The Daemon Songbook (Sheet Music)

The Daemon Songbook
of the Religious Faith

of Fish Story Gallery
FOURTEEN SONGS BY LA CHIVA

AND MATTHEW LEE KNOWLES
2021 - 2022
[1-9] Dandelion Acid
[10-13] Daemon Song
[14-20] Partners Shove
[21-25] Planning Phase
[26-33] We Never Had A Ball
[34-40] Big Hands
[41-50] Masada
[51-56] Masturbating Whilst Meditating
[57-61] Ambi-Valent
[62-65] Your Star
[66-72] The Chosen
[73-74] Birdsong
[75-83] Claw It Back
[84-88] Fish Story
---------------La Chiva and Matthew Lee Knowles, July 2022---------------
Dandelion Acid
Acute and curious
You are so cute and curious
Curiouser and curiouser
The truth to a tea

Acute and curious
Do You really want to know me?
In Your pocket I’m found

In the darkness You're brighter
In the darkness I’m the best
Let’s go westward, Let’s go west!
I’m the one worth knowing, You said

Worth knowing, You said
Worth knowing, You said
You're only a stone’s throw

But stones don’t grow
You're interesting
Now go outside and play with the rest
Drink my Dandelion a a a a a a a a a a cid
Lick honey, from my palms

Drink my Dandelion Acid
And it won’t be long
Delighted and dazed, Your gonna see things my way
I took the one You gave me

Dandelion A a a a a a a a a a cid
It was raining and You gave me
I drank it from Your palm!
Like liquid from the dawn!
Dandelion Acid!
Dandelion Acid!
Dandelion Acid!
Dandelion Acid!
And curiously
I dangled from a thread
That never, never, never, never ended, ended
Looking up at the sky
No one could see, no one could see
From where it was suspended
Drink my
Lick honey, from my palms

Drink my Dandelion Acid
And it won’t be long
Delighted and dazed, Your gonna see things my way
We were so curious and clever

As we flew and didn’t fly
Winging towards the atmosphere
We hardly had to try
Curious and clever

Held aloft, together
And when we arrived, the Gods sighed
I’m the one worth knowing, You cried

Worth knowing, You cried
Worth knowing, You cried
Curiouser
And curiouser
You're so curiouser
And curiouser
Curiouser
And curiouser
You're so curiouser
And curiouser
Curiouser
And curiouser
You're so curiouser
And curiouser
Acute and curious

And the sun shone down
Sunshine drowns out the sound
Of blood
And dries out the night
Dandelion Acid is a liquid made of light

1
La Chiva
Dandelion Acid
The Daemon Songbook: Part I
Matthew Lee Knowles
September 2021
q = 120
4
repeat bars 1-4
4
4
x4-8 x2-6 x4-8
4
repeats are to be felt hold pedal through repeats
rather than counted
10 At some point in this introduction books should fall off the piano,
onto the keys of their own accord, or with assistance
A cute and cu ri ous
x2-5
16 q = 110
You are so cute and cu ri ous Cu ri ou ser and Cu ri ou ser
22
2
27
The Truth to a tea A cute and Cu ri ous Do you real ly want to know me?
33
37
x2-6 x2-6
41
6
x2-6 repeat as needed, doesn't

x2-6 need to be a full bar
44 q = 80
2 4 2
4 4 4
In your poc ket I'm found In the dark ness you're brigh ter In the dark ness I'm the best
2 4 2
4 4 4
2 4 2
4 4 4
3
48
2 4
4 4
Let's head west ward, Let's go west I'm the one worth kno wing you said worth
2 4
4 4
2 4
4 4
53 q = 120
kno wing you said worth kno wing you said You're o nly a stone's throw a way But stones don't
58
grow You're in t'rest ing Now go out side and play with the rest
64
Drink my dan de li on a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a
4
70
a cid Lick ho ney from my palms Drink my dan de li on a cid And it won't be long
77 q = 130
De ligh ted and dazed you're gon na see things my way I

It
83
took the one you gave

was rain ing and you
3 3 3 3 3
88
me Dan de li on a a a a a a a a a a a a a a a a
gave me
3 3
5
93
x2
a a a a a a a a a a a a a a a a a cid I drank it from your palm
99
Dan de li on a a a a a a a a a a a a a a a a a a a a a a a a cid
104 q = 120
5
4
Like li quid from the dawn! Dan de li on a cid! Dan de li on
5
4
5
4
110
5 4 6 4 7 4
4 4 4 4 4 4
a cid! Dan de li on a cid! Dan de li on a cid!
5 4 6 4 7 4
4 4 4 4 4 4
5 4 6 4 7 4
4 4 4 4 4 4
6
115
4 2 4 2 4
4 4 4 4 4
And cu ri ou sly I dan gled from a thread that ne ver ne ver
4 2 4 2 4
4 4 4 4 4
3 3 3
4 2 4 2 4
4 4 4 4 4
122
ne ver ne ver end ed end
126
2 4
4 4
ed loo king up at the sky
repeat as
long as the
note can be held
2 4
4 4
2 4
4 4
134
4
4
No one could see no one could see From where it was su spen ded
4
4
4
4
7
141
Drink my dan de li on a a a a a a a a a a a a a a a a a a a a a a a a
146
a a a a a a a a a a a a a a a a a cid Lick ho ney Drink my dan de li on

from my palms
152
7 3 3
4
8 4
a cid And it won't be long De ligh ted and dazed
7 3 3
4
8 4
7 4
8 4
158 q = 110
4
3 3
4
You're go ing to see things my way We were so cu ri ous and cle ver
4 3 3
4
repeat obsessively
without counting
4
4
8
164
3 4
4 4
As we flew and did n't fly wing ing to wards the at mos phere
3 4
4 4
3 4
4 4
171 q = 120 x2-6
175
4 4
3 3 3 3 retenu
2 4
We har dly had to try Cur i ous and cle ver, held a loft to ge ther And when we ar rived The gods
4 3 3 3 3
4
2 4
4 4
2 4
180 q = 100
sighed I'm the one worth kno wing you cried worth kno wing you cried worth kno wing you cried
186 q = 130
Cu ri ou ser and cu ri ou ser you're so Cu ri ou ser

