251 reviews
I had no anticipation or information about this movie going in... except for it being a Rob Zombie movie and my enjoyment of all his other movies so far. None of them are perfect but none of them are boring, all of them bring something interesting to the table. Not so much with 31 though... One thing I've generally liked with Zombie's movies is that, unlike a lot of horror films such as Hostel - which promise all sorts of transgressive horrors only to bait and switch with some relatively tame eyeball gouging, Zombie's movies generally follow through on their threats. I never feel safe in his movies (except I'm pretty sure Mrs. Zombie's characters will survive to the final frame). Unfortunately, 31 let all the air out of that balloon dog for me. It didn't ever come close to crossing any lines of standardized horror. Oh sure, Its clown's show up and promise all sorts of vile entertainments... but they never materialize. Instead, we get some badly filmed fight scenes and routine kills that could be out of any war/crime/fantasy film. There's little or no suspense, barely any atmosphere outside of the clowns' initial entrances and Malcolm McDowall's nonsensical prattling. The movie takes its time building up 'Doomhead' but what is he but another loudmouthed guy in a clown suit? I assume he'd go down just as easily to a well-aimed blow to the head. There's really nothing special about him except for the amount of time he gets on screen. He even does the loathsome 'golf clap' routine that should be forever banished to Cliché-land. When the clowns do get their hands on someone they're not likely do do anything surprising at all... just stab them and move on. Unless something nastier was edited out of the version I saw... which I kinda doubt.
The carnies themselves had the potential for being the sort of interesting protagonists I'd pull for... and I DID like that they weren't just a bunch of squealing teenagers (Meg Foster especially was fascinating to look at. Older women like her are so seldom allowed on screen in heroic roles). But they're mostly reduced to just goofing around and swearing at each other... maybe it was just bad improv because the writer couldn't think of what to do with them?
This is BY FAR the least interesting thing I've seen come from Mr. Zombie. I'm still a fan of his previous films, I'll still watch whatever he makes next... but this one is the bottom dweller. Not that it's such a bad generic horror movie, as just that alone it's fairly average... but it's certainly a bad Rob Zombie horror movie. And being that, it's pretty disappointing.
The carnies themselves had the potential for being the sort of interesting protagonists I'd pull for... and I DID like that they weren't just a bunch of squealing teenagers (Meg Foster especially was fascinating to look at. Older women like her are so seldom allowed on screen in heroic roles). But they're mostly reduced to just goofing around and swearing at each other... maybe it was just bad improv because the writer couldn't think of what to do with them?
This is BY FAR the least interesting thing I've seen come from Mr. Zombie. I'm still a fan of his previous films, I'll still watch whatever he makes next... but this one is the bottom dweller. Not that it's such a bad generic horror movie, as just that alone it's fairly average... but it's certainly a bad Rob Zombie horror movie. And being that, it's pretty disappointing.
- venusboys3
- Sep 18, 2016
- Permalink
As so many others, I too was excited about "31" and could not wait to finally watch it. Maybe it was that high expectations, that was part of my disappointment, but I am not willed to explain everything that was wrong in the movie with that premise.
I have to say, before I write about the movie itself, that I never shared the opinion of those, who see Rob Zombie basically as the horror messiah, who will reinvent the genre. He basically had 2 good movies (Devil's Rejects, Halloween), all other movies were pretty bad. House of 1000 Corpses was a ridiculously bad B-movie, Halloween 2 was bad even for a film school student, and those few parts that were good in Lords of Salem were copied from other movies. First Halloween reboot was only good, because he had a rich franchise with tons of information to build on.
He gets the look every time, I'll give him that, and I won't even make fun about how a grown up man calls himself "Zombie", but the content of his movies is a major letdown every single time. I'd never thought to say this, but in terms of innovative horror movies, I prefer Eli Roth before Zombie every day.
Rob is an awesome musician, and yes, maybe even a good director. But he is an horrible screenplay writer with no idea how to develop characters and dialogues. No wonder, all characters in "31" are superficial clichés with no debt, talking horrible stupid stuff, that is meant to sound smart. The "Doomhead" being so obviously being a Heath Ledger's Joker tribute just confirms that. Basically the most interesting character in the movie is a (bad) rip-off. And did he really need the slo-mo clap? That was so bad, I was close to turn off the TV.
Also,he really should stop to cast his wife for every female lead. If not married to him, she would never have become an actress, at least not in a main role. I don't care if she is hot (I by the way don't think so, she is SO skinny and looks old for her age), I care about acting skills.
Maybe, if Rob could direct a movie with a screenplay written by an experienced and talented writer...? But this way, letting him do whatever he wants, we get movies like "31".
So, the protagonists get abducted and sent into an Arena, to fight to death with some clowns with freaky names (Doomhead, Deathhead, Bashhead, and so on...). That's pretty much all, no more exposition or plot details. Why? No idea, and the movie does not care about explaining anything - being sick is basically it's only excuse and motivation. "Why do they do this?" "Because they have sick minds". "Aha. And why does Doomhead what he does? Does he get paid BIG time?" "Ah, he is sich minded". "What is special about Doomhead at all? To me does not look any more dangerous than the rest of the freaks?" "Ah, he is even sicker as them". And so on. A few freaky characters get shown, some people die, mainly by blade weapons, until an, in my opinion, pretty stupid ending.
Okay, there is some gore in the movie, which I appreciated. I did like the characters, even if superficial - but this made the movie even worse, because you are interested - but don't get any answers or backgrounds.
I also liked the Soundtrack a lot, I love all this 60s and 70s music, and it blended in nicely.
