faffaflunkie
Joined Sep 2014
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faffaflunkie's rating
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faffaflunkie's rating
I have to say that I always have loved this episode.
In fact despite the technological superiority that shadowy crime syndicate "Mercury" displayed in construction of a circa 1945 era atomic bomb they pretty much demonstrated why no city has ever been hit by nuclear terror.
The plot basically is that mysterious and well-funded gangsters have a nuclear bomb factory somewhere in Honolulu- and will deliver the destructive device by moving van. Yes- you heard me right- an atomic bomb delivered by diesel.
The plot hinges on the watchman for the building at ground-zero signing for a five-ton parcel, which is emanating a loud ticking noise- on a Saturday no less. I bet that HE got fired.
There is a subplot about a radiological test which kills the bomb designer- and Danno giving the order to blow up a plane carrying a hundred million dollars- which is all the money in the West Coast- in cash. I certainly hope that McGarrett wrote down the serial numbers for all those bills.
Now if a nuke could just be made that fits in a suitcase....................................
In fact despite the technological superiority that shadowy crime syndicate "Mercury" displayed in construction of a circa 1945 era atomic bomb they pretty much demonstrated why no city has ever been hit by nuclear terror.
The plot basically is that mysterious and well-funded gangsters have a nuclear bomb factory somewhere in Honolulu- and will deliver the destructive device by moving van. Yes- you heard me right- an atomic bomb delivered by diesel.
The plot hinges on the watchman for the building at ground-zero signing for a five-ton parcel, which is emanating a loud ticking noise- on a Saturday no less. I bet that HE got fired.
There is a subplot about a radiological test which kills the bomb designer- and Danno giving the order to blow up a plane carrying a hundred million dollars- which is all the money in the West Coast- in cash. I certainly hope that McGarrett wrote down the serial numbers for all those bills.
Now if a nuke could just be made that fits in a suitcase....................................
I see the same reviews over and over again- that damn "To Live and Die in LA" (sic) as an "80's Movie".
Well is "The French Connection"- which is set in 1963- a "60's Movie"? Was Friedkin's "Cruising" which show gays popping poppers in a pre-AIDS world a "70's movie"?
For that matter if you order french-fries does the make you "French"? If you order a Polish sausage does that somehow turn you into a Polak? Well it might if you order one in a Laundro-mat.
That's about how I feel about this movie.
Meet special agent Richard Chance (William Petersen) who apparently joined "The Service" for the same reason that Euro trash are joining ISIS- for the rush.
Now like all of William Friedkin's movies there are multitudes of interesting shots- from the endless refineries of the Harbor Gateway to tough-looking street agents in their cluttered vestibules and walking, guns bulging from underneath leather jackets, through labyrinths of tunnels under the Federal Building- something the public just doesn't get to see.
As you get from the other reviews the lynchpin- and the major selling point- of "To Live and Die in LA" is an apocryphal car chase through the streets of Los Angeles that causes a major traffic tie-up.
But before the big chase it really should be apparent that Agent Chance (Petersen) has gone from mad-man on a mission to looney psychopath when he is told that he can't take down a "Chinaman" (remember that this is still the '80's) who will be carrying $50,000 dollars- it's the '80's you know and that was a lot of money then. Agent Chance, a lawman trusted to protect the president- then tells his informant that he can do anything he wants.
But like flipping a light switch- almost like the director had watched too many Eddie Murphy movies- the characters turn not just likeable- but downright cute.
Not to get too graphic but the movie shows gunshot wounds that look like they are out of a medical textbook. You can Google ".357 magnum suicide" and pretty much get the drift of the end of the movie.
But wait! Google "Alternate Ending" of this movie- and you will see that "To Live and Die in LA" really could have been an "80's" film- Ferris Bueller's day off with a green eye shade- as a counterfeiter?
Well is "The French Connection"- which is set in 1963- a "60's Movie"? Was Friedkin's "Cruising" which show gays popping poppers in a pre-AIDS world a "70's movie"?
For that matter if you order french-fries does the make you "French"? If you order a Polish sausage does that somehow turn you into a Polak? Well it might if you order one in a Laundro-mat.
That's about how I feel about this movie.
Meet special agent Richard Chance (William Petersen) who apparently joined "The Service" for the same reason that Euro trash are joining ISIS- for the rush.
Now like all of William Friedkin's movies there are multitudes of interesting shots- from the endless refineries of the Harbor Gateway to tough-looking street agents in their cluttered vestibules and walking, guns bulging from underneath leather jackets, through labyrinths of tunnels under the Federal Building- something the public just doesn't get to see.
As you get from the other reviews the lynchpin- and the major selling point- of "To Live and Die in LA" is an apocryphal car chase through the streets of Los Angeles that causes a major traffic tie-up.
But before the big chase it really should be apparent that Agent Chance (Petersen) has gone from mad-man on a mission to looney psychopath when he is told that he can't take down a "Chinaman" (remember that this is still the '80's) who will be carrying $50,000 dollars- it's the '80's you know and that was a lot of money then. Agent Chance, a lawman trusted to protect the president- then tells his informant that he can do anything he wants.
But like flipping a light switch- almost like the director had watched too many Eddie Murphy movies- the characters turn not just likeable- but downright cute.
Not to get too graphic but the movie shows gunshot wounds that look like they are out of a medical textbook. You can Google ".357 magnum suicide" and pretty much get the drift of the end of the movie.
But wait! Google "Alternate Ending" of this movie- and you will see that "To Live and Die in LA" really could have been an "80's" film- Ferris Bueller's day off with a green eye shade- as a counterfeiter?
Episode One, Season One. The Rockford Files' solid regular season debut brings us an Only-in-Los Angeles phenomenon. Larry Kirkoff (James Woods) is a wealthy double Murder suspect who's rich and free even though everybody KNOWS he is Guilty- Even the man he hires to Find the "Real Killers" of his parents- the erstwhile P.I., in constant suffering under the opprobrium of Kirkoff, Jim Rockford.
The clock is ticking as the cops are waiting to make their case against Woods air-tight with a key piece of evidence so that the vile Kirkoff (Woods), for whom to know is to despise, doesn't walk off into the sunset with his parents' fortune.
A noirish thriller with the pocked-marked James Woods at his most intense. Woods comes off as combination of Leopold/Loeb and the Menendez Brothers as he tries to evade the wrath coming to him.
I see someone already gave away the surprise ending- too bad. But this episode is worth watching, if just for the skin-crawling performance by Woods.
The clock is ticking as the cops are waiting to make their case against Woods air-tight with a key piece of evidence so that the vile Kirkoff (Woods), for whom to know is to despise, doesn't walk off into the sunset with his parents' fortune.
A noirish thriller with the pocked-marked James Woods at his most intense. Woods comes off as combination of Leopold/Loeb and the Menendez Brothers as he tries to evade the wrath coming to him.
I see someone already gave away the surprise ending- too bad. But this episode is worth watching, if just for the skin-crawling performance by Woods.