191
9 x3 3
and cu ri ou ser A cute and cur i ous And the sun shone down
196 q = 120
3
5
4
Sun shine drowns out the sound of blood And dries out the night
3
5
4
repeat obsessively
5
without counting
203
4
4
night
4
4
4
4
catch
chord
hand
207 bells
5 5
repeat from 205
210
x10-20
(light) Dan de li on A cid is a li quid made of light Dan de li on A cid is a li quid made of light
The Daemon Song
I know You are there in the dark water, not quite dead, next to me
I know what You're feeling, I can see Your daemon
I smell You coming; You are my prey; into-me-You I’m steadily reeling
I can see Your daemon
The urban fox streaks a sneak of red and white around the edges of the night;
A shadow loyally appearing, yellow eyes mark You both hiding and stealing
I hate You and love You, of course, naturally we fight furiously

Heated arguments that eventually burn in the sunshine
No sweat just the second degree, soon the dead skin will start peeling
Goats are bleating

Pigs are squealing
Both are bleeding from the throat
Emperor, sweet prince, bastard, half-breed; You hate Your fleshy progenitors
But we all need trees; so, spinning gold into straw and with that another world I’ll
start weaving
When full-spectrum spectacular Gods’ eyes appear, opening

Like lanterns behind Your eyelids, You’ll shriek in fear
You're gonna be screaming
You're gonna be screaming
Shove Your claws into the earth like plugs or roots to start the healing
La Chiva is the daemon in me and I am La Chiva

Wisdom smuggled inside of You, a prickly stash
La Chiva is the root cause of insight
And internal bleeding
And internal bleeding

10 The Daemon Song The Daemon Songbook: Part II
La Chiva Matthew Lee Knowles
November 2021
h = 50
C
I know you are there in the dark wa ter, not quite dead next to me.
I know what you're fee ling. I can see your dae mon. I smell you co ming; you are my
prey; in to me you, I'm stea di ly ree ling.
13
I can see your dae mon.
17
The ur ban fox streaks a sneak of red and white, a round the e dges of the Night;
22
a sha dow loy al ly ap pea ring yel low eyes mark you, both hi ding and stea ling.
11
26
30
I hate you and love you, of course, na tur 'ly;we fight fur ious ly hea ted
34
ar gu ments that e ven tual ly burn in the sun shine.
39
44
No sweat, just the se cond de gree; soon the dead skin will start pee ling.
49 retenu h = 40
I can see your dae mon. Goats are blea ting; Pigs are squea ling; Both are blee ding
12
55 h = 50
from the throat. I can see your dae mon.
60
Emp 'ror, sweet prince ba stard, half breed you hate your flesh y pro ge ni tors; and we all
64
need trees So, spin ning gold in to straw and with that, a no ther world I'll start wea ving.
69
I can see your dae mon. When full spec trum spec ta-
74
cu lar god's eyes ap pe ar, o pe ning! Like lan terns be hind your
79
eye lids; You'll shriek in fear, you're gon na be screa min' you're gon na be
13
84
screa min' Shove your claws in to the earth like, plugs or roots, to start the hea
88 retenu
ling. I can see your dae mon.
93 h = 40 h = 50
La Chi va is the dae mon in me, and I am La Chi va. Wis dom smug gled in side of you a prick ly stash
99
3
La Chi va is the root cause of in sight and in ter
104
nal blee ding and in ter nal blee ding. I can see your dae mon.
109

Partners Shove
Explanation and understanding
Horror and love
Partners but not analogies
In spite of each other, raw meanings push and shove
Why do we desire to see dead bodies

Fascinated to watch them fall from above
When You see it firsthand it’s more than biomorphic biographies

Horror and love
Horror and love
It likes Your noise

Go on, shoot the dove
Then fashion it into an idol
Skilled practices of sacred taxidermologies

Before the institution enters You, enters You, it puts on a glove
We have to submit to the clinical strictures of the ruling patriarchal

gyno-proctologies

Horror and love
Horror and love
It’s more of a head thing

An entity enters from below or an angelic possession from above
These manitou daemon spirits can inhabit - I’m warning You! - multiple
morphologies

Under Your feet in the bowels of the underworld, I scrape and grub
As vermin I identify with the sacred tenets and practices of profane garbologies

Horror and love
Horror and love

14
La Chiva
Partners ShoveThe Daemon Songbook: Part III Matthew Lee Knowles
November 2021
q = 100
4
4
Ex pla na tion and un der stan ding; hor ror and love Part ners but
4
4
4
4
not a na lo gies In spite of each o ther raw mean ings push and shove. In spite of each o ther
10
raw mean ings push and shove. Why do we de si re to see dead bo dies,
3 3 3
3
15
fa sci na ted to watch them fall from a bove. When you see it
3 3 3 3
3
15
20
first hand, it's more than bi o mor phic bi o gra phies Ex pla na tion
3 3 3
25
and un der stan ding; hor ror and love
29
hor ror and love. It likes your noise; go on, F Gb

C
33
shoot the dove Then fa shion it in to

16
37
an i dol, skilled prac ti ces of sa cred tax i der mo lo gies;
41
In spite of each o ther raw mean ings push and shove. In spite of each o ther raw mean ings push and shove.
45
Be fore the in sti tu tion en ters you en ters you it puts on
3 3 3
50
it puts on a glove
55
17
60
We have to sub mit
64
to the cli ni cal stric tures of the ru ling pa tri ar chal gy no proc to lo gies;
68
Ex pla na tion and un der stan ding;
72
hor ror and love hor ror and love.

18
76
It's more of a 'head thing', an en ti ty en ters from be low, or an an ge lic
80
pos ses sion from a bove. Those ma ni tou dae mon spi rits can in ha bit, I'm war ning you!
84
Mul ti ple mor pho lo gies; In spite of each o ther raw mean ings push and shove. In spite of each o ther
88
raw mean ings push and shove. In spite of each o ther raw mean ings push and shove. Un der your feet,
19
92
in the bowels of the un der world, I scrape and grub; As ver min,
96
I i den ti fy with the sa cred ten ants and prac ti ces of pro fane gar bo lo gies;
100
Ex pla na tion and un der stan ding;
104
hor ror and love hor ror and love.

