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Reviews
Caddo Lake (2024)
Pleasantly Surprised
I had no clue what this movie was about before watching, which made it even better. I love brain twisty time travel sci-fi flicks, and this fit the bill. The setting was well chosen (eerie and mysterious swamp/lake) and the cast was great. Even with the broken family dynamic, there wasn't too much over-acting. It can sometimes be confusing to follow the various timelines, but it all comes together at the end. It was a bittersweet conclusion, but still satisfying in tying up lose ends and offering healing. I might actually give this is a second watch, seeing it through different eyes. I know M. Night movies can be hit or miss, but this one is solid and deserving of consideration.
Witch (2024)
It tried
The shills are enthusiastic, I see. If you read the bogus reviews on here, hopefully your common sense kicked in and saved you from an hour and 40 minutes of what is clearly not a 10 (or 8 or even 5 star movie). I was just scrolling Prime and stumbled upon it, otherwise I usually check reviews first. I gave 3 stars out of generosity for the actors who tried really hard and the courage everyone had to film this to completion. But I struggled mightily with the incongruency throughout. At least get the basics down people- like authentic dialogue (no contractions!). Or making the "busy" village square a little busier (sprinkling 7 extras about does not a market make). I internally chuckled at the spacious and many-windowed abodes (glass was expensive back then) and thought 'how does such a prosperous place survive on the taxes of the 10 very dirty villagers milling about all day?' I got a kick out of the daughter wearing uggs as she played hide n seek in the "woods" (do 4 scrawny trees qualify as such?). I could go on, but why bother. I don't want to be mean- I've never made a movie so it's easy to judge. But I wish the plot made more sense. Adding the time travel element could have been interesting, but it felt muddled. The future dude's accent and looks were so different from present dude that it didn't jibe. Then he was mumbo-jumbo'ing stuff about men using fear to control people, but there's no need to fear the devil, yet we have to save wifey from the scary smoke demon who makes little girls chop off heads... so yeah. Tbh I kept nodding off so maybe I missed a key moment of clarity. Like where did the witchy voodoo book even come from?? Anyhow, if you're hankering for cheese and no meat, this might be up your alley.
Jared from Subway: Catching a Monster (2023)
Another Drama Doc
It bears repeating that editing has become a lost art. This should have been 60 minutes focusing solely on the actual topic, not fluff and filler that goes nowhere. The Rochelle saga was interesting for about 5 minutes, which is about as long as her segment should have been. I thought it would lead somewhere, but like so many crap documentaries now, it's all click bait. I'm so exhausted by lame slow-motion reinactments that have zero relevance, or side characters like Rochelle's estranged son and former coworker. Like wtf do they have to do with anything?! All the meat and potatoes are then crammed into episode 3, leaving viewers scratching their heads about what the hell went so wrong. And the terrible makeup job on the main character (Rochelle, not Jared) seriously reduced any credibility the show feigned to have.
While Rochelle's vigilante methods were amateur and questionable, I must admit I'm disturbed by reviewers who think she was Jared's temptress to the dark side. There is ZERO justification for the monster he is. A decent human being doesn't drool over 'hot 11 year old Thai boys', no matter who's egging them on, unless you really live and think that way. His short sentence is a blemish on the justice system, and should have been more the focal point of this "documentary."
The Decameron (2024)
More!
Although at times very dark and serious, I found this oddball series quite funny and entertaining, even with hour long episodes. The soundtrack was chefs kiss, the setting and costumes lush, and the chemistry between characters spot on. It's heavily imbued with timeless moral issues, which was highlighted by the mix of modern music and vernacular and in no way ruined the overall effect for me. I don't need sex/ nudity to enhance anything, so I appreciate that it didn't go further than it did- the bulk of the storytelling and character interactions were plenty enough on their own. I preferred the villa intrigue to the mercenary plot points, so I grew a little bored of that, but Tony Hale carried this show beautifully and I grew rather fond of the bumbling and tiresome Tindaro, so I had no problem sticking around till the bitter end. This will obviously not appeal to a general audience, but it was right up my alley and I hope Netflix continues down this twisted path.
