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Reviews34
Simonster's rating
Viewed until it proved too much for me at the Festival du Film, Cannes 2010
Bad in every respect, Space Girls in Beverly Hills is the absolute nadir of ego-driven, no talent film making. All concerned are clearly having a great time but it should be illegal to inflict such suffering on a paying audience! Isn't there something in the US constitution or legal code about cruel and unusual punishment being forbidden? At best, at the very best, the film looks like a cheap and tacky piece of porn - but with all the sex edited out. If so, maybe the makers should put it back in and give us something worth watching. Except... the actors, both male and female, reek of skank and one of the reasons I baled out was the fear that sooner or later they might indeed show some skin. Burning books is wrong, burning films, if this one's at the top of the bonfire, would be a very good thing.
Bad in every respect, Space Girls in Beverly Hills is the absolute nadir of ego-driven, no talent film making. All concerned are clearly having a great time but it should be illegal to inflict such suffering on a paying audience! Isn't there something in the US constitution or legal code about cruel and unusual punishment being forbidden? At best, at the very best, the film looks like a cheap and tacky piece of porn - but with all the sex edited out. If so, maybe the makers should put it back in and give us something worth watching. Except... the actors, both male and female, reek of skank and one of the reasons I baled out was the fear that sooner or later they might indeed show some skin. Burning books is wrong, burning films, if this one's at the top of the bonfire, would be a very good thing.
Viewed at the Festival du Film, Cannes 2010
Takeshi Kitano's return to his familiar stamping ground, the Yakuza, their intrigues, vendettas and highly inventive ways of inflicting extreme unpleasantness on one another, was given less than a stellar welcome by critics at the Festival. A common refrain was that there was nothing new on offer here, no new insights, just a retread of the familiar. Well, they are right, but is that really such a bad thing?
I say no, not when we get tough guys, sharp suits, black humour, extreme violence (you might never want to visit the dentist again), a convoluted plot that is hard to follow but has something to do with rivalry, inheriting the reins of power and inflicting extreme violence on the other team. Oh yes, there's also betrayal and extreme violence.
Outrage is old-school Takeshi Kitano, a (for me) welcome return to his glory days, not that he ever left them behind (I've time for all his films, if not his gameshows). If you like the man, as actor or director, then you won't be disappointed by this film, just as long as you are not expecting something new and different, that is.
Takeshi Kitano's return to his familiar stamping ground, the Yakuza, their intrigues, vendettas and highly inventive ways of inflicting extreme unpleasantness on one another, was given less than a stellar welcome by critics at the Festival. A common refrain was that there was nothing new on offer here, no new insights, just a retread of the familiar. Well, they are right, but is that really such a bad thing?
I say no, not when we get tough guys, sharp suits, black humour, extreme violence (you might never want to visit the dentist again), a convoluted plot that is hard to follow but has something to do with rivalry, inheriting the reins of power and inflicting extreme violence on the other team. Oh yes, there's also betrayal and extreme violence.
Outrage is old-school Takeshi Kitano, a (for me) welcome return to his glory days, not that he ever left them behind (I've time for all his films, if not his gameshows). If you like the man, as actor or director, then you won't be disappointed by this film, just as long as you are not expecting something new and different, that is.
