samxxxul
Joined Feb 2013
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samxxxul's rating
Pay attention! As usual this is a difficult movie for the masses to follow and a bit hard to sit through. But trust me what Uppi has shown is a universal struggle. So many things summed up from origin, present and the crumbling 🌎 i.e is U & I.
I think some people are confusing this film's as depiction as the end of the world. But This film, man, it's like a glitch in the Matrix. You think you're watching a story, but it's all a puzzle, a game. Upendra, he's playing with your mind, throwing curveballs at you every step of the way. And the dialogue, forget about it! It's all riddles and paradoxes. You gotta think deep, man, really deep, to understand what he's trying to say.
But hey, that's the beauty of it, isn't. But hey, it's a wild ride. You gotta hand it to him, he keeps you guessing till the very end. Just be prepared for your brain to take a vacation after watching i
Nope rethink!!!
U&I.
I think some people are confusing this film's as depiction as the end of the world. But This film, man, it's like a glitch in the Matrix. You think you're watching a story, but it's all a puzzle, a game. Upendra, he's playing with your mind, throwing curveballs at you every step of the way. And the dialogue, forget about it! It's all riddles and paradoxes. You gotta think deep, man, really deep, to understand what he's trying to say.
But hey, that's the beauty of it, isn't. But hey, it's a wild ride. You gotta hand it to him, he keeps you guessing till the very end. Just be prepared for your brain to take a vacation after watching i
Nope rethink!!!
U&I.
Mark my words, this will be remembered as one of the best films of the year. It's a heartwarming movie with a great slice-of-life, some bittersweet added with a touch of bromance. In an era of formulaic blockbusters and Interval bangs this film is a refreshing change. It expresses a lot that is happening in society, inside the family, within humans, and the self-discovery while keeping it grounded, rooted, and minimalistic.
A character-driven story focused on Arul (Arvind Swamy), who returns to his hometown with a sense of ambivalence. We as a viewer travel along with this character. On the other hand, Karthi, a mysterious character as ordinary as the sun's daily rise, has a knack for getting into quirky situations. We see the story unfold between these two as they spend a night and the trip is a rollercoaster of emotions, from nostalgic flashbacks to awkward encounters. And let's not forget the classic "miss the bus because your someone insisted on tea" moment. That's one of the funniest sequences during the interval.
There are heartwarming moments, and one of my favorites involves a phone call between Arul's father (Jayaprakash) and Raj Kiran, who delivers a remarkably natural performance. Also, the wedding sequence, culminating in Arul gifting his sister, is beautifully staged. Additionally, Kamal Haasan's soulful 'Yaaro Ivan Yaaro' song placement in the beginning and the pre-climax is done so well.
Director Prem Kumar stages everything brilliantly with the unending sound of the biosphere. Set in Thanjavur, it sums up the tone of the film as a conjunction between ecology and humans. His ability to blend melodrama with characters is his biggest strength, accentuated by good acting.
The visuals are ideally combined with subplots, and the authenticity in mixing the local culture, history, and especially Jallikattu, is beautifully done. It doesn't falter the narrative and isn't an overkill. The relationships don't cross the line of going overboard, and the idea of coexistence is shown with so many happy moments.
Oh, almost forgot about the background score. The entire film is loaded with bittersweet to happy scores that speak more or less sometimes, as the silence also does the talking.
I know we had "Vaazhai," "Jama," "Kottukkali," and "Lubber Pandhu" last week, but trust me, "Meiyazhagan" is a fresh breath of air. It impresses with its variety of forms and feelings. There are no bleak moments, cringe love stories, or sermons on oppression. There are references like the Sterlite issue, but it is handled well with no genre shift.
Final thoughts, I can go on and on but will not be able to capture all its beauty in writing. In the end of this film, you are uplifted and also feel a bittersweet joy.
A character-driven story focused on Arul (Arvind Swamy), who returns to his hometown with a sense of ambivalence. We as a viewer travel along with this character. On the other hand, Karthi, a mysterious character as ordinary as the sun's daily rise, has a knack for getting into quirky situations. We see the story unfold between these two as they spend a night and the trip is a rollercoaster of emotions, from nostalgic flashbacks to awkward encounters. And let's not forget the classic "miss the bus because your someone insisted on tea" moment. That's one of the funniest sequences during the interval.
