ClaytonDavis
Joined Dec 2003
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Real stories about tragic events have the advantage of being harrowing without much effort because the accounts of the truth do much of the job for them. It takes a distinct type of filmmaker to raise the film above the standard. While director Peter Berg doesn't completely connect the dots, he promotes a tale of responsibility that will antagonize the wrath inside of all of us. "Deepwater Horizon" rallies emotion in the wake of truth.
"Deepwater Horizon" tells the tragic true story of the oil driller that due to negligence and fault of the BP Oil Company, created the worst oil spill in history.
Mark Wahlberg is an actor I've tended to be harder on than most lately with his choice of roles. Here he puts forth a genuine, heartfelt portrayal. Always placing himself in the "hero" position, he manages to tap into a delicate enactment of a man desperate to survive. He gets to show off a new accent that isn't south Boston, while digging deep to show real emotion. It's his best performance since "The Fighter."
The film boasts an all-star cast, some of which are doing adequate work. As the ship's captain, Kurt Russell continues to explore lively, vigorous roles in his later career. John Malkovich does all but twirl his mustache as the corrupt and pushy executive. Gina Rodriguez steps out of her "Jane the Virgin" motif to investigate a new, compassionate character and achieves a noble offering. Oscar nominee Kate Hudson plays the famed "woman on phone," but in some cases, just "woman on Skype."
Berg's direction has been problematic on bigger blockbusters like "Battleship," but with penetrating and vital material he gets to show the world what he can truly attain. Arguably not as emotionally resourceful as "Lone Survivor," it is perhaps cleaner in its assimilation of story and filmmaking technique. He runs the bases with his editing and sound team. They pulsate tension like there is an unlimited supply. Ingesting the central concept will undoubtedly infuriate the viewer as we're shown another key example of money corrupting our beloved Mother Earth. It provokes a sense of a revolution within yourself in exchange for liberating your own customary ideals of the standard "based on a true story" movie. It just presents the facts, and not much else.
"Deepwater Horizon" has heart. It has passion. It has a willingness to take the viewer into the dark and terrifying scene of that fateful day. With a more comprehensive script or more deeply natured approach in the future, Berg may be able to create his masterpiece, whatever that may end up being.
GRADE: (★★★)
"Deepwater Horizon" tells the tragic true story of the oil driller that due to negligence and fault of the BP Oil Company, created the worst oil spill in history.
Mark Wahlberg is an actor I've tended to be harder on than most lately with his choice of roles. Here he puts forth a genuine, heartfelt portrayal. Always placing himself in the "hero" position, he manages to tap into a delicate enactment of a man desperate to survive. He gets to show off a new accent that isn't south Boston, while digging deep to show real emotion. It's his best performance since "The Fighter."
The film boasts an all-star cast, some of which are doing adequate work. As the ship's captain, Kurt Russell continues to explore lively, vigorous roles in his later career. John Malkovich does all but twirl his mustache as the corrupt and pushy executive. Gina Rodriguez steps out of her "Jane the Virgin" motif to investigate a new, compassionate character and achieves a noble offering. Oscar nominee Kate Hudson plays the famed "woman on phone," but in some cases, just "woman on Skype."
Berg's direction has been problematic on bigger blockbusters like "Battleship," but with penetrating and vital material he gets to show the world what he can truly attain. Arguably not as emotionally resourceful as "Lone Survivor," it is perhaps cleaner in its assimilation of story and filmmaking technique. He runs the bases with his editing and sound team. They pulsate tension like there is an unlimited supply. Ingesting the central concept will undoubtedly infuriate the viewer as we're shown another key example of money corrupting our beloved Mother Earth. It provokes a sense of a revolution within yourself in exchange for liberating your own customary ideals of the standard "based on a true story" movie. It just presents the facts, and not much else.
"Deepwater Horizon" has heart. It has passion. It has a willingness to take the viewer into the dark and terrifying scene of that fateful day. With a more comprehensive script or more deeply natured approach in the future, Berg may be able to create his masterpiece, whatever that may end up being.
