juniperjenn99

I suppose one might consider this 'minor' Cassavetes, given the fact that this is a very conventional story about jazz musicians and a woman who has been misused by men all her life. The production values also seem a little lower than some of his other films. But I can't help but feel astonished over how Cassavetes can make a meal out of just a few crumbs. Actually, he had more than a few crumbs. He had an excellent cast, headed by two extremely talented and wayward (!) actors. I'm in awe of how amazing Stella Stevens was, given the quality of the rest of her career. She certainly took a bad turn somewhere, but perhaps like her character in this film, no one ever took her seriously in the first place. A real shame! I saw Bobby Darin give an excellent performance in a film called PRESSURE POINT from around the same period as this film, so he has only confirmed my belief that he could have been a leading actor of his generation. But Cassavetes could probably even make me a good actress, so certainly he qualifies for a good deal of the credit here. This is just a small, human film with dignity and intelligence told with Cassavetes' usual panache for intensity. I can't remember how long it's been since I've cared about any screen characters so strongly. It was probably the last time I caught one of Cassavetes' other films!

I suppose people who are just looking for a vehicle to swoon over Cary Grant will be find this movie dull. Not that he's not '"swoonable" in this. He's great! But this film has to be viewed as a serious drama that attempts for the first time in Hollywood (!) to look at the issues of a Third World country. It's the first time! Hollywood was still making safe, 'nice' movies, and was heavily in the horror and insanity of McCarthyism. That a film like this could be made at all, is amazing. This is a pretty 'small' film, shot mostly on soundstages with a little known supporting cast. But that cast is great, especially Jose Ferrer, who really gives one of his very best screen performances. The score is excellent, the tension is well-paced, and the script... well, it may seem dated today, but considering how many people didn't know (and still don't know!) what's happening in other parts of the world, it packs a lot of information in usually, a very eloquent way. And you just gotta love the idea of the dictator watching his surgeon rehearsing the surgery that might possibly take his life! For it's time, this is a remarkable film. Today, it is less so, but still is very worthwhile entertainment.

This film is like a breath of fresh air since Woody has finnaly managed to perfectly balance the feel of the early screwball comedies of the 1930s and 40s and his personal gift for "nebbish" humor. Many people may not know that this movie was inspired by a wonderful screwball comedy from the forties called LARCENY INC. starring Edward G. Robinson. That movie is every bit the gem this one is but this one gives us the added gift of Woody being Woody (or more likely Danny Rose). The ensemble cast is also great, especially Elaine May who is both daffy and sweet. This is a great movie to just sit back and smile all the way through.