fergus-stewart

I remember in 1965 seeing a clip of this movie on TV the week it came out. It featured a rich woman being driven slowly round the square by her chauffeur and 'walking' her dog by sitting in the back of the limousine with her dog on a lead to the pavement. That quirky and humorous image stuck in my impressionable young head and I promised myself I would go and see it when it came to the local cinema. Needless to say, it never did and it has never been on TV or DVD that I'm aware of.

I'm still waiting...

This is so often the case in the UK. I am a huge fan of Japanese cinema but most of the movies reviewed highly on sites like Midnight Eye never get over here. Are subtitles so unbearable to UK moviegoers? We lap up some of the tripe from Hollywood but anything where English is not the main language really struggles. One thing is for sure, most of the challenging and original stuff is not coming from Los Angeles.

This is the ideal movie to put in your DVD player in order to impress your friends with your new flat-screen TV! The colours have been ramped up to 11 and the photography is absolutely stunning. Near the beginning of the film we see Anna Tsuchiya's character as a child watching the Oiran (the number 1 courtesan) parading down the street on her incredibly high wooden sandals. It is one of several visual sequences which, as a lover of the Japanese aesthetic (past and present) I simply can't get out of my head! Fantastic! The director (she is more famous as a photographer) uses the same approach (of modern music for a period movie) as Sophia Coppola in 'Marie Antoinette' but, for my money, much more successfully. Modern music frequently jars in Japanese movies but here it works brilliantly. Beneath the incredible visuals the story is really one of the brightly-plumed bird trapped in a gilded cage; beautiful as she and everything around her is, Anna Tsuchiya's character knows that escape seems impossible. But make no mistake, this is not a gloomy film, it's a downright treat.

First of all, Kinvig was a TV series, not a movie. It ran for one series of seven episodes and disappeared without trace. Presumed lost and forgotten, it recently resurfaced on DVD in the summer of 2006. Kinvig appeared around the same time as the 'Hitchhikers' Guide to the Galaxy' with which it shares only a comedic approach to science fiction. Kinvig is perhaps the more dated of the two and while not really in the same league I remember it with great affection and also recall that no-one else I knew ever watched it. Their loss. The best things about it were Prunella Gee as a very shapely alien (and/or customer of Kinvig's shop,) Tony Haysgarth as the eponymous 'hero,' Colin Jeavons as his UFO-obsessed sidekick played and the fact that it was (deliberately) never made clear whether the sci-fi goings on were really happening or whether they were happening only in the mind of the eponymous character. How it will stand up to 21st century viewing remains to be seen but as an example of gentle British humour depicting strange things happening to (or in the mind of?) a very ordinary man it is an interesting curiosity from simpler times. Shades of HG Wells? Yes, but it's more 'History of Mr Polly' than 'War of the Worlds.' Perhaps the most surprising thing of all about it is that it was written and conceived by the British sci-fi pioneer, Nigel Kneale, more famous for the likes of serious sci-fi work like 'Quatermass and the Pit.' Certainly an aberration for him, it was critically panned and ranks pretty low on his long list of notable achievements but for me it has that unique British charm of poking fun at two somewhat disappointed men while simultaneously celebrating their spirit of 'getting by.'