Zvyozdniy razum (2022)
So bad it was humorous
The film automatically started after "Monolith" ended- I guess Prime's data monkeys thought I'd appreciate this... whatever you call this. So I had to quickly look it up to see what Bezos was telling me to watch. Thankfully the reviews warned me, so I only watched enough to get a good chuckle before toddering off to bed where my dreams are in better quality. As already noted, the budget was clearly blown on decent CGI, so family members (or AI bots) were used as cast. What baffles me is that they look to be speaking English with their lips, but were then horrendously dubbed over with ridiculous non-Russian voices. Why not just let them use their real voices and speak English, or speak Russian so I can read subtitles and not have my ears assaulted? But it ultimately doesn't matter because the local theater troupe were beyond abysmal in any language. Laughable Alien/Predator knock-off where you hope the Alien wins.
Damsel (2024)
Brainless Entertainment
I was sucked in by the premise, but ultimately let down. As beautiful as it was, all I could think was "how sad that this is literally ALL greenscreen!", which ironically ruined some of the magic for me. The exception being the dragon- I really enjoyed the design of her. The dialogue and accents were horrendous and I honestly can't stand sappy sibling interactions- that is not my life's experience, so it just seems annoying and cheesy. Robin Wright, Angela Basset, and Ray Winstone were criminally underutilized, while Millie Brown went overboard with the screaming.
I enjoy watching brains over brawn, however there were too many issues that ruined my suspension of disbelief. Our damsel conveniently hallucinated a litany of prior victims, enabling her to discover a convenient map drawn with convenient chalk. The hallucination also told her that the whole backstory was a lie. It was literally at this point I started checking out. The numerous dress alterations were distracting for me, too. What happened to her shoes?! Maybe I missed that part. The girl fell so many bone-shattering times (and dusted herself off!) that I lost track. How did all the other girls manage to get across the Indiana Jones death-leap without a handy dagger, I also wonder? I know I'm nit-picking, but I'm middle aged and have seen soooo maaany movies in my life that it's getting harder not to notice the little things.
Our brave young damsel, who hails from the unforgiving and isolated North, manages to "defeat" the dragon where so many trained and armored beefy men failed before. How? We don't know really because there was zero character development beforehand (other than a short lived emphasis on her dead mother and a desire to see the world). No clue as to how Lora Croft decided to scrap together a makeshift decoy that necessitated an impromptu haircut, either. This was another huge eyeroll for me- not because it wasn't a good idea, but that it popped out of nowhere. And that she took all that time to cut and braid her hair ropes while the dragon had her beloved baby sis. Groan.
The ending was odd for me too. After ALL OF THAT, she still had strength to not only confront the fam at yet another fake wedding (sheesh that must be a lot of work), she exited the scene with a full-on hip swagger as her prince's face was melting off. If we're going to make a movie about girl power, why oh why do they still have to wear the slutty pirate costume and exude sexy danger? Are we not more evolved by now?
Am I upset I watched this? No. Am I upset it wasn't better? Yes. I rarely watch TV anymore, so when I do, I want it to be quality and worth my time. This was neither. It was a silly, pretty, dumb thing that missed it's potential. I suggest watching Princess Bride instead.
Eric (2024)
Bamboozled
The preview for Eric looked intriguing, thrilling even. What I got was a bloated social commentary that felt more 2024 than 1984.
Pros- good job on the 80s atmosphere- I think my mom had a lot of Cassie's outfits. NY could have been dirtied up a bit more, but it felt fairly authentic. I liked the main detective, although he seemed to be slow on the trigger at times. I'm not sure why we focused so much on his personal life, but at least it was interesting.
Cons- I like BC, but he truly exhausted me this time around. It was 200% in every scene with no breathing room. It was TOO MUCH. I couldn't emphasize with him because I was too busy trying to simmer down my own sensory overload. Despite that, there is zero context given on why his son was so terrified of him, which left a huge gaping hole in believing that plot line (there are several). Speaking of, too many subplots. I understand the general connection for most, but not sure what it had to do with the titular Eric. It should have been renamed, considering Eric was only one of many subplot characters. The writing went downhill after about the third episode, as it was trying to cleverly interweave too much commentary without enough meat or context. The ending became an absolute mess and almost comical. As dark and heavy as 99% of it was, the writers decided to throw in a feel-good park gathering with lackluster extras chanting about 'homes for all' where Vincent (BC) jumps on stage, in full Eric regalia, and gives his f-bomb love speech to his son. And because happy endings must be sappy, goofball dad races son home through the streets of NY, waddling in the savior Muppet suit. I guess the boy wasn't scared of dad anymore, cuz he beat dad home where they could hug it out and live happily ever after.
