The Venice Film Festival wrapped on Saturday (September 7) night with key prizes for Pedro Almodóvar’s The Room Next Door, Brady Corbet’s The Brutalist, Dea Kulumbegashvili’s April and Maura Delpero’sVermiglio, while Nicole Kidman won best actress for Babygirl and Vincent Lindon best actor for The Quiet Son.
Screen rounds up key talking points from the festival.
Stars arrive in force…
Last year, the strikes kept the stars away. This year, Venice was brimming with big names, among them George Clooney, Brad Pitt, Nicole Kidman, Angelina Jolie, Joaquin Phoenix, Lady Gaga, Daniel Craig, Tilda Swinton, Julianne Moore and Jude Law.
Screen rounds up key talking points from the festival.
Stars arrive in force…
Last year, the strikes kept the stars away. This year, Venice was brimming with big names, among them George Clooney, Brad Pitt, Nicole Kidman, Angelina Jolie, Joaquin Phoenix, Lady Gaga, Daniel Craig, Tilda Swinton, Julianne Moore and Jude Law.
- 9/9/2024
- ScreenDaily
International Insider: Splashy Week At The Lido; TV Oscar Consideration; Anonymous Content Deep Dive
Afternoon Insiders, here we are once again, another week and another busy one in the world of international film and TV. Sign up to the newsletter here. Or read on.
Splashy Last Week On The Lido
Uncharacteristically buzzy: The Venice Film Festival ends tomorrow after an uncharacteristically buzzy second week. The festival is usually front-loaded, with the splashiest titles playing early. This year, however, Alberto Barbera, who dished to Andreas, said the lengthy runtimes of some competition titles meant the spoils had to spread across both weeks. Enter Brady Corbet’s 215-minute post-wwii epic The Brutalist, starring Adrien Brody, Felicity Jones, Guy Pearce, Joe Alwyn, Stacy Martin, Raffey Cassidy, Emma Laird, Isaach De Bankolé and Alessandro Nivola. The pic was well received, landing a 13-minute ovation from the Sala Grande audience. Pedro Almodóvar launched his English-language debut The Room Next Door with his leading ladies Tilda Swinton and Julianne Moore.
Splashy Last Week On The Lido
Uncharacteristically buzzy: The Venice Film Festival ends tomorrow after an uncharacteristically buzzy second week. The festival is usually front-loaded, with the splashiest titles playing early. This year, however, Alberto Barbera, who dished to Andreas, said the lengthy runtimes of some competition titles meant the spoils had to spread across both weeks. Enter Brady Corbet’s 215-minute post-wwii epic The Brutalist, starring Adrien Brody, Felicity Jones, Guy Pearce, Joe Alwyn, Stacy Martin, Raffey Cassidy, Emma Laird, Isaach De Bankolé and Alessandro Nivola. The pic was well received, landing a 13-minute ovation from the Sala Grande audience. Pedro Almodóvar launched his English-language debut The Room Next Door with his leading ladies Tilda Swinton and Julianne Moore.
- 9/6/2024
- by Max Goldbart
- Deadline Film + TV
Autlook has taken on international sales, excluding the US, for Ted Passon’s documentary Patrice: The Movie, ahead of its premiere at the Toronto International Film Festival (TIFF).
Hulu has US rights to the film, which plays in TIFF Docs.
Patrice: The Movie combines observational documentary and fantastical stage-play recreations to follow Patrice Jetter who has found the love of her life, Garry Wickham. Both are disabled, and want to get married and live together, but doing either could jeopardise the government benefits they need to make ends meet. With long-time friend, director Passon, Jetter recreates scenes from her life,...
Hulu has US rights to the film, which plays in TIFF Docs.
Patrice: The Movie combines observational documentary and fantastical stage-play recreations to follow Patrice Jetter who has found the love of her life, Garry Wickham. Both are disabled, and want to get married and live together, but doing either could jeopardise the government benefits they need to make ends meet. With long-time friend, director Passon, Jetter recreates scenes from her life,...
- 9/4/2024
- ScreenDaily
Andres Veiel’s Riefenstahl, a new documentary on the infamous Nazi-era German director Leni Riefenstahl, has sold strongly internationally following its world premiere at the Venice and Telluride Film Festivals.
