sricifari

Love an passion in southern Italy. I painter and 2 travellers meet. I liked the ways the director used time, mixing present and past .... I found the animated section quite interesting and the music. The director looks at Italy with an interesting eye .... I wait to see her films to come

What do we learn from this minimalist story? Filmwise: no director ideas, no choreography whatsoever as the camera frames - level waiting for the mediocre actors to enter and exit the frame, no suspence nor surprises throughout, uninteresting location and standard art work. The story: The lesbian persona finally finds someone to test her sexuality, yet she seems very skilled although little happens on the screen (maybe to keep the comedy going). Her straight friend is there simply to react to the newfound sexual interest from her life long friend. Their gay guru is the thinking person, both parents are there as a caricature of "sexually politically correct" parents, but while the gay young man delivers deep suggestions and advice, the parents seems too busy with their own life to react to their kids in any ways at all. What we learn about this all? Hedonism is the key driving the whole cast through a cliche which could only happen in a conventional and quite boring script. Perhaps "egoism" is far more interesting, and while he learn little about it is consistent in each character and event. One of those meaningless movies design for the LGBT community, but was it really necessary to invest time, resources and more to take it to the screen? Certainly these themes are serious, but how long it will take before they move on and stop being propaganda, and deliver content rather than containers only, especially when the container is so poor?