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Psychoanalytic Perspectives
on the Shadow of the Parent
Introduction 1
J O N AT H A N B U RKE
PART I
Perspectives 5
In the Bible 7
1 In the shadow of violence: Isaac and Abraham 9
S T E P H E N F R O SH
In Shakespeare 41
3 Under the shadow of silence: on speechless love in King Lear 43
S T E V E N G R O ARKE
PART II
‘I’-witness accounts 71
In psychoanalysis 73
5 ‘Derealization’: in the shadow of the son 75
FAY E C A R E Y
10 Kafka: ‘parental superiority’ as the act that feels hard to follow 161
S T E V E N M E NDOZ A
In philosophy 177
11 Attachment and doubt in the work of Stanley Cavell 179
R O B B I E D U S CHI NS KY AND S E RE NA ME S S I NA
Index 243
About the editor and contributors
relating primarily to the analytic relationship, include ‘The Voice behind the
Couch: Whatever Happened to the Blank Screen?’ in Interpretive Voices –
Responding to Patients (Karnac, 2015) and ‘Why Reconstruct? Perspectives
on Reconstruction within the Transference’ in Transference and Countertrans-
ference: A Unifying Focus of Psychoanalysis (Karnac 2011). Her paper ‘On
Authenticity: The Question of Truth in Construction and Autobiography’ was
published in the International Journal of Psychoanalysis (IJPA) in 2011. Sara
was the keynote speaker at the first BPA international conference in 2017 on
psychic change, on the topic ‘Occasion for Change: Is There Such a Thing as
a Mutative Enactment?’ Her other interests include opera and psychoanalysis,
on which she has published papers in New Associations and on the IPA World
website. She works in private practice.
Howard Cooper is a rabbinic graduate of the Leo Baeck College and has a mas-
ter’s degree with distinction in creative writing and critical theory. He works as
a psychoanalytic psychotherapist and supervisor in private practice and is the
Director of Spiritual Development at Finchley Reform Synagogue, London. A
workshop leader, lecturer and writer exploring religious, Judaic, spiritual and
psychological themes, he is the editor of Soul Searching: Essays in Judaism
and Psychotherapy (SCM Press, 1988) and author of, amongst other works,
The Alphabet of Paradise: An A–Z of Spirituality for Everyday Life (Skylight
Paths, 2002).
Coline Covington is a Jungian analyst with a background in political science and
criminology. She is a Fellow of International Dialogue Initiative (IDI), a think
tank formed by Prof. Vamik Volkan, Lord Alderdice, and Dr Robi Friedman
to apply psychoanalytic concepts to understanding political conflict. Coline’s
publications include Terrorism and War: Unconscious Dynamics of Political
Violence (Karnac, 2002), Shrinking the News: Headline Stories on the Couch
(Karnac, 2014), Sabina Spielrein: Forgotten Pioneer of Psychoanalysis, 2nd
ed. (Routledge, 2015), and Everyday Evils: A Psychoanalytic View of Evil and
Morality (Routledge, 2016). Coline works in private practice in London.
Robbie Duschinsky is Head of the Applied Social Science Group in the Primary
Care Unit, Cambridge University. He is also Director of Studies in Sociol-
ogy at Sidney Sussex College. He is the co-author of Sustaining Social Work:
Between Power and Powerlessness, and presently holds a New Investigator
Award from the Wellcome Trust for a study of debates in attachment research.
Jane McAdam Freud was born in London and built her career as Jane McAdam
without reference to her renowned portrait painter father, Lucian Freud, and
her great-grandfather, the father of psychoanalysis, Sigmund Freud. Work-
ing in various mediums, McAdam Freud’s main focus is sculpture and relief,
which she has exhibited globally. Her work continues to be acquired by several
major public collections including the Victoria and Albert Museum, the British
Museum and Guildhall. Solo shows in the UK include the Ashmolean Museum
xii About the editor and contributors
opera for the Times Literary Supplement for 20 years and has written exten-
sively for leading opera houses in the UK. His interest in opera has been
matched by an unaffiliated fascination with psychoanalysis – his monograph
What Opera Means (2018) includes a section on psychology. He is also the
literary executor of the music critic Hans Keller (1919–1985), in the 1940s a
leading Freudian. His editions of Keller include Music and Psychology (2003)
and Britten (2013).