Very few likeable people, the son was a boring actor, plot holes and writing that didn't make sense or was out of tune, and watching the dad smoke meth (or whatever that was) in a filthy underground hobo tunnel was just too depressing (among several other moments). It was a bit of a let down overall. Not much to recommend anyone spending 6 hours of their life watching.
The Gilded Age (2022)
I'm Trying...
...To give this a chance. The first episode wasn't too bad, but it's getting hard to swallow after the second. As much as I ADORE period pieces, this comes across as too fake/stagey. Absolutely everything is immaculately clean, even the streets. A middle schooler could tell you how filthy the times were. Even the exterior of the "old" homes look like a Sesame Street set. It's disappointing that the main character lacks the necessary charm or believability required to carry the story (are we sure she's Meryl Streep's daughter?!) and it seems the show's intent was to deliver painfully wooden and anachronistic dialogue by all actors (good or otherwise). I'm honestly exhausted by the incessant conversations revolving around social status (and how things are changing!), the boring plot around the robber baron, and the bickering attitude from the main girl. Most characters are unlikable and their dramatic motives remain mysterious (I have to assume we'll eventually start learning why these people are hideous). It seems we are to sympathize with the greedy Russell's, which I most certainly do not. And while I normally like Carrie Coon, she's too heavy handed in this. In fact, many actors seem a bit miscast. (Can we PLEASE bring back the Downton Abbey serving staff?! This group is terrible). Thankfully, Baranski naturally steals her scenes and evokes a beloved Maggie Smith. For a satisfying period piece, watch "The Age of Innocence"... I plan to in the hopes of erasing this attempt from memory.
The White Lotus (2021)
Don't Understand the Hype... until Season 2!
Edit: I'm returning to edit my original review after Season 1, and I have to admit I was thoroughly impressed with the second season (a very rare feat indeed). The setting in Italy brought so much interest and life to the story- a huge character in and of itself and weaving in cultural legend/ mythology enhanced the storytelling. The characters and plots this time around were much more engaging and accessible, too. The music was edited more wisely as well, not overpowering the scene or actors. This was a solid cast and I always enjoy watching Tom Holland *chefs kiss*. While the ending was a bit depressing, I finally got my Agatha Christie fix (which just makes sense in a show like this) and felt the storytelling was much more nuanced than before, allowing the viewer to substitute their own thoughts, feelings, and experiences through these characters. I'm so glad I tried the show again and hope it continues to get better from here. If you, like me, had doubts after the first installment, I encourage you to give this one a go. (Only 7 stars because the first session was a miss).
Original review: Despite a solid cast of actors, White Lotus wilted from lack of originality or meaning. A social commentary on elitists? An unfair class system? Racism? Nothing new to see here, folks. Just a bunch of stereotypes playing within their prescribed box. With hardly any sympathetic characters, it's hard to care about anyone at any given time. An affluent bickering family with uber busy Mom, snarky and unfriendly daughter, bumbling Dad, and loser son? Check. Unhappy newlyweds, one having an existential crisis while the other is a royal D-bag? Check. Put-upon staff and island natives who suck up to said horrid guests just to make a living? Check. Again... nothing new. I thought this might play out like an Agatha Christie novel which might have earned it some points, but no- nothing mysterious happening at the Lotus. With ample time to allow character develop, it still felt rushed and prescribed, wrapping up a seemingly 30 minute TV episode over the course of 6 hours. The scenery was gorgeous, although oddly yellowed to create some drama I'm sure. And the music, while charming at first, quickly grated on my nerves; very repetitive and loud. Perhaps less chorale singing next time and more subtle instrumentals, please. I think the idea behind the movie sounded more appealing than the actual execution of it, unfortunately. And the ending didn't make a whole lot of sense (the tortured bride SUDDENLY decides to stay with the D-bag and the 16 yr old ends up running from the plane to jump in a canoe... if there's some deeper meaning to be found, I'd appreciate some insight). I think the only storyline that actually felt realistic was Coolidge's kooky character disappointing Belinda, the put-upon spa director. I can easily picture this scenario playing out and even engages social commentary in an interesting way, more so than any of the other storylines. And while the production value was impressive, it was cheapened with hairy balls, an unappealing sex scene, and a very visual and crass defecation. It just created dissonance for me as this isn't intended to be a frat house comedy, yet had quite a few moments where I felt very much in one. I truly don't understand the hype behind this as I've seen MUCH better storytelling with a lot less pomp and circumstance. And while quite underwhelmed and disappointed, I will give the second season a shot to see if there's been any improvement.
