mikrift

Disappointing to see this film receive so many poor reviews. Don't forget it was made not long after talkies became a reality, so technically its not really going to excite you with innovations or receive any accolades. However the acting and the emotional drama sparkles through. Admittedly, the Devil's Island section is wholly morose and casts a shadow on the movie's brisk pace, but generally it excels in cliff hanging surprises (for that Hollywood period anyway). The songs are nostalgic and typical of the period, so you'll enjoy them if you are familiar with the music of the period. Merle Oberon is a stunning beauty as usual and makes this film well worth watching if for no other reason.

Very slow to gain momentum, but once it does it chugs along at an acceptable pace. Richardson may be an impeccable Shakespearean actor, but on the big screen he is far less convincing. Leighton excels as the dutiful wife who will do anything for her suffering husband. Of course we laugh at those traits in this modern age of feminism, but what a comfort dutiful wives must have been for men of that era. The plot is very predictable and somewhat rigid given the base cause: (amnesia), but it is handled very well by the direction of Richardson that you could be excused for mistaking it for a Hitchcock movie. All in all, an enjoyable film.

Excellent camera work, colour and photography is what stands out in this film that is way ahead of its time technically. Some Hitchcock movies decades later provided the same fil clarity and detail which makes watching the film that much enjoyable. The Cecil B DeMillesque spectacle of hundreds/ thousands on horseback charging at each other provides some exciting action which is a wonder to behold. Apart from Maria Montez and Richard Lane providing the glamour to keep you interested, the story line does not seem to better a children's Saturday morning half-hour drama syndication. A movie you can watch with your brain in neutral.