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Editors
Keerti Jain and N. K. Jain
N. K. Jain
Department of Pharmaceutical Sciences, Dr. Hari Singh Gour University,
Sagar, Madhya Pradesh, India
This work is subject to copyright. All rights are solely and exclusively
licensed by the Publisher, whether the whole or part of the material is
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Abstract
Nanotechnology has a substantial impact on the development of both therapeutic
and diagnostic agents in the health sector. Nanocarriers were widely explored for
therapeutic purpose by scientific community due to its unique ability to improve
the solubility, bioavailability, and cellular uptake of active pharmaceutical
ingredients. Nowadays, nanomedicines became more popular for its ability to serve
as carrier to get imaging of various biological systems or deliver the image-guided
treatment options in treatment of various life-threatening diseases. Clinically
effective formulations that combine treatment and diagnostics are widely attractive
at the nexus of these two paradigms: This notion, recently termed as
nanotheranostic, is significantly important for the ligand decorated nanocarriers,
which accumulated at diseased area more potentially and can give customized or
image-guided treatment. Numbers of theranostic nanoparticles with various
combination of imaging agents and therapeutic agents were thoroughly
investigated in past few years. These include, for example, liposomes; polymeric
nanoparticles; micelles; drug conjugates and complexes; dendrimers; vesicles;
micelles; core-shell particles; microbubbles; and carbon nanotubes. The current
chapter gives detailed overview of various imaging techniques that are usually
used in clinical setups along with recently explored theranostic nanocarriers and
regulatory obstacles behind its commercialization.
Abbreviations
AuNPs Gold nanoparticles
GO Graphene oxide
MRI Magnetic imaging resonance
NIR Near infrared
PDT Photodynamic therapy
PEG Polyethylene glycol
PET Positron emission tomography
PLA Polylactic acid
PTT Photothermal therapy
SPIONs Superparamagnetic iron oxide nanoparticles
1.1 Introduction
There is a tremendous demand in clinical trials for addressing differences in drug
responsiveness induced by genetic diversity in large patient populations.
Therefore, as a result, tailored treatment is the current strategy for resolving this
issue (Moghimi et al. 2005). Hood invented the Predictive, Personalized,
Preventive, and Participatory (P4) approach to medicine. Personalized medicine is
predicated on collecting unique data from an individual’s cells or biomolecules
regarding their illness, health status, and therapeutic response (Hood 2013).
Personal medicine or precision medicine can be defined as, “a customized medical
care based on the detailed study of genomic, epigenetic changes and other data to
treat the disease in best possible way” (National Research Council (US) Committee
on A Framework for Developing a New Taxonomy of Disease 2011). The vast
pharmacokinetic diversity of drug has opened the doors for personalized medicine
in treatment of life-threatening diseases. Because of the unique characteristics of
personalized medicine, it has gained considerable attention (Kim and Nie 2005).
Numerous techniques, including genomics, proteomics, and metabolomics, can be
used to decode and collect data at the molecular level for a person. Over the last
few decades, the traditional Evidence-Based Medicine paradigm has transitioned
steadily toward an individualized or customized medicine system. In general, the
main objective behind the phase IV clinical trial was to optimize the medications
for a large group of population in conventional treatment strategy. But the newer
approaches focused on the individual’s genetic peculiarities, which not only
minimize the side effects associated with conventional medicines but also improve
the therapeutic outcome. Additionally, real-time monitoring of pharmacokinetics of
drug and pathological conditions will give insights for future planning of treatment
strategy. This provides chance to manage the dosage of medications so that
therapeutic response will get better and side effects will decrease (Lammers et al.
2012).
In the realm of medical science, nanotechnology has developed a distinct
position. Due to their unique physical and chemical attributes, nanomaterials
imparted the desired characteristics like large surface area for improving the
solubility of lipophilic drugs; ease of functionalization will provide better cell
uptake and side specific delivery of drug, high loading capacity, etc. This enables
them to be applied in a broad range of technological disciplines. Theranostics is a
term that refers to a method that combines diagnostic and therapeutic aspects. The
concept of tailored nanomedicine lies at the heart of nanotheranostic. In 2002,
Funkhouser coined the term “Theranostics,” which includes therapeutic as well as
imaging moieties in a single carrier to track the unwanted disposition of drug or its
carrier and side effects associated with it (Moghimi et al. 2005). After it is injected
into the body, the pharmacokinetics and pharmacodynamics can be tracked using
theranostic materials. There was an initial focus on cancer treatment, but it has
now been broadened to other life-threatening diseases as well, which include
autoimmune disorders such as type 1 diabetes, cardiovascular diseases,
inflammatory diseases, and many more (Gollavelli and Ling 2014). Figure 1.1
showed the various applications of theranostic nanocarrier system. It is possible to
perform both treatment and diagnosis simultaneously using tailored
multifunctional theranostic nanomaterials, such as magnetic resonance imaging
(MRI), computed tomography (CT), positron emission tomography (PET) scans, or
fluorescence imaging. Smart and new biomaterials will steadily improve the
theranostic efficacy of nanoparticles (Choi et al. 2011).
