set the tempo by using Tap input
40–260
(p. 34).
<4> Developing Internal Timing Sense (QUIET COUNT)

This mode will help you develop a good sense of time/tempo.
The metronome will alternate between “sounding and quiet” at selected intervals (see p. 25).
The selected cycle will repeat until you press the [ ] button to stop.
Start practicing • The metronome will sound during the first few measures.
When you reach the last measure during which the
fig.Quiet-1.eps metronome will sound, the screen will indicate “Ready.”
fig.Quiet-2.eps
1. In the QUIET COUNT start screen, press the [ ] • When the metronome stops sounding, the screen indication
button to start practicing. will change to “Quiet.” Continue striking the pads during this
time.
2. Strike the pads in time with the metronome. fig.d-Quiet-3.eps
you’re practicing.
24
Practicing
• The “%” value indicates the percentage by which you played Quiet:
at an accurate tempo during the “Quiet” indication. Of the measures specified by “Meas,” this setting specifies the
fig.d-Quiet-4.eps
length of the measures that will be “Quiet.”
fig.Quiet-Op2.eps
English
3. Repeat step 2 to continue practicing.
Value Explanation
Deutsch
When you’ve finished practicing The length of the Quiet interval will randomly
RANDOM
change each time.
4. Press the [OK] button to return to the Coach mode Specifies the length (number of measures) of
menu screen. the Quiet interval.
1, 2, 4
* This setting cannot be longer than half of
the Measures value.
Français
Tempo:
Settings Specifies the tempo.
fig.Quiet-Op3.eps
1. In the QUIET COUNT start screen, press the [MENU]

fig.Quiet-Op1.eps
Italiano
Value Explanation
* You can also set the tempo by using Tap input
40–260
(p. 34).
Español
2. Use the SEL[ ][ ]buttons to select a
parameter.
4. Press the [MENU] button to return to the QUIET
COUNT start screen.
Português
Measures:
Specify the length (measures) of the interval for which the
metronome will alternate between “sounding” and “quiet.”
fig.Quiet-Op1.eps
Nederlands
Value
2, 4, 8, 16 (Measures)
25
Practicing
<5> Gradually raising and lowering the tempo (AUTO UP/DOWN)

The metronome increases and decreases tempo over time, to help develop stamina and endurance.
Start practicing 3. Use the [-/+] dial to edit the value.

fig.d-AutoUD-1.eps 4. Press the [MENU] button to return to the AUTO UP/
DOWN start screen.
Rate:
Specifies the speed at which the metronome tempo will increase
(decrease).
fig.d-AutoUD-Op1.eps
1. In the AUTO UP/DOWN start screen, press the [ ]

fig.d-AutoUD-2.eps
Value Explanation
The tempo will increment (decrement) by one
SLOW
BPM every four beats.
Tempo lower limit Tempo upper limit
MEDIUM
BPM every two beats.
2. Play the pads in time with the metronome.
• Starting at the lower tempo limit, the metronome speed will FAST
BPM every beat.
increase in steps according to the “rate” you have selected.
When the metronome reaches the upper limit; then the MaxTempo:
tempo will slow down at the same rate. This cycle will be
Specifies the upper tempo limit.
repeated. fig.d-AutoUD-Op2.eps
• While practicing, you can press the SEL [ ] button to

specify the current tempo as the upper limit; if you press the
SEL [ ] button, the upper tempo limit will return to 260.
When you’ve finished practicing

Value Explanation
* You can also use Tap input (p. 34) to specify
menu screen.
40–260 the tempo.
* This cannot be set lower than MinTempo.
Settings
MinTempo:
1. In the AUTO UP/DOWN start screen, press the Specifies the lower tempo limit.
[MENU] button so it’s lit. fig.d-AutoUD-Op3.eps
fig.d-AutoUD-Op1.eps
Value Explanation
2. Use the SEL[ ][ ]buttons to select a * You can also use Tap input (p. 34) to specify
40–259
parameter. the tempo.
26
Creating a Drum Kit

All sounds assigned to a drum kit can be edited for your specific purposes.
English
Selecting the Parameters
fig.P-KitMenu.eps
2 Menu Parameter
p. 28
Deutsch
• Instrument
• Tuning
• Muffling
1 3 4 p. 29
• Volume of each pad
• Pan position of each pad
Français
1. Use the DRUM KIT [<] [>] buttons to select the drum
kit that you want to edit. • Volume of the entire
drum kit
2. Press the [MENU] button so it’s lit. • Cross stick volume
The drum kit settings menu screen will appear.
fig.d-KitMenu-1.eps
p. 30
• Ambience Type
Italiano
• Depth of ambience
p. 30
3. Use the SEL[ ][ ]buttons to select the desired
• Naming a drum kit
Español
menu (shown at right).
4. When you’ve selected the desired menu, press the
[OK] button.
You’ll move to the edit screen for the selected menu. • Kit Copy (p. 31)
• Kit Exchange (p. 32)
• Kit Restore (p. 33) Português
You can turn the [-/+] dial to select the pad whose settings
you want to edit.
5. When you’ve finished making settings, press the

[MENU] button to turn off its illumination; you’ll
return to the DRUM KIT screen.
Nederlands
27
Creating a Drum Kit
Editing Instrument Parameters (INSTRUMENT)

On the TD-4, each of the instruments in the drum kit (e.g., kick drum or snare drum) are called an “instrument (INST).”
1. In the menu screen, choose “1 INSTRUMENT” and 2. Use the SEL[ ][ ]buttons to select a
press the [OK] button. parameter.
The “Instrument” screen will appear.
fig.d-Kit-Inst-1.eps
3. Strike a pad to select the pad whose settings you
want to edit.
The pad you struck will blink in the screen.
Instrument Number 4. Use the [-/+] dial to edit the setting.

Instrument Group
5. Press the [OK] button to return to the “MENU”
Instrument
screen.
Screen Parameter Value Explanation
Instrument group Instrument type

See Drum Kit/
Instrument List
(p. 49)
Instrument Instrument of the selected pad
Head Tuning
* The tuning can edited only for pads to which an
Tuning -600–0–+600
instrument from the KICK, SNARE, TOM, or PERC
instrument groups has been assigned.
Muffling (Mute)
* Muffling can be edited only for pads to which an
Muffling 0–10
instrument from the KICK, SNARE, TOM, or PERC
instrument groups has been assigned.
• Tuning and Muffling can also be adjusted by pressing the [TUNING] button or [MUFFLING] button in the Drum Kit screen.
• If Head/Rim Link (p. 37) is “ON,” Head and Rim (or for a cymbal, the bow and edge) settings will be edited simultaneously for SNARE,
HH, CRASH, and RIDE.
If the instrumental sounds assigned to the HEAD and RIM differ from the recommended combination specified at the factory, an “*”
will appear at the right side of the screen.
• If Head/Rim Link (p. 37) is ON and the instruments assigned to the head and rim (or for a cymbal, the bow and edge) differ from the
recommended combination, an “*” will appear at the right side of the screen.
• If the Head/Rim Link setting (p. 37) is on, an “*” will appear in the right side of the screen if different tuning or muffling values are
specified for the head and rim (or in the case of a cymbal, the bow and the edge).
28
Creating a Drum Kit
Adjusting the volume of the pads or drum kit (MIXER)

Adjusting the volume and pan (stereo position) of individual pads/pedals.
English
1. In the menu screen, choose “2 MIXER” and press 2. Use the SEL[ ][ ]buttons to select a
the [OK] button. parameter.
The “Mixer” screen will appear.
fig.
3. If the parameter is “Pad Volume” or “Pan,” strike a
pad to select the pad whose setting you want to
edit.
The pad you struck will blink in the screen.
Deutsch
4. Use the [-/+] dial to edit the setting.
screen.
Français
Volume of each pad
Pad Volume 0–100

* Use the HH Pedal Sens setting (p. 36) to
adjust the sensitivity of the hi-hat pedal.
Italiano
Pan L10–CENTER–10R Pan position of each pad
Español
Kit Volume 0–10 Volume of the entire drum kit
Cross stick volume Português

