Full Download Ebook Ebook PDF New Perspectives Microsoft Office 365 Access 2016 Comprehensive PDF
Full Download Ebook Ebook PDF New Perspectives Microsoft Office 365 Access 2016 Comprehensive PDF
Full Download Ebook Ebook PDF New Perspectives Microsoft Office 365 Access 2016 Comprehensive PDF
Access ®
2016
Comprehensive
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SE/Shellman, Microsoft® Access 2016, Comprehensive ISBN -978-1-305-88013-9 ©2017 Designer: XXX
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Microsoft Office 365 & Access 2016, Comprehensive v
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Working with XML Files . . . . . . . . . . . . . . . . . . . . . . . AC 454 Module 10 Automating Tasks with Macros
Importing Data from an XML File . . . . . . . . . . . . AC 455 Creating a User Interface for the Veterinary
Saving and Running Import Specifications . . . . . AC 456 Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 547
Exporting an Access Table as an XML File . . . . . AC 459 Session 10.1 Visual Overview:
Saving and Running Export Specifications . . . . . AC 462
The Macro Designer Window . . . . . . . . . . . . . . . . AC 548
Session 8.1 Quick Check. . . . . . . . . . . . . . . . . . . . . . . AC 465
Introduction to Macros. . . . . . . . . . . . . . . . . . . . . . . . AC 550
Session 8.2 Visual Overview: Running a Macro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 550
Viewing a Macro in the Macro Designer . . . . . . . . . . AC 552
Tab Control with a Chart . . . . . . . . . . . . . . . . . . . . AC 466
Using Arguments in a Macro . . . . . . . . . . . . . . . . AC 553
Using a Tab Control in a Form . . . . . . . . . . . . . . . . . . AC 468
Adding Actions to a Macro. . . . . . . . . . . . . . . . . . . . . AC 553
Creating a Chart Using the Chart Wizard. . . . . . . . . . AC 473
Single Stepping a Macro. . . . . . . . . . . . . . . . . . . . . . . AC 558
Using Templates and Application Parts. . . . . . . . . . . AC 479
Using a Command Button with an Attached
Exporting a Report to a PDF File. . . . . . . . . . . . . . . . AC 484
Macro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 559
Integrating Access with Other Applications. . . . . . . AC 485
Understanding Events . . . . . . . . . . . . . . . . . . . . . AC 561
Linking Data from an Excel Worksheet . . . . . . . . AC 487
Understanding Submacros . . . . . . . . . . . . . . . . . AC 562
Session 8.2 Quick Check. . . . . . . . . . . . . . . . . . . . . . . AC 491
Adding a Submacro . . . . . . . . . . . . . . . . . . . . . . . . . . AC 564
Review Assignments. . . . . . . . . . . . . . . . . . . . . . . . . . AC 492
Adding a Command Button to a Form. . . . . . . . . . . . AC 567
Case Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 493
Attaching a Submacro to a Command
Module 9 Using Action Queries and Advanced Table Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 568
Relationships Session 10.1 Quick Check. . . . . . . . . . . . . . . . . . . . . . AC 571
Enhancing User Interaction with the Veterinary
Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 497 Session 10.2 Visual Overview:
A Navigation Form . . . . . . . . . . . . . . . . . . . . . . . . AC 572
Session 9.1 Visual Overview: Designing a User Interface. . . . . . . . . . . . . . . . . . . . . AC 574
Action Queries . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 498 Creating an Unbound Form. . . . . . . . . . . . . . . . . . . . AC 574
Action Queries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 500 Adding a List Box Control to a Form. . . . . . . . . . . . . AC 576
Creating a Make-Table Query . . . . . . . . . . . . . . . AC 501 Introduction to SQL . . . . . . . . . . . . . . . . . . . . . . . . . . AC 579
Creating an Append Query . . . . . . . . . . . . . . . . . AC 505 Viewing a SQL Statement for a Query . . . . . . . . AC 579
Creating a Delete Query . . . . . . . . . . . . . . . . . . . AC 508 Using a SQL Statement for a List
Creating an Update Query. . . . . . . . . . . . . . . . . . . . . AC 511 Box Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 581
Session 9.1 Quick Check. . . . . . . . . . . . . . . . . . . . . . . AC 515 Creating Multiple Macros for a Form. . . . . . . . . . . . . AC 587
