An account of the romance between the Maratha general, Baji Rao I and Mastani, princess of Bundelkhand.An account of the romance between the Maratha general, Baji Rao I and Mastani, princess of Bundelkhand.An account of the romance between the Maratha general, Baji Rao I and Mastani, princess of Bundelkhand.
- Awards
- 91 wins & 61 nominations
Priyanka Chopra Jonas
- Kashibai
- (as Priyanka Chopra)
Sukhada Khandkekar
- Anutai
- (as Sukhda Abhijeet Khandkekar)
Anuja Sathe
- Bhiutai
- (as Anuja Anil Sathe)
Swarali Marathe
- Jhumri
- (as Swarangi Mukund Marathe)
Snehlata Vasaikar
- Bhanumati
- (as Snehalata Vasaikar)
Storyline
Did you know
- TriviaA passion project for director Sanjay Leela Bhansali since the 1990s, even before he made his directorial debut, Khamoshi the Musical (1996). The film was first announced in 2003. Bhansali initially wanted to cast Salman Khan and Aishwarya Rai Bachchan, his lead pair from Hum Dil De Chuke Sanam (1999), as the lead actors, with Bhoomika Chawla playing Kashibai, but his plans fell through when the real-life couple had a messy, highly-publicized breakup. Bhansali kept Khan on and approached Kareena Kapoor to play Mastani and Rani Mukerji to play Kashibai but shelved his plans and moved on to other projects after Khan and Kapoor both signed on to star in Kyon Ki... (2005), as he had wanted to be the first director to unite the pair, as he stated on the talk show Sanjay Leela Bhansali & Aishwarya (2004). Over the following decade, Bhansali kept expecting the project to be his next film, with several major actors being approached or rumored to be linked to the project, including Shahrukh Khan, Ajay Devgn, Hrithik Roshan and Katrina Kaif, while some in the industry believed it would never be made, calling it jinxed. The project was finally properly revived in 2014 when Bhansali finally decided on his lead actress from Mary Kom (2014), Priyanka Chopra Jonas, and his lead pair from Goliyon Ki Raasleela Ram Leela (2013), Ranveer Singh and Deepika Padukone.
- GoofsWhen Mastani meets Bajirao, he's on the way to Sironja on urgent business. However, he goes to Bundelkhand with her, does battle, and then apparently returns to Poona, Sironja forgotten.
- ConnectionsFeatured in 61st Britannia Filmfare Awards (2016)
- SoundtracksDeewani Mastani
Written by Siddharth Singh, Garima Wahal, Ganesh Chandanshive and Nasir Faraaz
Produced by Sanjay Leela Bhansali
Performed by Shreya Ghoshal, Ganesh Chandanshive, Mujtaba Aziz Naza, Shadab Faridi, Altamash Faridi and Farhan Sabri
Featured review
Okay, one can expect exactly that with a Sanjay Leela Bhansali. The man sure knows his stuff when it comes to photography and even when something is lacking in the storytelling department, this remains an almost inconsequential detail by the end of the show. This was true for previous Bhansali productions, including Devdas, which was actually a good film in and of itself, while my personal favourite in this regard is probably Saawariya, which was so overwhelmingly stunning I could watch it anytime just for how beautiful it is to look at. Bajirao Mastani is an epic romance, and it definitely works in both story and execution, but it's not a tremendous show as it never really manages to tug at the heartstrings despite its strong story. I wish I could allow myself to get more involved in the story and feel more for the characters and their travails, but it didn't really happen, also probably due to the fact that it's an epic, distant and larger-than-life style of execution, but more because it lacked some depth here and there.
But again, the visuals, oh the visuals - Bhansali is a true craftsman in this regard, and no one can take it from him. The amazing setting, the props, cinematography, the lighting, the extraordinary, impeccable attention to detail, the symmetry, make for a visual treat the kind of which you rarely see. What about the film itself, you ask? Well, it's interesting and captivating, and the music is phenomenal as well. The three leads are really good, particularly Chopra who gets the meatiest part of a woman driven by jealousy, ego, in spite of which she finds room in her heart for compassion and forgiveness. Deepika is stunning, and Ranveer Singh is a good lead whose every expression is clearly carefully thought out before. It also has a phenomenal Tanvi Azmi whose every turn over the past decade has been impressive. At the end of the day, Bajirao Mastani provides viewers with exactly what they want - entertainment and aesthetic delight, and in this regard, the film is a delightful cinematic experience. Pure delight.
But again, the visuals, oh the visuals - Bhansali is a true craftsman in this regard, and no one can take it from him. The amazing setting, the props, cinematography, the lighting, the extraordinary, impeccable attention to detail, the symmetry, make for a visual treat the kind of which you rarely see. What about the film itself, you ask? Well, it's interesting and captivating, and the music is phenomenal as well. The three leads are really good, particularly Chopra who gets the meatiest part of a woman driven by jealousy, ego, in spite of which she finds room in her heart for compassion and forgiveness. Deepika is stunning, and Ranveer Singh is a good lead whose every expression is clearly carefully thought out before. It also has a phenomenal Tanvi Azmi whose every turn over the past decade has been impressive. At the end of the day, Bajirao Mastani provides viewers with exactly what they want - entertainment and aesthetic delight, and in this regard, the film is a delightful cinematic experience. Pure delight.
- Peter_Young
- Sep 26, 2022
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Bajirao and Mastani
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₹1,250,000,000 (estimated)
- Gross US & Canada
- $6,557,047
- Opening weekend US & Canada
- $1,744,975
- Dec 20, 2015
- Gross worldwide
- $11,351,628
- Runtime2 hours 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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