Temple of Zeus: From Wikipedia, The Free Encyclopedia
Temple of Zeus: From Wikipedia, The Free Encyclopedia
Temple of Zeus: From Wikipedia, The Free Encyclopedia
A 1908 illustration of the temple as it might have looked in the 5th century BCE
The Temple of Zeus at Olympia is an ancient Greek pagan temple, dedicated to the
chief of the gods, Zeus. Built in 470-456 BCE, it was the very model of the fully-
developed classical Greek temple of the Doric order.[1] The temple stood in the most
famous sanctuary of Greece, which had been dedicated to local and Pan-Hellenic deities
and had probably been established towards the end of the Mycenaean period. The Altis,
the enclosure with its sacred grove, open-air altars and the tumulus of Pelops, was first
formed during the tenth and ninth centuries BCE,[2] when the cult of Zeus joined the
established cult of Hera.[3]
It housed the cult statue of Zeus which was one of the Seven Wonders of the Ancient
World. The Chryselephantine statue was approximately 13m high and was made by the
sculptor Phidias in his workshop at Olympia.
The temple was constructed by the architect Libon, with carved metopes and triglyph
friezes, topped by pediments filled with sculptures in the Severe Style, now attributed to
the Olympia Master and his studio.
The main structure of the building was of a local limestone that was unattractive and of
poor quality, and so it was coated with a thin layer of stucco to give the appearance of
marble. All the sculptural decoration on the temple was made of Parian marble, and the
roof tiles were of the same Pentelic marble used to build the Parthenon at Athens.
Heracles vanquishes the old order: metope with Heracles and the Cretan Bull (Musée du
Louvre
The unifying theme of the iconography of the temple is the dike or custom-based justice
as represented by Zeus, its upholder.[4]
The west pediment depicted the Centauromachy, the fight at the wedding of Peirithoos
between the Lapiths and the centaurs, who had violated xenia, the sacred rules of
hospitality that support the social norms. Apollo[7] stood in the centre, flanked by
Peirithoos and Theseus.[8] The Lapiths have been taken to represent the civilised
Olympian order of the Greeks themselves, while the Centaurs represent primitive nature
of chthonic beings; the frieze also reminded fifth-century Greeks of their victory over the
Persians, "outsider" threateners of the Hellenic order..
The pronaos and opisthodomos, the entrance portico and the balancing false portico at the
rear, were constructed in antis, with six metopes at either end, carved with the 12 labours
of Heracles, in which Heracles successfully defeats a series of creatures and monsters that
threaten righteous order.[9]
The Roman general Mummius dedicated twenty-one gilded shields after he sacked
Corinth in 146 BCE; they were hung upon the columns. In 426 CE, Theodosius II
ordered the destruction of the sanctuary, and earthquakes in 522 and 551 devastated the
ruins and left the Temple of Zeus partially buried. [10]
The site of the ancient sanctuary, long forgotten under landslips and flood siltation, was
identified in 1766. In 1829 a French team partially excavated the Temple of Zeus, taking
several fragments of the pediments to the Musée du Louvre. Systematic excavation began
in 1875, under the direction the German Archaeological Institute, and has continued, with
some interruptions, to the present time.
[edit] Notes
1. ^ Temple of Zeus at Archaeopaedia, Stanford University
2. ^ (Hellenic Ministry of Culture: The sanctuary site at Olympia, including the Temple of
Zeus
3. ^ Preceding the Temple of Zeus in the temenos at Olympia were the archaic structures:
"the temple of Hera, the Prytaneion, the Bouleuterion, the treasuries and the first
stadium."
4. ^ Jeffrey M. Hurwit, "Narrative Resonance in the East Pediment of the Temple of Zeus at
Olympia' The Art Bulletin 69.1 (March 1987:6-15).
5. ^ Marie-Louise Säflund, The East Pediment of the Temple of Zeus at Olympia: A
Reconstruction and Interpretation of Its Composition, Studies in Mediterranean
Archaeology, 27 (Götheborg) 1970, summarised fifty-eight previous reconstructions; her
reconstruction has been widely but not universally accepted.
6. ^ Oenomaus' violation of dike was symbolised by the thirteen heads of unsuccessful
suitors, hung on columns in his palace. After the successful race, Zeus with a thunderbolt
destroyed the palace. One wooden column left standing was shown to Pausanias with this
commentary.
7. ^ A.F. Stewart and N.D Tersini, "The gesture of Apollo in the west pediment of the
Temple of Zeus at Olympia", American Journal of Archaeology 86 (1982:287f).
8. ^ Pediments of the temple of Zeus, 470 - 456 BCE at www.sikyon.com
9. ^ Hurwit 1987:6.
10. ^ Hellenic Ministry of Culture.
• Collection of images of the building layout and sculptures of the temple of Zeus
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