IMDb RATING
7.3/10
7.3K
YOUR RATING
Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.
- Awards
- 1 win & 1 nomination
Bob Balaban
- Narrator
- (voice)
Jean-Claude Brialy
- Self
- (archive footage)
- (uncredited)
Claude Chabrol
- Self
- (archive footage)
- (uncredited)
Jean-Luc Godard
- Self
- (archive footage)
- (uncredited)
Alfred Hitchcock
- Self
- (archive footage)
- (uncredited)
Vera Miles
- Self
- (archive footage)
- (uncredited)
Anny Ondra
- Self
- (archive footage)
- (uncredited)
Alma Reville
- Self
- (archive footage)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBoth Sir Alfred Hitchcock and François Truffaut could actually speak quite adequately in the language of the other, as can be heard in off camera moments. However neither felt confident enough, so they used Helen Scott, a bilingual Truffaut collaborator, to provide simultaneous translation.
- Quotes
Alfred Hitchcock: Silent pictures are the pure motion picture form. There's no need to abandon the technique of the pure motion picture, the way it was abandoned when sound came in.
- ConnectionsFeatures The Lodger: A Story of the London Fog (1927)
Featured review
The only section missing in the film is a discussion of the MUSIC in Hitchcock films especially the work and career of BERNARD HERMANN! Neither director touched on the scores for VERTIGO, PSYCHO, or THE BRIDE WORE BLACK. Others like WAXMAN and TIOMPKIN were also neglected! Soundtracks are an integral part of both director's work! Shame on you! Also there was no discussion of the score for TORN CURTAIN! Why no Hermann score and a substitute for one by by John Barry? You can write an entire book on film noir music or THE SOUNDS OF DARKNESS. Think about PSYCHO and the "shower scene" without music. It loses its chilling effect. What about James Stewart hanging from a roof gutter in VERTIGO? And that haunting "love theme" in VERTIGO, when Stewart is following Kim Novak in his car and the crescendo of waves breaking against the shore when they finally embrace? I can cite many more moments where music was crucial to a scene in Hitchcock's work, too many to enumerate here. I just had wished the directors and filmmakers would have discussed this important phase of both director's work.
Dr. Ronald Schwartz at www.noir1937@aol.com Manhattan
Dr. Ronald Schwartz at www.noir1937@aol.com Manhattan
- noir-23489
- Dec 9, 2015
- Permalink
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Details
Box office
- Gross US & Canada
- $260,430
- Opening weekend US & Canada
- $28,178
- Dec 6, 2015
- Gross worldwide
- $386,471
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 1.78 : 1
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