Raising this value will increase the volume of the
cross stick.
For a value of 1–3, the Drum Kit screen will indi-
cate “Xstick.”
Xstick Volume OFF, 1–3 When set to “OFF,” playing cross stick will pro-
duce the open rim shot sound.
Nederlands
* Use the Xstick Adjust setting (p. 36) to adjust

the level of the striking force at which the
switch between the cross stick sound and the
open rim shot sound will be made.
• If Head/Rim Link (p. 37) is ON, the Pad Volume and Pan settings of the Head and Rim (or for a cymbal, the bow and edge) will be
edited simultaneously for SNARE, HH, CRASH, and RIDE. The screen will indicate the value of the setting for the head (or for a cymbal,
the bow). If Head/Rim Link is OFF, strike the pad’s head or rim (or for a cymbal, the bow or edge) to select the setting you want to edit.
• If Head/Rim Link (p. 37) is ON, and the Pad Volume and Pan of the head and rim (or for a cymbal, the bow and edge) have different
values, an “*” will appear at the right side of the screen.
29
Creating a Drum Kit
Using the Onboard Effects (AMBIENCE)

“Ambience” refers to resonance of the room in which you’re playing the drums.
Changing the ambience settings lets you play in different sounding rooms.
1. In the menu screen, choose “3 AMBIENCE” and 2. Use the SEL[ ][ ]buttons to select a
press the [OK] button. parameter.
The “Ambience” screen will appear.
fig.d-Kit-Ambi-1.eps
3. Use the [-/+] dial to edit the setting.
screen.
OFF, ROOM, ROCK CLUB, Ambience Type

HALL S, HALL L, ARENA,
Type If you turn this “OFF,” ambience will not be
DANCEFLOOR, STUDIO,
RECORDING, ISOLATOR applied.
Depth of ambience.
Depth 0–5 If you turn this “0,” ambience will not be ap-
plied.
Naming a Drum Kit (KIT NAME)

You can create a name of up to ten characters for each kit.
1. In the menu screen, choose “4 KIT NAME” and press * You can use the following buttons to edit the name
the [OK] button. efficiently.
The “Kit Name” screen will appear.
fig.d-Kit-Name-1.eps Button Explanation
Deletes the character at the cursor loca-
[ ] tion, and moves subsequent characters
one place to the left.
Inserts a space at the cursor location,
[ ] and moves subsequent characters one
place to the right.
Switches the type of character at the
2. SEL[ ][ ]button to move the cursor to the cursor location between uppercase,
[COACH]
character that you want to edit. lowercase, and/or numbers and sym-
bols.
3. Use the [+/-] dial to change the character.
screen.
30
Creating a Drum Kit
Copying a Drum Kit (COPY)

You can copy drum kits.
English
The copy-destination settings will be lost when you execute the Copy operation. Use this operation with care.
1. In the menu screen, choose “5 KIT COPY” and press 7. Press the SEL [ ] button.
the [OK] button. A confirmation message will blink.
The “Kit Copy” screen will appear. fig.d-Kit-Copy-4.eps
Deutsch
fig.d-Kit-Copy-1.eps
Français
* You can cancel by pressing the [MENU] button.
2. Use the [-/+] dial to select COPY. 8. To execute the Copy operation, press the [OK]
3. Press the SEL [ ] button. button.
fig.d-Kit-Copy-2.eps The operation will be executed.
When the operation is completed, the following message will
appear and you’ll be returned to the drum kit screen.
Italiano
4. Use the [-/+] dial to select the source drum kit for
the Copy operation.
Español
* At this time you can strike the pads to audition the drum kit
you’ve selected.
5. Press the SEL [ ] button.

Português
Nederlands
6. Use the [-/+] dial to select the destination drum kit

for the Copy operation.
31
Creating a Drum Kit
Exchanging Drum Kits (EXCHANGE)

You can exchange drum kits.

2. Use the [-/+] dial to select EXCHANGE. 8. To execute the Exchange operation, press the [OK]
button.
The operation will be executed.

4. Use the [-/+] dial to select the source drum kit for
the Exchange operation.
you’ve selected.


for the Exchange operation.
32
Creating a Drum Kit
Restoring a Drum Kit (RESTORE)

You can rewrite (restore) a specified drum kit’s settings to the factory settings (preset).
English
The restore-destination settings will be lost when you execute the Restore operation. Use this operation with care.
Deutsch
Français
2. Use the [-/+] dial to select RESTORE. 8. To execute the Restore operation, press the [OK]
button.
The operation will be executed.
Italiano

4. Use the [-/+] dial to select the source drum kit for Español
Português
the Restore operation.
* If you select RESTORE, a number from P1 through P25 will be
shown. “P” indicates a preset drum kit.
you’ve selected.
Nederlands


for the Restore operation.
33
System Settings
Here you can edit the “System parameters,” which affect the overall operation of the TD-4.
Specifying How the Metronome will Sound (METRONOME)

1. Press the [MENU] button so it’s lit. The Metronome screen appears.
fig.d-Sys-Metro-1.eps
The MENU screen appears.
fig.d-KitMenu-1.eps
3. Use the SEL[ ][ ]buttons to select the

2. Use the SEL[ ][ ]buttons to choose parameter that you want to edit.
“7 METRONOME,” and press the [OK] button. 4. Use the [-/+] dial to edit the value.
screen.
Specifies the tempo of the metronome.

Tempo (Tap) 40–260
* You can specify the tempo by striking a pad four or
more times at the desired interval (Tap Tempo).
Beat 1–9 Specifies the time signature of the metronome.
Specifies the note value that will be sounded by the met-

ronome.
Rhythm
listed at right
Type
Whole notes, quarter notes, eighth notes, eighth note
triplets, sixteenth notes
Volume 0–10 Specifies the volume of the metronome.
Specifies the sound of the metronome.

Sound listed at right
ELECTRONIC, BEEP, TRADITION, CLICK, COWBELL,
WOODBLOCK, SHAKER, TRIANGLE
34
System Settings
Editing the pad settings (PAD SETTINGS)

1. Press the [MENU] button so it’s lit. 2. Use the SEL[ ][ ]buttons to choose
The MENU screen appears. “8 PAD SETTINGS,” and press the [OK] button.
fig.d-KitMenu-1.eps
English
The Pad Settings screen appears.
fig.d-Sys-Pad-1.eps
Deutsch
3. Use the SEL[ ][ ]buttons to select the
parameter that you want to edit.
Français
screen.
Specifying the Type of Pad
Screen Parameter/Value Explanation
Italiano
Pad Type
For each Pad, you can select the type of pad you’re using (the pad type) so the TD-4 will ac-
curately receive the signal from the pad.
Pad Type:
KD-8, KD-85, KD-120, PD-8, PD-85, PD-105, PD-125, PDX-8, CY-5, CY-8, CY-14C, CY-12R/C,
CY-15R, VH-11, OFF
The “Pad Type” is a collection of settings for various pad-related parameters; it sets these parameters to the appropriate values for each
Español
type of pad.
Simply select the pad type that’s appropriate for the pad you’ve connected. Each parameter will be set to the appropriate value, allowing
you perform optimally.
If the pad does not respond as expected even though you’ve selected the correct pad type, you can make fine adjustments to each pa-
rameter as appropriate for your pad.
* If you’ve turned this OFF for a pad, and would like to change that pad’s setting to something other than OFF, you’ll need to
Português
re-select the pad by turning the [-/+] dial in the MENU screen (p. 27).
Setting the Pad Sensitivity

When you specify the pad type, the following settings are automatically set to the values appropriate for each pad, meaning that you will
Nederlands
normally not need to adjust them. If you wish to make detailed adjustments, you can edit the following parameters.

You can adjust the sensitivity of the pads to accommodate your per-
sonal playing style.
This allows you to have more dynamic control over the sound volume,
Sensitivity based on how hard you play.
1–32 Higher sensitivity allows the pad to produce a loud volume even when
played softly.
Lower sensitivity will keep the pad producing a low volume even when
played forcefully.
35
System Settings
Adjusts the sensitivity of the “foot close” or “foot splash” sound.

HH Pedal Sens
Positive (+) values will produce a louder sound even when you press
-5–+5
the pedal lightly.
Specifies the striking force at which the cross stick and open rim shot
Xstick Adjust sounds are switched.
-9–+9 Positive (+) values will play the cross stick sound even for stronger
strikes.
Here you can adjust the pad parameters in greater detail.