Foreword
It is fitting that a book with so commanding and suggestive a title should turn
out to have gathered such a fine collection of reflections, ones ranging from the
intensely personal to the deeply erudite. The contributing authors offer varying
interpretations of the subject, whether based in myth, in history, in literature, in
biblical stories, on the stage or in intimate examinations of self and other within
the family framework.
For the title draws in anyone, and everyone, who has an interest in the internal
and external worlds and in the relationship between the two; between, at once,
their own felt version of who their parent or parents are, or were, and also the seen
version of how the world regarded them. Here, we find ourselves engrossed in
chapters by the offspring of many historically significant families. Yet the pages
also invite, even compel, a reader to engage with their own parent or parents’ and
families’ legacies, of what they meant to others and to themselves. These mean-
ings are irrespective of whether those lives were special in any external and rec-
ognised way, or how consciously they stayed part of the stories that a child carries
within, as internal stories of those life experiences. Here the emphasis tends to be
on the shadow cast, yet not entirely so, for in some chapters it is clear that having
a parent who is felt to be ‘a hard act to follow’ is very much a function of a whole
tangle of historical, transgenerational and personal factors that have to be taken
into consideration.
In keeping with the character of the book, I shall try to draw these different reg-
isters together by recounting some of my own memories. I was first reading Jona-
than Burke’s fascinating collection as I travelled north to teach in Scotland. I was
to give papers about ‘the unhoused mind’, issues of familial surrender and suc-
cession, in relation to King Lear in particular, and also about Melanie Klein and
her theories of the impact on the personality of very early experiences, whether of
nurture or neglect. My much-delayed Virgin train was likely to take six hours to
reach Edinburgh. I found myself dwelling on the thrilling verbal accounts, from
my childhood (possibly embellished) of my great-grandfather driving the Flying
Scotsman steam train from London to Edinburgh non-stop in four hours. I had not
thought about this remarkable feat for some years but, because of the book in my
hands, my own story internally ran on. My great-grandfather’s son, my beloved
xvi Foreword
grandpa, fought in the trenches during the First World War. His son, James, my
own father, was an impoverished Edinburgh scholarship boy. He earned his own
way through higher education, came south, worked, enlisted and landed on D-Day
on the Normandy beaches, an unsung hero, as he was to be in his subsequent
life in government service. Here, too, but for the obituaries, he remained largely
unknown.
I would probably not have reflected in any such terms but for the invitation to
contribute to this compelling book, one that is sometimes disturbing and, at once,
deeply thoughtful and moving. Here there is some joy but also much sorrow; both
celebration and gratitude and also loss, misunderstanding, bitterness, pain and
regret.
The title draws any reader in to some kind of reverie about what has contributed
to, and what has impeded, their own growth as human beings, and with what may
have enabled them to develop and to nurture something of worth in others.
For me, such reflections contributed nothing of the legacy of some of the well-
known families featured in this book, but something much more modest, though
certainly no less important. These pages, in inviting, as they do, personal reflec-
tion on one’s forebears, can have a bearing on a possible reframing of the picture,
true for me as, surely, for many readers.
That my great-grandfather drove that famous steam train; that his son fought
in the trenches; that his son landed on D-Day did not command any place in the
history books. But internally, to me, these experiences and the whole culture and
politics of two world wars proffered the basis for everything that I have ever
found important in life: to unsung work; the individual unnamed commitment to
doing one’s very best for the family, for the community, for the country and for
those who were dedicated to serving it in so many ways: unknown ways – and
much else – unnamed, unsung.
These qualities certainly constitute hard acts to follow, and this impressive col-
lection of papers will surely inspire the reader not only to reflect on those who feel
that their forebears cast a shadow of sorts, but also that they cast a light – perhaps
one that cannot immediately be seen; perhaps one that we are too blind to see.
Some may feel diminished by their inherited family legacy; others may be encour-
aged to re-think the legacy of their own unique make-up and experience.
Travelling to Scotland always stirs in me a powerful identification with the
Waddell family history, the name stemming (as ‘history’ has it) from the west
coast wreck of part of the Spanish Armada, the remnants of which fetched up, as
I learnt from my ‘Gran’, and was confirmed many years later in London, by my
Holloway Road electrician, in the Woedell – the place of woe.