Creating a Navigation Form. . . . . . . . . . . . . . . . . . . . AC 592
Session 9.2 Visual Overview: Session 10.2 Quick Check. . . . . . . . . . . . . . . . . . . . . . AC 596
Many-to-Many Relationship . . . . . . . . . . . . . . . . . AC 516 Review Assignments. . . . . . . . . . . . . . . . . . . . . . . . . . AC 597
Understanding Types of Table Relationships. . . . . . . AC 518 Case Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 598
Many-to-Many Relationships . . . . . . . . . . . . . . . . . AC 519
One-to-One Relationships . . . . . . . . . . . . . . . . . . AC 520 Module 11 Using and Writing Visual Basic for
Defining M:N and 1:1 Relationships Between Applications Code
Creating VBA Code for the Veterinary
Tables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 522
Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 601
Understanding Join Types . . . . . . . . . . . . . . . . . . . . . AC 525
Inner and Outer Joins . . . . . . . . . . . . . . . . . . . . . AC 525 Session 11.1 Visual Overview:
Self-Joins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 529 VBA Code Window . . . . . . . . . . . . . . . . . . . . . . . . AC 602
Using Indexes for Table Fields . . . . . . . . . . . . . . . . . . AC 534 Introduction to Visual Basic for Applications. . . . . . . AC 604
Creating an Index . . . . . . . . . . . . . . . . . . . . . . . . AC 537 Understanding Procedures . . . . . . . . . . . . . . . . . AC 604
Session 9.2 Quick Check. . . . . . . . . . . . . . . . . . . . . . . AC 539 Understanding Modules . . . . . . . . . . . . . . . . . . . AC 605
Review Assignments. . . . . . . . . . . . . . . . . . . . . . . . . . AC 540
Case Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 541
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Corinne Hoisington
© Rawpixel/Shutterstock.com
Introduction to Sway................................... 6
Links to companion Sways, featuring
Introduction to Office Mix........................ 10 videos with hands-on instructions, are
Introduction to Microsoft Edge............... 14 located on www.cengagebrain.com.
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Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Notes synced to
OneDrive and
displayed on a
smartphone
Taking Notes
Use OneNote pages to organize your notes by class and topic or lecture. Beyond sim-
ple typed notes, OneNote stores drawings, converts handwriting to searchable text and On the Job Now
mathematical sketches to equations, and records audio and video. OneNote is ideal for taking notes
OneNote includes drawing tools that let you sketch freehand drawings such as bio- during meetings, whether you are
logical cell diagrams and financial supply-and-demand charts. As shown in Figure 3, the recording minutes, documenting
Draw tab on the ribbon provides these drawing tools along with shapes so you can insert a discussion, sketching product
diagrams and other illustrations to represent your ideas. When you draw on a page, One- diagrams, or listing follow-up
Note creates a drawing canvas, which is a container for shapes and lines. items. Use a meeting template
to add pages with content
appropriate for meetings.
Figure 3: Tools on the Draw tab
Draw tab
Pens and
highlighters
are in the
Tools group.
Insert rectangles Lines and shapes are
and lines from the in the Shapes group.
Shapes group.
Make drawings
using pens in
Insert text the Tools group.
using the Type
button in the
Tools group.
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Handwriting
Writing inserted converted to
with a fingertip searchable text
Video recording
Math Lecture
video file
© iStock.com/petrograd99
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Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
© iStock.com/marinello, © iStock.com/marekuliasz
Sway uses
responsive
design to make
sure pages fit
perfectly on
any device.
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Suggested images in
the search results
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Publishing a Sway
Use the Play button to display your finished Sway presentation as a website. The
Address bar includes a unique web address where others can view your Sway site. As
the author, you can edit a published Sway site by clicking the Edit button (pencil icon)
on the Sway toolbar.