20
108
In spite of each o ther raw mean ings push and shove. In spite of each o ther raw mean ings push and shove.
112
In spite of each o ther raw mean ings push and shove. In spite of each o ther
115
raw mean ings push and shove. In spite of each o ther raw mean ings push and shove. repeat 6-8 times
fading all but high F
which remains loud
Planning Phase
I see You sitting there on the wall
Next to the institution, staring hard down at the ground
Are You daydreaming, or planning the revolution?
Sometimes I see You singing, praying out loud for restitution
That face on You now is worse than a frown

Sitting on that wall next to the institution
It all started (or ended) with my 44th or 45th New Year’s resolution
Come on man, wake up!
Are You daydreaming? Are You planning the revolution?
You don’t seem to find joy today in the late midsummer sun
You once picked flowers and made them into a fragile crown
Now You're sitting on the wall next to the institution
Sometimes muttering, sometimes crying, sometimes howling long and loud!
But Your cries

And all Your shouts
And howls are drowned
By folks laughing
She’s daydreaming, she’s planning the revolution! Now!

Dance! Dance! Dance! Dance! Dance! Dance! Dance!
All over town
You're my dog or my clown, mine to pity or put down
So just sit there and wait
on the wall next to the
Institution
And just daydream
or maybe You can
plan the
Revolution
Revolution
Revolution
Revolution
Revolution!
21
Planning Phase
The Daemon Songbook: Part IV
November 2021
q = 130
4
4
I see you sit ting there on the wall next to the in sti tu tion,Star ing hard, down
4
4
4
4
at the ground, Are you day dream ing? Or plan ning the re vo lu tion.
Some times I see you sing ing, pray ing out loud for re sti tu tion. That face on you now is worse
13
than a frown, Sit ting on that wall next to the in sti tu tion, It all star ted (or en ded)
17 22
with my for ty fourth or for ty fifth New Year's re so lu tion, Come on man, wake up! Are you
21
day dream ing? Are you plan ning the re vo lu tion? You don't seem to find joy to day, in the late
25
3 3
mid sum mer sun, You once picked flow ers and madethem in to a fra gi le crown,
29
Now you're sit ting on the wall next to the in sti tu tion,
31
3 3
Some times mut ter ing, some times cry ing; some times howl ing, long and loud.
3
3 3
23
34 q = 170
4
4
4
4
4
4
39
44
49 q = 130
3
4
But your cries,
3
4
3
4
56
and all your shouts and howls

24
63
6
8
are drowned, By folks laugh ing,
6
8
6
8
69 q. = 70
6
8
"She's day dream ing. She's plan ning the re vo lu tion!"
6
8
6
8
74
4
4
Now Dance Dance Dance Dance Dance Dance Dance; all o ver
4
4
4
4
79 q = 130
4
4
town. You're my dog or my clown, mine to pi ty or put down, So just sit there and wait,
4
4
4
4
25
83
on the wall next to the in sti tu tion, And just day dream; or may be you
87 q. = 70
6
8
can plan the re vo lu tion, re vo
6
8
6
8
91
lu tion, re vo lu tion, re vo
95
lu tion, re vo lu tion.
We Never Had a Ball
We used to dress up in dresses
And I felt secure with him and dirt, and tea
Playing with our figures him and, me playing with him and me
And we danced around and sang show tunes really really proud
It was fun, It was fun!
And it felt, felt so good!
So loud!
We dressed up and it was more than pretend

To be royalty
We never had a ball, no

We never had a ball
That’s true
That’s true
That’s true
That’s true!
We just had me and You

And the balls that bounced and pretended to be
You and me
There were three
We had to be really quiet

Because Your mother and brothers were downstairs
And we were watching their pornos
Playing showtunes and him and me, and
Oooh! Oooh! Oooh! Oooh! Oooh!
Oooh! Oooh! Oooh! Oooh! Oooh!
And we sang showtunes, dancing

Really, Really
Loud! Loud! Loud! Loud!
I had fun with it all, sticking my tongue in Your mouth

We pretended to be things from the books we read, but it was only fairy tales
We never had a ball, no

We never had a ball
I’m not free, free, free, still, still
We just had You and we just had me, still
And the balls that orbited around the christmas tree

There were three
26 We Never Had A Ball
The Daemon Songbook: Part V
q = 120 December 2021
3
4
3
4
We used to dress up in dres ses And I felt se cure with
15
him and dirt and tea Play ing with our fi gures, him and
22
me, play ing with him and me And we danced a round and sang,
27
29
show tunes real ly real ly proud It was fun
36
It was fun! And it
43
felt, felt so good! so
49
loud! We dressed up and it was more than pre tend,

28
54
4
retenu
4
to be Roy al ty We ne ver had a ball, no,
4 6
4
4
4
61
3
4
We ne ver had a ball That's true That's
3
4
3
4
69
true That's true
3
3 3 3 3
75
That's true We just had
3
29
82
me and you and the balls that
89
bounced and pre ten ded to be You and Me
97
There were three We had to
104
be real ly qui et Be cause your mo ther and

30
109
bro thers were down stairs And we were watch ing their por nos,
114
play ing show tunes; and him and me and
118
Ooh! And we sang Show
125
tunes, dan cing, Real ly Real ly
blue notes = LH
31
131
Loud! Loud! Loud! Loud!
136
I had fun with it all, stick ing my tongue in your mouth
140
We pre ten ded to be things from the books we read, but
144
it was o nly Fai ry Tales.

32
149
4
4
4
4
154
4
4
We ne ver had a ball, no,
4
4
4
4
158
We ne ver had a ball.
161
3
4
I'm not free free
3
4
3
4
33
165
free still still We just had You and we just had Me.
173
Still. And the balls that or bi ted
180
a round the Christ mas tree There were three.

Big Hands
Your big hands, are so huge
That they protected me
I made You do it
I know, but forgive me
Your nails have these grooves in them

I see my name in them
The striations are small, the grooves long

I made You do it
When You spake other languages

I admit I felt small
I want You to see the connections
I make, how strong!

I made You do it
I made You do it
When someone takes an interest, it’s something

For me, at least; I was wandering on Jane street
That afternoon, that’s where You found me, wasn’t it?
Next to the bin that contained the things that You already knew everything about
It’s my sin
It’s my sin
It’s my sin
It’s my sin
That I didn’t write everything down, that I didn’t write everything down, that I
didn’t write everything down, that I didn’t write everything down, that…
I didn’t write everything down, I didn’t write everything down, I didn’t write
everything down, I didn’t write everything down, I didn’t write everything down, I
didn’t write everything down, I didn’t write everything down, I didn’t write
didn’t write everything down, I didn’t write everything down, I didn’t write
didn’t write everything down!