Beta Cinema, who are handling world sales on the film, locked down deals across Europe for the documentary, including with Arp for France, Filmin for Spain, Midas Filmes for Portugal, Edge Entertainment in Scandinavia, Against Gravity for Poland, Cirko Film for Hungary, Imagine in Benelux and McF for the territories of the former Yugoslavia. Longride Entertainment will release the film in Japan. Additional territories are currently in negotiation.
In Germany, Riefenstahl will go out via Majestic, with Italian distribution handled by the film’s co-producer Rai Cinema.
Veiel and Riefenstahl producer, the acclaimed German journalist and political talk show host Sandra Maischberger, spent six years pouring over more than 700 boxes of film, writing, audio and other documents from Leni Reifenstahl...
Beta Cinema, who are handling world sales on the film, locked down deals across Europe for the documentary, including with Arp for France, Filmin for Spain, Midas Filmes for Portugal, Edge Entertainment in Scandinavia, Against Gravity for Poland, Cirko Film for Hungary, Imagine in Benelux and McF for the territories of the former Yugoslavia. Longride Entertainment will release the film in Japan. Additional territories are currently in negotiation.
In Germany, Riefenstahl will go out via Majestic, with Italian distribution handled by the film’s co-producer Rai Cinema.
Veiel and Riefenstahl producer, the acclaimed German journalist and political talk show host Sandra Maischberger, spent six years pouring over more than 700 boxes of film, writing, audio and other documents from Leni Reifenstahl...
- 9/4/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
German director Andres Veiel’s documentary Riefenstahl has notched up sales to key territories following its premieres at Venice and Teulluride.
Riefenstahl investigates the influential director Leni Riefenstahl’s close involvement with the Nazis.
Munich-based World Sales company Beta Cinema announced deals for France (Arp), Spain (Filmin), Portugal (Midas Filmes), Scandinavia (Edge Entertainment), Benelux (Imagine), Poland (Against Gravity), Hungary (Cirko Film), former Yugoslavia (McF) and Japan (Longride Entertainment). Additional territories are currently in negotiation. German distribution had previously been agreed with Majestic and Italian distribution through co-producer Rai Cinema.
Veiel’s film, produced by German political journalist Sandra Maischberger, is...
Riefenstahl investigates the influential director Leni Riefenstahl’s close involvement with the Nazis.
Munich-based World Sales company Beta Cinema announced deals for France (Arp), Spain (Filmin), Portugal (Midas Filmes), Scandinavia (Edge Entertainment), Benelux (Imagine), Poland (Against Gravity), Hungary (Cirko Film), former Yugoslavia (McF) and Japan (Longride Entertainment). Additional territories are currently in negotiation. German distribution had previously been agreed with Majestic and Italian distribution through co-producer Rai Cinema.
Veiel’s film, produced by German political journalist Sandra Maischberger, is...
- 9/4/2024
- ScreenDaily
Andres Veiel’s documentary Riefenstahl – unpicking the deceits of German filmmaker and Nazi propagandist Leni Riefenstahl – has scored a slew of deals following its world premiere at Venice and North American launch at Telluride.
Munich-based World Sales company Beta Cinema announced deals to France (Arp), Spain (Filmin), Portugal (Midas Filmes), Scandinavia (Edge Entertainment), Benelux (Imagine), Poland (Against Gravity), Hungary (Cirko Film), former Yugoslavia (McF) and Japan (Longride Entertainment).
As previously announced Majestic is releasing the film in Germany while the Italian release is being handled by co-producer Rai Cinema. Additional territories are currently in negotiation.
Related: Venice Golden Lion Winners : Photos Of The Festival’s Top Films Through The Years
Riefenstahl is one of the most controversial filmmakers of the 20th century as an artist and a Nazi propagandist, thanks to her 1930s films Triumph of the Will and Olympia — capturing the 1934 Nazi Party convention in Nuremberg and the 1936 Berlin Olympics in Berlin.
Munich-based World Sales company Beta Cinema announced deals to France (Arp), Spain (Filmin), Portugal (Midas Filmes), Scandinavia (Edge Entertainment), Benelux (Imagine), Poland (Against Gravity), Hungary (Cirko Film), former Yugoslavia (McF) and Japan (Longride Entertainment).