Fig. 1.1 Applications of theranostic nanomedicine formulations (Adapted with permission from
Lammers et al. (2011))
Therapy is the process of resolving a problem following its discovery. The
methods used will differ according to the patient’s condition. Effective treatments
strategy for cancer includes radiation therapy, immunotherapy, chemotherapy,
targeted therapy, stem cell therapy, and surgery. Conventional therapy approaches
have numerous disadvantages like toxicity to normal cells, lengthy processing
times, high dosage requirements including nonspecific targeting, etc. (Gollavelli
and Ling 2014). The major side effects associated with chemotherapy include
neurotoxicity, immune system suppression, hair loss, fatigue, muscle pain,
headache, etc. This showed the requirement of development of more precise and
effective dosage form, which significantly reduces the dose of anticancer agents by
lowering the unwanted disposition of drug and increasing the cellular uptake at
tumor site (Li et al. 2014). Nanotherapeutics have potential to precisely target the
infection location; they reduce undesirable side effects, increase effectiveness, and
improve patient compliance and prognosis. This chapter discussed in detail the
importance of theranostic nanocarrier and various imaging techniques along with
various therapeutic and imaging agents, along with novel nanocarrier explored to
get theranostic application in treatment of various life-threatening diseases.
Fig. 1.4 Schematic representation of photosensitizer associated ROS generation and its role in
causing apoptosis of cancer cells
Fig. 1.5 Schematic representation of PTT and PDT using nanotheranostic
Table 1.1 Summary of few nanotheranostic agents explored for biomedical applications
1.5.2 Gold
AuNPs have been widely explored for applications as imaging agents, drug delivery
carrier, for targeted delivery, theranostics, etc., because they are capable of
conjugating and delivering drugs and bioactive molecules (ligands) to targeted
cells. AuNPs were an attractive alternative amidst various inorganic systems
exploited by research community due to their high surface-area-to-volume ratio,
unique and tunable optical properties, as well as easy surface functionalization
along with high loading capacity of biomolecules. When AuNPs are in contact with
a biological medium, they may rapidly be coated with nonspecific serum proteins.
This process has been known as the corona effect. To diminish corona effect AuNPs
were frequently coated with PEG (Albertini et al. 2019; Groysbeck et al. 2019) or
multilayer coating of albumins (Achilli et al. 2022).
In addition to this, AuNPs can be explored for the PDT, PTT, and photoacoustic
treatments. Therefore, we can use AuNPs in various fields, e.g., bioimaging
(Demiral et al. 2021; Nicholls et al. 2016), targeted delivery of therapeutics (García
et al. 2022; Li et al. 2018), and plasmonic PTT (Ali et al. 2022; Taylor et al. 2022).
Demiral et al. formulated PEGylated AuNPs by attaching cell penetration enhancer
D-α-Tocopherol succinate to detect and treat drug-resistant micro tumors through
PTT by using verteporfin as photosensitizer. The theranostic system was not only
used for drug delivery and imaging in vitro/vivo, but it can also be used for other
fluorescence-based biological and medical purposes. Covalent attachment of ligand
and imaging agent to the system makes the theranostic agent work better against
tumors, and observed to be the most promising candidate, causing 4 times as many
cells to die. The cell studies showed that the theranostic agent improves the
apoptosis process in 61% of the cells (Demiral et al. 2021).
Gold nanocarriers involved in diagnosis, therapeutic, and theranostic
application showed different morphology such as spherical, nanorods, nano shells,
hollow nanocages, nanoantenna, nanoplates, nano prisms, etc. (Ló pez-Lorente
2021; Xiong et al. 2018; Vines et al. 2019; Gharatape and Salehi 2017). Gold-based
nanotherapeutics can be remodeled for tumor microenvironment for targeting by
changing unfavorable therapeutic conditions into therapeutically accessible by
imparting them different external (temperature, laser, or ultrasound) and internal
(pH, enzymes, and glutathione) stimuli responsive drug release mechanisms
(Mohapatra et al. 2021; Rajendrakumar et al. 2018). AuNPs have inherent property
to provide catenate sites for coating or conjugation of various active
pharmaceutical ingredients, ligands, proteins, and imaging agents, which provide
immense potential to use AuNPs as nanocarrier in biological system.
1.5.7 Liposome
Liposomes are one of the widely accepted, biocompatible, biodegradable lipidic
nanocarriers and first approved nanocarrier by FDA. Easy preparation, feasibility
to scale up, biocompatibility, ability to load hydrophilic, as well as hydrophobic
drugs and easy surface functionalization (PEG or vitamins) established it as a
superior nanocarrier. Recently, liposome was explored for various applications of in
vivo imaging through optical, MRI, PET, CT, PDT and PTT, etc., by scientific
community (Lee and Im 2019).
Skupin-Mrugalska et al. formulated liposomes by using lipid derivatives of
gadolinium (III) diethylenetriaminepentaacetic acid salt, which can also serve as
MRI contrasting agent and a photosensitizer agent zinc phthalocyanine. This hybrid
nanocarrier was capable to kill cancer cells by PTT as well as diagnosis through
MRI. Confocal microscopy images showed the internalization of nanohybrid inside
the fibroblast cells (Skupin-Mrugalska et al. 2018). Lozano et al. made a
nanotheranostic system for TNBC using doxorubicin and indocyanine green loaded
monoclonal antibody decorated PEGylated liposomes that target the mucin1
receptor. In vivo monitoring of this antibody-coated nanotheranostic formulation
showed that the liposomes quickly gathered in a tumor model, unlike the non-
targeted formulation (Lozano et al. 2015).
