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Reviews9
DWaterson's rating
Bonekickers is easily the worst BBC programme of 2008. That much is obvious: absurd, illogical, incomprehensible story lines; huge plot-holes and plot twists that make no sense; awful, cringe-worthy dialogue; downright wrong archaeology.
Yet, somehow I am compelled to watch it, week after week. Like a drug, it keeps me coming back for another hit, despite knowing how harmful it is to my braincells.
Quite simply, Bonekickers is the most hilarious show in ages. Utterly, insanely preposterous, once you stop taking it seriously it's incredibly funny. Treat each dreadful line of dialogue and each implausible coincidence as a joke -- or better still, a drinking game -- and you'll soon realise how fun this show can be.
Yet, somehow I am compelled to watch it, week after week. Like a drug, it keeps me coming back for another hit, despite knowing how harmful it is to my braincells.
Quite simply, Bonekickers is the most hilarious show in ages. Utterly, insanely preposterous, once you stop taking it seriously it's incredibly funny. Treat each dreadful line of dialogue and each implausible coincidence as a joke -- or better still, a drinking game -- and you'll soon realise how fun this show can be.
Considering the furore that surrounded BBC3's decision not to broadcast this flagship animated series, after protests from Catholic groups, two main issues arise:
1) Is it offensive? 2) Is it entertaining?
In response to the first, I suppose that depends on whether you regard religion as a suitable target for satire. In the case of Popetown, the satire is marginally less scathing than "Father Ted" (1995). Bob Mortimer plays Father Nicholas, the long-suffering back office clerk whose main duty involves satisfying the whim of the infantile, childish Pope, played by Ruby Wax. To help him out, he can depend on the dotty Irish nun Sister Marie (a sort of Mrs Doyle type housekeeper), and to hinder his best efforts he has the evil machinations of the three money obsessed Cardinals. Minor characters, such as the svelte, vixen-like TV presenter Sister Penelope, and the creepy, animal-mad Father Bosch, provide additional plot twists and side jokes.
It is quite evident from the series that Popetown is not based on the real Vatican, but is a parody of it; characters and places do not match up directly with real life, and, in the one episode where Father Nicholas leaves the familiar walls of 'Popetown', he appears to be in a crime and drug ridden New York, not Rome. Furthermore, the Pope is clearly not John Paul 2.0, or Benedict XVI for that matter - he has the maturity of a 7 year old, likes bouncing on his pogo-stick, and prefers horror movies to sermons. This is not real!
If I had to pick one genuinely offensive characteristic, it is the stereotyping of all the Popetown tourists as Japanese camera-flashing stick characters, speaking a faux 'oriental' language. This I found a little uncomfortable.
So, we come to the second question: Is Popetown actually any good? Well... it's not bad. As an animated comedy, it's nowhere near the comedy calibre of The Simpsons, South Park, Family Guy, or any of the benchmarks. As a religious satirical comedy, it doesn't hit the level of Father Ted. The jokes are amusing, but not laugh-out-loud. Animation quality is fine, with some scenes being in 3D; but occasionally, roughness shows. Voice-over quality is excellent, as you'd expect from the all-star cast, though Ruby Wax's Pope voice is intentionally irritating. Overall, therefore, Popetown is definitely worth seeing, but be prepared to be mildly disappointed; and, considering this is a DVD-only release in the UK, it might be worth waiting for someone else to shell out their money and borrowing theirs.
1) Is it offensive? 2) Is it entertaining?
In response to the first, I suppose that depends on whether you regard religion as a suitable target for satire. In the case of Popetown, the satire is marginally less scathing than "Father Ted" (1995). Bob Mortimer plays Father Nicholas, the long-suffering back office clerk whose main duty involves satisfying the whim of the infantile, childish Pope, played by Ruby Wax. To help him out, he can depend on the dotty Irish nun Sister Marie (a sort of Mrs Doyle type housekeeper), and to hinder his best efforts he has the evil machinations of the three money obsessed Cardinals. Minor characters, such as the svelte, vixen-like TV presenter Sister Penelope, and the creepy, animal-mad Father Bosch, provide additional plot twists and side jokes.
It is quite evident from the series that Popetown is not based on the real Vatican, but is a parody of it; characters and places do not match up directly with real life, and, in the one episode where Father Nicholas leaves the familiar walls of 'Popetown', he appears to be in a crime and drug ridden New York, not Rome. Furthermore, the Pope is clearly not John Paul 2.0, or Benedict XVI for that matter - he has the maturity of a 7 year old, likes bouncing on his pogo-stick, and prefers horror movies to sermons. This is not real!
If I had to pick one genuinely offensive characteristic, it is the stereotyping of all the Popetown tourists as Japanese camera-flashing stick characters, speaking a faux 'oriental' language. This I found a little uncomfortable.
So, we come to the second question: Is Popetown actually any good? Well... it's not bad. As an animated comedy, it's nowhere near the comedy calibre of The Simpsons, South Park, Family Guy, or any of the benchmarks. As a religious satirical comedy, it doesn't hit the level of Father Ted. The jokes are amusing, but not laugh-out-loud. Animation quality is fine, with some scenes being in 3D; but occasionally, roughness shows. Voice-over quality is excellent, as you'd expect from the all-star cast, though Ruby Wax's Pope voice is intentionally irritating. Overall, therefore, Popetown is definitely worth seeing, but be prepared to be mildly disappointed; and, considering this is a DVD-only release in the UK, it might be worth waiting for someone else to shell out their money and borrowing theirs.
With the quick-fire sketch show format of "The Fast Show" (1994), the risqué crudity of "The Catherine Tate Show" (2004), and the random absurdity of "Little Britain" (2003), clearly BBC3 were convinced they were onto a winner with this new all-female production.
Except, er, somewhere someone forgot to put the jokes in. Painfully unfunny, so far the programme has desperately relied on the repetition of catchphrases which weren't amusing in the first place. Maybe the quality will improve as the series progresses, but at the moment I'm not sure I've got the will to stick with it.
Some of the characters may have potential, and there were occasional flashes of inspiration; however these were more often due to skillful camera-work and editing of the scenes than any dialogue in the actual sketch that was taking place. Overall, if for some reason you crave an all-female sketch show, stick with "Smack the Pony" (1999); this was very weak indeed.
Except, er, somewhere someone forgot to put the jokes in. Painfully unfunny, so far the programme has desperately relied on the repetition of catchphrases which weren't amusing in the first place. Maybe the quality will improve as the series progresses, but at the moment I'm not sure I've got the will to stick with it.
Some of the characters may have potential, and there were occasional flashes of inspiration; however these were more often due to skillful camera-work and editing of the scenes than any dialogue in the actual sketch that was taking place. Overall, if for some reason you crave an all-female sketch show, stick with "Smack the Pony" (1999); this was very weak indeed.