Advanced Edit
Refer to p. 42.
Specifying How the CR2 Trigger Cable will be Used
Screen Parameter/value Explanation

Crash 2 Usage
RIDE BELL:
The CR2 trigger cable will be used for RIDE BELL (p. 38).
CRASH 2:
The CR2 trigger cable will be used for CRASH2.
Other Settings (OPTIONS)

1. Press the [MENU] button so it’s lit. 3. Use the SEL [ ][ ] buttons to select the
The MENU screen appears. parameter that you want to edit.
fig.d-KitMenu-1.eps
screen.
2. Use the SEL [ ][ ] buttons to choose

“9 OPTIONS,” and press the [OK] button.
The Options screen appears.
fig.d-Sys-Option-1.eps
36
System Settings
Adjusting the Display Contrast (LCD Contrast) Restoring the Factory Settings
(Factory Reset)
The “Factory Reset” operation returns all settings of all pads and
drum kits stored in the TD-4 to their factory-set condition.
English
* If you want to return an individual kit to its factory settings,
execute the drum kit “Restore” operation (p. 33).
Value
1–10 The settings stored in the TD-4 will be lost when you execute
a factory reset.
Deutsch
Adjusting the Brightness of the Backlight 1. In the “Options” screen, press the SEL [ ] button
(LCD Bright) a number of times to choose “Factory Reset,” and
press the [OK] button.
fig.d-Sys-FRst-1.eps
Français
Value
1–10
2. Use the [-/+] dial to select the settings for which
you want to execute a factory reset.
Adjusting the Button Operating Sound
(Keypad Sound)
Italiano
Value Explanation
PADS PAD SETTINGS parameter

System Parameter
SYSTEM
(OPTIONS and PAD SETTINGS parameter)
ALL KITS All Drum kit
ALL All of the TD-4’s data
Español
Value Explanation
OFF The buttons will not produce an operating sound. A confirmation message appears.
1–3 Specifies the volume of the operating sound.
Allowing the Head and Rim Settings to be Português

Edited Separately (Head/Rim Link)
fig.d-Sys-Option-4.epsm
* If you decide to cancel, press the [MENU] button.
4. Press the [OK] button.

Nederlands
The factory reset will be executed.

When the factory reset is finished, the following message will
Value Explanation appear and you will return to the DRUM KIT screen.
Head and rim (or for a cymbal, the bow and
edge) settings (Instrument/Tuning/Muffling/
Pad Volume/Pan) will be edited simultaneously
ON for SNARE, HH, CRASH, and RIDE.
* If Crash 2 Usage is set to RIDE BELL, the
RIDE’s BELL will also be edited
simultaneously.
Head and rim settings will be edited separately
OFF
for SNARE, HH, CRASH, and RIDE.
37
Expanding your drum set
Using a CY-12R/C or CY-15R

Adding a CRASH 2 cymbal
instead of the CY-8 cymbal
Here’s an example of adding a separately sold cymbal (CY-8) to the Here’s an example of replacing the RIDE cymbal (CY-8) with a
TD-4K as “Crash Cymbal 2” (CRASH 2). separately sold CY-12R/C or CY-15R.
fig.Expand-1.eps fig.Expand-2.eps
CY-12R/C
CY-15R
CY-8
MDY-10U
CRASH 2 (CY-8) settings RIDE (CY-12R/C, CY-15R) settings
1. Connect the “CR2” trigger cable. * In this case, the Crash 2 pad cannot be connected.
2. Set the Crash 2 Usage parameter to “CRASH 2” (p. 1. Connect the “RD” trigger cable to the BOW/EDGE
36). output jack.
3. As the pad type (Pad Type), select “CY-8” (p. 35). 2. Connect the “CR2” trigger cable to the BOW/BELL
output jack.
3. Set the Crash 2 Usage parameter to “RIDE BELL” (p.
36).
4. As the pad type (Pad Type), select “CY-12/15R” (p.
35).
• If you select an instrument whose name is not followed by “/

B” in the instrument settings (p. 28), the sound won’t switch
to the bell sound even if you strongly strike the bow.
38
Using the VH-11 V Hi-hat

Here’s an example of using the VH-11 (sold separately) as the hi-hat.
English
The VH-12 is not supported.
Connecting the VH-11 and Making Settings

on the TD-4
Connections
Deutsch
fig.VH-Connect.eps
Clutch Screw
Français
Motion Sensor TRIGGER OUT
Unit Jack
Italiano
CONTROL OUT
Jack
Connect the Connect the

HHC cable HH cable
Español
You could also use the leftover CY-5 as CRASH 2.
• Connect the “HH” trigger cable to the TRIGGER OUT jack.
• Connect the “HHC” trigger cable to the CONTROL OUT jack.
* For details on installing the VH-11 to the hi-hat stand, refer to
the “VH-11 Owner’s Manual.”
Settings Português
1. Make sure that the VH-11 is correctly connected to
the TD-4.
2. Set up the hi-hat, take your foot off the pedal, and
power-on the TD-4.
Nederlands
* It will be impossible to make the adjustment correctly if the

hi-hat is touching the motion sensor when you turn on the
power.
3. Loosen the clutch screw, and allow the hi-hat to

rest naturally on top of the motion sensor unit.
4. Press the [MENU] button so it’s lit.
39
5. Use the SEL [ ][ ] buttons to choose “8 PAD

SETTINGS,” and press the [OK] button. VH Offset Adjustment Points
The Pad Type screen will appear.
fig.d-Sys-Pad-1.eps
If the closed hi-hat sound is difficult to attain, rotate the
VH offset adjustment screw towards “CLOSE.”
If the open hi-hat sound is difficult to attain, rotate the
screw towards “OPEN.”
If the sound cuts off when you strike the hi-hat forcefully,
6. Lightly strike the hi-hat; the screen will indicate rotate the VH Offset adjustment screw towards “OPEN.”
“HH.”
7. Use the [-/+] dial to select the VH-11.
10. Adjust other parameters as needed.
If you don’t set up the VH-11 correctly, it may not operate

correctly. For details, refer to the VH-11 owner’s manual.
8. Press the SEL [ ] button to select “HH Pedal

Sens.”
fig.d-VH11-Offset.eps
9. While you watch the meter that’s shown in the

lower part of the screen, turn the VH-11’s VH offset
adjustment screw to adjust it.
Adjust the screw so that the meter indicates “ ”.
fig.Offset-Adj.eps
Correct
fig.VH-Offset.eps
VH Offset
Adjustment
Screw
OPEN CLOSE
40
Other Settings
MIDI Settings MIDI-related Settings
English
1. Press the [MENU] button so it’s lit.
About MIDI The MENU screen appears.
fig.d-KitMenu-1.eps
MIDI (Musical Instrument Digital Interface) is a standard that

allows performance data and other information to be exchanged
among electronic musical instruments and computers.
Deutsch
On the TD-4 you can use MIDI in the following ways.
Use the pads to play external instruments

You can layer sounds on the TD-4 as well as play sounds from MIDI 2. Use the SEL [ ][ ] buttons to choose “6 MIDI,”
sound modules and samplers. and press the [OK] button.
fig.Connect-MIDI.eps The MIDI screen appears.
Français
MIDI Sound Module fig.d-Sys-MIDI-1.eps
MIDI IN
Italiano
3. Use the SEL [ ][ ] buttons to choose the
parameter that you want to edit.
Español
screen.
Display Parameter Value Explanation
Specifies the MIDI note numbers transmitted by the

pads. To select the pad whose setting you want to edit,
0 (C-)–127 (G9),
Note# strike that pad. If you specify “OFF” that pad will not
OFF
transmit a note message. Português
Each kit has an individual note number settings.
• The note number for Xstick will be the SNARE RIM note number minus 3.
• Selecting HH will specify the HH BOW/EDGE OPEN note number.
• The HH BOW/EDGE CLOSE and HH FOOT CLOSE note numbers will be as follows.
Nederlands
• HH BOW CLOSE: HH BOW OPEN note number minus 4

• HH EDGE CLOSE: HH EDGE OPEN note number minus 4
• HH FOOT CLOSE: HH BOW OPEN note number minus 2
Specifies the channel on which the MIDI message will be

transmitted.
Channel OFF, 1–16
If you specify “OFF,” MIDI messages will not be transmit-
ted.
41
Other Settings
Display Parameter Value Explanation

Specifies whether program change messages will be
transmitted to an external MIDI device (ON) or not trans-
mitted (OFF).
ProgramChg With the “ON” setting, a program number correspond-
OFF, ON ing to the selected drum kit will be transmitted when
Tx
you switch drum kits on the TD-4.
* The program number for each drum kit is the same
as the drum kit number.
Detailed Settings for Trigger Parameters