As previously announced Majestic is releasing the film in Germany while the Italian release is being handled by co-producer Rai Cinema. Additional territories are currently in negotiation.
Related: Venice Golden Lion Winners : Photos Of The Festival’s Top Films Through The Years
Riefenstahl is one of the most controversial filmmakers of the 20th century as an artist and a Nazi propagandist, thanks to her 1930s films Triumph of the Will and Olympia — capturing the 1934 Nazi Party convention in Nuremberg and the 1936 Berlin Olympics in Berlin.
- 9/4/2024
- by Melanie Goodfellow
- Deadline Film + TV
Weltvertrieb Beta Cinema meldet erste starke Auslandsverkäufe von Andres Veiels neuem Dokumentarfilm „Riefenstahl“, der in Venedig Weltpremiere feierte.
Kommt in Deutschland am 31. Oktober in die Kinos: „Riefenstahl“ (Credit: Majestic Film)
Mit „Riefenstahl“ feierten Filmemacher Andres Veiel und Produzentin Sandra Maischberger Weltpremiere auf den 81. Internationalen Filmfestspielen von Venedig (außer Konkurrenz). Direkt im Anschluss ging es weiter nach Telluride, wo der fesselnder Dokumentarfilm über die umstrittene Filmemacherin seine Nordamerikapremiere feierte. Weltvertrieb Beta Cinema meldet nun erste starke Verkäufe des Titels und zwar nach Frankreich (Arp), Spanien (Filmin), Portugal (Midas Filmes), Skandinavien (Edge Entertainment), Benelux (Imagine), Polen (Against Gravity), Ungarn (Cirko Film), das ehemalige Jugoslawien (McF) und Japan (Longride Entertainment). Weitere Länder sind in Verhandlung. In Deutschland hat Majestic die Verleihrechte, in Italien Koproduzent Rai Cinema.
Dirk Schürhoff, CEO von Beta Cinema, sagt: „Wir freuen uns, dass so viele unserer Vertriebspartner weltweit unsere Begeisterung teilen, die eintaucht in die Auseinandersetzung mit Fragen der Propaganda,...
Kommt in Deutschland am 31. Oktober in die Kinos: „Riefenstahl“ (Credit: Majestic Film)
Mit „Riefenstahl“ feierten Filmemacher Andres Veiel und Produzentin Sandra Maischberger Weltpremiere auf den 81. Internationalen Filmfestspielen von Venedig (außer Konkurrenz). Direkt im Anschluss ging es weiter nach Telluride, wo der fesselnder Dokumentarfilm über die umstrittene Filmemacherin seine Nordamerikapremiere feierte. Weltvertrieb Beta Cinema meldet nun erste starke Verkäufe des Titels und zwar nach Frankreich (Arp), Spanien (Filmin), Portugal (Midas Filmes), Skandinavien (Edge Entertainment), Benelux (Imagine), Polen (Against Gravity), Ungarn (Cirko Film), das ehemalige Jugoslawien (McF) und Japan (Longride Entertainment). Weitere Länder sind in Verhandlung. In Deutschland hat Majestic die Verleihrechte, in Italien Koproduzent Rai Cinema.
Dirk Schürhoff, CEO von Beta Cinema, sagt: „Wir freuen uns, dass so viele unserer Vertriebspartner weltweit unsere Begeisterung teilen, die eintaucht in die Auseinandersetzung mit Fragen der Propaganda,...
- 9/4/2024
- by Barbara Schuster
- Spot - Media & Film
[head]
Andres Veiel’s documentary “Riefenstahl,” which challenges the carefully crafted public persona of one of Germany’s most controversial directors, is one of 17 German films playing in the various sections of the Venice Film Festival.
A deep dive into Leni Riefenstahl’s previously inaccessible archive, the 160-minute film lifts the lid on secrets the director of the 1935 Nuremberg propaganda film “Triumph of the Will” struggled more than half her life to keep hidden.
Veiel was brought onboard to direct by producer Sandra Maischberger of Berlin’s Vincent Films, who had gained unfettered access to Riefenstahl’s archive after the death of her longtime companion and husband Horst Kette in 2016.
“For me, it is the right festival for the film,” Veiel tells Variety. “The political situation in German and Italy is similar — with the rise of the right-wing, and a longing for propaganda and fake news. For a debate about the film,...