The other half of the family story, my mother’s, is totally different: ruled by my
sadistic, mad and terrifying grandmother, not infrequently sectioned in the then
notorious ‘snake pit’ mental hospital, St Bernard’s, Grandma had married into
the British Officer Class during the Raj. My mother’s life was shadowed, from
the first, by parental mental illness and bereavement, yet it led to her passionate
commitment not to re-visit the horrors of her childhood and her depressed self
Foreword xvii
on her own children. Isolated and largely uneducated, she did her very best. She
devoured the great poets, playwrights and novelists; she danced, sang and played
the piano beautifully, but suffered the well-known deprivations of a middle-class
housewife in the post-war years.
These two utterly different people married during the Battle of Britain. Their two
children were also utterly different, in every way. As my tutor at the Tavistock Clinic,
Martha Harris, rightly put it: “No two siblings have the same parents”. This simple
statement, so obviously true, is, in the context of this book, also deeply important.
For some, a parent’s fame, status, genius even, is felt to be excluding, neglectful,
crushing. For others, it carries the seeds of a different kind of self-hood – not so
diminished by parental eminence, as simply part of the extraordinarily complex pic-
ture of how the human personality is formed and inwardly survives, and how it is,
over time, that it develops in whatever way that it does.
This is a matter that psychoanalysis has always sought to explain and Freud’s
comment, well over a century ago, that we are still only in the foothills when it
comes to the question of understanding human nature, is as true now as it ever
was. This book casts much light on the often surprising inside stories and out-
comes stirred by that question, and, most importantly, requires the reader to think
anew about the manifold factors that contribute to the various disguises that others
believe to be ‘you’.
Margot Waddell
Child and Adult Psychoanalyst
Preface
A hard act to follow
The son of a genius remains the son of a genius, and his chances of winning
human approval of anything he may do hardly exist if he attempts to make
any claim to fame detached from that of his father.2
Yet the work and reputation of Anna Freud, Martin’s younger sister, may
already call this assertion into question. Guardian and exponent of her father’s
science and his legacy, at 41 she authored The Ego and the Mechanisms of
Defence, first published in 1936 – an 80th birthday gift to her father who, on
reading it, wrote:
She has become an independent person who has been granted the gift of rec-
ognising that which only confuses others.3
Were these simply the words of a proud father, a man able to recognise genius in
another, or shall we see them as an expression of something more aspirational,
Preface xix
even urgent – perhaps an unconscious desire in Freud whose upper jaw and pal-
ate were by then ravaged by cancer, to see his pioneering work live on in his
offspring?
In some cases the working demands of the ‘genius’ may be so all-consuming,
or at least be experienced as such, Knafo reflects, that often little time whatsoever
is left for their children and their emotional growth, thus leaving the offspring of
some with feelings of neglect and abandonment – a palpable sense of not being
loved.
Drafting the outlines of this book, with music in the background, my mind
drifts to figures in the world of music and the accolades they are accorded. I hear
the playing of the enigmatic Glenn Gould – “one of the best-known and most
celebrated classical pianists of the 20th century” – reclusive and eccentric (infa-
mous for cancelling performances!), playful and mesmerising in equal measure.
Though never having fathered children of his own, he was felt to be kind, avun-
cular and undoubtedly playful with the children of the woman with whom he had
had a love affair and planned to marry. Yet it seems the children, whose loyalties
were divided between their father and their mother’s lover, “bore the brunt of the
emotional hit and were left with unresolved feelings after Mr Gould’s untimely
death at the age of 50”.4
As I keep writing, the strings of the violinist Yehudi Menuhin are now begin-
ning to play in the background. By this point, however, as beautiful as the music
sounds, I cannot help but stop and wonder about the man himself: a hard act to
follow? A day in the life of Menuhin’s son, the pianist Jeremy Menuhin, as told
to the journalist Judith Woods, provides us with the following snapshot of life in
the Menuhin household:
To the outside world, he [Jeremy] and his three elder siblings, including
two from Yehudi’s first marriage, wanted for nothing. They would be photo-
graphed for newspapers and magazines, relaxing together with their parents
in the Alps, like a latter-day von Trapp family. The reality was very different.
The emotional life of our family was grotesque. We barely saw our par-
ents, and when we did, the atmosphere was dour and artificial.
