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Did you watch the recently concluded series "Somebody Somewhere" on Max? If not, you're missing a big warm hug of a show, a sweet, gentle comedy with well-drawn, authentic characters radiating warmth, humor, and relatability. Watching it, I thought about a multiverse where I didn't leave the Midwest in 1993, about the directions our lives take, and the importance of our chosen families. The cast is cohesive and smart, delivering big themes with a light touch that's neither mawkish nor heavy-handed. Sam and Joel's friendship is beautifully tender, and Sam's evolving relationship with her sister Trish felt organic and real, culminating in a perfect emotional arc. The finale's poignant ending with Sam singing Miley Cyrus encapsulated everything this show did best: finding joy and meaning in the everyday and the beauty of close friendships. The show ended too soon, but its warmth lingers and it's truly worth your time to watch.

I never understood Elvis growing up in 1970s Ohio. My parents were fans and we had his LPs in our wood console stereo cabinet, but to me, he was a Vegas lounge act from an era when where careers went there to die. After we watched Netflix's fascinating documentary on Elvis' 1968 NBC comeback special, "Return of the King: The Fall and Rise of Elvis Presley", I finally got it. This compact and insightful film gives a well-rounded view of the man, the myth, the legend, (re)igniting an admiration for his artistry.

We then followed up with Sofia Coppola's film, "Priscilla", providing another layer of perspective on the Elvis story. The biopic gives the perspective of Priscilla Presley (though vociferously denied by Lisa Marie), offering a full view of the sad, complicated tale of a flawed genius gone too soon and the woman he loved. I found Priscilla more engaging than expected, and Coppola's direction and impeccable use of popular music, as seen to great effect in "Marie Antoinette", added depth and emotional resonance to the story.

To close out our Elvis era, we re-watched Baz Luhrmann's "Elvis", featuring Austin Butler's magnetic portrayal, which was even better the second time round, and "Viva Las Vegas" with Elvis and Ann-Margret, in a light, frothy romp around Sin City. To wrap up my deep dive into all things Presley, I just started Lisa Marie and Riley Keough's biography "From Here to the Great Unknown".

I never understood Elvis growing up in 1970s Ohio. My parents were fans and we had his LPs in our wood console stereo cabinet, but to me, he was a Vegas lounge act from an era when where careers went there to die. After we watched Netflix's fascinating documentary on Elvis' 1968 NBC comeback special, "Return of the King: The Fall and Rise of Elvis Presley", I finally got it. This compact and insightful film gives a well-rounded view of the man, the myth, the legend, (re)igniting an admiration for his artistry.

We then followed up with Sofia Coppola's film, "Priscilla", providing another layer of perspective on the Elvis story. The biopic gives the perspective of Priscilla Presley (though vociferously denied by Lisa Marie), offering a full view of the sad, complicated tale of a flawed genius gone too soon and the woman he loved. I found Priscilla more engaging than expected, and Coppola's direction and impeccable use of popular music, as seen to great effect in "Marie Antoinette", added depth and emotional resonance to the story.

To close out our Elvis era, we re-watched Baz Luhrmann's "Elvis", featuring Austin Butler's magnetic portrayal, which was even better the second time round, and "Viva Las Vegas" with Elvis and Ann-Margret, in a light, frothy romp around Sin City. To wrap up my deep dive into all things Presley, I just started Lisa Marie and Riley Keough's biography "From Here to the Great Unknown".