Andres Veiel’s documentary “Riefenstahl,” which challenges the carefully crafted public persona of one of Germany’s most controversial directors, is one of 17 German films playing in the various sections of the Venice Film Festival.
A deep dive into Leni Riefenstahl’s previously inaccessible archive, the 160-minute film lifts the lid on secrets the director of the 1935 Nuremberg propaganda film “Triumph of the Will” struggled more than half her life to keep hidden.
Veiel was brought onboard to direct by producer Sandra Maischberger of Berlin’s Vincent Films, who had gained unfettered access to Riefenstahl’s archive after the death of her longtime companion and husband Horst Kette in 2016.
“For me, it is the right festival for the film,” Veiel tells Variety. “The political situation in German and Italy is similar — with the rise of the right-wing, and a longing for propaganda and fake news. For a debate about the film,...
- 9/1/2024
- by Nick Holdsworth
- Variety Film + TV
Andres Veiel’s documentary “Riefenstahl,” which challenges the carefully crafted public persona of one of Germany’s most controversial directors, who was forever tainted by working with the Nazis, is one of 17 German films playing in the various sections of the Venice Film Festival.
A deep dive into Leni Reifenstahl’s previously inaccessible archive, the 160-minute film lifts the lid on secrets the director of the 1935 Nuremberg propaganda film “Triumph of the Will” struggled more than half her life to keep hidden.
Veiel, who was brought onboard to direct by producer Sandra Maischberger of Berlin’s Vincent Films – who had gained unfettered access to Riefenstahl’s archive after the death of her longtime companion and husband Horst Kette in 2016 – is untroubled by the film’s out-of-competition berth as he believes the festival is the right venue for its first showing.
“For me, it is the right festival for the film,...
A deep dive into Leni Reifenstahl’s previously inaccessible archive, the 160-minute film lifts the lid on secrets the director of the 1935 Nuremberg propaganda film “Triumph of the Will” struggled more than half her life to keep hidden.
Veiel, who was brought onboard to direct by producer Sandra Maischberger of Berlin’s Vincent Films – who had gained unfettered access to Riefenstahl’s archive after the death of her longtime companion and husband Horst Kette in 2016 – is untroubled by the film’s out-of-competition berth as he believes the festival is the right venue for its first showing.
“For me, it is the right festival for the film,...
- 8/31/2024
- by Nick Holdsworth
- Variety Film + TV
Nach seiner gestrigen Weltpremiere auf der Mostra in Venedig wird Andres Veiels Dokumentarfilm „Riefenstahl“ am 17. Oktober mit seiner Deutschlandpremiere das Film Festival Cologne eröffnen.
„Riefenstahl“ feiert auf dem Film Festival Cologne seine Deutschlandpremiere (Credit: Majestic Film)
Die Deutschlandpremiere von Andres Veiels Dokumentarfilm „Riefenstahl“ (hier unsere Spot-Besprechung) eröffnet am 17. Oktober das Film Festival Cologne, das bis 24. Oktober in Köln stattfindet. Das teilte Majestic Fillmverleih, der den Film am 31. Oktober in die deutschen Kinos bringt, heute mit.
Einer Pressemitteilung zufolge will das Festival damit „einen inhaltlichen Schwerpunkt rund um das Thema Nationalsozialismus und seine Folgen setzen. In einer Zeit, in der Propaganda und Fake News wieder salonfähig werden, sensibilisiert der Film für die Wirkung der Bildwelten, die Riefenstahl schuf, und liefert damit wichtige Denkanstöße zur aktuellen politischen Lage“.
Regisseur Andres Veiel und Produzentin Sandra Maischberger auf dem Roten Teppich vor dem Sala Giardino kurz vor der Weltpremiere von „Riefenstahl“ (Credit: Vincent Productions...
„Riefenstahl“ feiert auf dem Film Festival Cologne seine Deutschlandpremiere (Credit: Majestic Film)
Die Deutschlandpremiere von Andres Veiels Dokumentarfilm „Riefenstahl“ (hier unsere Spot-Besprechung) eröffnet am 17. Oktober das Film Festival Cologne, das bis 24. Oktober in Köln stattfindet. Das teilte Majestic Fillmverleih, der den Film am 31. Oktober in die deutschen Kinos bringt, heute mit.
