Nothing Special   »   [go: up one dir, main page]
Scribd Logo
Upload

Welcome to Scribd!

  • 497 views

    Philippine Vocal Forms: Prepared by Maribel M. Morada-De Luna

    Uploaded by

    maribel de luna
    This document discusses various forms of traditional Philippine vocal music such as Kundiman, Harana, Balitaw, and Kumintang. Kundiman is described as the most common vocal art form used to express intense love for a beloved or country. It is typically written in a minor key and switches to major in the middle. Harana is a serenade or love song traditionally sung by men to woo women. Balitaw exists in two forms - Balitaw Menor uses a slow minor scale while Balitaw Mayor uses a fast major scale. The document also provides examples of compositions for each form and discusses their characteristics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Philippine Vocal Forms: Prepared by Maribel M. Morada-De Luna

    Uploaded by

    maribel de luna
    497 views23 pages
    This document discusses various forms of traditional Philippine vocal music such as Kundiman, Harana, Balitaw, and Kumintang. Kundiman is described as the most common vocal art form used to express intense love for a beloved or country. It is typically written in a minor key and switches to major in the middle. Harana is a serenade or love song traditionally sung by men to woo women. Balitaw exists in two forms - Balitaw Menor uses a slow minor scale while Balitaw Mayor uses a fast major scale. The document also provides examples of compositions for each form and discusses their characteristics.

    Original Description:

    Kundiman is an art song popular during the Spanish regime

    Original Title

    KUNDIMAN

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    This document discusses various forms of traditional Philippine vocal music such as Kundiman, Harana, Balitaw, and Kumintang. Kundiman is described as the most common vocal art form used to express intense love for a beloved or country. It is typically written in a minor key and switches to major in the middle. Harana is a serenade or love song traditionally sung by men to woo women. Balitaw exists in two forms - Balitaw Menor uses a slow minor scale while Balitaw Mayor uses a fast major scale. The document also provides examples of compositions for each form and discusses their characteristics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    497 views23 pages

    Philippine Vocal Forms: Prepared by Maribel M. Morada-De Luna

    Uploaded by

    maribel de luna
    This document discusses various forms of traditional Philippine vocal music such as Kundiman, Harana, Balitaw, and Kumintang. Kundiman is described as the most common vocal art form used to express intense love for a beloved or country. It is typically written in a minor key and switches to major in the middle. Harana is a serenade or love song traditionally sung by men to woo women. Balitaw exists in two forms - Balitaw Menor uses a slow minor scale while Balitaw Mayor uses a fast major scale. The document also provides examples of compositions for each form and discusses their characteristics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 23

    PHILIPPINE VOCAL FORMS

    Prepared by MARIBEL M. MORADA-DE LUNA


    ESSENTIAL QUESTIONS:
    Q: What is secular music for you?
    Q: How does sacred music different
    from secular music?
    Q: How us music created?
    communicated
    Q: Why do people sing?
    Look at the following images below. Describe the similarities of each picture. The pictures
    below depict the ways Filipinos (before, and some up to now) convey their love through
    music. These practices manifest influences dating from the Spanish era in the Philippines.

    Tampuhan by Juan Luna Sketch by Alice Barber Stephens


    http://upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Tampuhan_by_Juan http://www.reusableart.com/d/5039-2/music-images-
    _Luna.jpg/696px-Tampuhan_by_Juan_Luna.jpg,
    Think and Pair
    • Make a Venn diagram.
    • List five details about the Philippine Sacred music
    and Secular music.
    • Discuss your answers with your seatmate.

    SECULAR
    SACRED
    Nationalistic song
    JOCELYNANG BALIWAG

    Analyze the music below.


    “Kundiman ng Himagsikan”
    Meter: ______
    Melodic Range:
    Highest Note:___
    Lowest Note: ___
    Key: ______
    KUMINTANG
    • Kumintang is a name given to several distinct styles,
    techniques and forms of music and dance.
    • This is popular wedding song in Batangas and in the
    towns of Bulacan.
    • It is also considered as a Tagalog chant about love
    and courtship and a dance – song performance by
    pairs of men and women
    • Sometimes referred to as a war song
    Listening Analysis
    Listen to the music and analyze the elements of music in
    the song.
    PAKIUSAP
    Nasaan ka
    irog?
    Bahay
    kubo

    Pasyon

    O, ilaw

    Bayan Ko

    Kung Hindi
    Man
    NATIONALISTIC SONG
    Kumintang – is a war song that became famous for the
    Batangueños. The Jocelyn ng Baliwag is a Kundiman
    which fired the patriotic sentiments of the Tagalog
    revolutionaries in the struggle for liberation from Spanish Colonial rule.