GRADE: (★★★)
The "Star Wars" universe is a world of endless possibilities about what stories you can explore, with an unprecedented amount of quality thematic elements that can be examined. With "Rogue One: A Star Wars Story," Lucas Films and Walt Disney Pictures have started the analyzing elements of looking at different ways to tell the stories of some of our most beloved characters, while introducing new ones. Gareth Edwards' firm direction, in partnership with Greig Fraser's stunning cinematography, makes for a lavish and intense new chapter in the "Star Wars" mythology.
The first of the Star Wars standalone films, "Rogue One: A Star Wars Story" tells the story of a group of unlikely heroes that band together on a mission to steal the plans to the Death Star, the Empire's ultimate weapon of destruction.
Boasting an impressive cast that is led by Academy Award nominee Felicity Jones, it is one of the film's best attributes. Diversity in film has been called upon by every corner of the cinematic community and "Star Wars," Lucas Films, and Walt Disney do not get enough credit in being of the first to fully embrace this notion into its most profitable franchise. As Jyn Erso, Jones leads with intensity, delivering a near heartbreaking interpretation of the most unlikely hero.
Of the players, the fanboys of the universe will scream the names of Chirru Imwe, played exquisitely by Donnie Yen, or K-2SO, played with spunk by Alan Tudyk. You'll have your fill with Cassian Andor (Diego Luna), whose stern presence isn't always a standout, but Bodhi Rook (played by Riz Ahmed) seems like a spirit animal of Poe from "The Force Awakens."
Villains here have no shortage of complexities, as Ben Mendelsohn's Orson Krennic is sensational, given alongside some other "amazing" surprises. I'll leave them for you to experience yourself.
Technically speaking, this is one of the franchise's most vivacious productions. The aforementioned Greig Fraser delivers grit and action in his abilities to capture them with the lens. John Gilroy, Colin Goudie and Jabez Olssen cut the film to an impeccable action- adventure that stands toe-to-toe with anything delivered in 2016.
Having big shoes to fill in John Williams' illustrious classic score, Michael Giacchino rises to the occasion and then some with his compositions. It's one of the year's best works. Doug Chiang and Neil Lamont's production design opens the doors to a new world that doesn't feel too familiar or too standard for the average fan.
"Star Wars" is only as good as its story and script. Chris Weitz, Tony Gilroy, John Knoll and Gary Whitta lay the foundation down for an alluring tale. On paper, hearing about how the rebels acquire the Death Star plans is not particularly compelling cinema that we are running to see, but this group accepts the challenge. With the exception of some shoehorned entries of new and classic characters, "Rogue One" finds its balance in presenting this world to an avid die-hard fan and a casual movie-goer that is walking into this universe for the very first time.
Early reports of a "darker" and "more gritty" film have been around for months. We definitely have that here, but the insert of comedic beats often feel inserted so the audience can feel some joy in this tragic tale. It's safe to say that we are more than prepared for a devastation story that wrecks the minds of viewers everywhere – perhaps with "Episode VIII?"
Here is the main takeaway: this film has perhaps the best Darth Vader scene in franchise history. Let's talk about it in the comments after you see it.
"Rogue One: A Star Wars Story" successfully achieves everything it sets out to do. Action-packed and glorious in its engaging and oftentimes exotic dimensions of storytelling, it is absolutely stirring. Fans will be overjoyed and it becomes another classic chapter that we will be able to revisit in a weekend-long marathon somewhere in a galaxy far, far away.
GRADE: (★★★½)
The first of the Star Wars standalone films, "Rogue One: A Star Wars Story" tells the story of a group of unlikely heroes that band together on a mission to steal the plans to the Death Star, the Empire's ultimate weapon of destruction.
Boasting an impressive cast that is led by Academy Award nominee Felicity Jones, it is one of the film's best attributes. Diversity in film has been called upon by every corner of the cinematic community and "Star Wars," Lucas Films, and Walt Disney do not get enough credit in being of the first to fully embrace this notion into its most profitable franchise. As Jyn Erso, Jones leads with intensity, delivering a near heartbreaking interpretation of the most unlikely hero.
Of the players, the fanboys of the universe will scream the names of Chirru Imwe, played exquisitely by Donnie Yen, or K-2SO, played with spunk by Alan Tudyk. You'll have your fill with Cassian Andor (Diego Luna), whose stern presence isn't always a standout, but Bodhi Rook (played by Riz Ahmed) seems like a spirit animal of Poe from "The Force Awakens."