I made You do it
34
Big Hands
The Daemon Songbook: Part VI
La Chiva
For Simon Gieve Matthew Lee Knowles
December 2021
q. = 50
6 x4 x4
8
6
8
Your big hands are so huge that they
10
pro tec ted me I made you do it,
x2
14
I know, but, for give me?
18
Your na ils
x2
RH
35
22
3 6
8 8
have these grooves in them, I see my name in them, the stri a tions are
3 6
8 8
3 6
8 8
28
small, the grooves long.
33
Your big hands are so huge
37
9 6
8 8
that they pro tec ted me
9 6
8 8
9 6
8 8
36
41
6
8
I made you do it, I know, but, for give
6
8
6
8
46 q = 100
2
4
me? When you spake o ther lan gua ges,
2
4
6 6
2
4
51
I ad mit I felt small, I want
56
you to see the con nec tions I make, how

37
61 q = 70
strong.
67
q = 50 3
Your big hands are so huge that they pro tec ted me,
5 5
5 5
73
5 5 5 5
I made you do it, I know but for give me? I made you
6 6 6 6
77
6
8
do it but for give me?
6
8
6
8
38
80 q = q.
6
8
When some one takes an in t'rest it's some thing,
6
8
6
8
84 q = 70
2
4
For me, at least, I was wan der ing on Jane Street. That af ter noon. That's where you found me,
2
4
2
4
89
3
was n't it? Next to the bin, that con tained the things that you al rea dy knew
95
eve ry thing a bout, It's my sin
6 6
39
100
it's my sin it's
105
my sin it's my
110
sin That I did n't write eve ry thing down, that I did n't write
114
eve ry thing down, that I did n't write eve ry thing down, that I did n't write eve ry thing down that
40 117
I did n't write eve ry thing down I did n't write eve ry thing down I did n't write eve ry thing down
ad lib.
120
x4
6
8
I did n't write eve ry thing down. Your big
6
8
6
14
122
hands are so
124
huge that they
126
pro tec ted me, I made you do it, I know, but, for give me?
Masada
Masada, it’s a family saga
Masada, it’s the death by love
Masada, it’s a sordid drama
Masada, I’ll kill You with my love!
2 or 3 lives ago I was a soldier

Marching over the blood soaked hills
Now we’re not just talking old wounds
We’re talking lifetimes of grudge
Maybe hate’s the only love I’ll ever know

Can hate be love?
That’s what I need to know

Masada, I’ll kill You with my love
3 or 4 lives ago, I was a seer

In the amphitheatre o’er the Grecian hills
Dramatis personae, my voice carried far
To the far side of Your Star!
But no one believed Cassandra, so there You are Cassandra

It’s always a soft refrain

When Your hope goes down the drain
Whispers lost
Run Your fingers across the windowpane
When the sun begins to rise in the ice I’ll write Your name
That fireball of pride will blow You sky high
Watch as Your desire turns to shame
And it’s a long way down

It’s not the fall that kills You
It’s the sudden stop
When Your body hits the ground
It’s a long way down


Masada, I’ll kill You with my love
A few years ago my mother went to see a psychic

To ask her why I’m her favourite child
That fortune teller’s eyes went wild
You’ve got a devil for a child

Sacrificed
Sacrificed at dawn
On the fields, the fields of Masada

Masada, I’ll kill You with my love!
41
Masada
The Daemon Songbook: Part VII
Matthew Lee Knowles
La Chiva January 2022
q = 70
2
4
2
4
7
x4 x2 x4
12
4
x4 x2 x2
4
4
4
15
x2
2 6
4
4 4
2 4
4 4
19 q = 140
4 3 3
4
Ma sa da it's a fa mi ly sa ga, Ma sa da it's the dea th by Love,
4 3 3
4
4
4
42
26
3
Ma sa da it's a so r did dra ma, Ma sa da I'll kill you with my Love!
33
q = 70
2
4
2 or 3 lives a go I was a sol dier, March ing o ver the blood soaked hills,Now we're not just tal king
2
4
2
4
38
4
4
old wounds, We're tal king life times of grudge, May be hate's the o nly love
4
4
4
4
41
4
4
I'll e ver know, Can hate be love, That's what I need to know.
4
4
4
4
43
44 q = 140
4 3 3
4
Ma sa da it's a fa mi ly sa ga, Ma sa da it's the dea th by
4
3 3
4
4
4
50
3
Love, Ma sa da it's a so r did dra ma,
56 q = 70
2
4
Ma sa da I'll kill you with my Love! 3 or 4 lives a go I was a se er,
2
4
2
4
61
In the am pi the a tre, On the Gre cian hills, Dra ma tis per so nae, My voice car ried far,
44
65
4
3 3
4
To the far side of Your Star,
4
4
4
4
70 q = 80
4
4
But no one be lieved Cas san dra, So, there you are Cas san dra, But no one be lieved Cas san dra,
4
4
73
So, there you are Cas san dra. But no one be lieved Cas san dra, So, there you are Cas san dra,
76
But no one be lieved Cas san dra, So, there you are Cas san dra. But no one be lieved Cas san dra,
79
So, there you are Cas san dra, But no one be lieved Cas san dra, So, there you are Cas san dra.
45
82
But no one be lieved Cas san dra, So, there you are Cas san dra, But no one be lieved Cas san dra,
85 q = 70
2 3 2
4 4 4
So, there you are Cas san dra.
2 3 2
4 4 4
2 3 2
4 4 4
90 q = 130 x3 x3 x4 x3 x3
4
4
4
4
97 q = 90
4 3 4 3
4 4 4 4
It's al ways a soft re frain,
4 3 x4
4 3
4 4 4 4
x4
4 3 4 3
4 4 4 4
101
3 4
4 4
When your hope goes down the drain, Whis
3 4
4 4
3 4
4 4
46
104
3
4
pers lost,
3
4
3
4
107
3 3 5
4 4 4
Run your fin gers ac cross the win dow pane,
3 3 5
4 4 4
3 3 5
4 4 4
109
5 4
4 4
When the sun be gins to rise, in the ice I'll write Your name,
5 4
4 4
5 4
4 4
111
That fi re ball of Pride, Will blow You sky high Watch as your De si re turns to shame,
47
114
2
x3
4
1, 2 f
watch as your De si re turns to shame. 3 p And it's a long way down, It's not the fall that
2
4
2
4
118
3
q = 70
ki i i lls you, It's the sud den stop, When your bo dy hits the ground, It's a long way
124
down, it's a long way
ad lib.
129
down it's a long