There are numbers of liposomal products currently in the market as well as in
clinical trials, which impart them immense value to develop as novel commercial
product. But clinical application of theranostic liposomes or other nanocarriers
requires detailed clinical studies regarding their behavior in biological system,
metabolism profile, toxicological studies, and many more. Although few
theranostic-based nanocarriers are currently under clinical trials, outcomes of such
clinical studies will guide researchers in the future.
1.7 Conclusion
The current chapter discussed in detail the various ligand decorated
nanotheranostic drug delivery carrier. Various imaging techniques like
fluorescence, PET, CT, MRI, etc., used for in vivo imaging were also explored. The
novel techniques like PTT and PDT have opened the new door for the treatment of
various life-threatening diseases like cancer. Also, the numerous research articles
published by scientific community proved the efficiency of ligand decorated
theranostic nanocarrier for the treatment of cancer, infectious diseases, and
neurodegenerative diseases. Some of the ligand decorated nanocarriers have also
entered the initial stage of clinical trials, which proved the importance and
feasibility of this type of nanocarriers in clinical applications.
Acknowledgments
The authors (Parth Patel and Keerti Jain) are grateful to the Department of
Pharmaceuticals, Ministry of Chemicals and Fertilizers, Government of India, for
providing facilities for writing this chapter. The NIPER Raebareli communication
number for this publication is NIPER-R/Communication/387.
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the best of herself, because she was a woman of spirit who, on entering a
room, made an impression. There was in Callendar a strange sort of vanity
which demanded satisfaction, a vanity which was, perhaps, another and a
masculine manifestation of his mother’s passionate sense of property. It
would have been impossible for him to have married a woman, no matter
how pretty she might have been, who was simply commonplace, sweet and
insipid. He demanded in his wife an element of the spectacular. He had
devoted himself to the tawny Lorna Vale, to the black and glittering Mrs.
Sigourney, and to that strange, uncivilized musician from the middle west.
About them all, there had been a spectacular quality, an undercurrent of
fierce vitality, of outward distinction from the mob which appeared to have
fascinated him.
She did not flatter herself that he had married her through desire; yet
from the moment of their marriage he had been passionate after a fashion
which shocked her. It was confusing to find that a man who was so polite
and indifferent, so free from the little tendernesses which, to be honest, she
had never expected, could at times display a passion so fierce and
unexpected. It was as if in some way, love, passion, desire—she could not
in his case define it precisely—were isolated, a thing apart.
There were reasons enough why she had married him. He was a great
match; women would have desired him even if he had not been rich. And,
she reflected with astonishing coldness, to have won him in the face of so
much competition was a triumph worth paying for with much unhappiness.
It was a victory over women who hated her and had sought with all the bag
of their nasty feminine tricks to outwit her. She had married him too
because she had come very nearly to the conclusion that she could never
fall passionately in love with any man and that, therefore, it was far better
to choose an interesting husband than a dull one. It was impossible, she felt,
for love to survive such a passion as hers for dissection and analysis; love
could not stand being pinned down and pulled apart. She did not then
expect great love, and for the rest of it, Callendar had fascinated her as no
other man had ever done, because he had always eluded her, just as he was
eluding her now that he was her husband. In a sense, he offered her material
vigorous enough to last a lifetime.
More than once in the midst of such reflections there returned to her the
memory of the night when the raw young creature, whom she now thought
of as “that musician,” had fainted. She remembered how, on this occasion,
she had regarded Callendar minutely as he stood, his hands clenching the
back of a chair, watching the naked Burmese dancer swaying to the
insidious rhythm of tom-tom and flageolet. She remembered how the
dancer and the barbaric music had shocked her a little as being wildly out of
place in the big stuffy drawing-room. It was music which to her meant very
little save that it was mildly exciting. Upon Callendar and his mother it had
produced the most astonishing effect. Could it be that in this lay the clue
alike to his fascination and to her failure to fathom that obscure thing which
people called his soul? Though he had been her husband, even her lover, for
a long time, she knew him no better than she had known him on the night of
his mother’s absurd soirée.
And lying in that preposterous boudoir that had once belonged to the
mistress of Wolff, she found herself admitting that slowly and certainly he
was gaining complete possession of her imagination. It troubled her because
she valued above all else in the world her own aloofness; so long as she did
not lose her sense of being a spectator, no one could hurt her, not even her
own husband. It troubled her too because she could not be certain whether
this new interest had any relation to love or whether it had its roots in a sort
of perverse attraction, fundamentally intellectual in quality ... an attraction
which carried an element of the sensual hitherto entirely foreign to her
nature. Day after day she found herself smiling over the thought that this
sensual attraction should have been a little shocking and was not. In one
sense he had overwhelmed her. He was a cruel, a passionate lover. If she
had been less intelligent, more innocent, more sentimental, he might have
wounded her very soul; but the curse which made romantic love impossible
also saved her. Never, for more than a passing moment, had he been able to
dissipate her awful awareness.
He had come to her, after all, from Lorna Vale, from Mrs. Sigourney,
perhaps even from that American girl (though of this she could not be
certain) and, doubtless, from many other women. So much experience, she
understood, made him dangerous to any woman possessed of curiosity.