But the overall execution was just bad - ridiculous fighting choreographies, that gave me the impression, everything in this movie was filmed by first take (maybe they wanted to proudly say that they shot the movie in 31 days or something like this), especially the text passages of Sheri Moon Zombies. Man, stop letting her talk - no expression, no motivation, no acting. At all.
So, what can I say? I give 4/10, 4 points for having interesting characters (who never get developed in any way), a good soundtrack, some gore and a good colour correction).
But can I recommend this? Gosh, no, I cannot.
I have still hope for Rob Zombie, and I will see his next movie. But if this will be bad again, I am out of the Zombie business, because by then he will have delivered 3 bad movies in a row - in my world more than enough to lose my respect permanently.
Sorry, Zombie fans - I know you have another opinion and will probably flame me, but this is my personal view. In my eyes, "31" is a disappointing letdown. There could have been so much more, this could have been such a good movie. But for that another director or at least screenplay writer would have been necessary.
Maybe next time.
I have to say, before I write about the movie itself, that I never shared the opinion of those, who see Rob Zombie basically as the horror messiah, who will reinvent the genre. He basically had 2 good movies (Devil's Rejects, Halloween), all other movies were pretty bad. House of 1000 Corpses was a ridiculously bad B-movie, Halloween 2 was bad even for a film school student, and those few parts that were good in Lords of Salem were copied from other movies. First Halloween reboot was only good, because he had a rich franchise with tons of information to build on.
He gets the look every time, I'll give him that, and I won't even make fun about how a grown up man calls himself "Zombie", but the content of his movies is a major letdown every single time. I'd never thought to say this, but in terms of innovative horror movies, I prefer Eli Roth before Zombie every day.
Rob is an awesome musician, and yes, maybe even a good director. But he is an horrible screenplay writer with no idea how to develop characters and dialogues. No wonder, all characters in "31" are superficial clichés with no debt, talking horrible stupid stuff, that is meant to sound smart. The "Doomhead" being so obviously being a Heath Ledger's Joker tribute just confirms that. Basically the most interesting character in the movie is a (bad) rip-off. And did he really need the slo-mo clap? That was so bad, I was close to turn off the TV.
Also,he really should stop to cast his wife for every female lead. If not married to him, she would never have become an actress, at least not in a main role. I don't care if she is hot (I by the way don't think so, she is SO skinny and looks old for her age), I care about acting skills.
Maybe, if Rob could direct a movie with a screenplay written by an experienced and talented writer...? But this way, letting him do whatever he wants, we get movies like "31".
So, the protagonists get abducted and sent into an Arena, to fight to death with some clowns with freaky names (Doomhead, Deathhead, Bashhead, and so on...). That's pretty much all, no more exposition or plot details. Why? No idea, and the movie does not care about explaining anything - being sick is basically it's only excuse and motivation. "Why do they do this?" "Because they have sick minds". "Aha. And why does Doomhead what he does? Does he get paid BIG time?" "Ah, he is sich minded". "What is special about Doomhead at all? To me does not look any more dangerous than the rest of the freaks?" "Ah, he is even sicker as them". And so on. A few freaky characters get shown, some people die, mainly by blade weapons, until an, in my opinion, pretty stupid ending.
Okay, there is some gore in the movie, which I appreciated. I did like the characters, even if superficial - but this made the movie even worse, because you are interested - but don't get any answers or backgrounds.
I also liked the Soundtrack a lot, I love all this 60s and 70s music, and it blended in nicely.
But the overall execution was just bad - ridiculous fighting choreographies, that gave me the impression, everything in this movie was filmed by first take (maybe they wanted to proudly say that they shot the movie in 31 days or something like this), especially the text passages of Sheri Moon Zombies. Man, stop letting her talk - no expression, no motivation, no acting. At all.
So, what can I say? I give 4/10, 4 points for having interesting characters (who never get developed in any way), a good soundtrack, some gore and a good colour correction).
But can I recommend this? Gosh, no, I cannot.
I have still hope for Rob Zombie, and I will see his next movie. But if this will be bad again, I am out of the Zombie business, because by then he will have delivered 3 bad movies in a row - in my world more than enough to lose my respect permanently.
Sorry, Zombie fans - I know you have another opinion and will probably flame me, but this is my personal view. In my eyes, "31" is a disappointing letdown. There could have been so much more, this could have been such a good movie. But for that another director or at least screenplay writer would have been necessary.
Maybe next time.
- marcwiechmann
- Oct 18, 2016
- Permalink
- Fella_shibby
- Oct 11, 2016
- Permalink
I dig Rob Zombie films. Devils Rejects, the Halloween reboots, Lords of Salem
all personal favorites. So much so that I contributed $150 to the crowd funding of 31. It was promised to be the movie RZ wanted to make as well as the movie he thought his fans wanted to see - an unapologetic and uncompromising slaughter-fest. Well, I finally watched 31 last night and unfortunately it does compromise and it isn't even much of a slaughter-fest. It's simply another "we-kidnapped-some-innocent-people-for-the-purpose-of-torturing-them" retread. And not a very good one at that. I'm bummed.
There are certainly moments that make 31 worth watching. But those moments just aren't enough to make it a good movie. Much of the criticism of 31 has been directed at the lack of character development. My comment to that is "who cares?". This is a movie where I wanted to sink into my seat and cover my eyes due to the extreme and unrelenting gore. I wanted to feel like I did when I first saw Dawn of The Dead in theaters in 1980 - unable to look, but unable to look away utterly horrified by images I'd never seen before walking out exhilarated, out of breath, and laughing at myself for being so freaked out by a movie. If anyone could do it, Rob could.