136
48
way down
143
150 q = 140
4 3
4
Ma sa da it's a fa mi ly sa ga,
4
4
4
4
156
3
Ma sa da it's the dea th by Love, Ma sa da
162
3
2
4
it's a so r did dra ma, Ma sa da I'll kill you with my Love!
2
4
2
4
49
168 q = 70
2
4
A few years a go, my mo ther went to see a psy chic, to ask her why, I'm her fa vou rite child,
2
4
2
4
172
23 6
16 4
That for tune tel ler's eyes went wild, You've got a De vil for a child,
23 6
16 4
23 6
16 4
175
6 15 4
4 16 4
You've got a De vil for a child, You've got a De vil for a child,
6 15 4
4 16 4
6 15 4
4 16 4
177
4 2
4 4
You've got a De vil for a child, Sa cri ficed sa cri ficed at dawn
4 2
4 4
4 2
4 4
180
4
50
4
on the fie lds the fie lds of Ma sa da.
4
4
4
4
184 q = 140
3
Ma sa da it's a fa mi ly sa ga, Ma sa da
189
3 3
it's the dea th by Love, Ma sa da it's a so r did
194
dra ma, Ma sa da I'll kill you with my Love!

Masturbating whilst Meditating
I sat alone all day today

Well, with the dogs
I closed all the shutters so they don’t stare at me

At me, at me, at me
Masturbating, well
Masturbating whilst
Meditating, Meditating, Meditating
Let’s get it all out into the light

Can my naked body withstand the glare
Today I sat all day alone

With the dogs
One can of course, stimulate oneself all day with all one’s might
Do it on a dare
Go on, mad-turbating whilst

Masturbating and
Meditating, meditating
I keep saying I’m sorry, it’s all that I got when we fight
It’s Your dragon that lures me, reiter-atingly into Your lair
I sat alone all day today

With the dogs
My cuddles will never protect You

My hugs will never be enough tight
Are we a pair? Are we a pair?
Today I sat all day alone

With the dogs, as I lay…
Meditating whilst definitively

Mad-turbating
Mad-turbating
My love for You’s dizzying and I can’t stand the heights
You're the only one who can rip my electronics
Emotions whatever they are!
It’s those crumbly interlope-terpreters that our souls tear apart, apart
From the meditating and the masturbating I’ve been fine

MASTURBATING
WHILST
MEDITATING
51
Masturbating Whilst Meditating
The Daemon Songbook: Part VIII
Matthew Lee Knowles
La Chiva February 2022
q. = 140
6 x4 x4 x4
8
I sat a lone all day to day,
6
8
f p
6
8
well, With the dogs, I closed all the shut ters,
14
2
4
so they don't stare, at me, at me, at me,
2
4
2
4
20 q = 70
2
4
mas tur ba ting, well, mas tur ba ting whilst me di ta ting
2
4
2
4
52
26 q. = 140
6 x4 x4
8
me di ta ting me di ta ting
6
8
f p
6
8
32
Let's get it all out in to the light, Can my na ked bo dy with stand the glare?
38
2
4
To day I sat all day a lone with the
2
4
2
4
45 q =90 q. = 140
2 6 x4 x4
4 8
dogs. One can of course,
2 6
retenu last time
4 8
f p
2 6
4 8
53
50
sti mu late one self, all day, with all one's might, Do it on a dare,
molto rubato
56 retenu q = 70
2
4
Go on, mad tur ba ting whilst
2
4
2
4
62
6
f
8
mas tur ba ting and me di ta ting
6
retenu
8
f
6
8
68 q. = 140
6
8
I keep say ing "I'm sor ry", it's all that I got when we fight,
It's your Dra gon that lures me, re it er a ting ly, in to your lair,
6
8
6
8
54
75
x4
I sat a lone all day to day,
f p
82
x4
with the dogs. My cud

My hugs
88
2
4
dles will ne ver pro tect You,
will ne ver be e nough tight,
2
4
2
4
95
q = 70 q. = 140
2 6 x4 x4
4 8
Are we a Pair? Are we a Pair? To day I sat
carefully
2 6
4 8
f p
2 6
4 8
55
101
q = 70
2
4
all day a lone, with the dogs, As I lay me di ta ting whilst de
2
4
2
4
107
6
8
fi ni tive ly mad tur ba ting.
6
8
6
8
112
q. = 140
6 x4 x4
6
8 8
My love for You's diz zy ing, and I can't
6 6
8 8
p
f
6 6
8 8
118
x4
stand the heights, You're the o nly one who can rip my e lec
f
56
125
6 x4 x4
8
tro nics. E mo tions, What e ver they are
6
8
f p
6
8
132
It's those crum bly. in ter Lope Terp re ters; that our Souls tear A part,
lower note 1st time

upper note 2nd time
139
6 x4
8
From the
6
8
f
6
8
145
4
4
me di ta ting and the mas tur ba ting, I've been fine.
4
4
4
4
Ambi-Valent
I am I
I am I
And I am
I am of two minds
There’s Yours and there is mine
I am mature now
I am ambi-valent now
Insecure now
Secure now
Frightened, and not
It was a big town

Not where You could walk and get lost
Ok, but spread out
And it was lovely
It was lonely, all on my lonely
This is maturity, insecurity

Security
Not really enough, and a lot
It is a waste of rage if the words stay on the page

I stomped through this town
Drank ale from my crown
Get o the fence!
All You ever do is cry out loud!
Loud!
I am I
I am I
And I am
I am of two minds
There’s Yours and there is mine
I am mature now
I am ambi-valent now
Insecure now
Secure now
Frightened, and not
AMBI-VALENT
57
Ambi-Valent
The Daemon Songbook: Part IX
Matthew Lee Knowles
q = 130
3
4
I am, I.
3
4
3
4
7
4
4
I am, I. And I am.
4
4
4
4
14 q = 70
4
4
I am of two minds, There's yours and there is mine,
4
4
4
4
17
I am ma ture now I am am bi va lent now,
3 3
58
21
In se cure now, se cure now, Frigh tened, and not.
24
5 4
4 4
It was a big town, Not where you could walk and get lost.
5 4
4 4
5 4
4 4
27
O K, but spread out, And it was love ly
31
It was lone ly, All on my lone ly. This is ma tu ri ty, In se cu ri ty,

59 35
5
4
se cu ri ty, Not real ly e nough, And a lot.
5
4
double gliss
5
4
38
3 4 3
4 4 4
It is a waste of Rage if the words stay on the page,
3 4 3
4 4 4
3 4 3
4 4 4
41
3 4
4 4
I stomped through this town, Drank a le from my crown,
3 4
4 4
3 4
4 4
44
Get off the fence!

