hikerhetav

This was way weird than I had anticipated. The story was way simpler than some of its other themes, yet the direction is complex enough to keep us expect the unexpected. Enjoyed a bit, but I expected something more which I myself can't comprehend.

Competitive recommendation for Gorge, yet I feel sorry for it felt short of what was expected.

This is the most beautiful movie I've ever seen in recent years and it's accompanied by some mesmerizing music and cinematography. Mishima could become a foundation stone to explore more of his directorial ventures which are heavily praised around.

I understand this film was not supposed to be plain comedy, because usually comedies emerge from a normal situation having people acting normally and in their manners or errors patrons find humor. In other cases actors have to be really skilful and playful with their tricks to tease the sense of humor of viewers (like Chaplin or Keaton or Jim Carrey). Some dark comedies have smart dialogues that give hints to viewers about what exactly the story wants them to giggle about.

None of the cases are found easily in THY. It's shown that the characters are dysfunctional and some of their acting shows this clearly. However, for most of the part the actors are seemed to be forcing themselves too hard to be like that. The concept of film was still appreciable, but acting was just so monotonous and one-dimensionally flat that I couldn't feel any emotions at all.

The dialogues reminded me of the style of narration in The Importance of being Earnest.

P. S. And yes, I do like Hollywood comedies. Wedding crashers and Yes Man are still funny to me even after more than 15 years of their release.