During those first weeks in Paris, it amazed Sabine to find that her
husband knew so few of his own countrymen; he told her that most
Americans who chose to live in Paris were either silly or depraved and so
revealed for the first time the fact that he did not consider himself
American. He became sulky when she asked him to dine with a school
friend of hers whose husband chose to live in Paris.
“I know her husband,” he answered in contempt. “He is an ass who tries
to live like the French. He’s not a Frenchman. His money comes out of a
New England shoe factory.”
But he went all the same, perhaps because she managed to convey to
him without saying it, that he was neglecting her. During the day she spent
a great deal of time with friends and acquaintances, mostly women who had
married foreigners of one sort or another. In their company she went from
shop to shop buying an endless number of clothes. The same taste which
caused her to shudder at the monstrous house in the Avenue du Bois led her
to love clothes passionately. She knew too that beautiful clothes satisfied
the strain of vanity in her husband which demanded a wife who was dressed
with taste and distinction. She had begun already to plan how she might
attract and keep him.
One evening, while they were dressing for the Opera, he said to her as
she came out of the boudoir and faced him, “It is true what Jacques said at
the club to-day. It takes the Parisian to make the clothes and the American
to wear them. The Americans are the best dressed women in the world.”
And he looked at her in such a way that she grew warm suddenly in the
knowledge that her figure was superb, that her shoulders were marvelously
white and beautiful, and that her clothes were perfect. Until lately she had
dressed, like most American women, for the sake of other women; now she
understood that, without knowing it, she had been dressing of late to please
a man, because she had found one who understood the beauty and
importance of clothes. There was, despite all her other doubts, great
satisfaction in that.
She discovered too that his friends were not among the Americans and
the English but among the French and the Russians. She found herself,
night after night, at dinners watching him as he stood, straight, dark and
handsome, his queer gray eyes wrinkled a little with laughter, talking to
some friend who was a foreigner, and at such moments she was aware of his
great difference from her own people. He was, in some obscure fashion,
linked with that preposterous boudoir and its florid decorations. Perhaps,
secretly, he really liked the awful house as much as his mother liked it.
She saw too, with the green eyes which took in everything, that the
women about her were intensely conscious of him, and she knew then that
she had been at the same time lucky and tragically unlucky. It would be so
easy for him ... a man of so much intelligence and a beauty like that of a
fine animal.
Toward the end of the first winter, a day or two after she had made
certain that she was to have a baby, she interrupted her shopping long
enough to have lunch at the Ritz. She had a table, alone, in one corner of the
big room and, having no one to talk with her, she fell to observing the types
at the other tables and reflecting upon the vulgarity and self-conscious
glitter which marked the patrons of such hotels the world over. So she was
startled when she found that the personality of some one who entered the
room at that moment had the power of distracting her.
Two women came in together and stood for a time surveying the room.
The one (it was she who was disturbing) was tall, slender and handsome,
dressed smartly in a black suit with a black fur. The other, plainly a Jewess
(who understood perfectly the manipulation of head-waiters) was small,
with a ferrety, good-natured face and an energetic, chattering manner. They
took a table at a little distance so that Sabine was able to watch them.
In the beginning, as she realized that there was some reason for her
having noticed the pair, she became aware of a sense of familiarity in the
taller woman. Then, as she watched them, the reason became quite clear. It
was the American girl ... the musician, in Paris and in the Ritz of all places,
and no longer dowdy but handsomely dressed!
By long established precedent, Sabine made no move toward
approaching the newcomer. It was her habit to avoid involving herself with
too many people; such a course made life far too tiresome and complicated.
She had known the girl well enough, but there was no point now in
renewing the acquaintance; indeed, it seemed idiotic even to consider the
idea. Vaguely, she reflected, it was a good idea to leave what was well
enough alone.
But the old, insatiable curiosity had been aroused; she found herself
puzzled as to the presence of Ellen ... (Tolliver, that was her name) ... in
Paris. She had been poor. She had been, she told Sabine during those stark
conversations in the house on Murray Hill, hindered by a hundred obstacles.
Yet here she was, in Paris, dressed handsomely in clothes which the
appraising eye of Sabine told her had come from one of the best
establishments, probably Worth or Chanel. Sabine was curious too
regarding the whereabouts of the husband ... the husband whom she had
once mistaken very stupidly for the girl’s lover. And slowly, in the midst of
the noisy room filled with a fantastic assortment of people, there rose in her
memory a picture of that vulgar apartment the Babylon Arms, and a glimpse
as they opened the door of the tiny top floor flat, of a mild little man in shirt
sleeves. What had become of him?
She remembered too the confidences which she had exchanged with her
mother-in-law in the days when the young musician seemed so near to
upsetting their carefully laid plans. Mrs. Callendar had mentioned the mild
little man, saying, “I’m certain the girl doesn’t care a fig for him. She’s tied
to him by pity. That’s all. But we can be thankful for him. He stands
between her and Richard.”
Where was the little man to whom she was tied by pity?
Any one noticing Sabine as she made ready to leave the dining room
might easily have taken her for an adventuress. She drew her veil over her
face and holding her fur almost up to her eyes, she hastened out, taking care
on the way that her back was toward the tall girl and the busy little Jewess.