Normally, you will not need to edit these settings, since they are automatically set to the appropriate values for the pad when you specify
the pad type. You can edit these parameters if the pad does not respond as you wish.
1. In the “Pad Settings” screen, press the SEL [ ] 2. Use the SEL [ ][ ] buttons to select the
button a number of times to choose “Advanced parameter that you want to edit.
Edit,” and press the [OK] button.
The “Pad Advanced” screen appears.
screen.
Display/Parameter Parameter/Value Explanation
This setting allows a trigger signal to be received only when the pad
Threshold
is above a determined dynamic level (velocity). This can be used to
0–16
prevent a pad from sounding because of vibrations from other pads.
fig.Threshold.eps
Threshold
In the following example, B will sound but A and C will not sound.
A B C
When set to a higher value, no sound is produced when the pad is struck lightly. Gradually
raise the “Threshold” value while striking the pad.
Check this and adjust accordingly. Repeat this process until you get the perfect setting for
your playing style.
This setting allows you to control the relation between playing ve-
Curve
locity (striking force) and changes in volume. Adjust this curve until
See below
the response feels as natural as possible.
LINEAR EXP1, EXP2

The standard setting. This produces the most natural correspon- Compared to LINEAR, strong dynamics produce a greater change.
dence between playing dynamics and volume change. fig.VeloC-EXP.eps
fig.VeloC-LINEAR.eps
Volume Volume
Volume
Striking
Striking Force
Force EXP1 EXP2
LINEAR
42
Other Settings
LOG1, LOG2 LOUD1, LOUD2

Compared to LINEAR, a soft playing produces a greater change. Very little dynamic response, making it easy to maintain strong vol-
fig.VeloC-LOG.eps ume levels. If using drum triggers, these settings help maintain sta-
Volume Volume ble levels.
English
fig.VeloC-LOUD.eps
Volume Volume
Striking
LOG1 LOG2 Force
Striking
SPLINE LOUD1 LOUD2 Force
Deutsch
Extreme changes are made in response to playing dynamics.
fig.VeloC-SPLINE.eps
Volume
Striking
SPLINE Force
Français
Specifies the detection time for the trigger signal. Since the rise time
of the trigger signal waveform may differ slightly depending on the
Scan Time characteristics of each pad or acoustic drum trigger (drum pickup),
Italiano
0.4–4.0 (ms) you may notice that identical hits (velocity) may produce sound at
different volumes. If this occurs, you can adjust the “Scan Time” so
that your way of playing can be detected more precisely.
fig.ScanTime.eps
While repeatedly hitting the pad at a constant force, gradually raise the Scan Time value from 0.4 msec, Scan Time
until the resulting volume stabilizes at the loudest level. At this setting, try both soft and loud strikes, and
make sure that the volume changes appropriately.
Español
Time
* As the value is set higher, the time it takes for the sound to be played increases. Set this to the lowest
value possible.
This setting prevents spurious re-triggering. Important if you are us-

ing acoustic drum triggers. Such triggers can produce altered wave-
Retrig Cancel forms, which may also cause inadvertent sounding at Point A in the Português
1–16 figure (Re-trigger). This occurs in particular at the decaying edge of
the waveform. Retrig Cancel detects such distortion in and prevents
re-triggering from occurring.
fig.Retrigger.eps
While repeatedly striking the pad, raise the “Retrig Cancel” value until re-triggering no longer occurs.
A
* Although setting this to a high value prevents retriggering, it then becomes easy for sounds to be
Nederlands
omitted when the drums played fast (roll etc.). Set this to the lowest value possible while still Time
ensuring that there is no retriggering.
You can also eliminate this problem of re-triggering with the Mask Time setting. Mask Time does not
detect trigger signals if they occur within the specified amount of time after the previous trigger
signal was received. Re-trigger Cancel detects the attenuation of the trigger signal level, and
triggers the sound after internally determining which trigger signals were actually generated when
the head was struck, while weeding out the other false trigger signals that need not trigger a sound.
43
Other Settings

This setting prevents double triggering.
When playing a kick trigger, the beater can bounce back and hit the
head a second time immediately after the intended note—with
acoustic drums sometimes the beater stays against the head—is
Mask Time
causes a single hit to “double trigger” (two sounds instead of one).
0–64 ms
The Mask Time setting helps to prevent this. Once a pad has been
hit, any additional trigger signals occurring within the specified
“Mask Time” (0–64 msec) will be ignored.
Adjust the “Mask Time” value while playing the pad.
fig.MaskTime.eps
Mask Time
When using a kick trigger, try to let the beater bounce back and hit the head very quickly, then
raise the “Mask Time” value until there are no more sounds made by the beater rebound.
* When set to a high value, it will be difficult to play very quickly. Set this to as low a value as
you can. Time
Sound not produced

If two or more sounds are being produced when you strike the head just once, then adjust
Retrig Cancel.
This setting cancels “crosstalk,” which means that when you play
one pad you hear a sound coming from another pad. This can hap-
pen when two pads are installed on the same stand. In some cases
you can prevent crosstalk by increasing the distance between the
Xtalk Cancel
two mounted pads.
0–80%
In some cases you can prevent crosstalk by increasing the

distance between the two mounted pads.
Crosstalk Example: If you hit the snare pad and the tom 1 also sounds
Raise the “Xtalk Cancel” for the pad being used for tom 1. The tom 1 pad will be less prone to receive crosstalk from other pads.
* If the value is set too high, and two pads are played simultaneously, the one that is struck less forcefully may not sound. Be careful
and set this parameter to the minimum value required to prevent crosstalk.
When a PD-125/105/85, PDX-8, PD-9/8/7, CY series pad, VH-11, or RT-
10S is connected, you can adjust the relation between your playing
Rim Gain velocity (force) on the rim/edge and the resulting volume level.
0–8.0 Higher value allows the rim/edge to produce a loud volume even
when played softly. Lower value will keep the rim/edge producing a
low volume even when played forcefully.
When a PD-125/105/85, PDX-8, or RT-10S is connected, you can ad-

just the sensitivity of the rim response.
Rim Adjust There are some cases that you have a rim sound unexpectedly when
0–8.0 you hit the head strongly. You can improve this situation with de-
creasing the value of “RimShot Adjust.” When you set the value too
small, it might be difficult to play the rim sound.
44
Other Settings
Protecting Modified Kits and Settings (Edit Lock)

When this function is turned on, editing of the kits remains possible. However, any changes made will be ignored once the power is
turned off.
This is especially useful for in-store purposes and /or music shows. Or let’s imagine that you have modified many kits, and some friends
English
come over to your place, and start playing your TD-4. Using this Edit Lock function allows you to protect your kits in case someone
accidently changes some of the settings.
Once you make this setting, it will be remembered even when the power is turned off.
Deutsch
Turning on Edit Lock Turning off Edit Lock
With the power off, hold down the [ ] (Rec) button and With the power off, hold down the [ ] (Rec) button and
SEL [ ] button, press the [POWER] button. SEL [ ] button, press the [POWER] button.
fig.P-PLockOn.eps fig.P-PLockOff.eps
Français
Italiano
When the Edit Lock setting is turned on, a “ ” symbol will
appear in the screen that appears immediately after you
press the [POWER] button.
fig.d-LockScreen.eps
The “ ” symbol will also appear in the Options screen

Español
Português
where you select Factory Reset, and subsequent Factory
Reset operations will not be possible.
fig.d-ERstLock.eps
Nederlands
45
Troubleshooting
This section outlines points to check if you experience problems, and what to do about them.
Demo patterns won’t play Pad Not Playing Correctly
❏ Could you be recording? ❏ Is the pad type setting correct?

→ If you press the [ ] (Rec) button to record your performance → Set the Pad Type (p. 35).
(p. 17), the demo patterns will temporarily be erased, but you
will again be able to hear the demo patterns after you turn the ❏ Is the pad’s sensitivity setting correct?
power off, then on again. → Set the Sensitivity (p. 35).
* For fullest expression in performance, we recommend the
Recorded data has disappeared exclusive use of Roland pads.
❏ Is the pad’s mesh head tensioned evenly?