Sharing a Sway
When you are ready to share your Sway website, you have several options as shown in
Figure 9. Use the Share slider button to share the Sway site publically or keep it private.
If you add the Sway site to the Microsoft Docs.com public gallery, anyone worldwide can
use Bing, Google, or other search engines to find, view, and share your Sway site. You can
also share your Sway site using Facebook, Twitter, Google+, Yammer, and other social
media sites. Link your presentation to any webpage or email the link to your audience.
Sway can also generate a code for embedding the link within another webpage.
Share button
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Click to continue
to the next slide.
Display a list of
slides with titles.
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Choose a video
and audio device
Use inking tools to write to record images
and draw on the slide as and sound.
you record.
When you are making a slide recording, you can record your spoken narration at
the same time. The Slide Notes feature works like a teleprompter to help you focus
on your presentation content instead of memorizing your narration. Use the Inking On the Job Now
tools to make annotations or add highlighting using different pen types and colors.
To make your video recordings
After finishing a recording, edit the video in PowerPoint to trim the length or set
accessible to people with hearing
playback options. impairments, use the Office Mix
The second way to create a video is to capture on-screen images and actions with or closed-captioning tools. You can
without a voiceover. This method is ideal if you want to show how to use your favorite also use closed captions to sup-
website or demonstrate an app such as OneNote. To share your screen with an audi- plement audio that is difficult to
ence, select the part of the screen you want to show in the video. Office Mix captures understand and to provide an aid
for those learning to read.
everything that happens in that area to create a screen r ecording, as shown in Figure 13.
Office Mix inserts the screen recording as a video in the slide.
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Green checkmark
identifies the
correct answer
Randomly shuffle
quiz responses
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Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Share Web
Note button
Hub (Favorites, reading list,
Refresh (F5) history, and downloads) Make a Web
button button Note button
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
By Professor Wilson.
The country all around rang with the beauty of Amy Gordon; and,
although it was not known who first bestowed upon her the
appellation, yet now she bore no other than the Lily of Liddisdale.
She was the only child of a shepherd, and herself a shepherdess.
Never had she been out of the valley in which she was born; but
many had come from the neighbouring districts just to look upon her
as she rested with her flock on the hill-side, as she issued smiling
from her father’s door, or sat in her serener loveliness in the kirk on
Sabbath-day. Sometimes there are living beings in nature as
beautiful as in romance; reality surpasses imagination; and we see
breathing, brightening, and moving before our eyes, sights dearer to
our hearts than any we ever beheld in the land of sleep.
It was thus that all felt who looked on the Lily of Liddisdale. She
had grown up under the dews, and breath, and light of heaven,
among the solitary hills; and now that she had attained to perfect
womanhood, nature rejoiced in the beauty that gladdened the
stillness of these undisturbed glens. Why should this one maiden
have been created lovelier than all others? In what did her
surpassing loveliness consist? None could tell; for had the most
imaginative poet described this maiden, something that floated
around her, an air of felt but unspeakable grace and lustre, would
have been wanting in his picture. Her face was pale, yet tinged with
such a faint and leaf-like crimson, that though she well deserved the
name of the Lily, yet was she at times also like unto the Rose. When
asleep, or in silent thought, she was like the fairest of all the lilied
brood; but, when gliding along the braes, or singing her songs by the
river-side, she might well remind one of that other brighter and more
dazzling flower. Amy Gordon knew that she was beautiful. She knew
it from the eyes that in delight met hers, from the tones of so many
gentle voices, from words of affection from the old, and love from the
young, from the sudden smile that met her when, in the morning,
she tied up at the little mirror her long raven hair, and from the face
and figure that looked up to her when she stooped to dip her pitcher
in the clear mountain-well. True that she was of lowly birth, and that
her manners were formed in a shepherd’s hut, and among
shepherdesses on the hill. But one week passed in the halls of the
highly-born would have sufficed to hide the little graceful symptoms
of her humble lineage, and to equal her in elegance with those whom
in beauty she had far excelled. The sun and the rain had indeed
touched her hands, but nature had shaped them delicate and small.