I have thus far remarked briefly on Sigmund Freud and two of his offspring, then
speculated about personalities in music – classical music in the Western world
and, at that, of only two famous figures. But could a ‘hard act to follow’ be a
theme more common than we might first imagine?
I would argue that the issues presented here are in some ways familiar to us all.
We might well look up to our immediate forebears as great sources of pride – we
xx Preface
Notes
1 Knafo, D. (1991). What’s in a Name? Psychoanalytic Considerations on Children of
Famous Parents. Psychoanalytic Psychology 8:263–281.
2 Freud, M. (1983). Sigmund Freud: Man and Father. New York: Aronson.
3 Freud, E. L., ed. (1987). The Letters of Sigmund Freud and Arnold Zweig. New York:
New York University Press.
4 Hampson, S. (2009). Christopher Foss Grew Up with Glenn Gould, but Never Got to
Say Goodbye. Globe and Mail, 29 November and last updated 23 August 2012. See also
“Genius Within: The Inner Life of Glenn Gould”, 2009 film directed by Michele Hozer
and Peter Raymont.
5 Woods, J. (2005). I Only Felt Loved When I Played Well. The Telegraph 21 February.
Introduction
Jonathan Burke
I must admit, and those closest to me would readily attest, A Hard Act to Follow:
The Shadow of the Parent – the title with which our book was originally framed – is
a theme close to my heart. The issue – at times the dilemma – inherent in the ‘act’
that is hard to follow is, I would suggest, familiar to us all. We may be conscious
of it in our everyday lives. We might indeed have gained an appreciation of the
role it has played in our development over the years. For some it may even dictate
their thoughts about their past and their visions or beliefs as to what the future has
in store for them.
As discussed in Part I of our book, living in the shadow of the parent is an expe-
rience tackled in biblical narrative (Chapter 1), explored in Greek mythology and
dramatised with psychological intensity in opera (Chapter 2). We know it as a theme
played out in myriad ways on the Shakespearean stage (Chapters 3 and 4). Indeed
whilst recently watching the British actor and author Oliver Ford Davies on the stage,
I was immediately transported to the theme of our book today. When later I wrote
to him about A Hard Act to Follow . . ., he immediately cited Hamlet, who after all
It is, of course, not only Shakespearean figures who invoke ancestral shadows,
but actors themselves who may well experience themselves in the same position.
Oliver Ford Davies recalls that in 1989 at the National Theatre,
Daniel Day-Lewis was said to have felt so in thrall to his famous poet father
who had died when he was fifteen, that he had visions of him on the battle-
ments, and that this finally drove him from the stage in mid-performance.1
how the theme relates to the life of Sigmund Freud and his experience of his own
parents – a sensual connection to his mother and the boundary that his father
signified for him. Thinking about Freud in the context of this chapter, I wondered
about the extent to which he could allow himself to grapple with the partheno-
genic phallacy of the so-called self-made man, and might even have wished, con-
sciously or not, to defend himself against such notions.
In Chapter 6 we follow events in the lives of Melanie Klein and her daughter
Melitta Schmideberg under the curious chapter title “Her Mother’s Footsteps” –
‘curious’, as on reading the chapter the central question What went wrong? beck-
ons us; moreover, why?
The two chapters that follow are, in a sense, two sides of the same coin as we
examine the darkness of the shadow cast on offspring by parents involved in past
atrocities: “the irresolvable conflict for children of perpetrators”, as Jungian ana-
lyst Coline Covington, author of Chapter 7, puts it. How apt that she should begin
her chapter by citing the Book of Deuteronomy (5:9) on visiting the iniquity of the
fathers onto the children for generations to come. Whilst pondering the psycho-
logical conflicts posed by this ‘tragic inheritance’, it is hard to imagine this quote
ever possessing greater meaning and power.
The next chapter continues with the ‘other side of the coin’ – the complex and
deeply troubling account of the son of a Nazi and a well-known Jewish psycholo-
gist and psychoanalyst, and the trauma of war coupled with his parents’ marriage
that had beset him. Indeed in Chapter 8 the son in question, the Swiss psycholo-
gist Martin Miller, relates his own personal struggle “to make his way out of the
shadow and into the sun”.
In Chapters 9–12 reflections on our theme are offered from a variety of addi-
tional perspectives including, broadly speaking, socio-political and philosophical.