Leave the World Behind (2023)
Interesting Take on Apocalypse
Even with mixed reviews I was intrigued by the premise. After 2.5 hours, I wasn't entirely disappointed. In this type of film/genre, I enjoy watching the human relationship dynamics play out and with a solid cast of actors, I was rewarded with pretty good performances (although I get easily annoyed with "the children" in these scenarios). Of course there are plot holes, suspensions of disbelief, and characters doing idiotic things. But I think the ending was fairly appropriate as social commentary- that we run from unpleasant truths to what is comfortable and makes us happy- and as an open end because as we've never been in this situation, we truly don't know 'what's next.' I'm not sure how the animals were trying to communicate with people (but nature is always cool to watch) and I guess we could say a "Friends" obsession ultimately saved some people, but I prefer to think the ending is left up to our imagination. We've seen enough apocalypse films to know it won't be pretty.
Style wise, some of the camera shots made me dizzy, but I appreciate the creativity. And the soundtrack was very mid-century noir ala Hitchcock which was an interesting choice, but I definitely noticed how both were effectively used to ratchet up the tension. Overall, I don't regret spending my time on this.
The Big Nailed It Baking Challenge (2023)
Nailed It!
This is definitely a spinoff of the original show which is totally fine by me. The contestants are likeable (which is rare... usually they can be annoying/ fame hungry) and I enjoy seeing their progress each episode. It's fun to learn from the coaches and a blast to watch the losers get a free shopping spree with the help of Wes. And as always the highlight is Nicole- how she makes me laugh! One star off because I don't get enough of the judges on this version. I don't know what masochist comes up with these cake ideas, but I'm here for it. I hope this show (any version of them) never go away!
Blown Away: Christmas (2021)
Very Cool (err... hot)
First of all, I LOVE that people keep such an awesome art form alive. Mind blown. But I wish there was more focus on the artists than on the terrible chemistry exhibited by the hosts. The guy has ZERO experience and shouldn't even be a judge (let alone try to be funny), while Katherine is definitely qualified but seems uncomfortable trying to be an "entertaining host." To the reviewers who disagree with the theme, the contestants weren't complaining so why are you? They took each challenge and interpreted it relative to their experience which I think made it even more interesting. They didn't have to go on the show if they hated the holidays, so get over it. But like most, I agree that episode 1 was ridiculous in voting off Andi who made a gorgeous piece versus the guy who didn't even finish his. Pitting contestants with similar skill levels against each other is a lot more thrilling than watching questionable judging policies. I'm a nerd and would have appreciated more "learning" but I know that wasn't the purpose here. 7 stars for gorgeous set production and cinematography without too much artist commentary/interviews cutting into the real star of the show which is the blowing. There was a Food Network holiday competition a few years ago featuring a NY glass blower vs a cake maker and it was fascinating to see the technique, stress, and choreography that goes into this art form. We don't need goofy hosts- just more glass!
Squid Game: The Challenge (2023)
Meh
There's no way this can be mistaken for season 2 of Squid Game- it's very obviously a reality game show spin-off. I'm not the biggest fan of these type of shows, but I gave it a try. Unfortunately, aside from the beautiful set pieces (a la original Squid Game), there is nothing much to crow about. The show focuses on only a handful of annoying stereotypical characters with a loop of cliché "interviews" that suck up screen time, wheras the games should be the star. The manufactured drama, tears, retching sounds (ok, that guy Spencer was so ridiculous, it was hilarious), and just how hard they were trying to be serious was a big turn off. I probably won't make it through the whole thing cuz I just don't care. And I'll die happy if I never here "Let's goooooo" again in my life.
Coming from just watching "The Devils Plan" (which was almost pitch perfect), this was quite lame. Definitely watch that mindbender instead!
A Savannah Haunting (2021)
FAKE REVIEWS!!
