Tzanelli, R. (2022) - Biopolitics in Critical Tourism Theory - A Radical Critique of Critique. Via@, 21
Tzanelli, R. (2022) - Biopolitics in Critical Tourism Theory - A Radical Critique of Critique. Via@, 21
Tzanelli, R. (2022) - Biopolitics in Critical Tourism Theory - A Radical Critique of Critique. Via@, 21
Tourism Review
21 | 2022
Tourisme et biopolitique
Electronic version
URL: https://journals.openedition.org/viatourism/8242
DOI: 10.4000/viatourism.8242
ISSN: 2259-924X
Translation(s):
La biopolitique dans la théorie critique du tourisme : une critique radicale de la critique - URL : https://
journals.openedition.org/viatourism/8252 [fr]
Publisher
EIREST Équipe interdisciplinaire de recherches sur le tourisme - Université Paris 1 Panthéon-Sorbonne
Electronic reference
Rodanthi Tzanelli, “Biopolitics in critical tourism theory: a radical critique of critique”, Via [Online], 21 |
2022, Online since 22 August 2022, connection on 23 August 2023. URL: http://
journals.openedition.org/viatourism/8242 ; DOI: https://doi.org/10.4000/viatourism.8242
Introduction
1 In tourism analysis, “biopolitics” is a knife with a double-edged blade cutting at both
ends (theory and practice) sharper than it should. Originally envisaged and theorised as
part of the philosophical portfolio of well-being by European nation states, tourism was
subsequently also theorised by scholars as a pathway to performative pedagogy and
liberation from cultural and institutional insularity (Dann and Liebmann Parinello,
2009). The institutional portfolio (of welfare as well-being) continues to inform the
study of biopolitics in tourism. However, it helps to remind scholars that biopolitics in
organisational studies advocates a grim, structured view of the social world as a
system, which can lead to the human subject’s passivity towards injustice and the
strangulation of leisurely freedom and free play at the same time. The “good life” is not
achieved just by tackling social injustices, but also by attending to the vicissitudes of
access to leisure time, which ensures personal self-growth and the maintenance of
emotional health. As I proceed to explain in latter parts of this article, social justice and
leisure/pleasure could inform the design of tourism futures in more balanced ways if
the very concept of “biopolitics” is revised.
2 In section I, I provide a short explication of the conceptual origins of biopolitics,
followed by some key thematic applications in tourism theory and practice. In section
II, I call for a more refined use of it in terms of practice, subject orientation (to whom/
what it can be applied) and theoretical development. I conclude in section III with some
observations on the concept’s inherent limitations, which should be taken seriously in
the development of a social and cultural theory of tourism, travel, and leisure.
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Biopolitics in critical tourism theory: a radical critique of critique 2
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Biopolitics in critical tourism theory: a radical critique of critique 3
discussed in regard to both “sticky” non-human categories, such as landscape and land
in tourism destinations (Minca, 2010; Lapointe, 2021) and hypermobile human
categories, such as professional/business travel and professional migration networks
connected to film tourism, event-staging, travel dark/heritage tourism and
voluntourism (Tzanelli, 2015, 2016, 2017).
6 Such macro-socio-political approaches have been complemented with considerations of
the meso-level of human socialites and cultural interactions, which support the
symbolic orders of gender, class, disability, and race/ethnicity. For example, the most
basic unit of sociation, the family was examined as a mediator between the
effectiveness of disciplinary mechanisms and the uncertainty connected to biopolitical
diversity in tourism and hospitality labour (Tzanelli, 2011). It is not coincidental that
such research focuses on the social variables of gender and sexuality, as well as race
and ethnicity: they all participate (become complicit) in the classification and
hierarchisation of human worth. Thus, Veijola and Jokinen’s (1994) discussion of the
body in tourism acknowledges the importance of massification (versus
individualisation) in the tourist’s release from biopolitical sorting in leisure contexts.
