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Di quibus imperium est animarum, Umbræque silentes,
Et Chaos, et Phlegethon, loca nocte silentia late,
Sit mihi fas audita loqui; sit, numine vestro
Pandere res alta terrâ et caligine mersas.
Virgil. Æn. vi. 264.
W Edesign
now approach the last Class of Sciences which enter into the
of the present work; and of these, Geology is the
representative, whose history we shall therefore briefly follow. By the
Class of Sciences to which I have referred it, I mean to point out
those researches in which the object is, to ascend from the present
state of things to a more ancient condition, from which the present is
derived by intelligible causes.
2 Πάλαι, αἰτία
Such speculations are not confined to the world of inert matter; we
have examples of them in inquiries concerning the monuments of the
art and labor of distant ages; in examinations into the origin and
early progress of states and cities, customs and languages; as well
as in researches concerning the causes and formations of mountains
and rocks, the imbedding of fossils in strata, and their elevation from
the bottom of the ocean. All these speculations are connected by this
bond,—that they endeavor to ascend to a past state of things, by the
aid of the evidence of the present. In asserting, with Cuvier, that 500
“The geologist is an antiquary of a new order,” we do not mark a
fanciful and superficial resemblance of employment merely, but a
real and philosophical connexion of the principles of investigation.
The organic fossils which occur in the rock, and the medals which
we find in the ruins of ancient cities, are to be studied in a similar
spirit and for a similar purpose. Indeed, it is not always easy to know
where the task of the geologist ends, and that of the antiquary
begins. The study of ancient geography may involve us in the
examination of the causes by which the forms of coasts and plains
are changed; the ancient mound or scarped rock may force upon us
the problem, whether its form is the work of nature or of man; the
ruined temple may exhibit the traces of time in its changed level, and
sea-worn columns; and thus the antiquarian of the earth may be
brought into the very middle of the domain belonging to the
antiquarian of art.
6 ii. 12.
We may remark here already how generally there are mingled with
descriptive notices of such geological facts, speculations concerning
their causes. Herodotus refers to the circumstance just quoted, for
the purpose of showing that Egypt was formerly a gulf of the sea;
and the passage of the Roman poet is part of a series of
exemplifications which he gives of the philosophical tenet, that
nothing perishes but everything changes. It will be only by constant
attention that we shall be able to keep our provinces of geology
distinct.
Sect. 2.—Early Descriptions and Collections of Fossils.
The study of organic fossils was first pursued with connexion and
system in Italy. The hills which on each side skirt the mountain-range
of the Apennines are singularly rich in remains of marine animals.
When these remarkable objects drew the attention of thoughtful
men, controversies soon arose whether they really were the remains
of living creatures, or the productions of some capricious or
mysterious power by which the forms of such creatures were
mimicked; and again, if the shells were really the spoils of the sea,
whether they had been carried to the hills by the deluge of which the
Scripture speaks, or whether they indicated revolutions of the earth
of a different kind. The earlier works which contain the descriptions
of the phenomena have, in almost all instances, by far the greater
part of their pages occupied with these speculations; indeed, the
facts could not be studied without leading to such inferences, and
would not have been collected but for the interest which such
reasonings possessed. As one of the first persons who applied a
sound and vigorous intellect to these subjects, we may notice the
celebrated painter Leonardo da Vinci, whom we have already had to
refer to as one of the founders of the modern mechanical sciences.
He strenuously asserts the contents of the rocks to be real shells,
and maintains the reality of the changes of the domain of land and
sea which these spoils of the ocean imply. “You will tell me,” he says,
“that nature and the influence of the stars have formed these shelly
forms in the mountains; then show me a place in the mountains
where the stars at the present day make shelly forms of different
ages, and of different species in the same place. And how, with that,
will you explain the gravel which is hardened in stages at different
heights in the mountains?” He then mentions several other
particulars respecting these evidences that the existing mountains
were formerly in the bed of the sea. Leonardo died in 1519. At
present we refer to geological essays like his, only so far as they are
descriptive. Going onwards with this view, we may notice Fracastoro,
who wrote concerning the petrifactions which were brought to light in
the mountains of Verona, when, in 1517, they were excavated for the
purpose of repairing the city. Little was done in the way of collection
of facts for some time after this. In 1669, Steno, a Dane resident in
Italy, put forth his treatise, De Solido intra Solidum naturaliter
contento; and the 508 following year, Augustino Scilla, a Sicilian
painter, published a Latin epistle, De Corporibus Marinis
Lapidescentibus, illustrated by good engravings of fossil-shells,
teeth, and corals. 8 After another interval of speculative controversy,
we come to Antonio Vallisneri, whose letters, De’ Corpi Marini che
su’ Monti si trovano, appeared at Venice in 1721. In these letters he
describes the fossils of Monte Bolca, and attempts to trace the
extent of the marine deposits of Italy, 9 and to distinguish the most
important of the fossils. Similar descriptions and figures were
published with reference to our own country at a later period. In
1766, Brander’s Fossilia Hantoniensia, or Hampshire Fossils,
appeared; containing excellent figures of fossil shells from a part of
the south coast of England; and similar works came forth in other
parts of Europe.
8 Augustine Scilla’s original drawings of fossil shells, teeth, and
corals, from which the engravings mentioned in the text were
executed, as well as the natural objects from which the drawings
were made, were bought by Woodward, and are now in the
Woodwardian Museum at Cambridge.
9 p. 20.