In Chapter 9 the writer and poet Sylvia Paskin ponders the father and daughter
dyad of Lev Davidovich Bronstein – the political revolutionary best known to us
as Leon Trotsky, and the daughter who worshipped him yet barely got to know
him. Sylvia’s enquiry into this unusual relationship, if that is indeed what it can be
called, is followed by an appraisal, admittedly speculative, in the form of a coda
by the psychoanalyst Sara Collins.
Chapter 10 continues our theme with the story of a father who appeared unable
to recognise and appreciate his son’s remarkable development, his overall inter-
ests, not to mention his prodigious literary achievements – in this case, the son
being the social, political and satirical author, Franz Kafka.
Might we not find ourselves on similar, albeit hardly identical grounds today?
In Chapter 11 we take account of the life of the emeritus Harvard philosopher,
Stanley Cavell, and the shadow curiously cast over his work by his father.
Similarly Chapter 12 offers us personal reflections on a father–son relationship:
loving yet fragmented with, above all, an abiding sense of absence – there never
having been enough time ‘to mend’. The author – both psychotherapist and rabbi –
also takes the wider view as he examines life in the shadow as experienced by the
son of a Church of England minister.
Introduction 3
Note
1 In an interview with Time magazine Day-Lewis indicated that he had been speaking of
this experience in a metaphorical rather than literal sense, adding “to some extent I prob-
ably saw my father’s ghost every night, because of course if you’re working in a play
like Hamlet, you explore everything through your own experience”.
Reflecting further on performing Shakespeare, Oliver Ford Davies writes: “Laurence
Olivier’s 1944 Richard III set such a benchmark that actors felt daunted for the next
forty years, perhaps until Anthony Sher created something startlingly different in 1984.
Hard acts can be supplanted”.
As for his own experience, Ford Davies writes: “When I myself played King Lear at
the Almeida in 2002 I based my performance partly on my great-uncle, who in his last
years suffered from ungovernable (and unwarranted) anger towards his family”.
Part I
Perspectives
In the Bible
Another random document with
no related content on Scribd:
Whoever ventures an exposure of the fashionable vices of
influential circles—whoever assails the citadels and strongholds of
crime and corruption, must not expect to elude numerous and deep-
laid conspiracies for the sacrifice of life, which, if he escape falling a
victim, he will be more than fortunate. Even so far, the author has
bitterly experienced all this. The marvel is that he is yet alive and
determined to continue in stronger terms than before exhibited—
relying on invincible truth and the better portions of society to bear
him up through the ordeal which he has to encounter. Although he
has suffered much, and has had many “hair-breadth escapes” from
the plots and snares laid for his destruction.
The subsequent part of the Appendix will inform the reader of
several infernal concoctions for assassination when attempts at
intimidation failed. The first of these will embrace particulars in the
period betwixt the publication and the author’s arrest, and the other
about three years after the trial had terminated. The period betwixt
publication and arrest cannot be devoid of interest to the reader—it
is a prelude to the important trial which followed. The incidents
involved during the time here referred to have ponderous bearings,
in a circumstantial point of view, toward establishing the substantial
correctness of Copeland’s confessions, although intended to
invalidate them and make a nullity of the whole.
During imprisonment Copeland seemed to fully comprehend the
profound plans and commanding power of one by the name of
Shoemake. This is the man who played so conspicuous a part
before and on trial in combination with the three prosecuting parties
of Mobile. The arch-enemy of all mankind cannot surpass him in
perfidious deception.
“With smooth dissimulation well skilled to grace,
A devil’s purpose with an angel’s face.”
He who it was who first addressed a letter of almost matchless
duplicity to the author, while residing in Perry county, under a forged
or fictitious signature. He who it was who next visited the author in
person, first to try the arts of persuasion, and then the designing
influences of intimidation, but in either case without the desired
effect. After this, he it was who entered into compact with the
prosecuting three, of Mobile, bore the requisition from the Governor
of Alabama to the Governor of Mississippi for the rendition of the
author, and, in the circumstances connected with the arrest, acted in
such a mysterious and suspicious manner as could leave no doubt
that he contemplated the life of the author under a plausible pretext
of resistance to lawful authority. But this object was signally
defeated. A considerable number of good citizens quickly collected
together, well armed for protection, and volunteered to accompany
the author under arrest to Mobile, which they accordingly did, and
effectually secured his safety.