Alas, most of 31 is just another quick-cut, shaky-cam exercise that does manage to force the viewer to look away - just not out of disgust, but to keep from getting a headache from the excessively annoying hand-held shots and machine-gun editing. More often than not, you can't even tell what's going on in the action scenes. There are lots of half second images of blood- soaked faces, and blood-soaked clothing, and blood-soaked weapons but we can't tell who's getting chopped up and who's doing the chopping.
31 opens with a monologue from villainous clown Doom Head. It's a great scene that draws you in. The idea that he was, of course, going to show up again by the end of the film was the only thing that kept me from walking out. He does show up in the final 15 minutes, but it's too little, too late. It was already to the point where I couldn't care less what happened to these people and I knew however the inevitable deaths were played out wasn't going to be anything interesting or inventive. I was right. In between the opening and closing Doom Head bookends there is absolutely nothing of interest. A little unsuccessful character development silly villains that are far too easy for our heroes to kill pompous ringmasters that add nothing and could have been cut out completely it all made me want my $150 back.
I assume there will be an unrated version somewhere down the line that I'll watch and re- evaluate, but I can't imagine it saving this waste of fake blood and Malcolm McDowells talent. If you want to see an interesting, scary clown movie try 2014's Clown (he eats children!) if you want gut-wrenching gore watch the Evil Dead remake again. The only reason to see 31 is it's an RZ flick and to be properly schooled in modern horror you need to see all RZ offerings - at least for now. A few more throwaways like this and Rob will just be another straight to Netflix hack director.
There are certainly moments that make 31 worth watching. But those moments just aren't enough to make it a good movie. Much of the criticism of 31 has been directed at the lack of character development. My comment to that is "who cares?". This is a movie where I wanted to sink into my seat and cover my eyes due to the extreme and unrelenting gore. I wanted to feel like I did when I first saw Dawn of The Dead in theaters in 1980 - unable to look, but unable to look away utterly horrified by images I'd never seen before walking out exhilarated, out of breath, and laughing at myself for being so freaked out by a movie. If anyone could do it, Rob could.
Alas, most of 31 is just another quick-cut, shaky-cam exercise that does manage to force the viewer to look away - just not out of disgust, but to keep from getting a headache from the excessively annoying hand-held shots and machine-gun editing. More often than not, you can't even tell what's going on in the action scenes. There are lots of half second images of blood- soaked faces, and blood-soaked clothing, and blood-soaked weapons but we can't tell who's getting chopped up and who's doing the chopping.
31 opens with a monologue from villainous clown Doom Head. It's a great scene that draws you in. The idea that he was, of course, going to show up again by the end of the film was the only thing that kept me from walking out. He does show up in the final 15 minutes, but it's too little, too late. It was already to the point where I couldn't care less what happened to these people and I knew however the inevitable deaths were played out wasn't going to be anything interesting or inventive. I was right. In between the opening and closing Doom Head bookends there is absolutely nothing of interest. A little unsuccessful character development silly villains that are far too easy for our heroes to kill pompous ringmasters that add nothing and could have been cut out completely it all made me want my $150 back.
I assume there will be an unrated version somewhere down the line that I'll watch and re- evaluate, but I can't imagine it saving this waste of fake blood and Malcolm McDowells talent. If you want to see an interesting, scary clown movie try 2014's Clown (he eats children!) if you want gut-wrenching gore watch the Evil Dead remake again. The only reason to see 31 is it's an RZ flick and to be properly schooled in modern horror you need to see all RZ offerings - at least for now. A few more throwaways like this and Rob will just be another straight to Netflix hack director.
I'll start by saying this, I know there are some that will claim "He wasn't going for a traditional scary movie. People that don't like it just don't understand his perspective." I'm sure that in all of the conversations they had with Mr. Zombie these points were covered and clearly they have a much better understanding than anyone else. This review is for those that have been excited about seeing this because Rob Zombie's pieces in the past have had that intense shock factor and were delivered very well. Unfortunately, this one does not. It is kind of sadistic and if you put yourself in the position of one of these actors you can imagine it would probably be terrifying. Then again, you wouldn't use poorly scripted cheesy lines and engage in badly choreographed fights. Personally, I have been looking forward to this film since I first heard about it last year and have kept myself up on the release date so as soon as it was available I could treat myself to it. I couldn't have been more disappointed. I thoroughly enjoyed his other films and would watch another if he made it. I realize fanatic Zombie lovers will disagree with me when I say this but for every one that like it there will be several that don't. I can't decide which was worse: the ending or the overall acting. I must give credit where credit is due, the intro is entertaining and you will probably enjoy Doom Head (the guy in the opening scene). Again unfortunately, he is in the movie all of about 10 minutes non-consecutively. Had the movie centered around him and a twisted hunting obsession perhaps I would be writing a very different review. The acting is over-the-top and awful. Not in the same way that some movies are so bad they're good (like Zombeavers or Axe Giant) but more like super low budget projects filmed on an iPhone. For a movie that has reasonably good quality in most scenes I was so let down to see the acting was so unrefined. It probably could have been worse, I'm just not sure how.