Villains here have no shortage of complexities, as Ben Mendelsohn's Orson Krennic is sensational, given alongside some other "amazing" surprises. I'll leave them for you to experience yourself.
Technically speaking, this is one of the franchise's most vivacious productions. The aforementioned Greig Fraser delivers grit and action in his abilities to capture them with the lens. John Gilroy, Colin Goudie and Jabez Olssen cut the film to an impeccable action- adventure that stands toe-to-toe with anything delivered in 2016.
Having big shoes to fill in John Williams' illustrious classic score, Michael Giacchino rises to the occasion and then some with his compositions. It's one of the year's best works. Doug Chiang and Neil Lamont's production design opens the doors to a new world that doesn't feel too familiar or too standard for the average fan.
"Star Wars" is only as good as its story and script. Chris Weitz, Tony Gilroy, John Knoll and Gary Whitta lay the foundation down for an alluring tale. On paper, hearing about how the rebels acquire the Death Star plans is not particularly compelling cinema that we are running to see, but this group accepts the challenge. With the exception of some shoehorned entries of new and classic characters, "Rogue One" finds its balance in presenting this world to an avid die-hard fan and a casual movie-goer that is walking into this universe for the very first time.
Early reports of a "darker" and "more gritty" film have been around for months. We definitely have that here, but the insert of comedic beats often feel inserted so the audience can feel some joy in this tragic tale. It's safe to say that we are more than prepared for a devastation story that wrecks the minds of viewers everywhere – perhaps with "Episode VIII?"
Here is the main takeaway: this film has perhaps the best Darth Vader scene in franchise history. Let's talk about it in the comments after you see it.
"Rogue One: A Star Wars Story" successfully achieves everything it sets out to do. Action-packed and glorious in its engaging and oftentimes exotic dimensions of storytelling, it is absolutely stirring. Fans will be overjoyed and it becomes another classic chapter that we will be able to revisit in a weekend-long marathon somewhere in a galaxy far, far away.
GRADE: (★★★½)
There's much to admire in Theodore Melfi's newest uplifting venture "Hidden Figures." His ability to tap into the human condition and spirit has been proved with efforts like "St. Vincent." Boasting an all-star cast that includes the talents of Taraji P. Henson, Janelle Monae and Octavia Spencer, the 20th Century Fox feature emerges as one of the feel good films of the holiday season. Just one year after #OscarSoWhite dominated the internet, pointing out the Academy's lack of diversity, the timely themes explored here resonate more than ever.
"Hidden Figures" tells the story of a team of African-American women who provide NASA with important mathematical data needed to launch the program's first successful space missions.
Melfi is a competent and distinguished filmmaker, and despite only two features under his belt, he really knows how to tell a story and tell it well. He invites the audience into the tale, allowing his sensibilities to take hold of the viewer. The top-notch direction in which he leads his actors are some of the finest of the year. Taraji P. Henson's Katherine Johnson, one of the brightest minds to ever walk through NASA, delivers her best film performance since "Hustle & Flow." She is finally given an opportunity to play something different than her ever-popular Cookie from FOX's "Empire." While she overplays her hand slightly in key moments, her natural charisma is on full display for the audience to behold.
The professional and stoic presence of Octavia Spencer tends to be overlooked in film because she's always so great without even really trying. As Dorothy Vaughan, Spencer delivers some of her same ticks that won her an Academy Award for "The Help" and that could be too familiar for some on the surface. When seen on multiple viewings, you can see Spencer's interpretation of her character really evolve throughout the film's runtime.
The highlights of "Hidden Figures" are in the two show-stopping performances of musical artist turned actress Janelle Monae and Academy Award winner Kevin Costner. Monae taps into the fight and spunk of Mary Jackson, showcasing the determination and frustration of a brilliant mind, desperate to finally explore her full academic and professional potential. While Monae's external beauty is front and center, she bares her soul to the viewer, virtually giving us a warm nuzzle and allowing us to get peeks into her sophisticated and heartbreaking aura.
In recent years, Costner has found it difficult for audiences to remember how great of an actor he really is. We've received brief glimpses in films like "The Upside of Anger," but rest assured, Costner magnifies his abilities here, likely delivering his finest performance yet. His Al Harrison's leadership is a comfort for the film, acting like cinematic scissors to cut through the barrier between movie and person.