In the battle between an overwhelming curiosity and a vague instinct of
fear, it was fear which, unaccountably, won the victory.
As her motor, very small and very expensive, sped away along the Rue
de Rivoli and across the white spaces of the Place de la Concorde into the
Avenue des Champs Elysées, Sabine succumbed to an inexplicable sense of
depression. It occurred to her that she did not really know whether the girl
had ever been the mistress of her husband. She could not even be certain
that Callendar had ever asked Ellen Tolliver to be his wife. Thérèse
Callendar had the word of the girl that there had been nothing; yet with
Callendar, it was impossible to know. If he had asked her to marry him, it
must have been but a step toward seducing her from her husband, the mild
little man. It did not occur to Sabine that with two women a man might be
two quite different persons.
The motor sped smoothly along the asphalt past the Elysée Palace,
around the Arc de Triomphe and on toward the huge house in the Avenue
du Bois.
It might be, she thought, that Callendar himself knew the girl was in
Paris. It might even be that he had arranged it for her to be there.
And again Sabine reflected that in her good fortune there was a tragic
element of bad luck.
Callendar came in late for tea. She heard the footman speaking to him as
he came through the vast hall across the tesselated floor. She waited for
him, sitting behind the silver tea things in the small sitting room at the back
of the house, and as he entered she was seized again by the disturbing fear
of losing herself. He kissed her, casually, and said, “Well, have you had a
busy day?”
“Nothing.... I went shopping with Madeleine and lunched alone at the
Ritz.”
She might easily have added, “And whom do you think I saw there?”
But she did not. On the contrary, she said, “It’s a funny show ... the Ritz....
And you?... What have you done?”
She did not hear his answer, because her attention was swallowed up by
a sharp sense of his presence ... a vivid image of the dark face and the fine,
muscular hand as he raised his silk kerchief in a familiar gesture to stroke
his mustaches. In the back of her mind a small voice told her that it was
perilous and awful to have such emotions.
She poured his tea but he did not drink it.
“I’ll have a glass of port,” was his reply. And then, “I had luck to-day. I
won eleven thousand francs at baccarat ... playing with Henri and Posselt,
the Russian.”
“Good,” was her reply, and again it was not what she might have said.
This gambling worried her. It was not that he would bring them to poverty
by it; that was almost impossible. But there was in her mind a feeling of
disgust at the picture of men spending five hours of daylight in gambling.
She tried to reproach herself by the thought that the idea was American and
provincial. But she understood why his mother sometimes reproached him
for not thinking more of his business. (Always he retorted that she liked
business and he did not.)
There was silence and presently Sabine said, “I wonder, Dick, if we can’t
do something about this house ... either take one of our own or clear out
some of this rubbish.”
“It’s very comfortable.... There’s every luxury.”
She laughed. “Too much luxury.... I feel at times like a kept woman.
Wolff had it for his mistress.... I’m sure he did.”
Callendar smiled. “That’s true,” he replied. “Some of it is very bad, but
can’t we stick it out until spring? We’ll go to the country then or to England
for a time.”
She had spoken of the matter before and the answer had always been the
same. She now revived the discussion without hoping for any solution; she
wanted to know whether he really liked it, whether he was really linked in
some way to the extravagance of that awful boudoir. Watching him as she
spoke, she believed that he did.
For a time they smoked in silence and then Sabine, crushing out the ash
of her cigarette, observed with a magnificent air of indifference, “I wonder
what has become of that American girl ... the musician. You remember,
‘Miss Tolliver’ was her name.”
She saw that he looked at her sharply and then, disarmed by her
indifference, that his face assumed an expression which matched her own.
“I don’t know. I suppose she’s still in New York. She was very talented.”
“She planned to come to Paris some day. If she does, it would be a nice
thing to do to look her up.”
Her husband smiled before he answered her, a quiet amused smile such
as he used to display when he caught his mother in some intricate feminine
plot.
“I don’t see why we should. She probably wouldn’t like it. After all, it
wouldn’t be the same, would it?”
From this she could make nothing. All that he had said might mean
anything at all. It seemed to her that the more she talked, the more
confusing, the less clear everything became.
“I simply happened to think of her. She’s a remarkable girl. She’s had a
struggle from the beginning.”
“A damned fine lot,” was his comment. “You’ll hear from her some
day.”
She must have understood that all her slyness was of no use, that
methods such as this brought her nowhere, for she fell silent after this until
Dick rose and said, “Shall we go up? My nerves are on edge from playing
all afternoon. I think I’ll sleep a bit.”
Then while she watched him, as from a great distance, it occurred to her
that all this was scarcely the behavior of a bridegroom on his honeymoon; it
was, on the contrary, as if already they had been married for years.
As she rose to go with him, a sudden decision crossed her mind. Without
thinking why she was employing it, she used the one stake which she had at
hand.
“Dick,” she said abruptly, “I am going to have a baby.”
He turned, and into his face came an expression of pleasure the like of
which she had not seen there before. He smiled and, moving toward her,
took her gently into his arms.
“That’s fine,” he said softly. “That’s wonderful.” And she felt him kiss
her gently after a fashion that was new and disarming. It was neither a
casual kiss, nor a passionate one; those two moods she knew very well. This
was something new. She felt almost that she were an animal, a pet for
whom he had a great affection and a strong desire to protect.