- bwhelveston
- Sep 15, 2016
- Permalink
- ishmaelmontiel
- Aug 31, 2016
- Permalink
I'm a zombie fan. I held off on 31 from the reviews. I saw 3 from hell and wanted to convince myself the Rob Zombie I know and love still had it in him. This wasn't about character work or plot, this was about giving fans the brutal zombie film they wanted him to make. And it worked. Is it perfect? No. It isnt meant to be. This is a love letter to the fans. The only reason I have it a 7 is because the R version very clearly holds back, and I blame the MPAA for not having the guts to let the masses choose for themselves what they want to see. Hopefully the unrated version surfaces for us fans that just wanted to let go, let our brains turn to mush, and enjoy the mindless imagery and sheer violence on screen. I'm glad I finally saw 31, as it washed the awful taste of 3 from hell out of my mouth. I'm still with you Rob, keep em coming. And if you ever read this? Forget the fireflies now, give us more Doom Head.
- kzucc-37279
- Nov 14, 2019
- Permalink
to be expected from Rob Zombie, not the best dialogue in the world, unlikable protagonists you want to die, Sheri moon zombie trying and the feeling of wishing he would get to the point. i loved 'House of 1000 corpses' & 'Devil's rejects' is one of my favorite horror films of all time. The only other of Zombie's films that even touches on those films in my opinion is 'Halloween' with the plot of killer clowns playing a totally crazy game of cat and mouse i thought such a simple story arc would be fun and playful horror, But Zombie tries something that i felt just fell flat on it's face. Almost cringy to watch at times, Nazi Clown midgets, c'Mon man... Still a strong director but a terrible writer. This film should be used as evidence to Zombie that he cannot carry a film on his own, if he hired a couple of writers to spoon feed him decent characters for his 'plot' then you could potentially get some decent horror movies. or at least seem satisfying dialogue. or maybe he should just stick to making the antagonist the main point of view, that way the script makes sense. over all, was looking forward to a night of madness , in stead got a student film on crack shot in a sweatshop.
Here are a couple of things that must have gone through Rob Zombie's mind whilst shooting 31: "Who needs a plot when you got a psychopathic Nazi-midget?", "Who gives a damn about plausibility when you have Malcolm McDowell himself dressed up like a French Aristocrat and depicting a character that is named Father Murder?" and "Why would I make ambitious when the crowd simply wants sadistic & graphic violence?" And you know what? If Rob Zombie really was thinking these things, he was damn right! Personally, I'm an enormous fan of Zombie's "House of 1,000 Corpses" and "The Devil's Rejects" and I remotely enjoyed his remake of "Halloween", even though the critics were quite harsh about it. But then he suddenly went psychedelic and experimental with "Halloween II" and "The Lords of Salem" and many fans – yours truly included – were disappointed. I, for one, was extremely happy to read that, with "31", Rob Zombie would return to the basics of crude and repulsive horror/shlock cinema! Because, after all, the revival of 70s grindhouse/drive-in exploitation cinema was largely the deed of Rob Zombie and not of Quentin Tarantino! So, "31" actually doesn't a have a real plot but is a mixture of homages to genre classics (for example "The Texas Chainsaw Massacre") and borrowed ideas of cult classics ("The Most Dangerous Game", "The Running Man"
)
A ramshackle old RV full of traveling circus artists/carnies is driving through the middle of redneck nowhere on Halloween's day 1976, and pretty much all they ever do is foul-mouthing and fornicating. When night falls, however, they notice the road is blocked with immense scarecrows. Before they properly realize what's going on, the RV and all its passengers are brutally attacked by mysterious creeps and three people are killed instantly. The remaining five survivors, two women and three men, awake tied up and chained in an abandoned factory where three elderly lunatics dressed up as French Aristocrats joyfully inform them that they are the players in this year's traditional game of 31. They are released in a dark and creepy labyrinth and have to survive for twelve hours while being chased by some of the most demented sickos ever caught on film, including a Spanish babbling Nazi-midget, clown siblings with chainsaws and deranged German sex deviants. The group defend themselves quite well, though, and thus the crazy tormentors bring in their ultimate secret weapon, the unbeatable master-psycho Doom-Head!
There isn't really too much to write about Rob Zombie's latest film, in fact. Either you're a fan of extreme and relentless violence and "31" is a must-see for you, or you'll completely detest the film for its lack of plot, character background, style or overall lack of taste. If even writer/director Zombie himself repeatedly stated that this is his most brutal movie to date, there isn't any reason to not believe him. "31" features numerous scenes in which people's heads are smashed in with a bludgeon, torsos are cut in half by chainsaws and throats are slit with rusty knives. Still, I can't help mentioning that most of this gruesome stuff also featured in "House of 1,000 Corpses" and "The Devil's Rejects", but those two were suspenseful and haunting on top! "31" is sheer mindless horror entertainment but it won't leave a long-lasting impression. As usual, Rob Zombie surrounds himself with a cast that he worked well with before, including his own wife Sheri Moon, Meg Foster, Jeff Daniel Philips and many other familiar faces. The soundtrack is terrific as well, which is another Rob Zombie trademark, and features for example the beautiful song "California Dreaming" during a rare quiet and peaceful scene.
A ramshackle old RV full of traveling circus artists/carnies is driving through the middle of redneck nowhere on Halloween's day 1976, and pretty much all they ever do is foul-mouthing and fornicating. When night falls, however, they notice the road is blocked with immense scarecrows. Before they properly realize what's going on, the RV and all its passengers are brutally attacked by mysterious creeps and three people are killed instantly. The remaining five survivors, two women and three men, awake tied up and chained in an abandoned factory where three elderly lunatics dressed up as French Aristocrats joyfully inform them that they are the players in this year's traditional game of 31. They are released in a dark and creepy labyrinth and have to survive for twelve hours while being chased by some of the most demented sickos ever caught on film, including a Spanish babbling Nazi-midget, clown siblings with chainsaws and deranged German sex deviants. The group defend themselves quite well, though, and thus the crazy tormentors bring in their ultimate secret weapon, the unbeatable master-psycho Doom-Head!