The trial followed next. By careful attention to the circumstances
connected with it much information may be gathered, showing the
force of political considerations, and how hard the task for truth and
justice, in the first efforts, to gain a triumph over a combination of
wealth and intellect leagued together for bad purposes. For instance,
the presiding Judge, McKinstry, could have had no personal
prejudice or enmity against the author, and in his heart might have
rejoiced over the dissolution of the clan, but his palpably
reprehensible conduct on trial furnishes convincing evidence that he
was influenced by other considerations than those of law and justice.
To this fact Dr. Bevell, one of the impaneled jurymen on the case,
had his eye turned in the references to the Judge’s conduct and
political considerations, which references will be found in his letter
published in another part of the work.
On the days of trial the notorious character of this said Shoemake
was made public and manifest. He was the principal witness relied
on in the prosecution. Another, equally infamous, as demonstrated
by the most satisfactory of testimony, by the name of Bentonville
Taylor, was brought from afar in rags and poverty, and sent back in
costly attire with money in profusion. Does the impartial judgment
require anything more to produce conviction of the shameful features
of the prosecution? If so, he will find much more before he gets
through the particulars of the trial. Added to this, the almost universal
outburst of sympathy in behalf of the author, with letters of
condolence from distant parts, all of which will be found in the proper
places of the work.
Under circumstances so adverse it is not to be expected that
Copeland, in his confession, could give more than a small fractional
part of the transactions of the whole clan. Since then a number and
variety of interesting matters have been collected from the most
authentic of sources, and will be found in the appropriate place of
this pamphlet.
The subject of crime opens an almost inexhaustible expanse for
expatiation. An elaborate treatise on its causes and remedies is too
prolix for a work of this nature—only a few passing observations on
this theme will be found interspersed, which are relevant and have a
direct bearing on the main topics discussed.
And now, in closing this introductory part, the author wishes the
public to understand that he has no personal animosity against those
who so wrongfully deprived him of his liberty, ruined him with
expenses, and encompassed his life in so many intricate ways. He
has not indulged in any revengeful passions, but has endeavored to
strictly confine himself to the unprejudiced and impartial province of
the historian and biographer—according merit where due, and with
propriety denouncing crimes, corruptions and unhealthy conspiracies
whenever they come in the way. And, if in so doing, he is to endure a
repetition of persecutions and prosecutions, with fresh dangers
added, he will try to bear them with all the fortitude he can command,
with the hope that the peaceably and honestly disposed parts of the
community will rally for the pulling down the edifices of vice, and for
establishing a better, a purer and a healthier condition of society.
PREFACE.
The number of years during which the Copeland and Wages Gang
of Land Pirates pursued a successful career of robbery, incendiarism
and murder in the United States; their final dismemberment, disgrace
and violent end at the hand of retributive justice; and the stern moral
lesson taught by their history and fate, have induced the
undersigned to publish the confession of one of the leaders of the
gang, as made by himself, in anticipation of his death at the hands of
the hangman. Its accuracy may be relied on; and indeed it is hardly
possible to doubt the truth of its statements, so minutely,
consecutively and clearly are they related, and so consonant are
they with the various localities and the characters of the men.
This confession was given to me, principally by the aid of copious
memoranda which Copeland had kept for years in his diary, and
which materially refreshed his memory.
James Copeland, the subject of this memoir, was born near
Pascagoula river, in Jackson county, Miss., on the 18th day of
January, 1823. He was the son of Isham Copeland and Rebecca
Copeland, his wife—formerly Rebecca Wells. The parents had
resided for many years near Pascagoula river.
Isham Copeland was a farmer in easy circumstances, with a good
farm, several negroes, plenty of horses and mules and other live
stock; and, in fact, he might be said to have everything about him
that a family in moderate circumstances could require to enable him
to live comfortably. He was the father of several sons; but, alas! this,
which is by most men deemed a blessing, proved to him a curse;
and after encountering many trials in youth and manhood, just when
he thought to enjoy the peace and repose of old age, his son’s
misconduct drew on him many severe reverses of fortune, and finally
drove him to the grave broken hearted.
J. R. S. PITTS.
LIFE AND CAREER
OF
JAMES COPELAND,
THE SOUTHERN LAND PIRATE, AND HIS INTIMATE ASSOCIATES,