❏ Could you have turned off the power?
→ Refer to the owner’s manual for the pad you are using, then
→ When you turn off the power after recording, the recorded
adjust the mesh head tension. This is very important for
data will be erased; the next time you turn on the power, the
proper triggering.
demo patterns will be recalled from internal memory.
❏ Can’t play the bell sound even though

No Sound from One or More Pads CY-12R/C or CY-15R is connected
→ Check the settings as described in RIDE (CY-12R/C, CY-15R)
❏ Is the volume level of an instrument lowered? settings (p. 38).
→ In the drum kit settings, adjust the mixer Pad Volume (p. 29).
❏ Crash2 sound won’t play
❏ Is the pad connected correctly? → Check the settings as described in CRASH2 (CY-8) settings (p.
→ Make sure that pad/input connections are correct. 38).
Use only the provided cables to connect the pads (p. 8).
❏ When you strike a pad, you hear a pad you
❏ Is the instrument set to OFF? didn’t strike
→ OFF is the setting for producing no sound. → Adjust the Xtalk Cancel setting (p. 44).
Select an instrumentnumbered other than “OFF” (p. 49). → If there is a pad you’re not using, turn that pad’s Pad Type
“OFF” (p. 35).
❏ Could the pad type be “OFF”?
→ Make the correct Pad Type setting (p. 35).
Cannot Play Rim Shots/Edge Shots
❏ Are you playing the rim shot correctly?

→ For a rim shot, use the stick’s shoulder to strike the rim of the
pad (p. 13).
❏ Is the Rim Adjust set to “0” ?

→ Set this to anything other than “0” (p. 44).
You need to set the “Rim Adjust” when using the PD-85, PD-
105, or PD-125 to play rim shots.
46
Troubleshooting
Cross Stick Does Not Work No Sound/Low Volume from Source

Connected to the MIX IN Jack
❏ Are you playing the cross stick correctly?
→ Playing cross stick on electronic drums is a bit different. Be ❏ Could you be using a connection cable that
contains a resistor?
English
sure your hand or stick does not strike the head also (p. 13).
→ Use a connection cable that does not contain a resistor.
❏ Is the Xstick Volume set to “OFF”?
→ Set the Xstick Volume to a value other than “OFF” (p. 29). ❏ Check the volume level of the connected audio
source.
→ See the owner’s manual for the device if there’s a problem.
No Metronome Sound
Deutsch
To adjust the volume of the device connected to the MIX IN
jack, use the controls of the connected device.
❏ Is the metronome volume level set to “0” ?
→ Set the metronome Volume to a value other than “0” (p. 34). Can’t play the sound module connected to
the MIDI OUT connector
No Ambience Applied
Français
❏ Is the Ambience set to “OFF” ? ❏ Is the MIDI cable connected correctly?
→ Set the Ambience to a value other than “OFF” (p. 30). → Connect the cable to the MIDI IN connector of the external
MIDI sound module.
❏ Is the Ambience Depth set to “0” ?
→ Set the Ambience Depth to a value other than “0” (p. 30). ❏ Is the MIDI channel set correctly?
Italiano
→ In order to transmit MIDI messages to an external MIDI sound
Sound in Headphones Distorted module, both devices need to be set to the same MIDI channel
(p. 41).
❏ Sometimes, setting the output too high
certain tones can the sound seem distorted. ❏ Have you specified the correct note number
→ Turn down the [VOLUME] knob. This will reduce the distortion. for the pad?
Español
→ Set the pad’s note number to a value other than “OFF” (p. 41).
→ Make sure that the pad is set to the same note number as the
Output Sound is Distorted sound on your external MIDI sound module.
The note numbers can be specified independently for each kit.
❏ Depending on the instrument settings, some
slight distortion may occur in the sound.
Others Português
→ In the drum kit settings, adjust the mixer Pad Volume (p. 29).
→ You can suppress distortion by setting the pan near the
center. In the drum kit settings, adjust the mixer pan setting ❏ Settings are not saved
(p. 29). → There is no “Save Settings” operation on the TD-4 itself. The
settings you modify are saved when you turn off the power.
Be sure to turn off the power by pressing the [POWER] button.
Nederlands
❏ Screen display is difficult to read

→ After you’ve turned on the power, press the [MENU] button →
SEL ] button → [OK] button in that order, and use the [-/+]
dial to adjust the contrast (p. 37).
47
Error Messages
Display Meaning Action
Press the [OK] button.

A factory reset will be executed. (doing so will
Data in the TD-4’s memory is
erase any changes you have made).
corrupted.
If this does not resolve the problem, consult your
Roland dealer or nearest Roland Service Center.
A problem has occurred with the Contact your dealer or a nearby Roland service
internal system. center.
48
Drum Kit/Instrument List

Preset Drum Kits Instruments
No. Name No. Name No. Name
English
1 V-Compact Kick Elec
14
2 Coated 1 Maple Elec R
2 Deep TR808
3 Power 15
3 Fiber TR808 R
4 Light
4 Compact TR909
5 Heavy 16
Deutsch
5 Dark TR909 R
6 Vintage 6 Vintage Tom
7 Fiber 7 Tight 1 Wood 12”
8 Short Tail 8 HardAttack 2 Wood 13”
9 Solid 3 Wood 16”
9 HALL
10 Nu-Hip 4 Clear 12”
Français
10 Brushes
11 Elec 1 5 Clear 14”
11 Studio 12 Elec 2 6 Clear 16”
12 Tight 13 TR808 7 Fiber 12”
13 ARENA 14 TR909 8 Fiber 13”
14 Oldies Snare 9 Fiber 16”
Italiano
15 Reggae Maple 1 10 Coated 12”
1
Maple 1 R 11 Coated 13”
16 Percussion
Maple 2 12 Coated 16”
17 ISOLATOR 2
Maple 2 R 13 TR808_1
18 HipHop Steel 14 TR808_2
3
19 Techno Steel R 15 TR808_3
Español
20 Drum’nBass Brass 16 TR909_1
4
21 House Brass R 17 TR909_2
Lite 18 TR909_3
22 Abstract 5
Lite R 19 Elec_1
23 Electronic
Deep 20 Elec_2
24 TR-808 6 Português
Deep R 21 Elec_3
25 TR-909 Open Hi-Hat
7
Open R Bright
1
Brush Bright E
8
Brush R Lite
Nederlands
2
Box Lite E
9
Box R Club
3
Whack Club E
10
Whack R TR808
4
Barrel TR808 E
11
Barrel R TR909
5
Club TR909 E
12
Club R
Clip
13
Clip R
49
Drum Kit/Instrument List
No. Name No. Name About the instruments (sounds)

Crash 16 TriangleOp The last letter of each instrument name refers to the following
Medium16” 17 TriangleCl definitions.
1
Medium16”E 18 SleighBell
R: rim sound of snare
Medium18” 19 TreeChimes E: edge sound of cymbal
2
Medium18”E OFF B: bell sound of cymbal
Dark 16” Off /B: Switches to the bell sound when struck forcefully.
3
Dark 16” E
*1
Dark 18”
4 Switches to the slap sound
Dark 18” E when struck forcefully.
Splash
5
Splash E *2
Switches to the rim sound
China
6 when struck forcefully.
China E
TR808
7
TR808 E
Elec
8
Elec E
Ride
Heavy /B
Heavy
1
Heavy E
Heavy B
Lite /B
Lite
2 Copyright
Lite E
When you purchase the TD-4 percussion sound module
Lite B
from an authorized Roland dealer, the included sounds
Elec /B are licensed, not sold, to you by Roland Corporation, for
Elec commercial use in music production, public performance,
3
Elec E broadcast, etc.
Elec B You may use any of the included sounds in a commercial
Percussion or non-commercial recording without paying any
additional license fees. However, you must strictly adhere
1 Bongo Hi *1
to the following crediting guidelines on any music
2 Bongo Lo recording that utilize material from TD-4.
3 Conga Hi *1 Reproduction or duplication of any of the sound
4 Conga Lo contained in the TD-4, either as they exist on this sound
5 Timbale Hi *2 module or by any means of reformatting, mixing, filtering,
6 Timbale Lo re-synthesizing, processing or otherwise editing for use in
another product or for re-sale, is strictly prohibited
7 Cajon *1
without the express written consent of Roland. All
8 Cajon Bass unauthorized giving, trading, lending, renting, re-issue, re-
9 Claves distribution or re-sale of the sounds included in the TD-4
10 Shaker are expressly prohibited.
11 Tambourine In Plain English: Be creative in your application of the TD-4
12 Cowbell 1 sounds, and keep this sounds for your use only. DO NOT
COPY IT.
13 Cowbell 2
14 WoodBlockH
15 WoodBlockL
50
MIDI Implementation Chart
PERCUSSION SOUND MODULE Date: Dec. 1, 2008

