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Reviews6
victor89's rating
British actor Terence Hardiman, who played an abbot in the excellent series "Cadfael" and a Luftwaffe major in another excellent British TV series "Secret Army" had a tiny bit role in the movie. He appears as a survivor in the aftermath of a vicious firefight with Japanese troops, grouped around the colonel who hastily arrived at the sight to inspect the conditions of his men. I suppose he was just a nobody at that time.
This is a highly recommended black and white film for war movie buffs. Very rarely aired on TV.
This is a highly recommended black and white film for war movie buffs. Very rarely aired on TV.
The film hijacks a complex social conflict and turns it into a David and Goliath story of good guys versus bad. In so doing, it whitewashes the historically reactionary role of the Catholic Church in Mexico. One cannot imagine how such an approach would convince or educate any viewer, including those not at all familiar with the history of this conflict. As befits a one-dimensional propaganda film, the performances are mostly flat and cartoonish.
It is ironic that a movie that purports to represent a popular struggle in defense of religion pointedly ignores the main protagonists: the peasants themselves, both as individuals and in their collective action. Throughout the movie, neither the peasant forces, nor the government soldiers that are sent against them are ever depicted as real human beings.
This movie's celebration of faith and charisma—reduced to the cry 'Long Live Christ the King!'—is a crude effort to obscure the underlying class conflicts that gave rise to the real Cristeros, a social movement that is not widely understood .... Victorious in the Mexican Revolution, the Constitutionalist Army, led by Venustiano Carranza, Álvaro Obregón and Calles, had defeated the peasant armies of Pancho Villa and Emiliano Zapata. The new regime was incapable of resolving a central issue over which the Revolution had been fought, the redistribution of land.
The slow and erratic pace of land distribution under Carranza, Obregón and Calles confirmed to the peasantry the military government's timidity in confronting the large and powerful landowners. The immense properties of the church constituted an important source of economic stagnation and social instability. Efforts in the 19th century to force the church to rent out its land to others, let alone to surrender ownership, met with fierce opposition.
According to historian Jesús Silva Herzog the peasantry and the working class confronted a "demonic triumvirate:" the great landowners, the military, and the Church. "Three tragic words define Mexican history: haciendas, sacristy and barracks." Lacking a revolutionary party and isolated from the workers, the rebellion of Mexican peasants was hobbled by the Catholic Church. Desperate peasant and Indians threw themselves into battle during the Cristero War ideologically imprisoned by Catholic dogma.
Had the Cristero War merely pitted the government of President Calles against the Catholic establishment, it is unlikely that the unprecedented brutality—the mass repression of peasants, the burning and looting of their towns—would have taken place. Historically, ruling classes reserve this kind of gross brutality to the rebellion of the most oppressed: peasants, workers or slaves.
It is ironic that a movie that purports to represent a popular struggle in defense of religion pointedly ignores the main protagonists: the peasants themselves, both as individuals and in their collective action. Throughout the movie, neither the peasant forces, nor the government soldiers that are sent against them are ever depicted as real human beings.
This movie's celebration of faith and charisma—reduced to the cry 'Long Live Christ the King!'—is a crude effort to obscure the underlying class conflicts that gave rise to the real Cristeros, a social movement that is not widely understood .... Victorious in the Mexican Revolution, the Constitutionalist Army, led by Venustiano Carranza, Álvaro Obregón and Calles, had defeated the peasant armies of Pancho Villa and Emiliano Zapata. The new regime was incapable of resolving a central issue over which the Revolution had been fought, the redistribution of land.
The slow and erratic pace of land distribution under Carranza, Obregón and Calles confirmed to the peasantry the military government's timidity in confronting the large and powerful landowners. The immense properties of the church constituted an important source of economic stagnation and social instability. Efforts in the 19th century to force the church to rent out its land to others, let alone to surrender ownership, met with fierce opposition.
According to historian Jesús Silva Herzog the peasantry and the working class confronted a "demonic triumvirate:" the great landowners, the military, and the Church. "Three tragic words define Mexican history: haciendas, sacristy and barracks." Lacking a revolutionary party and isolated from the workers, the rebellion of Mexican peasants was hobbled by the Catholic Church. Desperate peasant and Indians threw themselves into battle during the Cristero War ideologically imprisoned by Catholic dogma.
Had the Cristero War merely pitted the government of President Calles against the Catholic establishment, it is unlikely that the unprecedented brutality—the mass repression of peasants, the burning and looting of their towns—would have taken place. Historically, ruling classes reserve this kind of gross brutality to the rebellion of the most oppressed: peasants, workers or slaves.