Einer Pressemitteilung zufolge will das Festival damit „einen inhaltlichen Schwerpunkt rund um das Thema Nationalsozialismus und seine Folgen setzen. In einer Zeit, in der Propaganda und Fake News wieder salonfähig werden, sensibilisiert der Film für die Wirkung der Bildwelten, die Riefenstahl schuf, und liefert damit wichtige Denkanstöße zur aktuellen politischen Lage“.
Regisseur Andres Veiel und Produzentin Sandra Maischberger auf dem Roten Teppich vor dem Sala Giardino kurz vor der Weltpremiere von „Riefenstahl“ (Credit: Vincent Productions...
- 8/30/2024
- by Jochen Müller
- Spot - Media & Film
Each day during the 2024 Venice Film Festival, IndieWire will update this article with a review of the day’s screenings, activities, and buzz.
Pardon me for kicking things off with an esoteric complaint, but as someone who often has to go to a premiere in order to take the audience’s reaction into consideration for a film’s awards prospects, my 2024 Venice Film Festival experience has been uniquely stressful.
While attendees book tickets to screenings through a website, as is the case with most of the major film festivals now, many of the big premieres at Venice aren’t listed for press and industry passholders, so I’ve spent a good percentage of my last two days asking anyone who would hear me if they had a connect to get into the first public screening of Pablo Larraín’s “Maria.”
I spent much of yesterday in a panic about getting...
Pardon me for kicking things off with an esoteric complaint, but as someone who often has to go to a premiere in order to take the audience’s reaction into consideration for a film’s awards prospects, my 2024 Venice Film Festival experience has been uniquely stressful.
While attendees book tickets to screenings through a website, as is the case with most of the major film festivals now, many of the big premieres at Venice aren’t listed for press and industry passholders, so I’ve spent a good percentage of my last two days asking anyone who would hear me if they had a connect to get into the first public screening of Pablo Larraín’s “Maria.”
I spent much of yesterday in a panic about getting...
- 8/30/2024
- by Marcus Jones
- Indiewire
The infamous and virtuosic Nazi filmmaker Leni Riefenstahl made the two documentaries she became legendary for, “Triumph of the Will” (1935) and “Olympiad” (1938), nearly 90 years ago. She herself lived to 101 (she died in 2003). The controversy that has surrounded her first reared its head more than six decades ago, catching fire in the mid-1970s, when Susan Sontag published her influential and accusatory essay about Riefenstahl entitled “Fascinating Fascism.”
Ever since then, there has been a hot-button ferocity to what we might call The Riefenstahl Question. That heightened quality — like the question itself — refuses to die. The question is: Is it fair to brand this Nazi filmmaker a Nazi collaborator? She made her films for Hitler, who she was personally chummy with, so there’s no doubt that on some level she made a deal with the devil. But what was the deal? What, exactly, did she know?
The debate about Leni...
Ever since then, there has been a hot-button ferocity to what we might call The Riefenstahl Question. That heightened quality — like the question itself — refuses to die. The question is: Is it fair to brand this Nazi filmmaker a Nazi collaborator? She made her films for Hitler, who she was personally chummy with, so there’s no doubt that on some level she made a deal with the devil. But what was the deal? What, exactly, did she know?
The debate about Leni...
- 8/29/2024
- by Owen Gleiberman
- Variety Film + TV
Letter in Leni Riefenstahl archive appears to claim her set instructions led to deaths of Polish Jews, says director
A new documentary on the Nazis’ favourite film-maker and lead propagandist Leni Riefenstahl suggests she was a direct witness to murderous crimes of the Third Reich she later claimed to have known nothing about, and may even have contributed to one herself.
The film Riefenstahl, which premieres at the Venice film festival at the end of August, also claims that the propagandist admired the party and its henchmen until her death at 101 in 2003, a sentiment that ran counter to her insistence that she was not signed up to the Nazi cause.
A new documentary on the Nazis’ favourite film-maker and lead propagandist Leni Riefenstahl suggests she was a direct witness to murderous crimes of the Third Reich she later claimed to have known nothing about, and may even have contributed to one herself.