Model TD-4 MIDI Implementation Chart Version : 1.00
Function... Transmitted Recognized Remarks
Basic Default 1–16, OFF X

Channel Changed 1–16, OFF X Memorized
English
Default Mode 3 *3 X
Mode Messages X X
Altered ************** **************
Note 0–127, OFF X Memorized

Number : True Voice ************** X
Deutsch
Note On O 9nH, v = 1–127 X
Velocity Note Off O 8nH, v = 64 X
After Key’s O X
Touch Channel’s X X
Français
Pitch Bend X X
4 O X Foot Controller *1
Control
Italiano
Change
Español
Program O 0–24 *2 X
Change : True Number ************** X Program No. 1–25 (fixed)
System Exclusive X X
: Song Position X X
System
: Song Select X X Português
Common
: Tune Request X X
System : Clock X X
Real Time : Commands X X
: All Sound Off X X

Nederlands
Aux : Reset All Controllers X X

: Local On/Off X X
Messages : All Notes Off X X
: Active Sensing O X
: System Reset X X
*1 Transmits the position of the hi-hat pedal.

*2 O X is selectable.
Notes *3 Xstick: SNARE RIM note number minus 3

HH BOW CLOSE: HH BOW OPEN note number minus 4
HH EDGE CLOSE: HH EDGE OPEN note number minus 4
HH FOOT CLOSE: HH BOW OPEN note number minus 2
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No
51
Specifications
TD-4: Percussion Sound Module

● Instruments ● Power Supply
Drum Instruments: 125 AC Adaptor (DC 9 V)
● Drum Kits ● Current Draw

25 500 mA
● Instrument Parameters ● Dimensions

KICK, SNARE, TOM, PERC, Tuning, Muffling 224.0 (W) x 151.1 (D) x 65.1 (H) mm
8-7/8 (W) x 6 (D) x 2-9/16 (H) inches
● Mixer Parameters
Pad Volume, Pan, Kit Volume, Cross Stick Volume ● Weight
477 g / 1 lb 1 oz (excluding AC Adaptor)
● Ambience Types
9 ● Accessories
Owner’s Manual
● Rhythm Coach Functions AC Adaptor (PSB-1U)
Warm Ups Special Connection Cable
Time Check Wing Bolt (M5 x 10) x 2
Tempo Check Sound Module Mounting Plate
Quiet Count
Auto Up/Down ● Options
Pads (PD-8, PDX-8, PD-85, PD-105, PD-125)
● Quick Rec Cymbals (CY-5, CY-8, CY-12R/C, CY-14C, CY-15R)
Resolution: 96 ticks per quarter note Kick Triggers (KD-8, KD-85, KD-120)
Recording Method: Real-time Hi-Hats (VH-11)
Maximum Note Storage: approx. 9,000 Notes Hi-Hat Control Pedal (FD-8)
Stand (MDS-4)
● Display Cymbal Mount (MDY-10U)
Pad Mount (MDH-10U)
Custom (backlit LCD)
Acoustic Drum Trigger (RT-10K, RT-10S, RT-10T)
● Connectors Personal Drum Monitor: PM-10, PM-30
V-Drums Accessory Package: DAP-3
Trigger Input connector (DB-25 type)
V-Drums Mat (TDM-20/TDM-10)
(Kick, Snare, Tom1, Tom2, Tom3, Hi-Hat, Crash1, Crash2, Ride,
Hi-Hat Control) * In the interest of product improvement, the specifications
Output Jacks (L (MONO), R) (Stereo 1/4 inch phone type) and/or appearance of this unit are subject to change without
Phones Jack (Stereo 1/4 inch phone type) prior notice.
Mix in Jack (stereo miniature phone type)
MIDI OUT Connector
● Output Impedance
1.0 k ohms
52
Index
Symbols H Portable Audio Player ......................... 16
............................................................. 45 Half Open Hi-Hat .................................. 14 POWER ................................................. 6, 10
Head Shot ............................................... 13 ProgramChg Tx ..................................... 42
........................................................ 6, 17
English
Head/Rim Link ................................ 16, 37 Q
A HH Pedal Sens ....................................... 36
QUICK REC .......................................... 6, 17
Advanced Edit ....................................... 36 Hi-Hat Control Pedal ........................... 14
Quiet ......................................................... 25
AMBIENCE ............................................... 30
AUTO UP/DOWN .................................. 26 I R
AutoUpDown ........................................ 20 Instrument .............................................. 28
Rate ............................................................ 26
Instrument group ................................. 28
Deutsch
B Recording ................................................ 17
Beat ........................................................... 34 K Retrig Cancel .......................................... 43
Keypad Sound ....................................... 37 Rhythm Type .......................................... 34
Bell Shot ................................................... 13
KIT NAME ................................................. 30 Rim Adjust ............................................... 44
Bow Shot .......................................... 13–14
Kit Volume .............................................. 29 Rim Gain ................................................... 44
C S
Change-up ....................................... 20–21 L
Français
LCD Bright ............................................... 37 Scan Time ................................................ 43
Channel .................................................... 41
LCD Contrast .......................................... 37 Score ......................................................... 22
Choking a Cymbal ................................ 13
LINEAR ...................................................... 42 SEL ................................................................ 6
Closed Hi-Hat ......................................... 14
LOG1, 2 ..................................................... 43 Sensitivity ................................................ 35
COACH ....................................................... 6
LOUD1, 2 ................................................. 43 Sound ........................................................ 34
Coach Mode ........................................... 19
SPLINE ....................................................... 43
Copy .......................................................... 31
M
Crash 2 Usage ........................................ 36 T
Italiano
Cross Stick ............................................... 13 Mask Time ............................................... 44
MaxTempo ....................................... 21, 26 Tempo ................................ 21, 23–25, 34
Curve ........................................................ 42 TEMPO CHECK ....................................... 23
CY-12R/C .......................................... 13, 38 Measures ................................................. 25
MENU .......................................................... 6 Threshold ................................................ 42
CY-15R ...................................................... 38 TIME CHECK ............................................ 22
CY-5 ........................................................... 14 Metronome ...................................... 17, 34
MIDI ........................................................... 41 TimeCheck .............................................. 20
CY-8 ........................................................... 13 TRIGGER INPUT ........................................ 7
MIDI OUT ................................................... 7
Español
D MinTempo .............................................. 26 TUNING ...................................................... 6
MIX IN .................................................. 7, 16 Tuning ............................................... 15, 28
DC IN ........................................................... 7
MIXER ........................................................ 29 Type ........................................................... 30
Demo Pattern ........................................ 12
Depth ........................................................ 30 MUFFLING ................................................. 6 V
DRUM KIT .................................... 6, 12, 27 Muffling ............................................ 15, 28
V Hi-hat ..................................................... 39
Copy .................................................. 31
Exchange ......................................... 32 N VH-11 ........................................................ 39 Português
Note# ........................................................ 41 VOLUME .............................................. 6, 10
Name ................................................. 30
Restore ............................................. 33 Volume ..................................................... 34
Duration .................................................. 21 O
OK ................................................................ 6
W
E Open Hi-Hat ........................................... 14 WARM UPS .............................................. 20
Edge Shot ......................................... 13–14 Open Rim Shot ...................................... 13 X
Nederlands
Edit Lock .................................................. 45 Open/Closed .......................................... 14