Light were her footsteps upon the verdant turf, and through the
birchwood glades and down the rocky dells she glided or bounded
along, with a beauty that seemed at once native and alien there, like
some creature of another clime that still had kindred with this—an
Oriental antelope among the roes of a Scottish forest.
Amy Gordon had reached her nineteenth summer, and as yet she
knew of love only as she had read of it in old Border songs and
ballads. These ancient ditties were her delight; and her silent soul
was filled with wild and beautiful traditions. In them love seemed,
for the most part, something sad, and, whether prosperous or
unhappy, alike terminating in tears. In them the young maiden was
spoken of as dying in her prime, of fever, consumption, or a pining
heart; and her lover, a gallant warrior, or a peaceful shepherd, killed
in battle, or perishing in some midnight storm. In them, too, were
sometimes heard blessed voices whispering affection beneath the
greenwood tree, or among the shattered cliffs overgrown with light-
waving trees in some long, deep, solitary glen. To Amy Gordon, as
she chanted to herself, in the blooming or verdant desert, all these
various traditionary lays, love seemed a kind of beautiful superstition
belonging to the memory of the dead. With such tales she felt a sad
and pleasant sympathy; but it was as with something far remote—
although at times the music of her own voice, as it gave an affecting
expression to feelings embodied in such artless words, touched a
chord within her heart, that dimly told her that heart might one day
have its own peculiar and overwhelming love.
The summer that was now shining had been calm and sunny
beyond the memory of the oldest shepherd. Never had nature
seemed so delightful to Amy’s eyes and to Amy’s heart; and never
had she seemed so delightful to the eyes and the hearts of all who
beheld her with her flock. Often would she wreathe the sprigs of
heather round her raven ringlets, till her dark hair was brightened
with a galaxy of richest blossoms. Or dishevelling her tresses, and
letting fall from them that shower of glowing and balmy pearls, she
would bind them up again in simpler braiding, and fix on the silken
folds two or three waterlilies, large, massy, and whiter than the snow.
Necklaces did she wear in her playful glee, of the purple fruit that
feeds the small birds in the moors, and beautiful was the gentle stain
then visible over the blue veins of her milk-white breast. So were
floating by the days of her nineteenth summer among the hills. The
evenings she spent by the side of her greyheaded father—and the old
man was blessed. Her nights passed in a world of gentle dreams.
But, though Amy Gordon knew not yet what it was to love, she was
herself the object of as deep, true, tender, and passionate love, as
ever swelled and kindled within a human breast. Her own cousin,
Walter Harden, now lived and would have died for her, but had not
hitherto ventured to tell his passion. He was a few years older than
her, and had long loved her with the gentle purity of a brother’s
affection. Amy had no brother of her own, and always called Walter
Harden by that endearing name. That very name of brother had
probably so familiarised her heart towards him, that never had she
thought of him, even for a single moment, in any other light. But,
although he too called Amy sister, his heart burned with other
feelings, and he must win her to be his bride, and possess her as his
wife, or die. When she was a mere child he had led her by the hand—
when a fair girl he had in his arms lifted her across the swollen
burns, and over the snow-drifts—now that she was a woman he had
looked on her in silence, but with a soul overcharged with a thousand
thoughts, hopes, and desires, which he feared to speak of to her ear;
for he knew, and saw, and felt, in sorrow, that she loved him but as a
brother. He knew, however, that she loved none else; and in that—
and that alone—was his hope,—so he at last determined to woo the
Lily of Liddisdale, and win her, in her beauty and fragrance, to bloom
within his house.
The Lily was sitting alone in a deep hollow among the hills, with
her sheep and lambs pasturing or playing around her, while over that
little secluded circle a single hawk was hanging far up in the sky. She
was glad, but not surprised, to see her brother standing beside her;
and when he sat down by her side, and took her hand into his, she
looked upon him with a gentle smile, and asked if he was going upon
business further on among the hills. Walter Harden instantly poured
forth, in a torrent, the passion of his soul, beseeched her not to shut
up her sweet bosom against him, but to promise to become, before
summer was over, his wedded wife. He spoke with fervour but
trepidation; kissed her cheek; and then awaited, with a fast-
throbbing and palpitating heart, his Amy’s reply.