This is a hallmark "thriller" packaged as a true story, which it isn't. Capitalizing on a creepy, poorly decorated house in the South does not a horror movie make. Every trope and kitchen sink was thrown in, including a super weird teen lesbian relationship that had no bearing on the story. It just came across as a horny middle aged writer desperate for some young girl on girl porn. Major ick. The storyline was tedious, especially when characters don't behave and respond in rational ways. There's the classic medium character that keeps getting rebuffed, even though a 5 minute conversation would have cleared up everything. And don't get me started on the ending. It tried to channel Amityville but just ended up with a cheesy and incoherent mess. The bloody demon at the end with the cliché stilted walk was ridiculous, much like everything else in this movie. Not sure why a basement door was located in the boys bedroom closet, but sure why not. Funny how no one noticed it until the last 10 minutes of the movie. And we're left not knowing what happened to the family which is a total cop-out, but the mom gets to live as a catatonic humming idiot. Ugh. The 10 star reviews are obviously fake, but were more entertaining to read than this was to watch.
The Necromancer (2018)
What in the hell did I just watch?
2 stars for some decent cinematography, but this was a hot mess from start to finish. I don't care how low your budget, bad wigs are a death knell. And research is free, so there's no excuse for inaccurate history. I've seen better versions done of "guilty-conscience-voices in the forest," so there was no point in making a poor imitation. These battle weary men are awfully clean and their backstories aren't terribly interesting... I couldn't even tell you any of their names. The acting might have been more noticeable if it weren't for the constant interruption from cut scenes and flashbacks, but the majority I actually paid attention to was fairly poor (especially from the women for some reason). The horror parts were ok, but the ending with the necromancer was laughable. The 10 star reviews are written by their own people which is even worse... Captain Obvious much?
The Menu (2022)
Bon Appetite
I'll watch anything with Ralph Fiennes and this did not disappoint. I can see how this might not appeal to everyone's tastes (hehee), but the dark humor and satire are right up my alley. This could have easily veered off into campy or disjointed, but I think it managed it's tight lane deftly. The setting, music, lighting, acting, etc. Were spot on and shaped the film without annoying exposition "dumbing" it down. This may not be appreciated by many, but I enjoyed myself. And damn, if that cheeseburger didn't look good! I would take that over any of the other highbrow dishes any day. But they kind of ruined smores for me.
Look Away (2018)
Meh
I'm a Sorvino and Isaacs fan which drew me in. Unfortunately, their talents were wasted here. The main actress was ok enough. Her giggle was super annoying. The plot quickly grew silly (a prom in a rink with the faux "Carrie" bullying scene? Lame) as we're supposed to believe this "normal," albeit quiet, girl is a target at school. Apparently the bully had the hots for her but couldn't just say that? I dunno... I guess my generation had different teenagers than these. The nudity and sex were disturbing considering this is supposed to be an underage girl- poor taste and creepy (and I'm not a prude). Plus, the self-pleasuring scene on the counter was just plain weird and awkward (she just got out of the bath! Why is she doing this on a hard, cold counter??). The ending got worse with unjustified kills. This chick chose to remain friends with the shallow blonde- no one put a gun to her head- yet the blonde gets a worse fate than the cheesy bully (we'll never know what happened to him I guess). The sex scenes with the dead friends BF were forced voyeurism and added nothing to the story except more creepiness. Then he gets nicked, too. Isaacs' villain was a bit over the top, but that's hardly egregious when compared to the rest of this tripe. Apparently there's a mysterious back story around the birth, but it never gets fleshed out. It's as though vital pieces were left on the cutting room floor, leaving us with a music video montage we have to figure out on our own. And don't you just love the cliché surgery scenes where the main lights are OFF except for one spotlight on the victim (major facepalm). It's not scary- it's just stupid. Somehow Dad throws deformed baby out in the snow to die, with several witnesses, and the mom can't open the door from the inside. He's a surgeon- he didn't have the ability to humanely euthanize his child? Or is that just how big a monster he is? And the mom just rolls with it?! The whole premise should have been better served, but instead this feels like a lazy attempt at shock to make a quick buck. The high ratings are laughable!