There isn't really too much to write about Rob Zombie's latest film, in fact. Either you're a fan of extreme and relentless violence and "31" is a must-see for you, or you'll completely detest the film for its lack of plot, character background, style or overall lack of taste. If even writer/director Zombie himself repeatedly stated that this is his most brutal movie to date, there isn't any reason to not believe him. "31" features numerous scenes in which people's heads are smashed in with a bludgeon, torsos are cut in half by chainsaws and throats are slit with rusty knives. Still, I can't help mentioning that most of this gruesome stuff also featured in "House of 1,000 Corpses" and "The Devil's Rejects", but those two were suspenseful and haunting on top! "31" is sheer mindless horror entertainment but it won't leave a long-lasting impression. As usual, Rob Zombie surrounds himself with a cast that he worked well with before, including his own wife Sheri Moon, Meg Foster, Jeff Daniel Philips and many other familiar faces. The soundtrack is terrific as well, which is another Rob Zombie trademark, and features for example the beautiful song "California Dreaming" during a rare quiet and peaceful scene.
Let me just say I like RZ. House of 1k Corpses is great, and The Devil's Rejects is one of my all time favorite films, hands down.
What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.
The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.
Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.
The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.
As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.
The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.
What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.
The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.
Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.
The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.
As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.
The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.
As an adherent of the great director Rob Zombie, I am confident in saying that 31 is my favorite film in his portfolio. A story about a group of travelers who are abducted and tormented by an underground society of wealthy individuals who wager on the lives of their victims.
This movie starts off with one of the most amazing monologues in horror film history, when Doom Head (Richard Brake) preaches to one of his victims who just so happens to be a Preacher Man. This scene sets the tone for the dirty gore-fest to follow.
I decided to give this movie an 8/10 because of the rawness that Rob Zombie gives. Plus there is a Hitler little person, what could be better than that?
This movie starts off with one of the most amazing monologues in horror film history, when Doom Head (Richard Brake) preaches to one of his victims who just so happens to be a Preacher Man. This scene sets the tone for the dirty gore-fest to follow.
I decided to give this movie an 8/10 because of the rawness that Rob Zombie gives. Plus there is a Hitler little person, what could be better than that?
31 (2016)
* (out of 4)
A group of carnival workers are on their way to a job when they are kidnapped by psychotic clowns. Once chained up in a building, Father Murder (Malcolm McDowell) informs them that they're going to play a game, which will last twelve hours. They can either survive or face the worst death possible from his killer clowns.
Rob Zombie's 31 is a film that he's highly been promoting and this includes before it was even made. There was a teaser poster released and fans helped get the movie made but the plot of the film was kept secret and it's easy to see why because there's not much of one. Sadly, what we've basically got is SAW but with the redneck/white trash types that we've seen in every Zombie movie up to this point. Sadly this here turns out to be the director's worst film.
31 has all sorts of problems with it and a majority of them are the same issues I've had with his previous movies. For starters, the characters are all just annoying to the point where you don't really care whether they live or die. I'm not sure why it's so hard for their to be a likable character in one of Zombie's films but if you don't have anyone to root for what's the point? Well, I guess it could be one of those movies where you root for the villains but that's impossible here too because the villains are all boring and just not that interesting. Heck, they're not even "clowns" but just the typical rednecks but with face paint.
Another problem that I had with this film is that it's simply not scary. As was the case in THE LORDS OF SALEM, Zombie tries to build up tension and suspense but it just fails. There's just nothing here that draws you into the story and when you're watching a film like this and there's no tension it just leads to pure boredom. Even worse is some of the lighting because there are times where you can't see what's going on and other times when lights are flashing at the camera and whatever effect they were going for just doesn't work.
Zombie promised that this here would be his most violent movie and I don't think that was the case either. A lot of the violence is off screen or just not nearly as brutal as he has delivered in the past. The performances are pretty much what they are with everyone doing a decent enough of a job. The music selection is good and I will say that there was one good sequence inside a cage with a chainsaw. Still, there's just no way around it but Zombie just isn't impressing me as a director. 31 could have been done countless other ways and any of them would have been better than what we got.
* (out of 4)
A group of carnival workers are on their way to a job when they are kidnapped by psychotic clowns. Once chained up in a building, Father Murder (Malcolm McDowell) informs them that they're going to play a game, which will last twelve hours. They can either survive or face the worst death possible from his killer clowns.
Rob Zombie's 31 is a film that he's highly been promoting and this includes before it was even made. There was a teaser poster released and fans helped get the movie made but the plot of the film was kept secret and it's easy to see why because there's not much of one. Sadly, what we've basically got is SAW but with the redneck/white trash types that we've seen in every Zombie movie up to this point. Sadly this here turns out to be the director's worst film.
31 has all sorts of problems with it and a majority of them are the same issues I've had with his previous movies. For starters, the characters are all just annoying to the point where you don't really care whether they live or die. I'm not sure why it's so hard for their to be a likable character in one of Zombie's films but if you don't have anyone to root for what's the point? Well, I guess it could be one of those movies where you root for the villains but that's impossible here too because the villains are all boring and just not that interesting. Heck, they're not even "clowns" but just the typical rednecks but with face paint.