There was no guile, no art, no hypocrisy in the pure and happy
heart of the Lily of Liddisdale. She took not away her hand from that
of him who pressed it; she rose not up from the turf, although her
gentle side just touched his heart; she turned not away her face so
beautiful, nor changed the silvery sweetness of her speech. Walter
Harden was such a man as in a war of freemen, defending their
mountains against a tyrant, would have advanced his plume in every
scene of danger, and have been chosen a leader among his pastoral
compeers. Amy turned her large beaming hazel eyes upon his face,
and saw that it was overshadowed. There was something in its
expression too sad and solemn, mingling with the flush of hope and
passion, to suffer her, with playful or careless words, to turn away
from herself the meaning of what she had heard. Her lover saw in her
kind but unagitated silence, that to him she was but a sister; and,
rising to go, he said, “Blessed be thou all the days of thy life; farewell,
my sweet Amy, farewell!”
But they did not thus part. They walked together on the lonely hill-
side, down the banks of the little wimpling burn, and then out of one
small glen into another, and their talk was affectionate and kind.
Amy heard him speak of feelings to her unknown, and almost
wondered that she could be so dear to him, so necessary to his life, as
he passionately vowed. Nor could such vows be unpleasant to her
ear, uttered by that manly voice, and enforced by the silent speech of
those bold but gentle eyes. She concealed nothing from him, but
frankly confessed, that hitherto she had looked upon him even as her
own father’s son. “Let us be happy, Walter, as we have been so long. I
cannot marry you—oh—no—no; but since you say it would kill you if
I married another, then I swear to you by all that is sacred—yes, by
the Bible on which we have often read together, and by yonder sun
setting over the Windhead, that you never will see that day.” Walter
Harden was satisfied; he spoke of love and marriage no more; and in
the sweet, fresh, airless, and dewy quiet of evening, they walked
together down into the inhabited vale, and parted, almost like
brother and sister, as they had been used to do for so many happy
years.
Soon after this, Amy was sent by her father to the Priory, the
ancient seat of the Elliots, with some wicker-baskets which they had
made for the young ladies there. A small plantation of willows was in
the corner of the meadow in which their cottage stood, and from
them the old shepherd and his daughter formed many little articles
of such elegance and ingenuity, that they did not seem out of place
even in the splendid rooms of the Priory. Amy had slung some of
these pieces of rural workmanship round her waist, while some were
hanging on her arms, and thus she was gliding along a footpath
through the old elm-woods that shelter the Priory, when she met
young George Elliot, the heir of that ancient family, going out with
his angle to the river-side. The youth, who had but a short time
before returned from England, where he had been for several years,
knew at the first glance that the fair creature before him could be no
other than the Lily of Liddisdale. With the utmost gentleness and
benignity he called her by that name, and after a few words of
courtesy, he smilingly asked her for one small flower-basket to keep
for her sake. He unloosened one from her graceful waist, and with
that liberty which superior rank justified, but, at the same time, with
that tenderness which an amiable mind prompted, he kissed her fair
forehead, and they parted—she to the Priory, and he down to the linn
at the Cushat-wood.
Never had the boy beheld a creature so perfectly beautiful. The
silence and the songs of morning were upon the dewy woods, when
that vision rose before him; his soul was full of the joy of youth; and
when Amy disappeared, he wondered how he could have parted so
soon—in a few moments—from that bright and beaming Dryad.
Smiles had been in her eyes and round her pearly teeth while they
spoke together, and he remembered the soft and fragrant lock of hair
that touched his lips as he gently kissed her forehead. The beauty of
that living creature sank into his soul along with all the sweet
influences of nature now rejoicing in the full, ripe, rich spirit of
summer, and in fancy he saw that Lily springing up in every glade
through which he was now roaming, and when he had reached the
linn, on the bank too of every romantic nook and bay where the clear
waters eddied or slept. “She must recross the bridge on her way
home,” said the enamoured boy to himself; and, fearing that Amy
Gordon might already be returning from the Priory, he clambered up
the face of the shrubby precipice, and, bounding over the large green
mossy stones, and through the entangling briers and brushwood, he
soon was at the bridge, and sat down on a high bank, under a cliff,
commanding a view of the path by which the fair maiden must
approach on her homeward journey.