    In the guise of a love and courtship song, it features lyrics dedicated to


    a young and beautiful Filipina idolized
    in the Bulacan town of Baliwag named Josefa “Pepita”
    Tiongson Y Lara who symbolizes the image of the beloved Motherland,
    the Inang Bayang Katagalugan or
    Filipinas
    KUNDIMAN
    The Kundiman is the most common vocal
    art form which expresses intense love
    for a beloved as well as love for one’s
    country.
    Examples of Kundiman:
    NASAAN KA IROG?
    1. “Nasaan Ka Irog?” by Nicanor Abelardo
    LAHING KAYUMANGGI
    2. San Pedro’s “Lahing Kayumanggi”
    NASAAN KA IROG?
    NASAAN KA IROG?
    Nasaan Ka irog? Nasaan Ka irog?
    Nasaan Ka irog at dagling Nasaan Ka irog at natitiis
    naparam ang iyong pagiliw mong ako’y magnulila
    Di baga sumpa mong ako’y At hanap hanapin ikaw sa
    mamahalin alaala?
    Iyong Itatangi iyong itatangi Nasaan ang sabi mong
    mag pa hanggang libing ako’y iyong ligaya’t
    Subalit nasaan ang gayong Ngayong nalulungkot,
    pagtingin ngayong nalulungkot ay di
    ka makita
    CHARACTERISTICS
    • It is a Filipino love song written in the
    • Rarely written for profit time signature and usually in a minor key.
    • Has endured and was • This has been an effective way to
    passed down by oral propagate patriotism during the colonial era
    tradition
    • The kundiman is in 3/4 time, starting in minor key,
    • Consists of simple switching to major key in the middle, uses archaic
    Tagalog, with the subject matter that revolves around
    melodic, harmonic and being heartbroken.
    metric fundamentals. The verse 1 is on minor key (e.g. C Minor) followed by
    verse 2 on parallel major key (C Major) midway through
    HARANA
    This song uses figures of speech with
    absurd exaggeration as means to win
    the love of a girl.
    It usually speaks of the undying love and
    faithfulness of a suitor
    Examples of Harana:
    1. “Dungawin mo Hirang”
    2. Manang Biday ( Ilocano)
    Harana vs Kundiman
    • harana were • kundiman were more
    sung exclusively often sang by women.
    by men • It is sung by a soprano
    • It is sung and and accompanied by full
    accompanied by orchestra or the piano.
    a guitar
    O, ilaw
    Analyze the Kundiman music

    What is the meter of the


    music?
    What is the key of the
    music?
    ART SONG
    It is a form of vocal solo with instrumental
    accompaniment usually the piano. Some
    of our local art songs are the harana,
    dalit, balitaw, composo, and kundiman.
    Pakiusap
    Let’s listen.
    Pakiusap
    Usahay
    NICANOR ABELARDO
    National Artist for Music
    Father of Philippine Sonata
    KUNDIMAN
    Composers
    Father of Kundiman
    At age five the young Abelardo learned solfeggio and how to play
    Composer, pianist, the banduria from his father. A year later, he was already able to play
    and teacher. the William Tell Overture on the guitar. At age eight, he already
    Works:
    composed a waltz, “Ang Unang Buko,” which he dedicated to his
    grandmother. He later learned to play the piano while working for his
    “Nasaan Ka Irog?,”
    “Kundiman ng Luha,” uncle, painter Juan Abelardo, in Manila, where he studied in primary
    “Mutya ng Pasig,”
    “Bituing Marikit.” schools.
    \
    BALITAW
    Another kind of traditional Filipino music which
    comes in two forms: BALITAW MENOR AND
    BALITAW MAYOR
    BALITAW
    • It is usually written in triple meter incorporating
    melodic variations

    Balitaw Mayor is written in Balitaw Menor is written in


    major scale and depicts a minor scale uses a slow
    happy humorous mood tempo in triple meter that is
    with a fast tempo is usually known in the Visayan
    observed in the tagalog region.
    region
    CONSTANCIO DE GUZMAN
    KUNDIMAN
    Constancio Canseco de Guzman,
    Composersacknowledged dean of Filipino movie
    composers and musical directors,
    grew up in Manila where he studied
    piano and composition under Nicanor
    Abelardo.

    You might also like