“Your mother will be pleased,” she said, frightened again by the old
dread of losing herself. (She was ashamed too that he should feel her
tremble so.)
“She will be delighted. She wants an heir. She thinks I’m not much good
at taking care of all her money.” And he kissed her again in the same tender
fashion.
“But it might be a girl.”
He laughed a little. “No, I’m lucky.... Think of my eleven thousand
francs!”
But she saw that he wanted a boy, desperately, that he was not in the
least interested in a girl. It was very foreign of him ... that desire for some
one to carry on the name, to inherit all the fortune.
After they had gone up the stairs with the rail of red plush, he came into
the sitting room again to kiss her gently and to ask if she were feeling well,
and when he had gone Sabine, as she lay in the darkness among the gaudy
pillows of the chaise longue, understood clearly and bitterly for the first
time the change which their marriage had brought about. He was being
gentle and loving not because she was a woman or because he loved her,
but because she had become now by the course of nature an institution, a
wife, a prospective mother. He was being tender not toward her but toward
an idea. He placed her a little apart, so that the old sense of companionship
was no longer possible. She was a symbol now ... the wife and mother who
was the rock and foundation, the one who produced sons to carry on name
and property, but not by any chance the one who was loved because she was
a woman.
43
O F all the events, the emotions and the tragedy that occurred during the
turbulent years spent in the Babylon Arms, nothing had hurt Ellen so
much as the fashion in which Mrs. Callendar, after such a show of
friendship and interest, vanished quickly and completely from her life. Even
the affair with the son and the death of Clarence had had in them elements
which her feminine mind found not unpleasing; there was a certain romance
in the idea that it was herself whom Callendar really desired and not Sabine
at all; there was even more romance, though perhaps a trifle bitter, in the
idea that a man had taken his own life because he loved her too much to
spoil her existence. In her headlong fashion, she was conscious that these
elements contributed to her own personality; they made her an important
figure with enhancing shades of romance and tragedy. That the facts were
known to so few persons as to be almost secret, only increased their
fascination. Sometimes, as she walked along the boulevards or rode in the
Bois beside Schneidermann, paying little heed to the accompaniment of his
pretty speeches and comment upon people, pictures or music, she found
herself filled with a triumph at her secret knowledge. She thought, “People
who see me and talk with me little know all that has happened. They do not
know that they are talking with a powerful person. They do not know the
mystery and tragedy.”
She began even to think that she had consciously planned each step of
her progress, and she came after a time to forget that all that had happened
to her had been born either of headlong impulse or through some senseless
operation of circumstance.
Nevertheless there were times when she grew troubled by a sensation of
insecurity. Mrs. Callendar had deserted her without a word. Rebecca might
easily do the same. It was only Lily in whom she placed any real trust; with
Lily there were ties of family and of blood.
She was troubled too because she knew that there was still need of the
Jewess. For all the arrogance that came more and more to assert itself in her
nature, for all the confidence and the secret triumph with which she looked
out upon the strangers who passed by her on the boulevards and in the Bois,
she understood that she was not yet ready to stand alone. She needed the
guidance of persons like the gentle Schneidermann and the busy Rebecca.
They knew the world; they knew the tricks by which one advanced to fame;
they knew the people who were the right ones to know. She could not try
her own wings because they were not yet strong enough.
Yet she must have the aid of such as Schneidermann and Rebecca
without once acknowledging it. The old, twisted pride forbade her to lean
upon any of them. It was a hard business.
And she would pull in her horse so that the languid Schneidermann
might come abreast of her and talk without having to shout at her back. She
would smile indifferently at him and say, “It is a beautiful morning.... Look
at the dew shining beneath the hedge. And the spider webs like nets of
shining silver.”
Sometimes Schneidermann rode silently by her side, stealing glances at
the color in her cheeks and the blue black of her hair as she rode so straight
and so proud and yet so careless of her horse, reining him in at will or
galloping him madly through the long tunnels under the dripping linden
trees. He was a tall thin man with an arched nose and a blond drooping
mustache, rather pale and mild, who never disputed with her the choice of
bridle paths or the hour they were to return. She understood that he was
interested in her; he had helped her with her accent, though in this they had
made little progress, for she had a stubborn, careless way of sticking to her
own version of the tongue just as she had never lost completely her way of
saying “dawg” for dog and “watter” for water, and persisted in the burr
which came to her doubly through a Scottish heritage and a middle-western
childhood. She suspected sometimes that he might even be falling in love
with her and this made her knit up her brows and scowl at him furtively.
She did not want him, even with all his money. She had had one husband
who was mild and gentle and a bit stupid. Schneidermann was, to be sure,
more intelligent than Clarence, and he knew far more of the world; it
amused her to talk with him of music and art and politics, but a relationship
more intimate was to her inconceivable. Aside from this worldly knowledge
he was like Clarence; he possessed the same humbleness, the same physical
paleness. It annoyed her to believe that she attracted only men who must be
dominated.
Yet there was Callendar. Unconsciously she came to compare the
humbleness of Schneidermann and Clarence with the cat-like virility of
Callendar. It was as if she were putting aside all other men in the knowledge
that some day, at some time if she waited long enough, she would come to
possess him. Yet when she thought of him, as she frequently did after she
had gone up to the luxurious room looking out upon the white pavilion, she
grew angry at the memory of that last visit to the Babylon Arms. He had
watched her, cat-like, until, driven by some obscure desire, he could no
longer play the game of waiting.