Hermana Muerte (2023)
Beautiful but flawed
The film is visually stunning in many scenes with a haunting soundtrack and the main actress does a great job throughout. However, the storyline is flawed and confusing and I didn't find it scary. Why did the ghost kill an innocent child? And why would it play "hangman" before killing when it could just kill at will? How does looking at the sun during an eclipse cause your eyes to bleed (or turn undereyes into a meaty pulp)? The ending just didn't make sense... a raped nun gets to keep her child at the nunnery, yet after an accident (that she can't see, yet somehow knows her child is dead and somehow has a rope and knows how to make a noose and somehow can reach higher than the chair allows to attach said noose, etc etc), decides to take revenge on her fellow nuns vs the rapist. Speaking of the accident, how is battling a feverish child in the bathtub supposed to be effective? Was it really so terrible to take her to a doctor?! How was the ghost able to kill an innocent child but needed Narcisa to "open the door" so she could kill the offending nuns? Enough questions... thankfully it was at least stylish and a harmless way to pass the night.
Night of the Hunted (2023)
Couldn't Even Finish It
The premise looked promising, but it quickly went downhill once the opening credits ended. When the film starts off with a woman texting her hubby about fertility clinics while her lover jumps in the shower, I'm struggling to understand how I'm supposed to root for her (not saying protags are saints, but at least build up to her flaws instead of smacking us upside the head). And speaking of smacking us, once the crazed sniper started ranting about every trendy social issue without taking a breath, I turned it off. I like scripts that are thought provoking, witty, deep, etc. This sounded written by a 20 year old undergrad at Berkeley who probably relies on his trust fund to pay for his "film aspirations." I could see this as a 30 minute episode (which is about as far as I got), otherwise it just drags and sucks my soul dry. Not to mention the plot holes and ridiculous suspension of disbelief required. I didn't care about any of the characters and certainly was in no mood to listen to a cheesy actor tick off every hot topic via walkie talkie. This was a wasted opportunity so I chose not to waste my time. Based on the reviews, I certainly didn't miss anything.
Cuando acecha la maldad (2023)
A Generous 7
I'm not into gore at all, but reviewers calling this a "goresfest" seems a little exaggerated. The premise held promise, but it soon grew confusing how this world operated. It seems like you can become "possessed" by simply sniffing clothes or witnessing violence, yet I'm assuming the main character brothers are immune? They're certainly immune to common sense, that's for sure. Some of the most frustrating movie moments revolve around idiotic decisions, but by the end I guess that was the point... the main protagonist was not a hero in the slightest- something we're used to getting in a film. Instead, as the world devolves (think 28 Days Later), we're left without much hope for the future, especially with Dumb and Dumber at the helm. 7 stars for nice cinematography and moving outside the usual genre troupes. Fairly solid acting except for the constant horrendous screaming and lame dialogue at times. But the 7 rules were not fleshed out and could have helped guide the movie more coherently. The viewer is left trying to piece it together which is rather annoying since I'm already reading subtitles (which I greatly prefer) and learning a new world in just 90 minutes. There is definitely potential here with some tweaks and the gore was appropriate (in a boundary pushing sort of way). I'm just happy to explore some variety finally, even if it's rather depressing (or open ended as some believe).
The Fall of the House of Usher (2023)
A Halloween Diversion
As a Poe fan, I was looking forward to this. Right away I knew this wasn't a true adaptation, so I just enjoyed the Poe Easter eggs throughout the story, curious to see how they would incorporate. Production value was solid and Carla G. Was fantastic. There were basically two ways to view this: taking it seriously or turning off brain cells and enjoying the ride. When viewed seriously, the score goes down. The story is a bit overdrawn and the characters play caricatures of what we imagine uber rich a-holes to behave like. I'm not sure the exact statistics, but to have over half of your 6 children be gay/ bisexual seems a stretch, so once again, the audience's attention is drawn to the absurdity of the extreme. Same goes to the gratuitous sex thrown in. Could have gotten the point across without slapping us in the face with it. Now, if just watching this as a way to kill time, the higher scores make more sense. It's easy to dislike the Ushers and cheer on their demise and their endings were... twisted. There were some good zingers throughout and I think the Flanagan ensemble is fun to watch. But did I need this to be a social commentary? Nope. I can watch the news or read nonfiction if I want that. So the pretentious ending monologue by Madeline the Monster was totally ridiculous. If your goal is to make a show that spouts your worldview, let's not shove it inside a horror series, please.
