Zorro-3
Joined Aug 2000
Welcome to the new profile
We're still working on updating some profile features. To see the badges, ratings breakdowns, and polls for this profile, please go to the previous version.
Ratings2.4K
Zorro-3's rating
Reviews36
Zorro-3's rating
Like any nature-log you might see on Animal Planet. But bigger.
The photography is stunning, but somehow I left the theater thinking that they could have made a much more exciting film. Despite the killing scenes, it overall had a serene feel.
And what was up with the balloon people and the tribesmen? Quite tangential and not really belonging with the animal stuff. There wasn't even really much of a connection. At not least one that we saw depicted.
I think films like this are a waste of the IMAX medium. I would never knock natural beauty, but why do you need IMAX for that? For REALLY BIG natural beauty? No, the wonderful thing about IMAX is the ability to make you feel like you're there. So SCARE me! Put my heart in my mouth! To see the medium utilized to the fullest, see "NASCAR 3-D."
The photography is stunning, but somehow I left the theater thinking that they could have made a much more exciting film. Despite the killing scenes, it overall had a serene feel.
And what was up with the balloon people and the tribesmen? Quite tangential and not really belonging with the animal stuff. There wasn't even really much of a connection. At not least one that we saw depicted.
I think films like this are a waste of the IMAX medium. I would never knock natural beauty, but why do you need IMAX for that? For REALLY BIG natural beauty? No, the wonderful thing about IMAX is the ability to make you feel like you're there. So SCARE me! Put my heart in my mouth! To see the medium utilized to the fullest, see "NASCAR 3-D."
David Lynch is, simply put, the greatest film director ever to put body and soul together.
He started off with the weird and disturbing, yet very artistic, "Eraserhead," which I won't even try to describe, went on to direct the incredibly stupendous, "Blue Velvet," which, in my jumble opinion, is the greatest feature film ever made, anytime, anywhere. It's a crime film, but to even say that, lowers it to the realm of stuff like "Pulp Fiction" (which was great in its own right, but it was no Blue Velvet). Don't watch any of these with your kids, though.
It's true though, that David Lynch directed a horribly bad adaptation of "Dune." You could show this one to your kids, (if you don't mind boring them to death.) The problem with "Dune" wasn't really Lynch, though. It was the script and the fact that Lynch was way too faithful to it.
He also directed the critically acclaimed (but nonetheless box-office failure) "The Elephant Man." A damnyankee good film. But don't see it with your kids.
And OF COURSE, he directed (AT THE SAME TIME!) the greatest TV series ever made, "TWIN PEAKS!" AND the Wizard of Oz spoof movie, "Wild at Heart" with Nicolas Cage and Laura Dern. But don't watch either one with your kids.
Which (finally) leads me to my point. One David Lynch movie which you MUST see with your kids is THE STRAIGHT STORY. (A Walt Disney film, by the way.) David Lynch goes straight. Which is the first of the several thousand explanations of the title of the movie.
"The Straight Story" is, first and foremost, the story of a man -- Alvin Straight. A good man. An old man. A man, who some ten or twelve years prior, had some harsh words with his brother of about the same (advanced) age, a man (Alvin I'm still talking about) who scoffs at his doctor's advice to stop smoking and to eat right. Both brothers are now in ill health. In fact, brother Lyle has just suffered a stroke.
Alvin receives the bad news about Lyle's stroke, and despite Alvin's and Lyle's harsh falling-out of several years ago, and at least partially because of both their frailty and mortality, now must see him. (I mean, hey, wouldn't you?) He kisses his daughter (played by the ever-incomparable Sissy Spacek) goodbye and since he is a diabetic and his eyesight is failing and he can't drive a car anymore, gets on his LAWNMOWER and commences to drive three hundred miles at just about five miles an hour to see his poor, old, sick, estranged brother.
The rest (and the most) of the movie is his incredible and so, so moving journey to see brother Lyle.
I won't tell you everything that happens, but watch out for the (dear) deer lady, she's IT! And I won't tell you about the ending, except to say it's just what it needs to be. It's not overdone or underdone. It is just what it needs to be.
But Lynch, he is such a devil. He can't help but include, in his first and only Disney movie, subtle references to his other (way more grown-up) movies, particularly "Blue Velvet," (like the water hose flailing around, unmanned.) But see both and you'll know what I mean.
I saw the first week it came to my city. The theater was PACKED. Mainly, I think, because of Richard Farnsworth, who played Alvin Straight. He got an Oscar nomination for Best Actor for this movie.