She came slowly, as she grew to know and understand the world, to see
that he had looked upon her always as a naïve and helpless creature,
awkward and a little ridiculous. It gave her a sort of restless and unhappy
satisfaction that she had shown herself the more powerful.
It was not strange that she did not encounter the Callendars in Paris. The
world in which they moved was more remote from hers than the Babylon
Arms had been from the house on Murray Hill. True, the crêpe-hung
Madame de Cyon was an acquaintance of Thérèse, but Ellen took good care
that this fat, bedizened gossip should never learn of her acquaintance with
the Callendars, and so it did not occur to “Tiens! Tiens!” ever to mention
them. Of their life Ellen sometimes read a paragraph or two in the Daily
Mail or the Herald; they were off to New York or England or had just
returned to their house in the Avenue du Bois. She knew nothing of the
feverish, cosmopolitan society which surrounded them, nothing of the
seedy, impoverished Royalists who were the poor relations of Thérèse and
lived in fine, damp, decaying houses in the remote provinces, clinging to
the splendor of the past because so little else remained; she knew nothing of
the rich American women who had married titles.
At the lovely old house in the Rue Raynouard there were always the
friends of Lily and Madame Gigon, dowdy, bourgeois and dull, among
whom Lily moved with the calm of perfect security, as the one American
who had ever penetrated with any success the inmost circle about the
doddering Prince Bonaparte. The presence of so vigorous and arrogant a
creature as Ellen they resented bitterly and sometimes openly, so that Ellen
in the end was thrown for companionship, a thing of which she stood very
little in need, upon Rebecca Schönberg, Schneidermann and all their
hodgepodge of musicians, artists, writers and patrons of art.
Rebecca, as the months turned into years, had come to devote more and
more of her time to the house in the Rue Raynouard. When she returned
from Danzig, or Rome, or Vienna or wherever it happened to be, she came
day after day to Numéro Dix where it was her habit to sit quietly in the big
empty music room and listen with extraordinary attention while Ellen
played hour upon hour. She watched Ellen’s progress with an interest of
such intensity that Ellen at times grew ill-tempered and wished heartily that
the sandy haired creature would disappear forever. She would, doubtless,
have committed some act to sever their relationship forever save that
always in the back of her mind was the certainty that the Jewess was
valuable to her.
It was really the sense of Rebecca’s domination which at once annoyed
and confused her; otherwise she liked her well enough. It was Rebecca who
suggested the number of hours which she should practise; it was Rebecca
who bullied her into going out in the world; it was Rebecca who insisted on
helping her choose her clothes; it was Rebecca who even brought to the Rue
Raynouard people who sent Madame Gigon into the most distant part of the
house where she would be safe from the noise of their violent, modern
music. It was Rebecca who at times set the house by the ears and threatened
to bring about an open quarrel between Ellen and the Baron.
For a long time the enmity between these two had grown less and less
concealed. Lily must have sensed conflict and in her quiet, indolent way
have chosen to pretend that no strain existed. There was irony in the fact
that a woman who sought only quiet and leave to do as she pleased should
have found herself suddenly the battleground between two natures so
violent. In dealing either with insolence or domination Lily had no
difficulty; always she had gone quietly her own way achieving in the end by
some unviolent coup her own desire. When she chose, even the dark,
bumptious César obeyed her as a pet dog might have obeyed. She was even
able to cope with Ellen (though she seldom interfered) in the very midst of
the girl’s most stubborn moods. Yet when César and her cousin came into
conflict, she grew helpless; it was like living perpetually on the edge of a
volcano. She knew, perhaps by instinct, what it was that caused the trouble
... that each of them sought to rule the household.
So the peace had gone presently from the lovely old house. On one side
were ranged César and his aunt, the blind old Madame Gigon, reënforced
by the cohorts of crêpe-laden old women who came to her salons and
impressed upon her the sense of her injury. On the other were ranged Ellen
and her ally, the shrewd Rebecca. Between the opposing armies stood Lily
who wished only peace and luxury and indolence.
There was a moon which painted all the garden outside with a pale green
light; the pastry-cake pavilion of Le Nôtre had turned to silver and the
leaves of the old plane trees, rustling together now in the soft spring air, cast
black shadows across the white terrace. Lured by the faint stream of silver
that spilled in through the darkness at the tall window, Ellen rose presently
and, sitting on the chaise longue, looked out over the garden. To-night the
familiar, distant sound of the boat whistles along the Seine seemed very
close. The hoofs of a horse passing along the cobblestones of the Rue de
Passy struck up a slow tattoo that leapt the garden wall and came up to the
very window. It was a foreign horse, passing along a foreign street and the
garden had become remote and melancholy with a new sort of beauty. It
was as if she suffered from an enchantment, as if all that had happened
since the day she had gone off to skate alone on Walke’s Pond had been an
hallucination, detached from all reality. She might wake and find herself
once more in the shabby comfortable sitting room of the house on
Sycamore Street. Still it could not be a dream; because if she returned to
that shabby room, she would find it occupied by strangers she had never
seen. Her mother would no longer be there, darning in the firelight, nor her
father sleeping on the great divan, nor Fergus, nor Robert. They were all
gone now ... gone, strange to say, in pursuit of herself. Perhaps one day they
would come as far as this lovely garden. Ma would like it only because her
children were there, but Fergus would know its meaning, how much of old
beauty that was beyond expression lay in the silver pavilion, in the mottled
trunks of the old trees and in the black filigree of shadows across the white
terrace. If only Fergus could be there she would not be lonely....