The heart of the innocent Amy had fluttered, too, as the tall, slim,
graceful stripling had kissed her brow. No rudeness, no insult, no
pride, no haughty freedom had been in his demeanour towards her;
but she felt gladly conscious in her mind, that he had been delighted
with her looks, and would, perhaps, think now and then afterwards,
as he walked through the woods, of the shepherd’s daughter, with
whom he had not disdained to speak. Amy thought, while she half
looked back, as he disappeared among the trees, that he was just
such a youth as the old minstrels sang of in their war or love ballads,
and that he was well worthy some rich and noble bride, whom he
might bring to his hall on a snow-white palfrey with silken reins, and
silver bells on its mane. And she began to recite to herself, as she
walked along, one of those old Border tales.
Amy left her baskets at the Priory, and was near the bridge, on her
return, when she beheld the young heir spring down from the bank
before her, and come forward with a sparkling countenance. “I must
have that sweet tress that hangs over thy sweeter forehead,” said he,
with a low and eager voice; “and I will keep it for the sake of the
fairest Flower that ever bloomed in my father’s woods—even the Lily
of Liddisdale.” The lock was given—for how could it be refused? And
the shepherdess saw the young and high-born heir of the Priory put
it into his breast. She proceeded across the hill, down the long
Falcon-glen, and through the Witch-wood—and still he was by her
side. There was a charm in his speech, and in every word he said, and
in his gentle demeanour, that touched poor Amy’s very heart; and as
he gave her assistance, although all unneeded, over the uneven
hollows, and the springs and marshes, she had neither the courage,
nor the wish, nor the power, to request him to turn back to the
Priory. They entered a small quiet green circlet, bare of trees, in the
bosom of a coppicewood; and the youth, taking her hand, made her
sit down on the mossy trunk of a fallen yew, and said—“Amy—my
fair Amy!—before we part, will you sing me one of your old Border
songs? and let it be one of love. Did not the sons of nobles, long ago,
often love the daughters of them that dwelt in huts?”
Amy Gordon sat there an hour with the loving, but honourable
boy, and sang many a plaintive tune, and recited many a romantic
story. She believed every word she uttered, whether of human lovers,
or of the affection of fairies, the silent creatures of the woods and
knowes, towards our race. For herself, she felt a constant wild delight
in fictions, which to her were all as truths; and she was glad and
proud to see how they held in silent attention him at whose request
she recited or sang. But now she sprang to her feet, and, beseeching
him to forgive the freedom she had used in thus venturing to speak
so long in such a presence, but at the same time remembering that a
lock of her hair was near his heart, and perceiving that the little
basket she had let him take was half filled with wild-flowers, the Lily
of Liddisdale made a graceful obeisance, and disappeared. Nor did
the youth follow her—they had sat together for one delightful hour—
and he returned by himself to the Priory.
From this day the trouble of a new delight was in the heart of
young Elliot. The spirit of innocence was blended with that of beauty
all over Amy, the shepherdess; and it was their perfect union that the
noble boy so dearly loved. Yet what could she be to him more than a
gleam of rainbow light—a phantom of the woods—an imagination
that passed away into the silence of the far-off green pastoral hills?
She belonged almost to another world—another life. His dwelling,
and that of his forefathers, was a princely hall. She, and all her
nameless line, were dwellers in turf-built huts. “In other times,”
thought he, “I might have transplanted that Lily into mine own
garden; but these are foolish fancies! Am I in love with poor Amy
Gordon, the daughter of a shepherd?” As these thoughts were
passing through his mind, he was bounding along a ridge of hills,
from which many a sweet vale was visible; and he formed a sudden
determination to visit the cottage of Amy’s father, which he had seen
some years ago pointed out when he was with a gay party of lords
and ladies, on a visit to the ruins of Hermitage Castle. He bounded
like a deer along; and as he descended into a little vale, lo! on a green
mound, the Lily of Liddisdale herding her sheep!
