fromTull

I see many people negatively reviewing and I can't help but wonder: "Who ever stated this show is 100% fact?". I've watched many episodes, and from what I can see, every theory is proceeded by a "What if. . ." Or "Is it possible?" I can't say that they ever stated this should be teaching material, but these reviewers sure think it's supposed to be. It's all conjecture. I don't agree with much, but when I watch it my mind is actually turning about history's unanswered questions. Also, if you're the type who thinks this is trying to replace the textbook, mute it. The filming ALONE makes it well worth a watch for ANY viewer. They don't just set up a camera in King Tuts tomb, they also walk around the Valley. Unlocking closed places (Akhenaten's alleged tomb and the closed Osiris Shaft at the Sphinx come to mind). The shots inside the pyramids are mind blowing. They've got more access and a better shooting style than so called "history shows". From Baalbek to Nan Madol. They also reference items I've never came across. Diagrams of Solomons Temple. Lost symbols. And it goes so many places it makes other shows on history OR mythology look like slackers. Very immersive and detailed direction. Visits places all over the world and is dynamically filmed. 10times closer and clearer than any other program (even academically approved ones). I didn't come here to get a history education. I stumbled over this show and can't stop watching because it puts you in the footsteps of historical figures. Any show that features the hosts having a casual conversation in the tomb as they stand over King Tuts mummy can't be all bad. Take what you like and leave the rest behind. If you're looking for teaching material move on.

There's a lot wrong here. Miscasting, burning the candle (or story) at both ends, where I assume we'll meet in some sticky middle ground with the characters well briefed even if the viewers are robbed of the momentum that would have built from the novels original structure. It's a journey. A horrific line to walk and SK planned it perfectly. There's a reason Dorothy and Toto didn't have cabs on the Yellow Brick Road. Some of us WANT to see the flying monkeys. FOR INSTANCE: I miss Larry's escape from NY by way of a corpse infested tunnel. I miss the sheriff who saved Nick and allowed him to become jail warden as he grew too ill for the job. And the gentle insight given as Nick took care of and fed his assailants through the bars of their prison cells, and comforted his torturers as they died. I miss Nadines hallmark red hair. It screamed for hundreds of pages. Until it didn't. Hemingford Home was in Nebraska, but-snip snip! Colorado it is. We were in the CDC for many days. Many days. Begging for info on many neighbors. Those names aren't here, and the neighborhood didn't burn away with fever in this version. THAT community of Stu's didn't ever exist in this show. . . .And the MISCASTING X 10 (take your pick). So much atmosphere from the novel excised, the leftover scenes flicker by so swiftly you realize they bit off more than they could chew in the hours allotted. Stuff it as much as you want, and maybe the characters will finally develop by the time the final battle rolls around. But. . . Judging by the time jumps, THESE characters are static compared to their novel counterparts. I can't even tell they've been on a journey. Oh that's right. There's safety in numbers and the series grouped everyone together hyper fast. Going the path solo in the black night was where I felt my palms sweat. Not in a sunlit room with 20 friends. That part DOES COME, but later. I only wish it didn't cost us each characters solo journey to that bright room. Nighttime in a dead world where you're alone and clueless makes for a terrifying journey. But our guys found an "alternate route" it seems (I say this as more and more is added weekly, but it's nothing compared to the lacking atmosphere). The book was a death march. We chose our paths and the stakes climbed with the days, while the nights were filled with horrifying and strange noises. An anxiety attack on a roller coaster with a courtesy espresso before the ride hit its stride. This series, however, is a drowsy stroll. Like waking from a car nap, you orientate yourself and see how far you've come, and then decide if you should care about where you're at or just black out again. Many separate and small altercations aren't nearly as intimidating as a dreadful marathon filled with a variety of unpredictable dangers. All tension evaporates each time the show flashes forward (or backwards). The tension bottoms out because we are provided relief at the worst time. Horror fans being given thoughtful intermissions (for the delicate viewer out there). It feels like that anyway. And it also renders this risky journey moot. When you see our guys at The Free Zone you don't fear for them in the flashbacks. You KNOW they made it safe and sound. Leaving The Past neutered and without teeth. If you skip the book even though you enjoyed the series you are doing yourself a disservice. If you read "The Stand" and "'Salem's Lot", you'll either be addicted, or once again showing your face at church on Sundays. AND FOR NON READERS of the book who feel they have the right to call long time fans whiny and our viewpoints invalid, you should just keep those opinions to yourselves. If a man could watch just ONE film during his life: "Battlefied Earth", or "Alien", but chose "Battlefied Earth". That's the predicament I see in these reviews. OF COURSE these "non-book" folks think the series is great. They have NO idea of what they're missing.

Really wanted to like it, I really did. I loved "BB", so I figured it was a foregone conclusion. It wasn't. The characters look so differently it's jarring. Especially the young Neo Nazi who has Jesse. Jesse looks 15 years older, hairline and weight also very different from the boyish Jesse we knew. There's new material to take you from one scene to the next, but I didn't really have the urge to see what's in that next scene. I felt compelled to finish it because of the series, but it was much ado about nothing. In one word: "Underwhelming". "Unnecessary" in another one. It felt like an unexciting side story that wouldn't take up five minutes in the original series, except padded and stretched laboriously. Bryan Cranston's scenes felt obligatory and simple. Like he was on loan for a day and they had to squeeze a lot in. It didn't help that when we see Walter White, he's standing beside someone drastically aged and heavier that he didn't share the screen with in the series-- and that person is the NEW (older) Jesse. To its credit, the cinematography and exterior shots are beautiful. Still, If it's ain't broke . . . don't break it.