Hell House LLC II: The Abaddon Hotel (2018)
The only scary thing about this was the acting
Absolutely horrendous. I already struggle "believing" found footage films, but since the first Hell House was Ok, I gave this a chance. And I destroyed perfectly good brain cells for no reason. The actors were surely hired at a local mall and the script was written by 15 year old YouTubers. NOTHING about this made sense, from the ridiculous "Morning Show" segments (blech), the silly YouTube victims (let's follow a random creepy hitchhiker into the creepy basement! Great idea!), the addition of the cheesy psychic who was killed anticlimatically, the ending exposition word vomit from a wannabe Vincent Price, and the "twist" that made zero sense according to the plot reveal. This was a greedy attempt to cash in on the first movie and it's insulting. It had none of the character development or creepiness, so what was the point? Then they ruin the mysterious Monster by having him pontificate (poorly to boot) around a zombie laden table about his Grand Plan which was already fairly obvious to the semi-intelligent. And don't get me started on the camera- by the end when he's screaming to "pick up that camera" I wanted to break my TV. Wtf? So he wants to broadcast his Grand Plan for the world to know he's trying to send people to hell? Makes ToTaL sense. Then why not send zombie blondie to the police with the video? And on that point, he's forcing the main character to choose which of them gets to leave the house ("I've already made my choices... now it's your turn"... who writes this crap?), yet neither one makes it out alive. I wish it didn't piss me off how stupid it all is, but it does. It's not that hard to write something coherently. And if it is that hard, it's time to find a new job.
No One Will Save You (2023)
Divisive in a Good Way
I can see why reviewers either praised or rebuked this film. It's... different. For me, it was different in a good way, but not entirely satisfying to warrant more stars. The setting is beautiful and the main actress did a phenomenal job emoting throughout a "silent" film (almost zero dialogue). I enjoyed that aspect in fact- much preferred to stupid chatter or poorly written lines. My down votes though are for unrealistic actions by the aliens. If you have Ripley in a farmhouse, why do you only send one alien at a time to get her?! And rather than just use telekinesis (which they have), they insist on hand to hand combat. Hard to get past that misstep. And I'm not sure how I feel about the ending yet. My intuition was that she murdered her friend and the aliens admired her bloodthirst. Not quite. She accidently murdered her friend (flashbacks shoved in at the end) and the aliens... felt sorry for her I guess? I can see the bigger theme of forgiveness (for self and others) being played out, I'm just not clear if the aliens are REALLY a part of that or if this is actually some psychosis manifesting. I liked the quirky feel to the end (very Twilight Zone) but I admit I'm still scratching my head. The CGI was well done, but it was a tad dark to truly appreciate. Overall, I'm glad I took a chance on it even if I'm boggled a bit.
Bird Box: Barcelona (2023)
Disappointing
1. Main character is a crap human being. No one to root for.
2. People doing stupid things (running into the street thinking you won't get hit or standing there watching levitating leaves- the creatures calling card- instead of closing your effing eyes).
3. Super annoying ghost child and Hallmark family backstory.
4. Dogs who somehow don't wake up when a stranger is sabatoging their attached leash.
5. The whole bus scene. Smh.
6. The ending. What a load of shite. The trauma theory somehow supposes that the grief-stricken Dad/MC's DNA altered in mere seconds, allowing him to become a "seer." By that token, wouldn't most of the survivors, having witnessed the world collapsing, also have "special trauma DNA"?
7. Soooo... the military (of course) somehow CAPTURED one of these creatures in a... wait for it... box. I wish I was kidding, but this is how I was rewarded for my 2 hours that I'll never get back.
Like most movies, they should have left well enough alone with one Bird Box. This one was two too many.
Upside- decent acting and great scenery.
The Crowded Room (2023)
Letdown
The premise looked interesting... unfortunately, the opening credits give the entire storyline away (based on Billy Milligan). As such, I'm only 4 episodes in and sooo bored. The incredibly long episodes serve to create Danny's world, but since I already know it's all fake, I don't really care. Seyfried gets to poke holes in his story as we go, so I'm not understanding why the long drawn out storyline. I'm also struggling to understand how Danny is able to interact with his personalities- that is not how DID supposedly works. I do enjoy the acting for the most part, but it's hard to stay engaged. I'm anxious to fast forward through the dramatic personality renderings and get to the "answers"... but based on reviews, I might need to wait until the last few episodes. I honestly don't know if I can hang on that long. If I do and the series improves, I'll edit my rating. But should I really have to wade through 6-7 episodes to feel better about this? I wish this had been edited by half and *not* attributed to the case, at least leaving me the element of surprise.