On 8th February 2000 at Feltham Young Offenders Institute, Robert Stewart, a known violent racist was placed in a cell with Zahid Mubarek, eventually leading to Mubarek's murder 6 weeks late... Read allOn 8th February 2000 at Feltham Young Offenders Institute, Robert Stewart, a known violent racist was placed in a cell with Zahid Mubarek, eventually leading to Mubarek's murder 6 weeks later.On 8th February 2000 at Feltham Young Offenders Institute, Robert Stewart, a known violent racist was placed in a cell with Zahid Mubarek, eventually leading to Mubarek's murder 6 weeks later.
- Awards
- 1 nomination total
Storyline
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- TriviaMostly filmed in Haslar hospital, Gosport
- Alternate versionsAs of 2017, all UK versions are cut to reduce the number of uses of the word 'cunt' by around half in order to achieve a '15' rating.
Featured review
Just another morning at Feltham Young Offenders at day break . A officer does his rounds but upon looking in to a cell he finds young offender Robert Stewart has murdered his cellmate Zahid Mubarek . This film tells of the events that led up to the murder
Based on a true story of a senseless murder my IMDb peer EuroGary suggests the film should have tried a bit harder . I've got to disagree because despite having a flaw which I will get to in a moment this isn't a film that's chosen any easy routes to tell a story . The easy option would have been for the production team doing a docudrama type of movie . Considering there's very little budget available and has a mainly static setting director Antony Petrou and screenwriter Leeshon Alexander have used a lot of imagination in telling much of the story in a surreal expressionistic style where much of the exposition takes place via Stewart as a literal split personality and as a film projection suddenly appearing on a wall . Add to all this a striking musical soundtrack by Fred Portelli that is assuredly unsettling and you've got a film that lives up to the tagline of psychological horror which creeps under your skin and stays there
As good as all this is there is a fly in the ointment and that is not only does Leeshon Alexander write the screenplay but also stars in the role as Robert Stewart . Now I'm sure Mr Alexander is a good guy in real life and it probably shows on screen . Take a look at the real life Robert Stewart and the blood instantly chills and that alone should deter any youngster from committing the smallest misdemeanor . Being an actor no doubt meant that Alexander's performance is the dominating central element of WE ARE MONSTER and while this would have worked on the stage in a dynamic way it's rather negated in what is effectively an expressionistic horror movie . Sadly even here Alexander's performance isn't really strong enough to carry the film in the way the actor/writer envisaged . I found the "taunting alter-ego Stewart" just a little too self conscious and mannered to be absolutely disturbing and was often aware that I was watching an actor play a racist psycho rather than a real life monster . This is a pity you can see what the film is trying to do but doesn't do it in an entirely successful way
Based on a true story of a senseless murder my IMDb peer EuroGary suggests the film should have tried a bit harder . I've got to disagree because despite having a flaw which I will get to in a moment this isn't a film that's chosen any easy routes to tell a story . The easy option would have been for the production team doing a docudrama type of movie . Considering there's very little budget available and has a mainly static setting director Antony Petrou and screenwriter Leeshon Alexander have used a lot of imagination in telling much of the story in a surreal expressionistic style where much of the exposition takes place via Stewart as a literal split personality and as a film projection suddenly appearing on a wall . Add to all this a striking musical soundtrack by Fred Portelli that is assuredly unsettling and you've got a film that lives up to the tagline of psychological horror which creeps under your skin and stays there
As good as all this is there is a fly in the ointment and that is not only does Leeshon Alexander write the screenplay but also stars in the role as Robert Stewart . Now I'm sure Mr Alexander is a good guy in real life and it probably shows on screen . Take a look at the real life Robert Stewart and the blood instantly chills and that alone should deter any youngster from committing the smallest misdemeanor . Being an actor no doubt meant that Alexander's performance is the dominating central element of WE ARE MONSTER and while this would have worked on the stage in a dynamic way it's rather negated in what is effectively an expressionistic horror movie . Sadly even here Alexander's performance isn't really strong enough to carry the film in the way the actor/writer envisaged . I found the "taunting alter-ego Stewart" just a little too self conscious and mannered to be absolutely disturbing and was often aware that I was watching an actor play a racist psycho rather than a real life monster . This is a pity you can see what the film is trying to do but doesn't do it in an entirely successful way
- Theo Robertson
- May 11, 2015
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- Also known as
- We are Monster
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- See more company credits at IMDbPro
Box office
- Budget
- $1,100,000 (estimated)
- Runtime1 hour 29 minutes
- Color
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