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Reviews178
BudoSenpai's rating
I'm not surprised of the low rating. The truth stings for certain people - we know who they are. Anyway, the film's strength lies in its unapologetic approach to reframing history through the lens of African Americans' lived experiences. By presenting archival material alongside contemporary interviews, the movie connects past injustices with present-day racial inequities. Its blend of historical rigor and emotional resonance compels viewers to confront uncomfortable truths about the systemic forces underpinning American society.
The visual storytelling is powerful, with sweeping imagery of significant landmarks juxtaposed against intimate moments of reflection from interviewees. Nikole Hannah-Jones' narration is both authoritative and deeply personal, grounding the historical scope in human experience. The film excels in capturing the resilience and contributions of African Americans despite centuries of systemic oppression, offering a narrative that is as inspiring as it is sobering.
The 1619 Project is a necessary and bold piece of filmmaking that challenges America to reckon with its past. It is not merely a history lesson but a call to action, urging viewers to consider how historical injustices inform present-day realities. While polarizing for some, it is undeniably a vital contribution to the ongoing dialogue about race, identity, and justice in America.
The visual storytelling is powerful, with sweeping imagery of significant landmarks juxtaposed against intimate moments of reflection from interviewees. Nikole Hannah-Jones' narration is both authoritative and deeply personal, grounding the historical scope in human experience. The film excels in capturing the resilience and contributions of African Americans despite centuries of systemic oppression, offering a narrative that is as inspiring as it is sobering.
The 1619 Project is a necessary and bold piece of filmmaking that challenges America to reckon with its past. It is not merely a history lesson but a call to action, urging viewers to consider how historical injustices inform present-day realities. While polarizing for some, it is undeniably a vital contribution to the ongoing dialogue about race, identity, and justice in America.
When Muncie Daniels (Colman Domingo) becomes the prime suspect in the murder case of a notable white supremacist in the Pocono Woods, he must work to clear his name and protect his estranged family.
The show starts off well and manages to capture your interest right away. It also does well with a little development for the main character Muncie; they even show a few moments of his martial arts training-pretty cool. Then we learn that he's a news reporter for CNN. So, basically, this is a well-to-do, intelligent Black man. Moving right along, this intelligent Black man meets another supposedly well-to-do intelligent Black man, Muncie's friend, in a bar; they talk about a possible position for Muncie, and then during the conversation, his friend drops the N-word on him. That did it for me; that's when it was time to look for something else to watch. So, just based on that, the series gets a grade of F.
The show starts off well and manages to capture your interest right away. It also does well with a little development for the main character Muncie; they even show a few moments of his martial arts training-pretty cool. Then we learn that he's a news reporter for CNN. So, basically, this is a well-to-do, intelligent Black man. Moving right along, this intelligent Black man meets another supposedly well-to-do intelligent Black man, Muncie's friend, in a bar; they talk about a possible position for Muncie, and then during the conversation, his friend drops the N-word on him. That did it for me; that's when it was time to look for something else to watch. So, just based on that, the series gets a grade of F.
Wow, talk about lookin' shredded like a Julienne Salad! Elliot Page has been puttin' in some work. Okay, so the movie isn't the greatest, but it certainly deserves a much higher rating than a 4.6. It's an independent film with some good performances with lots of improvised dialogue-and has won a few well deserved awards. On Rotten Tomatoes, 65% of 55 critics' reviews are positive, with an average rating of 6.1/10 where it should be. The website's consensus reads: "A passion project for Elliot Page that benefits from his naturalism." So, what's with all the low ratings? Give it a shot, it gets better as it progresses.