EXP1, 2 ...................................................... 42 Xstick Adjust ........................................... 36
OPTIONS .................................................. 36
Xstick Volume ........................................ 29
OUTPUT ..................................................... 7
F Xtalk Cancel ............................................ 44
Factory Reset ......................................... 37 P
FD-8 ........................................................... 14 PAD SETTINGS ....................................... 35
Foot Closed ............................................ 14 Pad Type .................................................. 35
Foot Splash ............................................. 14 Pad Volume ............................................ 29
Pan ............................................................. 29
G PD-8 ........................................................... 13
Grade .......................................... 21–22, 24 PDX-8 ................................................. 11, 13
PHONES ..................................................... 7
Playback ................................................... 18
53
Info_e.fm 1 ページ２００８年１１月５日水曜日午後９時２３分
Information When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES CURACAO URUGUAY NORWAY JORDAN
AFRICA G.A. Yupangco & Co. Inc. Zeelandia Music Center Inc. Todo Musica S.A. Roland Scandinavia Avd. Kontor MUSIC HOUSE CO. LTD. FREDDY
339 Gil J. Puyat Avenue Orionweg 30 Francisco Acuna de Figueroa Norge FOR MUSIC
EGYPT Makati, Metro Manila 1200, Curacao, Netherland Antilles 1771 Lilleakerveien 2 Postboks 95 P. O. Box 922846
Al Fanny Trading Office PHILIPPINES TEL:(305)5926866 C.P.: 11.800 Lilleaker N-0216 Oslo Amman 11192 JORDAN
9, EBN Hagar Al Askalany Street, TEL: (02) 899 9801 Montevideo, URUGUAY NORWAY TEL: (06) 5692696
ARD E1 Golf, Heliopolis, DOMINICAN REPUBLIC TEL: (02) 924-2335 TEL: 2273 0074
Cairo 11341, EGYPT SINGAPORE Instrumentos Fernando Giraldez KUWAIT
TEL: (022)-418-5531 SWEE LEE MUSIC COMPANY PTE. Calle Proyecto Central No.3 VENEZUELA POLAND EASA HUSAIN AL-YOUSIFI &
LTD. Ens.La Esperilla Instrumentos Musicales ROLAND POLSKA SP. Z O.O. SONS CO.
REUNION Santo Domingo,
150 Sims Drive, Allegro,C.A. UL. Gibraltarska 4. Al-Yousifi Service Center
Maison FO - YAM Marcel Dominican Republic
SINGAPORE 387381 Av.las industrias edf.Guitar import PL-03 664 Warszawa P.O.Box 126 (Safat) 13002 KUWAIT
25 Rue Jules Hermann, TEL:(809) 683 0305
TEL: 6846-3676 #7 zona Industrial de Turumo POLAND TEL: 00 965 802929
Chaudron - BP79 97 491
Caracas, Venezuela TEL: (022) 679 4419
Ste Clotilde Cedex, TAIWAN ECUADOR TEL: (212) 244-1122 LEBANON
REUNION ISLAND ROLAND TAIWAN ENTERPRISE Mas Musika PORTUGAL Chahine S.A.L.
TEL: (0262) 218-429 CO., LTD. Rumichaca 822 y Zaruma Roland Iberia, S.L. George Zeidan St., Chahine Bldg.,
Room 5, 9fl. No. 112 Chung Shan Guayaquil - Ecuador EUROPE Portugal Office Achrafieh, P.O.Box: 16-5857
SOUTH AFRICA TEL:(593-4)2302364
N.Road Sec.2, Taipei, TAIWAN, Cais das Pedras, 8/9-1 Dto Beirut, LEBANON
T.O.M.S. Sound & Music (Pty)Ltd.
R.O.C. AUSTRIA 4050-465, Porto, PORTUGAL TEL: (01) 20-1441
2 ASTRON ROAD DENVER EL SALVADOR TEL: 22 608 00 60
TEL: (02) 2561 3339 Roland Elektronische
JOHANNESBURG ZA 2195, OMNI MUSIC OMAN
SOUTH AFRICA THAILAND 75 Avenida Norte y Final Musikinstrumente HmbH. ROMANIA TALENTZ CENTRE L.L.C.
TEL: (011)417 3400 Theera Music Co. , Ltd. Alameda Juan Pablo II, Austrian Office FBS LINES Malatan House No.1
100-108 Soi Verng Nakornkasem, Edificio No.4010 San Salvador, Eduard-Bodem-Gasse 8, Piata Libertatii 1, Al Noor Street, Ruwi
Paul Bothner(PTY)Ltd. New Road,Sumpantawongse, EL SALVADOR A-6020 Innsbruck, AUSTRIA 535500 Gheorgheni, ROMANIA SULTANATE OF OMAN
Royal Cape Park, Unit 24 Bangkok 10100 THAILAND TEL: 262-0788 TEL: (0512) 26 44 260 TEL: (266) 364 609 TEL: 2478 3443
Londonderry Road, Ottery 7800 TEL: (02) 224-8821
Cape Town, SOUTH AFRICA GUATEMALA BELGIUM/FRANCE/ RUSSIA QATAR
TEL: (021) 799 4900 Casa Instrumental HOLLAND/ MuTek Al Emadi Co. (Badie Studio &
Calzada Roosevelt 34-01,zona 11 Dorozhnaya ul.3,korp.6
AUSTRALIA/ Ciudad de Guatemala
LUXEMBOURG
117 545 Moscow, RUSSIA
Stores)
Roland Central Europe N.V. P.O. Box 62, Doha, QATAR
ASIA NEW ZEALAND Guatemala
Houtstraat 3, B-2260, Oevel TEL: (095) 981-4967 TEL: 4423-554
TEL:(502) 599-2888
(Westerlo) BELGIUM SLOVAKIA
CHINA AUSTRALIA/ TEL: (014) 575811
SAUDI ARABIA
HONDURAS DAN Acoustic s.r.o.
Roland Shanghai Electronics NEW ZEALAND aDawliah Universal Electronics
Almacen Pajaro Azul S.A. de C.V. CROATIA Povazská 18.
Co.,Ltd. Roland Corporation APL
BO.Paz Barahona SK - 940 01 Nové Zámky
5F. No.1500 Pingliang Road Australia Pty.,Ltd. ART-CENTAR Behind Pizza Inn
3 Ave.11 Calle S.O TEL: (035) 6424 330
Shanghai 200090, CHINA 38 Campbell Avenue Degenova 3. Prince Turkey Street
San Pedro Sula, Honduras
TEL: (021) 5580-0800 Dee Why West. NSW 2099 HR - 10000 Zagreb SPAIN aDawliah Building,
TEL: (504) 553-2029
AUSTRALIA TEL: (1) 466 8493 Roland Iberia, S.L. PO BOX 2154,
Roland Shanghai Electronics MARTINIQUE Paseo García Faria, 33-35 Alkhobar 31952
CZECH REP. 08005 Barcelona SPAIN SAUDI ARABIA
Co.,Ltd. For Australia Musique & Son
CZECH REPUBLIC DISTRIBUTOR TEL: 93 493 91 00 TEL: (03) 8643601
(BEIJING OFFICE) Tel: (02) 9982 8266 Z.I.Les Mangle
For New Zealand 97232 Le Lamantin s.r.o
10F. No.18 3 Section Anhuaxili Voctárova 247/16 SWEDEN SYRIA
Chaoyang District Beijing 100011 Tel: (09) 3098 715 Martinique F.W.I.
CZ - 180 00 PRAHA 8, Roland Scandinavia A/S Technical Light & Sound Center
CHINA TEL: 596 596 426860
CZECH REP. SWEDISH SALES OFFICE Rawda, Abdul Qader Jazairi St.
TEL: (010) 6426-5050 Bldg. No. 21, P.O.BOX 13520,
TEL: (2) 830 20270 Danvik Center 28, 2 tr.
HONG KONG
CENTRAL/LATIN Gigamusic SARL
S-131 30 Nacka SWEDEN Damascus, SYRIA
10 Rte De La Folie DENMARK TEL: (011) 223-5384
Tom Lee Music Co., Ltd. Service AMERICA 97200 Fort De France TEL: (0)8 702 00 20
Roland Scandinavia A/S
Division Martinique F.W.I. Nordhavnsvej 7, Postbox 880, SWITZERLAND TURKEY
22-32 Pun Shan Street, Tsuen ARGENTINA TEL: 596 596 715222 ZUHAL DIS TICARET A.S.
DK-2100 Copenhagen Roland (Switzerland) AG
Wan, New Territories, Instrumentos Musicales S.A. Galip Dede Cad. No.37
MEXICO DENMARK Landstrasse 5, Postfach,
HONG KONG Av.Santa Fe 2055 Beyoglu - Istanbul / TURKEY
TEL: 3916 6200 CH-4452 Itingen, SWITZERLAND
TEL: 2415 0911 (1123) Buenos Aires Casa Veerkamp, s.a. de c.v. TEL: (0212) 249 85 10
ARGENTINA Av. Toluca No. 323, Col. Olivar de TEL: (061) 927-8383
FINLAND
Parsons Music Ltd. TEL: (011) 4508-2700 los Padres 01780 Mexico D.F. Roland Scandinavia As, Filial UKRAINE U.A.E.
8th Floor, Railway Plaza, 39 MEXICO Zak Electronics & Musical
BARBADOS Finland EURHYTHMICS Ltd.
Chatham Road South, T.S.T, TEL: (55) 5668-6699 Instruments Co. L.L.C.
A&B Music Supplies LTD Elannontie 5 P.O.Box: 37-a.
Kowloon, HONG KONG NICARAGUA FIN-01510 Vantaa, FINLAND Nedecey Str. 30 Zabeel Road, Al Sherooq Bldg.,
12 Webster Industrial Park
TEL: 2333 1863 TEL: (0)9 68 24 020 UA - 89600 Mukachevo, UKRAINE No. 14, Ground Floor, Dubai,
Wildey, St.Michael, Barbados Bansbach Instrumentos
TEL: (03131) 414-40 U.A.E.
INDIA TEL: (246)430-1100 Musicales Nicaragua GERMANY TEL: (04) 3360715
Rivera Digitec (India) Pvt. Ltd. Altamira D'Este Calle Principal Roland Elektronische UNITED KINGDOM
BRAZIL de la Farmacia 5ta.Avenida
411, Nirman Kendra Mahalaxmi Musikinstrumente HmbH. Roland (U.K.) Ltd.
Roland Brasil Ltda. 1 Cuadra al Lago.#503
Flats Compound Off. Dr. Edwin Oststrasse 96, 22844 Norderstedt, Atlantic Close, Swansea
Rua San Jose, 780 Sala B Managua, Nicaragua
Moses Road, Mumbai-400011, GERMANY Enterprise Park, SWANSEA NORTH AMERICA
Parque Industrial San Jose TEL: (505)277-2557
INDIA TEL: (040) 52 60090 SA7 9FJ,
Cotia - Sao Paulo - SP, BRAZIL
TEL: (022) 2493 9051 UNITED KINGDOM CANADA
TEL: (011) 4615 5666 PANAMA
GREECE/CYPRUS TEL: (01792) 702701 Roland Canada Ltd.
INDONESIA SUPRO MUNDIAL, S.A.
CHILE Boulevard Andrews, Albrook,
STOLLAS S.A. (Head Office)
PT Citra IntiRama
Comercial Fancy II S.A. Panama City, REP. DE PANAMA Music Sound Light 5480 Parkwood Way Richmond B.
Jl. Cideng Timur No. 15J-15O
Rut.: 96.919.420-1 TEL: 315-0101 155, New National Road C., V6V 2M4 CANADA
Jakarta Pusat
INDONESIA
Nataniel Cox #739, 4th Floor Patras 26442, GREECE MIDDLE EAST TEL: (604) 270 6626
TEL: (021) 6324170
Santiago - Centro, CHILE PARAGUAY TEL: 2610 435400
TEL: (02) 688-9540 Distribuidora De Instrumentos BAHRAIN Roland Canada Ltd.
HUNGARY
KOREA Musicales Moon Stores (Toronto Office)
COLOMBIA Roland East Europe Ltd. No.1231&1249 Rumaytha
Cosmos Corporation J.E. Olear y ESQ. Manduvira 170 Admiral Boulevard
Centro Musical Ltda. Warehouse Area ‘DEPO’ Pf.83 Building Road 3931, Manama 339
1461-9, Seocho-Dong, Asuncion PARAGUAY Mississauga On L5T 2N6 CANADA
Cra 43 B No 25 A 41 Bododega 9 H-2046 Torokbalint, HUNGARY BAHRAIN
Seocho Ku, Seoul, KOREA TEL: (595) 21 492147 TEL: (905) 362 9707
Medellin, Colombia TEL: (23) 511011 TEL: 17 813 942
TEL: (02) 3486-8855
TEL: (574)3812529 PERU U. S. A.
IRELAND IRAN
MALAYSIA Audionet Roland Corporation U.S.
COSTA RICA Roland Ireland MOCO INC.
Roland Asia Pacific Sdn. Bhd. Distribuciones Musicales SAC 5100 S. Eastern Avenue
JUAN Bansbach Instrumentos G2 Calmount Park, Calmount No.41 Nike St., Dr.Shariyati Ave.,
45-1, Block C2, Jalan PJU 1/39, Juan Fanning 530 Los Angeles, CA 90040-2938,
Musicales Avenue, Dublin 12 Roberoye Cerahe Mirdamad
Dataran Prima, 47301 Petaling Miraflores U. S. A.
Ave.1. Calle 11, Apartado 10237, Republic of IRELAND Tehran, IRAN
Jaya, Selangor, MALAYSIA Lima - Peru TEL: (323) 890 3700
San Jose, COSTA RICA TEL: (01) 4294444 TEL: (021)-2285-4169
TEL: (03) 7805-3263 TEL: (511) 4461388
TEL: 258-0211
TRINIDAD ITALY ISRAEL
VIET NAM
Roland Italy S. p. A. Halilit P. Greenspoon & Sons Ltd.
Suoi Nhac Company, Ltd AMR Ltd
Viale delle Industrie 8, 8 Retzif Ha'alia Hashnia St.
370 Cach Mang Thang Tam St. Ground Floor
20020 Arese, Milano, ITALY Tel-Aviv-Yafo ISRAEL
Dist.3, Ho Chi Minh City, Maritime Plaza
TEL: (02) 937-78300 TEL: (03) 6823666
VIET NAM Barataria Trinidad W.I.
TEL: 9316540 TEL: (868) 638 6385
As of Oct. 1, 2007 (ROLAND)

