James and Danielle meet on vacation and fall in love. She's going to the dark North Atlantic bottom to find life. He's going to Somalia to find a terrorist but gets a dark cell.James and Danielle meet on vacation and fall in love. She's going to the dark North Atlantic bottom to find life. He's going to Somalia to find a terrorist but gets a dark cell.James and Danielle meet on vacation and fall in love. She's going to the dark North Atlantic bottom to find life. He's going to Somalia to find a terrorist but gets a dark cell.
- Awards
- 2 nominations total
- Étienne
- (as Loïc Corbery de la Comédie Française)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe location in the Faroe Islands Is not Eidi but Bour.
- Quotes
James More: Death. It gets very real when you're watching somebody die in front of you. You're thinking, is this all I am? Is this all I added up to? And all the clichés are true. You're thinking, why now? Why did it have to be... this happen, before I realize what life truly is? It's direct, it's immediate, and it's their whole life exposed to you.
Danielle Flinders: Did you think about your own death a lot?
James More: I did, and I do.
Danielle Flinders: I've heard people telling me that they've had those exact same thoughts when they fell in love.
James More: No, you don't die when you fall in love.
- ConnectionsReferences L'Atalante (1934)
"Submergence" is a powerful film which, much like a painting, defies any attempt to sum it up in 500 words or less. Even the genre that it's listed under, "drama, romance, thriller", is as misleading as calling "2001: A Space Odyssey" a scifi flick. The story follows 2 people on 2 opposite sides of the world, each coming to grips with their own likely death, their own duty to a cause that no one cares about, and the thing that binds this whole story together: their love for each other. Thus "Submergence" is the ultimate long-distance-relationship, but with a clever existential spin: neither one knows if the other is alive, or even if the other person is still in love with them.
That's all that needs to be said about the plot because the plot is secondary to the real power of this film. I don't need to tell you about the guns, grenades, suicide bombers, sinking submarines, psycho soldiers, or James McAvoy's cute pet centipede. All that stuff is just dressing atop the great lines and magnificent imagery. If you watch this flick, I highly recommend turning the subtitles on so you don't miss any of the wonderful dialogue and poetic thoughts that are peppered throughout.
Back to the art gallery, as promised. It shouldn't come as too much of a surprise that director Wim Wenders considers himself an artist/photographer foremost, while to him being a filmmaker is almost secondary. It's evident in all of his films that he's telling us stories through visual composition rather than action. If you're new to Wim Wenders, this is a pretty good place to start because "Submergence" is very poetic and challenging, but it's not so abstract that it might lose you (such as his earlier masterpieces from the 1980s "Paris, Texas" and "Wings of Desire"). Wim Wenders is really like a classic painter who happens to have the technology to make films. So with that in mind, I think if you're ready for an "art gallery" experience, then this flick is for you.
Oh right. I promised you an art joke. Ok, here goes. A woman and her dumb boyfriend from (insert name of place you want to ridicule here) go to an art gallery. The dumb boyfriend looks at a painting and says "that looks like something the cat threw up." Woman says: "That's a Monet." Dumb boyfriend moves to the next wall and says "that looks like some chick stuck her face in a blender." Woman says: "That's a Picasso." Dumb boyfriend moves to the next wall and says "that looks like a monkey picking his nose." Woman says: "That's a mirror."
- How long is Submergence?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Giữa Những Đại Dương
- Filming locations
- Faroe Islands(Eiði)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross worldwide
- $851,960
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.85 : 1