Indian Epic Poetry: Ramayana Mahabharata

Indian epic poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally

called Kavya (or Kāvya; Sanskrit: काव्य, IAST: kāvyá). The Ramayana and the Mahabharata, which
were originally composed in Sanskrit and later translated into many other Indian languages, and
the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic
poems ever written.[1]
The ancient Sanskrit epics the Ramayana and Mahabharata comprise together the Itihāsa ("Writer

has himself witnessed the story") or Mahākāvya ("Great Compositions"), a canon of Hindu scripture.
Indeed, the epic form prevailed and verse remained until very recently the preferred form of Hindu
literary works. Hero-worship is a central aspect of Indian culture, and thus readily lent itself to a
literary tradition that abounded in epic poetry and literature. The Puranas, a massive collection of
verse-form histories of India's many Hindu gods and goddesses, followed in this
tradition. Itihāsa and Puranas are mentioned in the Atharva Veda[2] and referred to as the fourth
Veda.[3]
The language of these texts, termed Epic Sanskrit, constitutes the earliest phase of Classical
Sanskrit, following the latest stage of Vedic Sanskrit found in the Shrauta Sutras.
The Suparṇākhyāna, a late Vedic poem considered to be among the "earliest traces of epic poetry in
India," is an older, shorter precursor to the expanded legend of Garuda that is included within
the Mahābhārata.[4][5]
The Buddhist kavi Aśvaghoṣa wrote two epics and one drama. He lived in the 1st-2nd century. He
wrote a biography of the Buddha, titled Buddhacarita. His second epic is called Saundarananda and
tells the story of the conversion of Nanda, the younger brother of the Buddha. The play he wrote is
called Śariputraprakaraṇa, but of this play only a few fragments remained.
The famous poet and playwright Kālidāsa also wrote two epics: Raghuvamsha (The Dynasty of
Raghu) and Kumarasambhava (The Birth of Kumar Kartikeya). Other Classical Sanskrit epics are
the Slaying of Śiśupāla Śiśupālavadha of Māgha, Arjuna and the Mountain
Man Kirātārjunīya of Bhāravi, the Adventures of the Prince of
Nishadha Naiṣadhacarita of Śrīharṣa and Bhaṭṭi's Poem Bhaṭṭikāvya of Bhaṭṭi.
The first epic to appear in Hindi was Tulsidas' (1543–1623) Ramacharitamanas, also based on
the Ramayana. It is considered a great classic of Hindi epic poetry and literature and shows the
author Tulsidas in complete command over all the important styles of composition — narrative, epic,
lyrical and dialectic. He has given a divine character to Rama, the Hindu Avatar of Vishnu, portraying
him as an ideal son, husband, brother and king.
In modern Hindi literature, Kamayani by Jaishankar Prasad has attained the status of an epic. The
narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha
Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a
male) and Shraddha (a female). Manu is representative of the human psyche and Shradha
represents love. Another female character is Ida, who represents rationality. Some critics surmise
that the three lead characters of Kamayani symbolize a synthesis of knowledge, action and desires
in human life. It inspires humans to live a life based on "karm" and not on fortunes.
Apart from Kamayani, Kurukshetra (Epic Poetry) (1946), Rashmirathi (1952) and Urvashi (1961)
by Ramdhari Singh 'Dinkar' have attained the status of epic poetry.
Likewise Lalita Ke Aansoo[6] by Krant M. L. Verma (1978)[7] narrates the tragic story about the death
of Lal Bahadur Shastri through his wife Lalita Shastri.[8]
Tamil epics[edit]
Main article: The Five Great Epics of Tamil Literature
The post-sangam period (2nd century-6th century) saw many great Tamil epics being written,
including Cilappatikaram (or Silappadhikaram), Manimegalai, Civaka
Cintamani, Valayapathi and Kundalakesi. Out of the five, Manimegalai and Kundalakesi are Buddhist
religious works, Civaka Cintamani and Valayapathi are Tamil Jain works and Silappatikaram has a
neutral religious view. They were written over a period of 1st century CE to 10th century CE and act
as the historical evidence of social, religious, cultural and academic life of people during the era they
were created. Civaka Cintamani introduced long verses called virutha pa in Tamil literature,
[9]
while Silappatikaram used akaval meter (monologue), a style adopted from Sangam literature.
Later, during the Chola period, Kamban (12th century) wrote what is considered one of the greatest
Tamil epics — the Kamba Ramayanam of Kamban, based on the Valmiki Ramayana. The
Thiruthondat Puranam (or Periya Puranam) of Chekkizhar is the great Tamil epic of the Shaiva
Bhakti saints and is part of the religious scripture of Tamil Nadu's majority Shaivites.
Kannada epic poetry[edit]