60
46
All you e ver do is cry out loud! Loud!
48
q = 130
51
3 3
x5-7
8 4
3 3
8 4
56
I am, I. I am,
63
4
4
I. And I am.
4
4
4
4
61
68 q = 70
4
4
I am of two minds, There's yours and there is mine,
4
4
4
4
71
I am ma ture now I am am bi va lent
74
now, In se cure now,
76 retenu
se cure now, Frigh tened, and not.

Your Star
This is her water, she is our daughter
I’m a, a mother
As sure as, as I saw Your Star, Your Star
I think I’ll have a day o

I think I can quit
This day shift shifts, twists
Count the number of words in this sentence
That’s how infinite You are
This is her thunder, she is our mother
I’m a, a father
As sure as, as I saw Your Star, Your Star
This is my fairy tale explanation

Explanation
Explanation
Explanation
After so many years of asking: how did I end up here?
Life used to be lived in the moment, now it’s lived in the epoch-sphere
Vertical infinity
Divinity cuts into me
Quiet, it’s night and the light shifts
This is her fire, she is our desire

I’m a daemon, as sure as I saw Your Star, Your Star
And this is Your shining Star

Mountains, rivers, valleys beyond
We are just the same as free
We are just the same as You are
And I know I’ll be a wise one
As soon as I see
As soon as I see
As soon as I see
As soon as I see
As soon as I see
As soon as I see
As soon as I see
As soon as I see
Your Star
62
Your Star
The Daemon Songbook: Part X Matthew Lee Knowles
q = 130
4
4
This is her wa ter, She is our daugh ter,
4
4
4
4
I'm a a mo ther as sure as as I saw,
15
Your star.
21
I think I'll have a day off, I think I
27
can quit, This day shift, Shifts, Twists, Count the num ber of words
63
35
in this sen tence, That's how in fi nite you are.
44
This is her thun der,
52
She is our mo ther,
58
I'm a a fa ther as sure as as I saw, Your star. This is my fai
65
ry ta le, Ex pla na tion, ex pla na tion, Af ter so ma ny years Of ask ing

64
71
"how did I end up here?" Life used to be lived in the mo ment, Now it's lived in the e poch sphe re, Ver
77
ti cal in fi ni ty, Di vi ni ty cuts in to me,
85
Qui et it's night and the light shifts.
94
This is her fi re, She is our de si re, I'm a dae mon
3 3 3 3 3
99
as sure as I saw, Your star.
3
65
105
And this is your shi ning
x4
113
Star, Moun tains, ri vers, val leys be yond,
122
We are just the same as free, We are just the same as You are,
3 3 3 3
127
And I know I'll be a wise one, As soon as I see, As soon as I see,
3 3
133
As soon as I see, As soon as I see, Your Star.

The Chosen
Now I see, I never was the chosen, not the chosen You supposed me to be
A trick on both of us and a stubborn little cuss
It took me more than half, half my life to see the truth of it
In a manner of speaking it is all about etiquette

It’s a long grass and we can’t see what’s in front of us; it’s a mystery
I know You were there to watch me fly
It’s a shame I won’t be there in turn, there in turn to watch You die
You made Your choice, You blahdey blahdey blahdey blahdey blah
It was Your choice, You blahdey blahdey blahdey blahdey blah
I ran into the scrum

And You bludgeoned me with crooked thumbs
Blahdey blahdey blahdey blahdey blah
This time I sorta hope a twister hits

Stuck inside this house with You would be the very pits
Passive aggressive death ray, and yet I definitively desire to stay
But the oxygen that makes me breath will poison, will poison both of us
So it’s MY choice if choice is blahdey blahdey blahdey blah

I made the choice of choosing blahdey blahdey blahdey blah
I am the chosen after all, and I’ll lead us to the final fall
Blahdey blahdey blahdey blahdey blahdey blahdey blah
Tell me when, when You see the edge of it

Yes, and then please drive us to the very edge
Emmanuel is straining to see the goal posts ‘cause it’s raining
I’m driving us in circles through the storm and I, I admit I’m lost a bit
It’s Your choice, blahdey blahdey blahdey blahdey blah

Yes, it’s Your choice blahdey blahdey blahdey blahdey blah
I am the chosen after all, and I’m here to watch Your empire fall
If You’d like I can watch from the room across the hall
You made Your choice long ago
Blahdey blahdey blah
Long ago You made Your choice
Blahdey blahdey blah
You stand against the wall and fall

I shot You down and now You crawl to me
I am the chosen after all, and I’m here to watch Your empire fall
Blahdey blahdey blahdey blahdey blah Ah Ah!
66
The Chosen
The Daemon Songbook: Part XI Matthew Lee Knowles
La Chiva March - April 2022
q = 80
2
4
Now I see, I ne ver was The Cho sen, Not The
2
relaxed dotted rhythms
4
2
4
Cho sen You sup po sed me to be, A trick on both of us, And a stub born lit tle cuss, It took me more than half,
14
half my life to see theTruth of it.

slower
retenu
21
In a man ner of spea king, it is all a bout E ti quette, It's a long grass, and we can't see what's in front of us, It's a
67
27
retenu
mys te ry I know, You were there to watch me Fly, It's a shame, I won't be there,in turn, there in turn, to watch you
33 q = 120
You made your choice, You Blah dey blah dey

die.
slower
40
blah dey blah dey blah, It was Your choice, You Blah dey blah dey blah dey blah dey blah.
49
I ran in to the scrum, and you blud geoned me with croo ked thumbs,
68
57
Blah dey blah dey blah dey blah dey blah.
1.
2.
65 q = 80
This time I sor ta hope a twi ster hits, Stuck in side this house with you would be the ve ry pits, Pas sive ag gres sive death
71
ray, And yet I de fi ni tive ly, de si re, to stay, But the Ox y gen that makes mebreathe,will poi son,
78 q = 120
retenu
will poi son both of Us. So, it's MY Choice, if