Amy was half terrified to see him standing in his graceful beauty
before her in that solitary place. In a moment her soul was disquieted
within her, and she felt that it indeed was love. She wished that she
might sink into that verdant mound, from which she vainly strove to
rise, as the impassioned youth lay down on the turf at her side, and,
telling her to fear nothing, called her by a thousand tender and
endearing names. Never till he had seen Amy had he felt one tremor
of love; but now his heart was kindled, and in that utter solitude,
where all was so quiet and so peaceful, there seemed to him a
preternatural charm over all her character. He burst out into
passionate vows and prayers, and called God to witness, that if she
would love him, he would forget all distinction of rank, and marry his
beautiful Amy, and she should live yet in his own hall. The words
were uttered, and there was silence. Their echo sounded for a
moment strange to his own ears; but he fixed his soul upon her
countenance, and repeated them over and over again with wilder
emphasis, and more impassioned utterance. Amy was confounded
with fear and perplexity; but when she saw him kneeling before her,
the meek, innocent, humble girl could not endure the sight, and said,
“Sir, behold in me one willing to be your servant. Yes, willing is poor
Amy Gordon to kiss your feet. I am a poor man’s daughter. Oh, sir!
you surely came not hither for evil? No—no, evil dwells not in such a
shape. Away then—away then, my noble master; for if Walter Harden
were to see you!—if my old father knew this, his heart would break!”
Once more they parted. Amy returned home in the evening at the
usual hour; but there was no peace now for her soul. Such intense
and passionate love had been vowed to her—such winning and
delightful expressions whispered into her heart by one so far above
her in all things, but who felt no degradation in equalling her to him
in the warmth and depth of his affection, that she sometimes strove
to think it all but one of her wild dreams awakened by some verse or
incident in some old ballad. But she had felt his kisses on her cheek;
his thrilling voice was in her soul; and she was oppressed with a
passion, pure, it is true, and most innocently humble, but a passion
that seemed to be like life itself, never to be overcome, and that could
cease only when the heart he had deluded—for what else than
delusion could it be?—ceased to beat. Thus agitated, she had directed
her way homewards with hurried and heedless steps. She minded not
the miry pits—the quivering marshes—and the wet rushy moors.
Instead of crossing the little sinuous moorland streams at their
narrow places, where her light feet used to bound across them, she
waded through them in her feverish anxiety, and sometimes, after
hurrying along the braes, she sat suddenly down, breathless, weak,
and exhausted, and retraced in weeping bewilderment all the scene
of fear, joy, endearments, caresses, and wild persuasions, from which
she had torn herself away, and escaped. On reaching home, she went
to her bed trembling, and shivering, and drowned in tears; and could
scarcely dare, much as she needed comfort, even to say her prayers.
Amy was in a high fever; during the night she became delirious; and
her old father sat by her bedside till morning, fearing that he was
going to lose his child.
There was grief over the great strath and all its glens when the
rumour spread over them that Amy Gordon was dying. Her
wonderful beauty had but given a tenderer and brighter character to
the love which her unsullied innocence and simple goodness had
universally inspired; and it was felt, even among the sobbings of a
natural affection, that if the Lily of Liddisdale should die, something
would be taken away of which they were all proud, and from whose
lustre there was a diffusion over their own lives. Many a gentle hand
touched the closed door of her cottage, and many a low voice
inquired how God was dealing with her; but where now was Walter
Harden when his Lily was like to fade? He was at her bed’s foot, as
her father was at its head. Was she not his sister, although she would
not be his bride? And when he beheld her glazed eyes wandering
unconsciously in delirium, and felt her blood throbbing so rapidly in
her beautiful transparent veins, he prayed to God that Amy might
recover, even although her heart were never to be his, even although
it were to fly to the bosom of him whose name she constantly kept
repeating in her wandering fantasies. For Amy, although she
sometimes kindly whispered the name of Walter Harden, and asked
why her brother came not to see her on her deathbed, yet far oftener