willsteenlandan

This is early Ritchie; unapologetically crypted, woven, streamlined and bolshy. Kant is repetitive & real and feels like an up yours to the 'biz' - any business to that matter but particularly this one.

The breakdown of weed etymologically rise to skunkhood is important. For this, social issues catergory, goes where few reporters have ever gone; that gentry lands of the country grubby hands moulding the youth crime in London. This is the surprise under the sleeves of the top notch suits / clothing - the external layers that identify the whose who in these well-heeled crews.

And, as matter of personal taste. The music element / Grime as a popular culture commodity opens Ritchie's voice to a whole new audience. Outsnading performances by perfectly cast Media loathing Hugh Grant ( perfect), Mr Hearthrob Mathew McConaughey, Henry Golding, Jeremy Strong and the the incredible Cockney Cleopatra Michelle Dockery - who is perfect, raw and her nature on screen has been missed, which just proves that more women characters only increase the value to any 'gangster' genre film - Goodfellas wouldn't be Goodfellas without the women.

Don't miss out watch it on the big screen, it's worth every penny.

This is missing from your voyeour menu. As the title indicates it is unbelievable - excuse the pun - the story perfectly weaves through sharp suspense and soft tension punctuated by ( again, pun alert) unbelievable dynamic characters that feel wholeheartedly natural. A layered story based on true events, layered story structure which keeps you hooked in the human nauance of it all: rape, I have often said on here, is rarely approached but once in a whole through a short film or a true original series like Unbelievable it is told with heart and a craft of sophistication you have never seen before, particularly never before from Netflix. Do yourself a favour and don't waste reading or hearing about it, just dare to dive in - it will not disappoint - in fact you might just like yourself a bit more for darling to watch a bold powerfully dramatised piece of work. Toni Collette, Merritt Weaver, have a discernible taste for good lasting penetratble characters - one to watch, the talent that is Kaitlyn Dever whose performance is magnetic.

Another film I watched during LFF 2019, is an absolute must see. Two brothers, caught in a dark bold twisted story on fame, fortune, sex, drugs and murky secrets. It is a film on the power of self- compassion and human spirit. It is moving to see the abuse play out a mysterious coercive thriller-like way. Congratulations to the brothers behind this phenomenal personal true story.