And for the first time in all her life, she became sharply aware of the
passing of time. She heard it rushing past her and knew that slowly, like a
tide rising upon a beach of shingle, the years were stealing upon her, the
years and a desperate haunting loneliness which it seemed impossible ever
to escape.
Sitting there in the moonlight, the whole of the past rose up in a queer,
muddled procession. There had been in the progression of events neither
rule nor reason. Fate, one might call it, but fate was a silly name. It meant
nothing; it could not explain how Clarence had turned toward her and so
changed all the course of her existence; it did not explain Mr. Wyck and his
muddled part in the suicide of Clarence; it did not solve that sudden,
passionate interval with Richard Callendar. It was all senseless and
muddled.
People might judge her as hard and cold and calculating but that, she
thought, would be unjust. She had been forced to make her own way, to
clear her path by the best means at hand. She had tried always to do it
without harm to others. She was not, like Sabine Cane, born with all that
one needed in this world. If she had been born, having those things, she
might have been more happy, less lonely, less aloof. Sabine, she reflected
bitterly, had everything ... wealth and friends and happiness. Even her
husband had been delivered into her hands, a man who, if chance had been
less cruel, might not have been hers. She envied Sabine.
So she fell to thinking of Callendar. What might have happened if she
had hurt Clarence deliberately and gone away with her lover? Callendar
would have married her. She would have been rich. She would have been
free. There would have been no more of this struggle.
But she could not be certain. For the first time, thinking of him now out
of the detachment of her loneliness, she doubted him. He might not have
married her, after all. Why should he have done it? And if he had married
her he might not have been stronger than this other thing which kept driving
her on, this terrible ambition that was like a disease with which one was
born.
What would love have been with a man like Callendar? She trembled a
little at the memory of him, grown softer now with the passing of time and
more sentimental. With Clarence love had been a poor timid growth,
choked and inarticulate, a thing that somehow he made shameful. Callendar
was not like that. Love with him must be a great glowing passion that
would overwhelm all else, even her own terrible awareness.
She sighed and bound up her hair. All that had passed long ago and was
done. She might die now without ever knowing anything more wonderful
than the stifled, timid embraces of Clarence.
Idly, out of nowhere, into her brain there strayed presently a memory of
old Julia Shane. It had happened when Ellen was a little girl and she could
not think why she had remembered it, yet unaccountably it was there in her
head, very clear, like an old photograph found by chance after many years.
She saw old Julia sitting in the big drawing-room of Shane’s Castle on a
Christmas day talking with Grandpa Barr. She was thin and hawklike and
leaned forward now and then on her ebony stick to give the coals in the
grate an angry poke. She had been quarreling with the vigorous old man
and presently she said sharply, poking the fire for emphasis, “Fate! Pooh!
Robert! Fate is no great tide that sweeps everything before it. It is a river
that goes this way and that, and the smart fellow is the one who jumps when
it turns in his direction!”
Aunt Julia has been right. Fate was like that and, Ellen reflected, she had
jumped when she saw it coming her way, but by ill luck she had jumped
sometimes full into the midst of the stream and been swept along by it.
I N the morning, after coffee and brandy, Ellen rose at dawn to ride in the
Bois. She went purposely without Schneidermann, leaving him to a vain
pursuit, in order that she might be alone; and when she returned she found
that Lily was already awake and had come down from her room to breakfast
on the terrace. The May sunlight poured into the garden and beat against the
stone of the façade, enveloping her with its reflected warmth, as she sat at
the iron table before a bowl of hot chocolate, a dish of rolls and two piles of
letters. One heap had been opened and the contents lay scattered over the
table and on the flagging beneath. As Ellen, tall and slim in her riding habit
and hard hat, stepped through the tall window Lily put down a letter and
said, “I brought your mail out here. It isn’t interesting this morning ...
mostly bills.”
Ellen throwing down her crop and hat, ran her fingers through her dark
hair and seated herself on the opposite side of the table, while Lily sent for
more chocolate and hot rolls.
“You look tired,” observed Lily. “Were you out late?”
“No. Rebecca couldn’t go with me, and I was tired so I didn’t go at all.
But I slept badly.”
Lily turned the page of the note she was reading. “You work too hard,”
she said. “Try taking a rest. Come down to the country with me in June.”
“No, I can’t do that.... I’m going to play in London. Rebecca and
Schneidermann have arranged it. It will be my début.”
She announced the news abruptly, without any show of emotion.
Lily put down the letter and leaned toward her. “You didn’t tell me it
would be so soon.”
“I only knew it for certain last night. I’m superstitious about speaking of
things until they’re certain. I’m to play in Wigmore Street on the third.”
Her cousin was all interest now. She drew her chair a little nearer and
carelessly pushed her letters off the edge of the table.
“Have you chosen a gown? We’ll send for the motor and choose one this
morning. That’s important, you know ... especially in England where they
recognize good clothes but never wear them.”