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I worked in EMS for years and it's hard to watch most medical shows with all the ridiculous "TV" medical procedures. I never understood why shows wouldn't do some homework to get things right - this show did! Not only were the medical scenes accurate, the story is amazing (to be expected from any John Wells show). The acting is top notch, it's great to see Dr. Carter in his senior years (yes, he's Dr. Robby, but ER fans know who he REALLY is...). There are no weak spots in the cast - they are all great actors - so are the guests. All good and all bring it. The direction is awesome, the lighting is great (I'm so sick of dark shows that seem to be the trend). The make up is amazing! I've seen the trauma depicted in real life and TV shows rarely look accurate. One last plus - no trigger warnings! Thank you! A trigger warning is a plot spoiler - if trauma on TV is upsetting to you go watch Paddington Bear (which is seriously excellent).

I worked in EMS after training at a large teaching hospital. I rarely watch medical shows because the portrayal of medicine is so dumbed-down and inaccurate. I understand that it's a show and some license will be taken, but at least put in some effort to help me suspend disbelief. The Pitt puts in major effort to get it right (which I expect from creator of 'Southland' John Wells, one of the few cop shows that did it more accurately than most). ER's are places of extreme excitement, sadness and humor (the rat scene alone beat many comedies made today). It's fun to be a couple episodes into a medical show and looking forward to more instead of rolling my eyes and moving on.

Being Hollywood we get the usual moralizing, but most shows lecture while delivering inane dialogue with one dimensional characters. Give me a solid story in a realistic setting with great characters and I can sit through a fair share of finger-wagging. It's great seeing Noah Wylie in a hospital again, especially as a veteran doctor surrounded by fresh-faced medical rookies like he was in ER. The acting has been great from everyone. I recognize so many of these personalities from a career around this environment. The Pitt is a great new show.

I wasn't in Long Beach, but I was a CA street cop and this show catches the tone, cross-talk and culture well (so far, I'm halfway through the series). There are very few shows that accurately do that (two others being Bosch and Southland). But unlike those shows, it's only 30 minutes.... one of the few cop dramas I've seen in a 30 minute format since Adam-12, and I like it.

It follows a trainer and trainee unit, Officer Harmon and Officer Diaz (Troian Bellisario and Brandon Larracuente) patrolling in Long Beach, CA. You have the usual drama you've seen on COPS that comes from responding to patrol calls, plus the rookie needing to apply the academy to real life, conflicts of cultures and work eras.

When Harmon and Diaz are told to stand by and observe street drifters at an intersection, the rookie is frustrated at the inability to do anything. The show has the "old-school" cops that remember being able to react to a crime, not just observe. Sergeant Lasmen and Officer Barlowe (Eric LaSalle and Mac Brandt). LaSalle is always great as a competent, but endlessly frustrated by the system, employee (which he mastered on ER). There are tidbits he brings to the character, like a quick swig from a non-labeled baby-blue bottle never addressed, but anyone that's had heartburn will recognize as antacid. LaSalle also directs most the episodes.

Brandt's Officer Barlowe feels a bit darker. He's reminding me of a character from a Joseph Wambaugh book. Officer Barlowe's handling of a homicide body part had a hint of Rosco Rules from The Choirboys.

If you enjoyed Bosch and Southland, you should like On Call. If you don't like those shows you should still check this out because at only 30 minutes it's quick and you might find something else on the show that works for you.