Another problem that I had with this film is that it's simply not scary. As was the case in THE LORDS OF SALEM, Zombie tries to build up tension and suspense but it just fails. There's just nothing here that draws you into the story and when you're watching a film like this and there's no tension it just leads to pure boredom. Even worse is some of the lighting because there are times where you can't see what's going on and other times when lights are flashing at the camera and whatever effect they were going for just doesn't work.
Zombie promised that this here would be his most violent movie and I don't think that was the case either. A lot of the violence is off screen or just not nearly as brutal as he has delivered in the past. The performances are pretty much what they are with everyone doing a decent enough of a job. The music selection is good and I will say that there was one good sequence inside a cage with a chainsaw. Still, there's just no way around it but Zombie just isn't impressing me as a director. 31 could have been done countless other ways and any of them would have been better than what we got.
- Michael_Elliott
- Aug 31, 2016
- Permalink
This film gets a lot of negative feedback, but I have to disagree. Zombie makes horror films - not family friendly scary films or date night blockbusters. With Zombie you always get his movie. He doesn't conform to Hollywood standards to please the critics. He makes what his fans love, and that is hardcore, brutal, insane horror.
31 is a horrific tale full of violence and depravity. It's beautifully shot and at times reminded of 1000 Corpses in the way the cinematography helped tell the story. We've all seen films where a group is kidnapped and forced into some kind of game to the death orchestrated by a madman. Well Zombie puts his stamp on this. He makes it his own and you know it's his. The dialogue written is great as usual for his films - it's funny and it's realistic. The gore is extreme. The characters are original and their costumes are great. Some true art went in to creating these characters and costumes. It was very cool. The violence is uncomfortable. Zombie does a great job as always at invoking that sense of dread and uncomfortableness. It's Zombie at his most brutal and hardcore.
31 is a horrific tale full of violence and depravity. It's beautifully shot and at times reminded of 1000 Corpses in the way the cinematography helped tell the story. We've all seen films where a group is kidnapped and forced into some kind of game to the death orchestrated by a madman. Well Zombie puts his stamp on this. He makes it his own and you know it's his. The dialogue written is great as usual for his films - it's funny and it's realistic. The gore is extreme. The characters are original and their costumes are great. Some true art went in to creating these characters and costumes. It was very cool. The violence is uncomfortable. Zombie does a great job as always at invoking that sense of dread and uncomfortableness. It's Zombie at his most brutal and hardcore.
- tootyfnfruity
- May 23, 2020
- Permalink
I enjoyed Zombie's first two movies. That's about the extent that I can say I am a fan of his in any respect. With that being said, some of the imagery that I had seen leading up to this film had me hoping it would exceed the awful messes that were the Halloween remakes and Lords of Salem. It didn't.
Carnies, the 70's, killer "clowns", and a game that is an amalgamation of better movies (The Running Man, etc). It's not an overly complicated plot, but somehow Rob Zombie was able to make it seem confusing.
Bad acting (particularly from Sheri Moon Zombie, as always), terrible dialogue, and lots of characters with basically no character development. I've read lots of other people say that this is a pointless movie and they are absolutely right. It's watchable, but it's not something I would watch again.
My general thinking at this time is that Rob Zombie is far better suited to be a production artist/set designer than a writer/director.
Carnies, the 70's, killer "clowns", and a game that is an amalgamation of better movies (The Running Man, etc). It's not an overly complicated plot, but somehow Rob Zombie was able to make it seem confusing.
Bad acting (particularly from Sheri Moon Zombie, as always), terrible dialogue, and lots of characters with basically no character development. I've read lots of other people say that this is a pointless movie and they are absolutely right. It's watchable, but it's not something I would watch again.
My general thinking at this time is that Rob Zombie is far better suited to be a production artist/set designer than a writer/director.
- Marshal_Law
- Sep 15, 2016
- Permalink
In 1976, on the eve of Halloween, an itinerant troupe is forced to stop their truck and attacked by strangers. Charly (Sheri Moon Zombie), Venus Virgo (Meg Foster), Panda Thomas (Lawrence Hilton-Jacobs), Levon Wally (Kevin Jackson) and Roscoe Pepper (Jeff Daniel Phillips) survive. They are forced to participate in a sadistic game called "31" for 12 hours, and whoever survives will be released. Soon they are attacked by sadistic killers dressed like clowns. Will someone survive to the "31"?
"31" is an unoriginal pointless awful slasher with an absurd and stupid story. The greatest challenge is not for the group forced to participate, but for the viewer to see this film until the very end. The only thing good to see is the veteran cast with Malcolm McDowell, Judy Geeson ("To Sir with Love") and Meg Foster ("They Live"). Unfortunately they are wasted in a poor story and screenplay. It is better off watching "The Texas Chainsaw Massacre" again. My vote is two.
Title (Brazil): Not Available
"31" is an unoriginal pointless awful slasher with an absurd and stupid story. The greatest challenge is not for the group forced to participate, but for the viewer to see this film until the very end. The only thing good to see is the veteran cast with Malcolm McDowell, Judy Geeson ("To Sir with Love") and Meg Foster ("They Live"). Unfortunately they are wasted in a poor story and screenplay. It is better off watching "The Texas Chainsaw Massacre" again. My vote is two.
Title (Brazil): Not Available
- claudio_carvalho
- Sep 22, 2016
- Permalink
Yeah, it's one of those movies for fans of Rob Zombie movies. It's funny, because if you are a fan of White Zombie and Rob Zombie, you'd expect his movie career to more reflect Frankensten and Wolf-Man, but his movies seem to take on more on a slasher monster vibe.