Main article: Kannada literature
Kannada epic poetry mainly consists of Jain religious literature

and Lingayat literature. Asaga wrote Vardhaman Charitra, an epic which runs in 18 cantos, in 853
CE,[10] the first Sanskrit biography of the 24th and last tirthankara of Jainism, Mahavira, though his
Kannada-language version of Kalidasa's epic poem, Kumārasambhava, Karnataka
Kumarasambhava Kavya is lost.[11] The most famous poet from this period is Pampa (902-975 CE),
one of the most famous writers in the Kannada language. His Vikramarjuna Vijaya (also called
the Pampabharatha) is hailed as a classic even to this day. With this and his other important
work Ādi purāṇa he set a trend of poetic excellence for the Kannada poets of the future. The former
work is an adaptation of the celebrated Mahabharata, and is the first such adaptation in Kannada.
Noted for the strong human bent and the dignified style in his writing, Pampa has been one of the
most influential writers in Kannada. He is identified as Adikavi "first poet". It is only in Kannada that
we have a Ramayana and a Mahabharata based on the Jain tradition in addition to those based on
Brahmanical tradition.
Shivakotiacharya was the first writer in prose style. His work Vaddaradhane is dated to 900 CE. Sri
Ponna (939-966 CE) is also an important writer from the same period, with Shanti Purana as his
magnum opus. Another major writer of the period is Ranna (949-? CE). His most famous works are
the Jain religious work Ajita Tirthankara Purana and the Gada Yuddha, a birds' eye view of
the Mahabharata set in the last day of the battle of Kurukshetra and relating the story of the
Mahabharata through a series of flashbacks. Structurally, the poetry in this period is in
the Champu style, essentially poetry interspersed with lyrical prose.
The Siribhoovalaya is a unique work of multilingual Kannada literature written by Kumudendu Muni,
a Jain monk. The work is unique in that it does not employ letters, but is composed entirely
in Kannada numerals.[12] The Saangathya metre of Kannada poetry is employed in the work. It uses
numerals 1 through 64 and employs various patterns or bandhas in a frame of 729 (27×27) squares
to represent letters in nearly 18 scripts and over 700 languages.[13] Some of the patterns used include
the Chakrabandha, Hamsabandha, Varapadmabandha, Sagarabandha, Sarasabandha, Kruanchaba
ndha, Mayurabandha, Ramapadabandha, and Nakhabandha. As each of these patterns are
identified and decoded, the contents can be read. The work is said to have around 600,000 verses,
nearly six times as big as the ancient Indian epic Mahabharata.
The Prabhulingaleele, Basava purana, Channabasavapurana and Basavarajavijaya are a few of the
Lingayat epics.
Assamese epics[edit]
Main article: Assamese literature
In 14th century Madhav Kandali dubbed the epic Ramayana as Saptakanda Ramayana. In
chronology, among vernacular translations of the original Sanskrit, Kandali's Ramayana comes
after Kamban's (Tamil, 12th century), and ahead of Kirttivas' (Bengali, 15th century), Tulsidas'
(Awadhi, 16th century), Balaram Das' (Oriya) etc. Thus it becomes the first rendition of
the Ramayana into an Indo-Aryan language in the Indian subcontinent.[14]
Manipuri epics[edit]
Main articles: List of epics in Meitei language and Meitei literature
Meitei language, a 3500 years old Sino-Tibetan language of North East India is a language with a
rich granary of epic poetries, mostly written in Meitei script in PuYa, the Manipuri manuscripts.
Khamba Thoibi is regarded as the greatest of all the Meitei epics. It consists of approximately
34,000 verses, even longer than the Ramayana. The epic poetry has fifteen chapters (Pandups) and
ninety two sections (Taangkaks). It is based on the legendary love story of Khamba, a hero
in Kanglei mythology and Thoibi, the then princess of Moirang. The work is composed by Hijam
Anganghal, a legendary bard, born in Samurou.
Another epic is Numit Kappa, literally meaning "Shooting at the Sun". This 1st century BC Meitei epic
is based on the story of the hero Khwai Nungjeng Piba, who shoots one of the two shining suns from
the sky, to create the night.[citation needed]
There is Ougri, which are the collection of epic poetries, associated with religious themes. Other
epics include Shingel Indu by Hijam Anganghal, Khongjom Tirtha by Nilabir Sharma, Chingoi
Baruni by Gokul Shastri, Kansa Vadha by A. Dorendrajit, and Vasudeva Mahakavya by
Chingangbam Kalachand.
However, Great Sanskrit epics such as Mahabharata and Ramayana were translated into Meitei
language in the Medieval times.
Other translated epics include Meghnad Badh Kavya, Bhagavad Gita, and Ashtakam.

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Indian epic poetry

Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally

The ancient Sanskrit epics the Ramayana and Mahabharata comprise together the Itihāsa ("Writer

Kannada epic poetry[edit]

Kannada epic poetry mainly consists of Jain religious literature

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