There are heartwarming moments, and one of my favorites involves a phone call between Arul's father (Jayaprakash) and Raj Kiran, who delivers a remarkably natural performance. Also, the wedding sequence, culminating in Arul gifting his sister, is beautifully staged. Additionally, Kamal Haasan's soulful 'Yaaro Ivan Yaaro' song placement in the beginning and the pre-climax is done so well.
Director Prem Kumar stages everything brilliantly with the unending sound of the biosphere. Set in Thanjavur, it sums up the tone of the film as a conjunction between ecology and humans. His ability to blend melodrama with characters is his biggest strength, accentuated by good acting.
The visuals are ideally combined with subplots, and the authenticity in mixing the local culture, history, and especially Jallikattu, is beautifully done. It doesn't falter the narrative and isn't an overkill. The relationships don't cross the line of going overboard, and the idea of coexistence is shown with so many happy moments.
Oh, almost forgot about the background score. The entire film is loaded with bittersweet to happy scores that speak more or less sometimes, as the silence also does the talking.
I know we had "Vaazhai," "Jama," "Kottukkali," and "Lubber Pandhu" last week, but trust me, "Meiyazhagan" is a fresh breath of air. It impresses with its variety of forms and feelings. There are no bleak moments, cringe love stories, or sermons on oppression. There are references like the Sterlite issue, but it is handled well with no genre shift.
Final thoughts, I can go on and on but will not be able to capture all its beauty in writing. In the end of this film, you are uplifted and also feel a bittersweet joy.
At last, the widely discussed Rajamouli curse myth has been shattered. While not the greatest feat, it's still a major victory considering the curse's track record and the film's stars' previous box office mishaps. Believe me, a 6-star rating is not to be underestimated, and "Devara" is certain to entertain and impress in parts and certain aspects!
Devara is one of the much-hyped films of this year. From the commanding "Man of Masses" title card to the chilling stone inscription written in blood during the interval, the movie is a non-stop barrage of a killer background score. Anirudh's innovative use of the "All hail the tiger" motif in various moods is mesmerizing.
I expected a decent commercial outing with the formulaic narrative to interval bang and pre-climax setup with a few high moments. The first half delivers on this expectation, offering a satisfying blend of cheesy crowd-pleasing moments and commercial masala tropes. It's like the slice you always reach for first.
Unfortunately, the second half of the film doesn't live up to the promise of the first. It feels like a rerun of some old masala films, and the jokes are a bit of a miss. The comedy serves as overkill, and the female characters humor is like trying to laugh at a Nirmala Seetharaman's problem. The actress, well, let's just say she's of no use. You could take her out, and nobody would even notice.
On the positive side, Anirudh Ravichandar's background score elevates many generic scenes. The cinematography in the first half is also a boon to the film. The climax twist adds an unexpected element to the otherwise generic narrative. And don't forget the long but decently staged action sequences, reminiscent of the ocean itself.
And NTR? He is an absolute sea monster of acting talent. He shoulders the film throughout and manages to save it from completely sinking.
To wrap it up, Devara is totally worth checking out if you're in the mood for a fun, mindless action-packed flick. It's got a killer soundtrack, amazing visuals, and JR NTR absolutely killing it.
Devara is one of the much-hyped films of this year. From the commanding "Man of Masses" title card to the chilling stone inscription written in blood during the interval, the movie is a non-stop barrage of a killer background score. Anirudh's innovative use of the "All hail the tiger" motif in various moods is mesmerizing.
I expected a decent commercial outing with the formulaic narrative to interval bang and pre-climax setup with a few high moments. The first half delivers on this expectation, offering a satisfying blend of cheesy crowd-pleasing moments and commercial masala tropes. It's like the slice you always reach for first.
Unfortunately, the second half of the film doesn't live up to the promise of the first. It feels like a rerun of some old masala films, and the jokes are a bit of a miss. The comedy serves as overkill, and the female characters humor is like trying to laugh at a Nirmala Seetharaman's problem. The actress, well, let's just say she's of no use. You could take her out, and nobody would even notice.
On the positive side, Anirudh Ravichandar's background score elevates many generic scenes. The cinematography in the first half is also a boon to the film. The climax twist adds an unexpected element to the otherwise generic narrative. And don't forget the long but decently staged action sequences, reminiscent of the ocean itself.
And NTR? He is an absolute sea monster of acting talent. He shoulders the film throughout and manages to save it from completely sinking.
To wrap it up, Devara is totally worth checking out if you're in the mood for a fun, mindless action-packed flick. It's got a killer soundtrack, amazing visuals, and JR NTR absolutely killing it.