He was a big star back in the forties and fifties. A lot of old people came out to see him in what was his swan song. I never saw so many wheelchairs in a movie theater. But the front three rows in the theater were all kids, there to see the next Disney movie. A mix like that I never saw before. (And of course, Lynch fans like myself.)
Finally.... David Lynch makes a movie that is not only an artistic success, but is actually popular.
He started off with the weird and disturbing, yet very artistic, "Eraserhead," which I won't even try to describe, went on to direct the incredibly stupendous, "Blue Velvet," which, in my jumble opinion, is the greatest feature film ever made, anytime, anywhere. It's a crime film, but to even say that, lowers it to the realm of stuff like "Pulp Fiction" (which was great in its own right, but it was no Blue Velvet). Don't watch any of these with your kids, though.
It's true though, that David Lynch directed a horribly bad adaptation of "Dune." You could show this one to your kids, (if you don't mind boring them to death.) The problem with "Dune" wasn't really Lynch, though. It was the script and the fact that Lynch was way too faithful to it.
He also directed the critically acclaimed (but nonetheless box-office failure) "The Elephant Man." A damnyankee good film. But don't see it with your kids.
And OF COURSE, he directed (AT THE SAME TIME!) the greatest TV series ever made, "TWIN PEAKS!" AND the Wizard of Oz spoof movie, "Wild at Heart" with Nicolas Cage and Laura Dern. But don't watch either one with your kids.
Which (finally) leads me to my point. One David Lynch movie which you MUST see with your kids is THE STRAIGHT STORY. (A Walt Disney film, by the way.) David Lynch goes straight. Which is the first of the several thousand explanations of the title of the movie.
"The Straight Story" is, first and foremost, the story of a man -- Alvin Straight. A good man. An old man. A man, who some ten or twelve years prior, had some harsh words with his brother of about the same (advanced) age, a man (Alvin I'm still talking about) who scoffs at his doctor's advice to stop smoking and to eat right. Both brothers are now in ill health. In fact, brother Lyle has just suffered a stroke.
Alvin receives the bad news about Lyle's stroke, and despite Alvin's and Lyle's harsh falling-out of several years ago, and at least partially because of both their frailty and mortality, now must see him. (I mean, hey, wouldn't you?) He kisses his daughter (played by the ever-incomparable Sissy Spacek) goodbye and since he is a diabetic and his eyesight is failing and he can't drive a car anymore, gets on his LAWNMOWER and commences to drive three hundred miles at just about five miles an hour to see his poor, old, sick, estranged brother.
The rest (and the most) of the movie is his incredible and so, so moving journey to see brother Lyle.
I won't tell you everything that happens, but watch out for the (dear) deer lady, she's IT! And I won't tell you about the ending, except to say it's just what it needs to be. It's not overdone or underdone. It is just what it needs to be.
But Lynch, he is such a devil. He can't help but include, in his first and only Disney movie, subtle references to his other (way more grown-up) movies, particularly "Blue Velvet," (like the water hose flailing around, unmanned.) But see both and you'll know what I mean.
I saw the first week it came to my city. The theater was PACKED. Mainly, I think, because of Richard Farnsworth, who played Alvin Straight. He got an Oscar nomination for Best Actor for this movie.
He was a big star back in the forties and fifties. A lot of old people came out to see him in what was his swan song. I never saw so many wheelchairs in a movie theater. But the front three rows in the theater were all kids, there to see the next Disney movie. A mix like that I never saw before. (And of course, Lynch fans like myself.)
Finally.... David Lynch makes a movie that is not only an artistic success, but is actually popular.
I always thought the phrase, "I laughed until I cried," was just an oxymoron. Until it happened to me. I watched Dogma: the funniest movie I have ever seen. The movie seemed designed specifically for my warped sense of humor. It was an incredible mesh of the high-brow and the low-brow.
It had one character who was extremely foul-mouthed, and kept making up hilarious obscene phrases. It also had a lot of perceptive, biting (and very funny) theological and social commentary.
For me, it was sort of like being tickled hard in the ribs for about an hour. When I reached the breath-taking climax of the film, the resolution was such a shock and was so unexpectedly emotional and I was so sore from all the laughing, I actually burst into tears. Now, dammit I am a grown man. I never do that. Not even for anything real, much less a movie. But it happened.
It had one character who was extremely foul-mouthed, and kept making up hilarious obscene phrases. It also had a lot of perceptive, biting (and very funny) theological and social commentary.
For me, it was sort of like being tickled hard in the ribs for about an hour. When I reached the breath-taking climax of the film, the resolution was such a shock and was so unexpectedly emotional and I was so sore from all the laughing, I actually burst into tears. Now, dammit I am a grown man. I never do that. Not even for anything real, much less a movie. But it happened.