57
Metascore
13 reviews · Provided by Metacritic.com
- 88The Seattle TimesSoren AndersenThe Seattle TimesSoren AndersenThanks to Walken’s superlative, multileveled performance and Edwards’ trenchant writing, this complicated guy...is a weirdly beguiling figure.
- 83The PlaylistKate ErblandThe PlaylistKate ErblandIt really is charm that drives the feature, with Walken pleasingly zipping around on screen while the rest of the cast gamely rally around him, particularly Heard and Garner, who would likely still be plenty of fun in even a Walken-less feature.
- 80New York Daily NewsAllen SalkinNew York Daily NewsAllen SalkinWalken is great in the tragicomic role of a long-tooth singer. Better still, he deserves a Billboard hit for his on-key — and on-fleeck — version of Joe McGinty’s “When I Live My Life Over Again.”
- 75Washington PostWashington PostRobert Edwards, the writer and director, explores the layers of melancholy contained within these familiar but authentically drawn characters, and he cleverly doles out virtue and vice to each while weaving in acid humor borne from regret.
- 63Movie NationRoger MooreMovie NationRoger MooreThe unlikely pairing of Amber Heard and Christopher Walken pays comic dividends in One More Time, an agreeably predictable famous father/bitter daughter dramedy.
- 63New York PostLou LumenickNew York PostLou LumenickChristopher Walken is in top form as Paul Lombard, an aging romantic crooner.
- 60The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeWalken is the main attraction here; though the film identifies more with the wayward daughter, played by Amber Heard, it doesn't make her nearly as interesting as his name-dropping, spotlight-hogging entertainer.
- 58The A.V. ClubNoel MurrayThe A.V. ClubNoel MurrayThe main reason for anyone to see One More Time...is Walken, who brings a lot of life and fine shading to what could’ve been a one-note deadbeat dad type.
- 40Village VoiceSerena DonadoniVillage VoiceSerena DonadoniThe characters are overburdened by backstories that constrict rather than inform their behavior.
- 40The New York TimesNeil GenzlingerThe New York TimesNeil GenzlingerThis is a story full of people being miserable, humorless and selfish, despite having been given a lot in life, and they’re pretty much the same at the end of it as they were at the beginning.