69
85
Choice is blah dey blah dey blah dey blah, I made the Choice, of choo sing blah dey blah dey blah dey
93
blah. I am The Cho sen, af ter all, And I'll lead Us to the Fi nal Fall,
103
Blah dey blah dey blah dey blah dey blah dey blah dey blah.
1.
2.
112 q = 80
Tell me when, when you see the edge of it, Yes, and then please drive us to the ve ry edge, Em ma nu el is strain ing,
70
118
retenu
to see the goal posts 'cus it's rain ing, I'm dri ving us in cir cles through the storm, and I, I ad mit I'm lost, a
124 q = 120
bit. It's Your choice, blah dey blah dey blah dey blah dey
132
blah, Yes, it's Your choice, blah dey blah dey blah dey blah dey blah. I am The
141
Cho sen, af ter all, And I'm he re to watch Your Em pire Fall, If you'd like, I can watch from the
71
150
room ac cross the hall. You made Your Choice, long a go,
158
blah dey blah dey blah, Long a go, you made your choice, blah dey blah dey
166
blah, Blah dey blah dey blah dey blah dey blah dey blah dey blah, You stand a
174
gainst the wall and fall, I shot you down and now you crawl, To me. Blah dey blah dey blah dey blah dey
72
183
blah dey blah dey blah, Blah dey blah dey blah dey blah dey blah dey blah dey blah.
191
I am The Cho sen af ter all, And I'm he re to watch Your Em pire Fall,
198
Blah dey blah dey blah dey blah dey blah.

Birdsong
It’s in the what’s going to happen
When will the end of the world come?
Where do I place my outrage?
From whence do I replace my outrage?
From where and towards, whom does it come ooze out of, and into and why?
Am I spending my life like this?
Things that I’m never going to do again, ever!
Pacing, internally staging a coup
You just smile at me because we’re all in this soup together
Like a little sparrow in a teacup, fluttering around
It’s ok little bird, every new moment’s a memory for You
That’s why little birds are given the gift to forget
Because they don’t like to wait
73
Birdsong
The Daemon Songbook: Part XII

March 2022
with lots of space, stopping often to audibly breathe/sigh, like the weight
q = 80 of something is crushing you, like you're singing on the edge of your soul
It's in the what's go ing to hap pen, Will the end of the world come? Where do I
2
4
2
4
10 place my out rage? From whence do I re place my out rage? From where
20 and to wards whom does it come ooze out of, and in to; and
30 why? Am I spen ding my life like this? Things that I'm ne ver go ing to do a gain,
74
40 e ver! Pa cing, in ter nal ly sta ging a coup, You just smi le at me be cause
50 we're all in this soup to geth er, Like a lit tle spar row in a tea cup flut te ring
60 a round, It's o kay lit tle bird; eve ry new mo ment's a
70 me m'ry for you, That's why lit tle birds are gi ven
78 the gift to for get, Be cause they don't like to wait.

Claw it Back
It’s always the same line
And when we’re strung into it
Come one, come all into it, we try to claw it back
I don’t know where I got the idea, I had responsibility

It’s not my current life, it’s theirs after all, I’m a sad sack
You're healthy, You're beautiful!

Does that mean fat?
I don’t know why I feel I have the right to understandability
It’s the same line, mind-blowey repetition in ad-infinition
Better claw it back!
You feel that Your body is laid on the slab

And Your soul is on the rack
What can we ask of dissecting of clinically recovered objectivities
We’ll help find You, You my darling
When You try to come back
If we’re all out in the wilderness, boots and cash strapped

That’s some place, some place to start
With somebody else’s spark of subjectivity
But it’s like the same like we all do: Love!

It’s like she keeps saying: claw it back, claw it back, claw it back, claw it back!
Claw it back
Claw it back
Claw it back
Claw it back!
I just want to hear You moving in there in the other room

Trying, trying to claw it back
Someday we will all disentangle with the flesh that clings to our
Personalit-abilities
My darling, I-will-me-You meet me, again
Behind the, the story
In the little shack out back
Some things disappear forever, like liquid running into cracks

Trying hard to catch it all is Your life’s special capital ‘R’ Responsibility
You're thinking
I won’t
Despite You
Claw it back
You're wrong my darling, because I’ve met You be…

You're wrong my darling, because I’ve met You before!
And I know, You ain’t ever going back

75
La Chiva
Claw It Back
The Daemon Songbook: Part XIII Matthew Lee Knowles
February - March 2022
q = 100
8 q = 80
13
It's al ways the same line and when we're strung
17 q = 110
in to it, Come one, come all in to it; we try to Claw it back,

76
22
3
4
I don't know where I got the i dea, I had re spon si bi li ty, It's not my
3
4
3
4
26
1 4
4 4
cur rent life it's Their's af ter all I'm a sad sack.
1 4
3
4 4
1 4
4 4
31
You're heal thy, You're beau ti ful!
34
Does that mean fat? I don't know why I

77
37
fe el I have a right to un der stand a bi li ty,
40
It's the same line, mind blow ey re pe ti tion, in ad in fi ni tion;
43
bet ter Claw it back!
46
x4 3 3
3
4
3
4
50
4
4
You fe el that your bo dy is
4
4
4
3
4
78
55
laid on the slab; And your soul is on the rack,
59
2
4
What can we ask of dis sec ting, of cli nic 'ly re co vered ob jec ti vi ty?
2
4
2
4
64 q = 70
2
4
We'll help find You, You my dar ling when you try to
2
4
3 3 3 3 3 3 3 3 3 3
2
4
69 q = 120
4
4
come back...
4
4
3 3 3 3
4
4
73
q = 80
79 F#
stringendo
76
3 3 3 3
B
79 6
82 q = 100
If we're all out in the wil der ness, boots and cash
86
strapped, That's some place some place to start,
89
with some bo dy el se's spark of sub jec ti vi ty,