The film Riefenstahl, which premieres at the Venice film festival at the end of August, also claims that the propagandist admired the party and its henchmen until her death at 101 in 2003, a sentiment that ran counter to her insistence that she was not signed up to the Nazi cause.
- 8/28/2024
- by Kate Connolly in Berlin
- The Guardian - Film News
Curiously, for a woman who directed a movie called Triumph of the Will, Leni Riefenstahl seemed to lose control over her own person when she first met Adolf Hitler.
“I had hot sweats,” the German filmmaker said of seeing the future Führer speak at a rally in 1932. “I was somehow captured, as by a magnetic force.”
Embedded in that description is a self-defense: She may as well have said, “I wasn’t to blame, I couldn’t help it, I was overwhelmed by Hitler’s presence, like millions of other Germans.”
The new documentary Riefenstahl, premiering Thursday at the Venice Film Festival, argues the German filmmaker carefully crafted a narrative absolving herself of responsibility for becoming Hitler’s favored cinematic propagandist.
“In a way, it is a detective story, because she is lying,” director Andres Veiel tells Deadline. “She’s manipulating.”
Leni Riefenstahl crouches beneath a camera.
After Germany’s defeat in World War II,...
“I had hot sweats,” the German filmmaker said of seeing the future Führer speak at a rally in 1932. “I was somehow captured, as by a magnetic force.”
Embedded in that description is a self-defense: She may as well have said, “I wasn’t to blame, I couldn’t help it, I was overwhelmed by Hitler’s presence, like millions of other Germans.”
The new documentary Riefenstahl, premiering Thursday at the Venice Film Festival, argues the German filmmaker carefully crafted a narrative absolving herself of responsibility for becoming Hitler’s favored cinematic propagandist.
“In a way, it is a detective story, because she is lying,” director Andres Veiel tells Deadline. “She’s manipulating.”
Leni Riefenstahl crouches beneath a camera.
After Germany’s defeat in World War II,...
- 8/28/2024
- by Matthew Carey
- Deadline Film + TV
Knapp 80 Filme von 45 Verleihern: Die Filmkunstmesse Leipzig holt einmal mehr die ganze Vielfalt des Arthouse auf die Leinwände der Passage-Kinos, des CineStar Leipzig und der Schauburg als Spielstätte für öffentliche Screenings. Jetzt wurde das Programm bekanntgegeben, das aus deutscher Sicht u.a. die neuen Werke von Tom Tykwer, Tim Fehlbaum oder Andres Veiel umfasst.
Großer Andrang zur Eröffnung: Darauf darf man sich auch bei der 24. Filmkunstmesse einstellen (Credit: Ag Kino-Gilde/Tom Schulze)
Publikums-, Kritiker- und Jurylieblinge des Festivals in Cannes: Sie sind traditionell fester Bestandteil des Programms der Filmkunstmesse Leipzig – und daran ändert sich natürlich auch bei der 24. Ausgabe des zentralen Treffens der deutschsprachigen Arthouse-Szene nichts. Ebenso wenig gilt dies für die immense Bandbreite und Vielfalt der dort für Fachpublikum (und teils auch für die Öffentlichkeit) gezeigten Titel. 78 Filme von 45 Verleihern zählen die Organisatoren der Ag Kino-Gilde diesmal.
Tradition haben auch hochkarätige Eröffnungsfilme am Montagabend – jeweils einer, der nur dem...
Großer Andrang zur Eröffnung: Darauf darf man sich auch bei der 24. Filmkunstmesse einstellen (Credit: Ag Kino-Gilde/Tom Schulze)
Publikums-, Kritiker- und Jurylieblinge des Festivals in Cannes: Sie sind traditionell fester Bestandteil des Programms der Filmkunstmesse Leipzig – und daran ändert sich natürlich auch bei der 24. Ausgabe des zentralen Treffens der deutschsprachigen Arthouse-Szene nichts. Ebenso wenig gilt dies für die immense Bandbreite und Vielfalt der dort für Fachpublikum (und teils auch für die Öffentlichkeit) gezeigten Titel. 78 Filme von 45 Verleihern zählen die Organisatoren der Ag Kino-Gilde diesmal.
Tradition haben auch hochkarätige Eröffnungsfilme am Montagabend – jeweils einer, der nur dem...
- 7/31/2024
- by Marc Mensch
- Spot - Media & Film
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