Tzanelli’s (2011) analysis of the ways women are exploited within family-based tourism
enterprise supporting nationalist values, shows how key institutions (the state and the
family) adopt the logic of the market to taxonomise labour in tourism (i.e., men are
business leaders and women are unpaid labour).
7 In short, institutions do communicate with systems of exploitation: for example, sex
work, especially in developing countries that experienced colonisation (system) has
been a clear biopolitical vehicle researched by tourism studies scholars for decades
without an explicit reference to Foucault (Ryan and Hall, 2001).
8 If one wishes to trace the origins of such debates in “grand tourism theory”, the
influential theses of “the tourist gaze” (Urry, 1990) and “worldmaking” (Hollinshead,
1999, 2009a) serve as appropriate starting points. Admittedly, Urry’s reflections on the
ways tourism professionals systematise the ways both post-industrial advertising and
tourists apprehend tourist destinations and Hollinshead’s (2009a) argument about the
authorial (but collaborative with tourist industries) role of the nation state in the
production of marketable/touristified identity in tourist destinations do not explicitly
draw on biopolitics but the adjacent disciplinary couple of power/knowledge. However,
it is worth bearing in mind that biopolitics is embedded:
a. In the individualisation of human subjects, which is achieved by the twin processes of
professionalisation and citizenship. These are prerequisites for a better understanding of
who is involved in the production of the tourist gaze (as per Urry 1990 and Urry and Larsen,
2011) and how/where from they draw legitimacy for their involvement in it (Guerrón
Montero, 2020).
b. In what Foucault (1979, p. 135) has termed the “symbolics of blood”, which grant the father/
ruler of a household or dominion with the right to “dispose” of members not conforming to
its fundamental values. This idea guides the spatialisation of heritage and its concomitant
marketisation in global markets that Hollinshead (2009b discussed as a worldmaking
mechanism, which “advance [s], manufacture[s], or correct[s] held designations or
expressions about culture, heritage, [or] nature” (Hollinshead and Suleman, 2018, p. 204).
10 These orientations communicate with the current use of the term, which concentrates
on the ways structured power circulates in the dominant economic system of mobility:
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Biopolitics in critical tourism theory: a radical critique of critique 4
capitalism. Behind these structured mobilities of money and human bodies (travellers
and labour), hides the selective dissolution of national borders for the convenience of
big enterprises. Otherwise put, according to this argument, national institutions have
either lost their rigor or were rendered obsolete in the organisation (rather than
“institutionalisation”) of norms, values and thus discourses driving development in the
tourist sector.
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Biopolitics in critical tourism theory: a radical critique of critique 6
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Biopolitics in critical tourism theory: a radical critique of critique 7
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Biopolitics in critical tourism theory: a radical critique of critique 9
ABSTRACTS
The article reviews the uses of the concept of biopolitics in critical tourism studies. After a brief
genealogical account of the concept in political philosophy, it follows its transposition and its
thematic applications in tourism theory and practice. It is argued that biopolitics is only one of
the three key domains of ‘human interests’, which must be subjected to a radical critique in
tourism studies and practice. Such critique should be entwined with questions of (a) institutional
and discursive power in the making of tourism worlds and destinations (‘worldmaking’ –
Hollinshead, 2009a), but also, crucially (b) the analogous counter-discourses instituted by critical
tourism studies scholars, who seek to legitimise their own epistemic community and thus
produce a majoritarian voice endorsing an apparent (but not interest or motivation free) support
of morally just causes for a better human and planetary futures.
AUTHOR
RODANTHI TZANELLI
She is Associate Professor of Cultural Sociology and Director of the Mobilities Area in the Bauman
Institute, University of Leeds, UK. She is a social and cultural theorist with particular reference to
hybrid mobilities (tourism, travel, migration, social movements, and new technologies) as well as
the representational contexts of contemporary crises such as climate change. Her work on
cinematic tourism is widely regarded in studies of popular and public culture. She is the author
of numerous critical interventions, research articles, chapters, and 15 monographs, including
Space, mobility, and crisis in mega-event organisation: Tokyo Olympics 2020's atmospheric irradiations,
with Routledge (2022).
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