Info_e.fm 2 ページ２００８年１１月５日水曜日午後９時２３分
English
Deutsch
Français
Owner’s Manual
Italiano
Bedienungsanleitung
Mode d’emploi
Manuale dell’utente
Español
Manual del usuario
Manual do proprietário
Português
Gebruikershandleiding
Nederlands

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English

Before using this unit, carefully read the

good grasp of every feature provided by your

Copyright ©2009 ROLAND CORPORATION

USING THE UNIT SAFELY

proper ventilation. ....................................................................................................................

<1> WARM UPS.................................................................................. 20 (Edit Lock) .......................................................................... 45

With some buttons, a sound is produced when you press

17. PHONES jack

19. TRIGGER INPUT connector

Getting Ready to Play

Mounting the TD-4 on the Stand

• When turning the unit upside-down, get a bunch of

2. Attach the TD-4 (with the sound module mounting

• The included connection cables are the optimal length for

Getting Ready to Play

Connecting Your Audio Equipment

Portable Audio Player

information faces downwards.

2. Connect the OUTPUT jacks (L/MONO, R) to your

Getting Ready to Play

Turning the Power On/Off

If you don’t hear any sound

After you turn on the power, do NOT touch any pads or

1. Turn the volume down on the TD-4 and any

4. Power-on the connected amp or audio system.

Getting Ready to Play

Tensioning the Head of a Mesh Pad (PDX-8)

1. Use the included drum key to tighten the tuning

Tighten the tuning bolts in the numerical order shown in the

2. Tension the head evenly as you test the playing

Head tension may slacken with the passage of time. Readjust

Hearing What the Kits Sound Like

2 1, 3 When you press the [ ] (Rec) button to start recording

* No data for the demo patterns that is played will be output

Selecting a Drum Kit

1. Press the DRUM KIT [<] [>] buttons to select drum

Regardless of the screen that is displayed, pressing the DRUM

Open Rim Shot

Hi-Hat (CY-5) Hi-Hat Control Pedal FD-8

Half Open Hi-Hat

* Connect the FD-8 to the TD-4 before turning on the power.

Quickly Tuning or Muffling

Value: -600–0–+600 Value: 0–10

Playing Along with a Portable Audio Player

You can connect other audio devices as well.

3. Adjust the volume of the TD-4.

* If a connection cable has built-in resistors, the volume level of

Playing with the Metronome Quick Recording and Playback

3. To turn off the metronome, press the [ ] button

• To record along with the metronome, press the [ ] button

Using Time Check to Check Your Recorded

You must play along with the metronome when recording.

1. Press the [ ] (Play/Stop) button so it’s lit; the

During playback, you can change the playback tempo by

* The recorded performance data is not transmitted from MIDI

By holding down the [ ] (Play/Stop) button for about

Practicing in Coach Mode

Selecting a Practice Menu