80
93
But it's like the same like we all do: Love! It's like she
97
keeps say ing: "Claw it Back! Claw it Back! Claw it Back! Claw it Back!"
106 q = 130
"Claw it Back! Claw it Back! Claw it
111
3
4
Back! Claw it Back!" I just want to hear you, mo ving in there,
3
4
3
3
4
81
118
4
4
in the o ther room, try ing try ing to Crawl it
4
4
3
4
4
126
3
4
back, One day we will all dis en tan gle with
3
4
3
4
134
the flesh that clings to our Per so na lit A bi
143
x4
4
4
li ties, My dar ling, I will Me You Meet Me a gain,
4
4
4
4
82
150
be hind the the sto ry, in the lit tle lit tle shack out
155 q = 120
back
158 retenu
3 3 3
162
166
Some things di sap pear for e ver, like li quid run ning in to cracks, Try ing to catch it all is Your life's
83
172
spe cial ca pi tal 'R'... rrre spon si bi li ty. (You're think ing I won't, de spite You,
178 q = 140
3 x4
4
Claw it back?) You're wrong, my dar ling, be cause I've met you be
3
4
3
4
187 slower retenu

4
4
fore And I know. You ain't e ver go ing back.
4
4
4
4
Fish Story
The truth ain’t holy
Facts are boring
I want You to tell me a Fish Story
It’s gonna get gory

I want to bore a hole in it
You ain’t my bossy sissy city
There’s not a death I don’t know

Not a death toll I don’t need
It’s a breeze
I’m hooked to a tube to breathe, that’s me
I wanted it to be like childhood a nity, it lasts forever

Ok, You're gay!
I’m not boring and it’s a too-long, gory story
This is my adolescent fantasy

You're a bitch!
Are You proud of me?
The truth ain’t holy

Facts are boring
I want You to tell me a Fish Story
What can I say about fishes?

They are like slippery stories
They can be a bit boring
But it’s romantic, their idolatrous idiocy

I don’t want to hold it, You say
Keep the slime from Your mother at bay
There’s no conspiracy, just an overabundance of dance hall music!
Chicks and clicks and the start!

Of it all and I’m sad, and specific and ok
Ok is all kids need, it’s not whole wheat toast or David, but still
And Jesus didn’t factor into it until way later
That’s fortified with factual data now
We’re getting into the long clouds
When You tell me truths that aren’t holy

Facts that are boring
What I want You to, what I want You to tell me
Is a Fish Story!
84
Fish Story The Daemon Songbook: Part XIV
Matthew Lee Knowles
La Chiva April 2022
q = 120
4
4
3 3
4
4
6
3 3 3 3 3
The truth ain't ho ly, Facts are bo ring,
3 3 3 3
3 3 3
11
3 3
I want you to tell me a Fish Sto ry. It's go ing to get go ry,
3 3
16
I want to bore a hole, In it, you ain't my bos sy sis sy ci ty.

3
3 3
20
3 3 3
3 3 3 3 3
3
24
There's not a death I don't know,

85
28
3
Not a death toll I don't need; it's a breeze,
32
3
I'm hooked to a tube to breathe; that's me.
36
I wan ted it to be like chi ld hood af fi ni ty, It lasts for e ver;
40
O kay? You're gay.
3 3 3 3
3 3 3 3 3 3 3 3
3 3
3 3
45
I'm not bo ring, and it's a too long,

86
49
3 3
Go ry Sto ry, This is my a do les cent fan ta sy, You're a bitch. Are you proud of me? The truth ain't
3 3
56
3 3 3 3
ho ly, Facts are bo ring, I want you to tell me a Fish Sto ry.
3 3 3 3
62
What can I say a bout fis hes? They are like slip pe ry sto ries,
66
They can be a bit bo ring.
71
But it's Ro man tic,

87
75
their i do la trous i di o cy, "I don't want to hold it," You say,
78
Keep the slime from Your Mo ther at bay, There's no con spi ra cy.
81
Just an o ver a bund ance, Of dance hall mu sic, Chicks and clicks and the start.
84
x4
3 3 3 3
3 3 3
3
3 3
88
Of it all, and I'm sad and spe ci fic and o kay, O kay is all kids need,
3 3 3 3
3 3 3 3
88
92
it's not whole wheat toast or Da vid, but still. And Je sus did n't fac
3 3
3 3
96
2 4
4 4
tor in to it un til way la ter, That's for ti fied with fac tual da ta now
2 4
4 4
2 4
4 4
102
We're get ting in to the long clouds... When you tell me truths that aren't ho ly, Facts that are bo ring,
107
What I want you to, What I want you to tell me,
110
Is a Fish Sto ry.

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The Daemon Songbook

of the Religious Faith

FOURTEEN SONGS BY LA CHIVA

The truth to a tea

In Your pocket I’m found

I’m the one worth knowing, You said

You're only a stone’s throw

Drink my Dandelion a a a a a a a a a a cid

Lick honey, from my palms

I took the one You gave me

Lick honey, from my palms

We were so curious and clever

Curious and clever

I’m the one worth knowing, You cried

Acute and curious

And dries out the night

Dandelion Acid is a liquid made of light

A cute and cu ri ous

You are so cute and cu ri ous Cu ri ou ser and Cu ri ou ser

x2-6 repeat as needed, doesn't

De ligh ted and dazed you're gon na see things my way I

took the one you gave

a a a a a a a a a a a a a a a a a cid I drank it from your palm

ne ver ne ver end ed end

a a a a a a a a a a a a a a a a a cid Lick ho ney Drink my dan de li on

171 q = 120 x2-6

Cu ri ou ser and cu ri ou ser you're so Cu ri ou ser

I can see Your daemon

I can see Your daemon

I hate You and love You, of course, naturally we ﬁght furiously

I can see Your daemon

Goats are bleating

I can see Your daemon

I can see Your daemon

When full-spectrum spectacular Gods’ eyes appear, opening

I can see Your daemon

La Chiva is the daemon in me and I am La Chiva

I can see Your daemon

prey; in to me you, I'm stea di ly ree ling.

I can see your dae mon.

I can see your dae mon.

ar gu ments that e ven tual ly burn in the sun shine.

from the throat. I can see your dae mon.

ling. I can see your dae mon.

La Chi va is the root cause of in sight and in ter

I can see your dae mon.

Why do we desire to see dead bodies

Explanation and understanding

It likes Your noise

In spite of each other, raw meanings push and shove

Before the institution enters You, enters You, it puts on a glove

We have to submit to the clinical strictures of the ruling patriarchal

Explanation and understanding

It’s more of a head thing

In spite of each other, raw meanings push and shove

Explanation and understanding

In spite of each other, raw meanings push and shove

and un der stan ding; hor ror and love

hor ror and love. It likes your noise; go on, F Gb