The film is a major threat for the Cast Ensemble award at the upcoming Screen Actors Guild awards, with supporting players like Mahershala Ali (charming as ever), Jim Parsons (playing an against- type), Kirsten Dunst (feverishly addictive in her mean woman role), and Glen Powell (playing the late John Glenn) all crucial to the film's inevitable success.
Brimming and refreshing, Melfi's technical team truly shines with slick production and costume design, and a soundtrack that is sure to go down as one of the year's best. Producer and songwriter Pharrell Williams' two numbers – "I See Victory" and "Runnin'" – are just two more examples of the Original Song Oscar being the most competitive in the history of the category. In terms of the film itself, it does the job and does it well. Not necessarily pushing the boundaries of filmmaking, it's just pleasant and wonderful in every sense of the word.
Precisely marketed as terrific adult entertainment for the Christmas season, "Hidden Figures" is a faithful and truly beautiful portrait of our country's consistent gloss over the racial tensions that have divided and continue to plague the fabric our existence. Lavishly engaging from start to finish, "Hidden Figures" may be able to catch the most inopportune movie-goer off guard and cause them to fall for its undeniable and classic storytelling. The film is not to be missed.
GRADE: (★★★½)
"Hidden Figures" tells the story of a team of African-American women who provide NASA with important mathematical data needed to launch the program's first successful space missions.
Melfi is a competent and distinguished filmmaker, and despite only two features under his belt, he really knows how to tell a story and tell it well. He invites the audience into the tale, allowing his sensibilities to take hold of the viewer. The top-notch direction in which he leads his actors are some of the finest of the year. Taraji P. Henson's Katherine Johnson, one of the brightest minds to ever walk through NASA, delivers her best film performance since "Hustle & Flow." She is finally given an opportunity to play something different than her ever-popular Cookie from FOX's "Empire." While she overplays her hand slightly in key moments, her natural charisma is on full display for the audience to behold.
The professional and stoic presence of Octavia Spencer tends to be overlooked in film because she's always so great without even really trying. As Dorothy Vaughan, Spencer delivers some of her same ticks that won her an Academy Award for "The Help" and that could be too familiar for some on the surface. When seen on multiple viewings, you can see Spencer's interpretation of her character really evolve throughout the film's runtime.
The highlights of "Hidden Figures" are in the two show-stopping performances of musical artist turned actress Janelle Monae and Academy Award winner Kevin Costner. Monae taps into the fight and spunk of Mary Jackson, showcasing the determination and frustration of a brilliant mind, desperate to finally explore her full academic and professional potential. While Monae's external beauty is front and center, she bares her soul to the viewer, virtually giving us a warm nuzzle and allowing us to get peeks into her sophisticated and heartbreaking aura.
In recent years, Costner has found it difficult for audiences to remember how great of an actor he really is. We've received brief glimpses in films like "The Upside of Anger," but rest assured, Costner magnifies his abilities here, likely delivering his finest performance yet. His Al Harrison's leadership is a comfort for the film, acting like cinematic scissors to cut through the barrier between movie and person.
The film is a major threat for the Cast Ensemble award at the upcoming Screen Actors Guild awards, with supporting players like Mahershala Ali (charming as ever), Jim Parsons (playing an against- type), Kirsten Dunst (feverishly addictive in her mean woman role), and Glen Powell (playing the late John Glenn) all crucial to the film's inevitable success.
Brimming and refreshing, Melfi's technical team truly shines with slick production and costume design, and a soundtrack that is sure to go down as one of the year's best. Producer and songwriter Pharrell Williams' two numbers – "I See Victory" and "Runnin'" – are just two more examples of the Original Song Oscar being the most competitive in the history of the category. In terms of the film itself, it does the job and does it well. Not necessarily pushing the boundaries of filmmaking, it's just pleasant and wonderful in every sense of the word.
Precisely marketed as terrific adult entertainment for the Christmas season, "Hidden Figures" is a faithful and truly beautiful portrait of our country's consistent gloss over the racial tensions that have divided and continue to plague the fabric our existence. Lavishly engaging from start to finish, "Hidden Figures" may be able to catch the most inopportune movie-goer off guard and cause them to fall for its undeniable and classic storytelling. The film is not to be missed.
GRADE: (★★★½)