Directed by
Giulio Ricciarelli |
Writing Credits
Elisabeth Burghardt | ... | (screenplay) (as Elisabeth Bartel) & |
Giulio Ricciarelli | ... | (screenplay) |
Elisabeth Burghardt | ... | (idea) (as Elisabeth Bartel) |
Amelie Syberberg | ... | (collaboration on screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Jakob Claussen | ... | producer |
Sabine Lamby | ... | producer |
Jens Oberwetter | ... | executive producer |
Ulrike Putz | ... | producer (as Uli Putz) |
Music by
Sebastian Pille | ||
Niki Reiser |
Cinematography by
Martin Langer | ||
Roman Osin |
Editing by
Andrea Mertens |
Art Direction by
Manfred Döring |
Set Decoration by
Janina Jaensch |
Costume Design by
Aenne Plaumann |
Makeup Department
Judith Müller | ... | makeup artist |
Verena Weißert | ... | makeup artist |
Second Unit Director or Assistant Director
Hellmut Fulss | ... | first assistant director |
Tobias Joosten | ... | second second assistant director / second unit director |
Art Department
Sophie Pruzsinszky | ... | storyboard artist |
Sound Department
Max Bauer | ... | foley artist |
Normann Büttner | ... | foley recordist |
Tschangis Chahrokh | ... | re-recording mixer |
Friedrich M. Dosch | ... | sound designer |
Monika Gussner | ... | adr editor |
Magda Habernickel | ... | dialogue editor |
Oliver Kepler | ... | sound assistant |
Stefan Korte | ... | re-recording mixer |
Fabien Loucheur | ... | boom operator |
Bernhard Maurer | ... | sound re-recording mixer: foley |
Simon Steinitz | ... | re-recording assistant |
Daniel Vogl | ... | head of ARRI Sound |
Frank Wiedmann | ... | adr recordist |
Visual Effects by
Nina Knott | ... | visual effects producer |
David Laubsch | ... | visual effects supervisor |
Romana Sonntag | ... | junior 3d artist |
Andreas Vincent Weber | ... | junior compositing artist |
Camera and Electrical Department
Roman Asin | ... | key grip |
Janosch Feucht | ... | second assistant camera: a camera |
Hans Fischer | ... | lighting assistant |
Nikolaj Georgiew | ... | camera operator: aerial footage |
Daniel Goede | ... | data manager |
Martin Lamin | ... | key grip |
Johannes Pelzer | ... | video operator |
Martin Rinderknecht | ... | aerial camera operator: aerial footage |
Thomas Roßbach | ... | electrician |
Fabian Rösler | ... | camera operator/steadicam operator |
Heike Ulrich | ... | still photographer |
Casting Department
Minona von Vietinghoff | ... | casting assistant |
Costume and Wardrobe Department
Jürgen Knoll | ... | researcher: costumes |
Editorial Department
Christopher Chaber | ... | digital intermediate editor |
Julien Mazon | ... | trailer editor |
Bianca Pieroth | ... | colorist |
Hansjörg Weißbrich | ... | additional editor |
Felix Zimmerman | ... | assistant editor |
Music Department
Benjamin Gut | ... | score mixing assistant / score recordist |
Carolin Heiß | ... | music consultant |
David Klein | ... | orchestra contractor |
Script and Continuity Department
Norbert Maass | ... | script consultant |
Additional Crew
Josef Brandmaier | ... | funding: bbf |
Manfred Burger | ... | funding: bbf |
Elisabeth Burghardt | ... | researcher (as Elisabeth Bartel) |
Jérémie Charrier | ... | press attaché: France |
Raffael Comi | ... | set runner |
Duc-Anh Dinh | ... | set runner |
Nancy Dlusztus | ... | production coordinator |
Philipp Graf | ... | production press |
Doris Haller | ... | product placement |
Mathilde Incerti | ... | press attaché: France |
Bernard Mangiante | ... | french adaptation: original version with subtitles |
Berit Norrenberg | ... | legal adviser |
Peter H. Rutkat | ... | funding: bbf |
Gerhard Wiese | ... | historical consultant |
Thanks
Fritz Bauer | ... | dedicatee |
Thomas Gnielka | ... | dedicatee |
Joachim Kügler | ... | dedicatee |
Georg Friedrich Vogel | ... | dedicatee |
Gert Voss | ... | in memory of |
Gerhard Wiese | ... | dedicatee |