Zombie has a love of trashy and violent 1970s movies. Those low end ones like I Spit on Your Grave and Ten Thousand Maniacs. What's good about Zombie is that he's able to take homage without copying what they are doing. It's most likely why the film takes place in 1976.
A group of carnie folks are kidnapped by some elite society that put them in a game of survival.
It's a bizarre film with an ensemble of interesting characters, especially the clowns that are tracking down these five victims Hunger Games style. The one clown called Tube-Head was far better than Jered Leto's Joker in suicide Squad.
So I must admit, I hate to say it's not for everyone, but it definitely is not. It more follows the the lowest of the low Grind house cinema and if you like that stuff than it's for you
cinemagardens.com
Zombie has a love of trashy and violent 1970s movies. Those low end ones like I Spit on Your Grave and Ten Thousand Maniacs. What's good about Zombie is that he's able to take homage without copying what they are doing. It's most likely why the film takes place in 1976.
A group of carnie folks are kidnapped by some elite society that put them in a game of survival.
It's a bizarre film with an ensemble of interesting characters, especially the clowns that are tracking down these five victims Hunger Games style. The one clown called Tube-Head was far better than Jered Leto's Joker in suicide Squad.
So I must admit, I hate to say it's not for everyone, but it definitely is not. It more follows the the lowest of the low Grind house cinema and if you like that stuff than it's for you
cinemagardens.com
- subxerogravity
- Sep 2, 2016
- Permalink
31 opens with a quote from Kafka. Pretentious, moi? Then some dude wearing white face paint tries to bore another bloke to death by talking a load of old claptrap to him; when that doesn't work, he whacks him with an axe instead. It later transpires that the axe-happy chappie with the bad attitude and teeth to match is Doomhead, one of a group of psychos paid to hunt and kill unwilling participants in an annual game organised by some twisted geriatrics in powdered wigs. In the latest game of 31, a group of carnival folk fight for their lives against a variety of foes, including a Nazi midget, a tall bloke in suspenders and a tutu, and a pair of chainsaw wielding loonies.
Having suffered through both of Rob Zombie's Halloween movies, I approached 31 with trepidation, longing for a return to form for the director who gave us the fun House of 1000 Corpses and the excellent The Devil's Rejects, but expecting the worse. Sadly, Zombie met my expectations: a wafer thin plot that lacks originality (check out Maurice Deveraux's $lasher$ for a much better take on the deadly game-show theme), horrible characters (the protagonists are so scuzzy I actually wanted them to die), trite grind-house affectations, and repetitive, uninspired action made this one a real chore to watch. C'mon Zombie, I know you can do better than this lazy, predictable tosh.
Having suffered through both of Rob Zombie's Halloween movies, I approached 31 with trepidation, longing for a return to form for the director who gave us the fun House of 1000 Corpses and the excellent The Devil's Rejects, but expecting the worse. Sadly, Zombie met my expectations: a wafer thin plot that lacks originality (check out Maurice Deveraux's $lasher$ for a much better take on the deadly game-show theme), horrible characters (the protagonists are so scuzzy I actually wanted them to die), trite grind-house affectations, and repetitive, uninspired action made this one a real chore to watch. C'mon Zombie, I know you can do better than this lazy, predictable tosh.
- BA_Harrison
- Sep 18, 2016
- Permalink
having recently started rereading EC comics, Eerie, and Creepy, I can't help feeling this is the equivalent of taking an amalgamation of the better black and white carnival stories, doing them in color on glossy*
paper, and flogging them off to today's masses who think when you call something a graphic novel it is literature, and that you should have a suitably erudite opinion with lots of run on sentences and no editing. Nope, this is just a damn fine stroke book. Minimum review is ten lines of text,
*the spellcheck does not recognize the proper tense of calendar in terms of finishing paper, sentence breaks made to emphasize a phrase are condensed back to a no format base, and yet it is acceptable to violate grammar tense and agreement like holes on a sex doll. How did Doom Head keep an unprotected cigar whole in his back pocket?
paper, and flogging them off to today's masses who think when you call something a graphic novel it is literature, and that you should have a suitably erudite opinion with lots of run on sentences and no editing. Nope, this is just a damn fine stroke book. Minimum review is ten lines of text,
*the spellcheck does not recognize the proper tense of calendar in terms of finishing paper, sentence breaks made to emphasize a phrase are condensed back to a no format base, and yet it is acceptable to violate grammar tense and agreement like holes on a sex doll. How did Doom Head keep an unprotected cigar whole in his back pocket?
- henrykipp65
- Jan 10, 2017
- Permalink
Right, another movie from Rob Zombie. And after the last disastrous "Lords of Salem" movie, then I had very little expectations to "31". I did read the synopsis of the movie, and it did seem like it could have potential to be something violent and gruesome, but then again it also could totally flop and just become a parody on itself.
And now having seen "31", then I will say that while it certainly was better than "Lords of Salem", then it is by no means an outstanding movie nor a particularly entertaining movie.
The story in all its simplicity is about a group of people getting trapped in a maniacal game of survival on Hallows Eve.
Yep, the movie is that simple. The storyline is very simple and offers nothing, absolutely nothing, in terms of challenging the intellect of the audience. This is solely a movie about showing off violence, bizarre characters and Rob's obsession with clowns.
Sure, I did enjoy the graphic violence in the movie, and some of the means of maiming, torturing and killing people was interesting. And the characters in the movie were interesting and colorful, both the protagonists and the killer clowns. But the storyline was so shallow and predictable that it served as an anchor around the movie, dragging it down.
