sudip_rulz

The film's sole redeeming feature is the innovative use of AI to bring Uttam Kumar back to the screen, but unfortunately, this is where the praise ends. The plot is virtually lame, nonexistent, and lacks coherence, leading to a disjointed viewing experience. Characters are poorly developed, with no chemistry between the leads, making it hard to engage with their stories. While the first half of the film shows some potential, it quickly falls apart in the second half, devolving into a chaotic mess. The cinematography, production, and sound design are underwhelming, and the integration of old footage feels forced and awkward. Overall, it's a significant disappointment, failing to live up to the promise of its nostalgic concept and leaving viewers frustrated with its many shortcomings.

The film's first half was quite disappointing, marred by clichéd storytelling and overacting, particularly by Shakib Khan and several other cast members, including the fight directors and the hero of the cinemas. The performance lacked subtlety, resulting in an unengaging viewing experience.

However, the film took a significant turn for the better in the second half. The entrance of Chanchal Chowdhury marked a shift in the narrative's pace and quality. Chowdhury's acting was nothing short of mindblowing, particularly in the final scenes where his top-notch performance stood out remarkably.

One of the film's highlights was the beautiful and well-matched background music. The sound department team deserves praise for their work, which enhanced the overall viewing experience. There are rumors that the film drew inspiration from Indian movies like "Animal" and "KGF," but I cannot confirm these accusations as I haven't seen those films.

Overall, the movie was entertaining. The performances of Shahiduzzaman Selim, Masuma Rahman Nabila, Fazlur Rahman Babu, and Gazi Rakayet were commendable. These actors, some of the finest in the Bangladeshi industry, once again proved their talent.

While Shakib Khan's portrayal of Toofan, a rough and tough mafia Don, was good, it was Chanchal Chowdhury who truly stole the show. The film's 2-hour and 25-minute runtime could have been shortened, especially in the first half, which felt unnecessarily loose and dragged out.

In conclusion, despite a rocky start, the film redeemed itself with strong performances and excellent music, making it a worthwhile watch.

"Last Defenders of Monogamy" presents itself as a promising addition to the comedy-romance genre, offering an engaging narrative for the majority of its runtime. However, despite its initial charm, the film stumbles in its third act, delivering a disappointing conclusion that ultimately undermines the enjoyment of the entire viewing experience.

Director Farooki showcases his talent throughout much of the movie, demonstrating a keen eye for storytelling and character development. Yet, it becomes evident that he falls short of crafting a satisfying resolution, exposing a need for more careful attention to the script's coherence and pacing. While Farooki is undoubtedly a seasoned filmmaker, his writing in this instance lacks the maturity needed to elevate the film to its full potential. Especially in the third act of the film.

One of the standout elements of "Last Defenders of Monogamy" is the remarkable performances of Xefer and Chanchal, whose on-screen chemistry breathes life into their respective characters. Xefer, in particular, shines brightly, delivering a nuanced portrayal that resonates with authenticity and depth. Meanwhile, Chanchal brings his trademark charisma to the role, further enhancing the film's appeal.

Despite these strengths, the film is marred by its reliance on lackluster humor, with many of the dialogues and jokes falling flat and failing to elicit genuine laughter from the audience.

In conclusion, "Last Defenders of Monogamy" offers moments of enjoyment and entertainment, thanks in large part to its engaging premise and talented cast. However, its shortcomings in the third act, coupled with its reliance on stale humor, prevent it from reaching its full potential. While Director Farooki demonstrates his prowess as a filmmaker, there is room for improvement in his approach to writing and storytelling. Nonetheless, the standout performances of Xefer and Chanchal ensure that the film is not without its merits, providing viewers with memorable characters and moments amidst its narrative shortcomings.

6/10.