Welcome to the new profile
We're still working on updating some profile features. To see the badges, ratings breakdowns, and polls for this profile, please go to the previous version.
Ratings1
dorregovale's rating
Reviews1
dorregovale's rating
Maria Fernanda Cândido's character holds the viewer's hand to drag you down into a trip of self disconnection. She dances, reflects, cries and crawls through a thousand emotions, she turns herself into so many characters in her search for herself.
This piece is a stunning impersonation of author Clarice Lispector's romance in first person, a piece that seems impossible to bring to a screen when you read it, but Luiz Fernando Carvalho magestically worked it out. Through a portrait perspective and a monologue that prances through the expectations of high class Brazil, the "passive" role of women, racism, poverty, disgust and otherness.
This piece is a stunning impersonation of author Clarice Lispector's romance in first person, a piece that seems impossible to bring to a screen when you read it, but Luiz Fernando Carvalho magestically worked it out. Through a portrait perspective and a monologue that prances through the expectations of high class Brazil, the "passive" role of women, racism, poverty, disgust and otherness.