As for the cast in "31", well I can't really claim to be a particular fan of Sheri Moon Zombie, so she doesn't really appeal much to me in terms of having lead roles. However, I will say that, in my opinion, it was Jeff Daniel Phillips, Pancho Moler and Richard Brake whom were lifting up the movie with their performances and portrayal of their respective characters.
The effects and make-up in the movie was quite good, and having that advantage in the visual department surely did work in favor of the movie.
"31" is hardly going to be classics like "House of 1000 Corpses" and "The Devil's Rejects", but it is worth a single viewing if you enjoy the weird results of Rob Zombie's imaginary thinking.
To me, "31" was a very mediocre movie, especially since the killing and mayhem could only do so little to try to make up for a proper storyline.
And now having seen "31", then I will say that while it certainly was better than "Lords of Salem", then it is by no means an outstanding movie nor a particularly entertaining movie.
The story in all its simplicity is about a group of people getting trapped in a maniacal game of survival on Hallows Eve.
Yep, the movie is that simple. The storyline is very simple and offers nothing, absolutely nothing, in terms of challenging the intellect of the audience. This is solely a movie about showing off violence, bizarre characters and Rob's obsession with clowns.
Sure, I did enjoy the graphic violence in the movie, and some of the means of maiming, torturing and killing people was interesting. And the characters in the movie were interesting and colorful, both the protagonists and the killer clowns. But the storyline was so shallow and predictable that it served as an anchor around the movie, dragging it down.
As for the cast in "31", well I can't really claim to be a particular fan of Sheri Moon Zombie, so she doesn't really appeal much to me in terms of having lead roles. However, I will say that, in my opinion, it was Jeff Daniel Phillips, Pancho Moler and Richard Brake whom were lifting up the movie with their performances and portrayal of their respective characters.
The effects and make-up in the movie was quite good, and having that advantage in the visual department surely did work in favor of the movie.
"31" is hardly going to be classics like "House of 1000 Corpses" and "The Devil's Rejects", but it is worth a single viewing if you enjoy the weird results of Rob Zombie's imaginary thinking.
To me, "31" was a very mediocre movie, especially since the killing and mayhem could only do so little to try to make up for a proper storyline.
- paul_haakonsen
- Oct 3, 2016
- Permalink
Now as someone who isn't a big fan of the horror genre or at least supernatural horror movies I am a bi fan of the saw franchise and those sort of horror movies. Now to get to business, 31 is about a bunch of roadies who play A game of 31 every Halloween . They abduct A group of people and force them to play 31 a game where you have to fight to the death. an interesting take on a not so original story in classic Rob zombie style. If you like Devils rejects you will definitely like this . Very violent and entertaining wish we could get more horror movies like this one. The cast is great like in most of Rob Zomgies movies everyone looks the part . there is no stereo typical pretty boy or even an extremely attractive girl everyone looks normal and fits the part
I have been a fan of Rob Zombie's music for two decades. I love several albums he made back in the White Zombie days and he's done cool stuff also as a solo artist. He can absolutely entertain an audience at a rock show, I've seen that for myself. He's even proved to be an accomplished graphic artist. Just go see his drawings in the CD booklet of the White Zombie album Astro Creep 2000!
However, Rob Zombie just cannot make a movie!
By the time The Lords Of Salem was released, I was so disappointed by all of his previous films (especially by his disastrous Halloween remakes) that I have never hurried myself to see that piece of effort - and after suffering through a good chunk of 31, I surely never will. His latest work makes me wonder how could I sit through any of the RZ catalog. I had to stop watching 31 after 40-45 minutes for the simple reason that it is tinkered of nothing but totally incomprehensible frames and scenes. My dog would make the exact same movie if I zoomed a camera to a close- up angle, tied it on the dog's back and put the animal in a very little cage to fight another dog. Lucky for Mr. Zombie, I'm an animal lover and I don't even own a dog. Seriously, no matter how bad the actors are, how terrible the writing and directing is, all should be given an Oscar, compared to the quality of camera work and editing!
However, Rob Zombie just cannot make a movie!
By the time The Lords Of Salem was released, I was so disappointed by all of his previous films (especially by his disastrous Halloween remakes) that I have never hurried myself to see that piece of effort - and after suffering through a good chunk of 31, I surely never will. His latest work makes me wonder how could I sit through any of the RZ catalog. I had to stop watching 31 after 40-45 minutes for the simple reason that it is tinkered of nothing but totally incomprehensible frames and scenes. My dog would make the exact same movie if I zoomed a camera to a close- up angle, tied it on the dog's back and put the animal in a very little cage to fight another dog. Lucky for Mr. Zombie, I'm an animal lover and I don't even own a dog. Seriously, no matter how bad the actors are, how terrible the writing and directing is, all should be given an Oscar, compared to the quality of camera work and editing!
- matyasinszky
- Oct 29, 2016
- Permalink
I had high hopes for this movie after seeing the trailer several months ago, but this was a huge letdown. Almost couldn't believe it was from the same guy who brought us Devils Rejects, as that is one of my all time favorites movies, and RZ's best in my opinion. Plot just isn't there, the acting is terrible, the story line barely follows anything. Definitely glad I did not pay to see this in theaters. I remember reading a while back before this was made that RZ was looking to have this crowdfunded, but this just goes to show that you can only do so much with a $1.5M budget. I was especially excited after I saw that this came back as NC-17 twice before finally getting an R rating, but that didn't help this film either. Nothing can help this film. This was REALLY bad.
- iancampbell-76348
- Oct 16, 2016
- Permalink
- scrapmetal7
- Nov 4, 2016
- Permalink